PAINTED WARE.

The painted vases of Chiriqui embrace at least ten easily distinguished

varieties of ware. The characters upon which the classification is based

are somewhat heterogeneous and include material, color, shape, finish,

ornamentation, method of manufacture, and evidences of use. No single

character and no one group of characters can be relied upon to

distinguish the different groups. We must depend, therefore, upon an

assemblage of characters or upon one character in one place and another

in another place. Observing a number of striking differences in two

groups of ware, we arrive at the conclusion that these groups must have

been the work of distinct communities; yet we find very marked

differences in wares that (through the possession in common of some

particular feature) we know to be the work of the same hands. We can,

therefore, determine little in regard to the peoples concerned.

I do not consider the presence in a single grave of two or more

varieties sufficient proof of their common origin, for a number of

distinct wares may come into the possession of one community through

trade, conquest, or the spoliation of tombs; but a constant recurrence

together of the same forms affords strong evidence that the objects were

the work of the people with whom they were buried. Unfortunately our

observations in the field are not sufficiently accurate to enable us to

utilize associations or methods of occurrence in the graves as a means

of classification.

The following classification is, under the circumstances, the best that

I can devise, and is of use mainly as a means of facilitating

description. The name chosen generally indicates a leading or striking

characteristic of the group.

The _scarified_ group, separated widely from all other varieties.

Ancient art of the province of Chiriqui, Colombia Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188 · 第 22 / 37 题