Only a comparatively few winters ago fashionable Nice consisted almost

entirely of the Promenade des Anglais, with a few slight tags and

appendages in either direction. At its eastern end stood (and still

stands) the Jardin Public, that paradise of children and of be-ribboned

French nursemaids, where the band discourses lively music every afternoon

at four, and all the world sits round on two-sou chairs to let all the

rest of the world see for itself it is still in evidence. These, and the

stately quays along the Paillon bank, lined with shops where female human

nature can buy all the tastiest and most expensive gewgaws in Europe,

constituted the real Nice of the early eighties. But with the rapid

growth of that general taste for more sumptuous architecture which marks

our age, the Phocæan city woke up a few years since with electric energy

to find itself in danger of being left behind by its younger competitors.

So the Niçois conscript fathers put their wise heads together, in conclave

assembled, and resolved on a general transmogrification of the center of

their town. By continuously bridging and vaulting across the almost dry

bed of the Paillon torrent they obtained a broad and central site for a

new large garden, which now forms the natural focus of the transformed

city. On the upper end of this important site they erected a large and

handsome casino in the gorgeous style of the Third Republic, all glorious

without and within, as the modern Frenchman understands such glory, and

provided with a theater, a winter garden, restaurants, cafés, ball-rooms,

_petits chevaux_, and all the other most pressing requirements of an

advanced civilization. But in doing this they sacrificed by the way the

beautiful view towards the mountains behind, which can now only be

obtained from the Square Masséna or the Pont Vieux farther up the river.

Most visitors to Nice, however, care little for views, and a great deal

for the fitful and fearsome joys embodied to their minds in the outward

and visible form of a casino.

This wholesale bridging over of the lower end of the Paillon has united

the French and Italian towns and abolished the well-marked boundary line

which once cut them off so conspicuously from one another. The inevitable

result has been that the Italian town too has undergone a considerable

modernization along the sea-front, so that the Promenade des Anglais and

the Promenade du Midi now practically merge into one continuous parade,

and are lined along all their length with the same clipped palm-trees and

the same magnificent white palatial buildings. When the old theater in the

Italian town was burnt down in the famous and fatal conflagration some

years since the municipality erected a new one on the same site in the

most approved style of Parisian luxury. A little behind lie the Préfecture

and the beautiful flower market, which no visitor to Nice should ever

miss; for Nice is above all things, even more than Florence, a city of

flowers. The sheltered quarter of the Ponchettes, lying close under the

lee of the Castle Hill, has become of late, owing to these changes, a

favorite resort for invalids, who find here protection from the cutting

winds which sweep with full force down the bare and open valley of the

Paillon over the French town.

I am loth to quit that beloved sea-front, on the whole the most charming

marine parade in Europe, with the Villefranche point and the

pseudo-Gothic, pseudo-Oriental monstrosity of Smith's Folly on one side

and the delicious bay towards Antibes on the other. But there are yet

various aspects of Nice which remain to be described: the interior is

almost as lovely in its way as the coast that fringes it. For this inner

Nice, the Place Masséna, called (like the Place Garibaldi) after another

distinguished native, forms the starting point and center. Here the trams

from all quarters run together at last; hence the principal roads radiate

in all directions. The Place Masséna is the center of business, as the

Jardin Public and the Casino are the centers of pleasure. Also (_verbum

sap._) it contains an excellent _pâtisserie_, where you can enjoy an ice

or a little French pastry with less permanent harm to your constitution

and morals than anywhere in Europe. Moreover, it forms the approach to

the Avenue de la Gare, which divides with the Quays the honor of being the

best shopping street in the most fashionable watering-place of the

Mediterranean. If these delights thy soul may move, why, the Place Masséna

is the exact spot to find them in.

Other great boulevards, like the Boulevard Victor Hugo and the Boulevard

Dubouchage, have been opened out of late years to let the surplus wealth

that flows into Nice in one constant stream find room to build upon.

Châteaux and gardens are springing up merrily on every side; the slopes of

the hills gleam gay with villas; Cimiez and Carabacel, once separate

villages, have now been united by continuous dwellings to the main town;

and before long the city where Garibaldi was born and where Gambetta lies

buried will swallow up in itself the entire space of the valley, and its

border spurs from mountain to mountain. The suburbs, indeed, are almost

more lovely in their way than the town itself; and as one wanders at will

among the olive-clad hills to westward, looking down upon the green

lemon-groves that encircle the villas, and the wealth of roses that drape

their sides, one cannot wonder that Joseph de Maistre, another Niçois of

distinction, in the long dark evenings he spent at St. Petersburg, should

time and again have recalled with a sigh "ce doux vallon de Magnan." Nor

have the Russians themselves failed to appreciate the advantages of the

change, for they flock by thousands to the Orthodox Quarter on the heights

of Saint Philippe, which rings round the Greek chapel erected in memory of

the Czarewitch Nicholas Alexandrowitch, who died at Nice in 1865.

After all, however, to the lover of the picturesque Nice town itself is

but the threshold and starting point for that lovely country which

spreads on all sides its endless objects of interest and scenic beauty

from Antibes to Mentone. The excursions to be made from it in every

direction are simply endless. Close by lie the monastery and amphitheater

of Cimiez; the Italianesque cloisters and campanile of St. Pons; the

conspicuous observatory on the Mont Gros, with its grand Alpine views; the

hillside promenades of Le Ray and Les Fontaines. Farther afield the

carriage-road up the Paillon valley leads direct to St. André through a

romantic limestone gorge, which terminates at last in a grotto and natural

bridge, overhung by the moldering remains of a most southern château. A

little higher up, the steep mountain track takes one on to Falicon,

perched "like an eagle's nest" on its panoramic hill-top, one of the most

famous points of view among the Maritime Alps. The boundary hills of the

Magnan, covered in spring with the purple flowers of the wild gladiolus;

the vine-clad heights of Le Bellet, looking down on the abrupt and

rock-girt basin of the Var; the Valley of Hepaticas, carpeted in March

with innumerable spring blossoms; the longer drive to Contes in the very

heart of the mountains: all alike are lovely, and all alike tempt one to

linger in their precincts among the shadow of the cypress trees or under

the cool grottos green and lush with spreading fronds of wild maidenhair.

Among so many delicious excursions it were invidious to single out any for

special praise; yet there can be little doubt that the most popular, at

least with the general throng of tourists, is the magnificent coast-road

by Villefranche (or Villafranca) to Monte Carlo and Monaco. This

particular part of the coast, between Nice and Mentone, is the one where

the main range of the Maritime Alps, abutting at last on the sea, tumbles

over sheer with a precipitous descent from four thousand feet high to the

level of the Mediterranean. Formerly, the barrier ridge could only be

surmounted by the steep but glorious Corniche route; of late years,

however, the French engineers, most famous of road-makers, have hewn an

admirable carriage-drive out of the naked rock, often through covered

galleries or tunnels in the cliff itself, the whole way from Nice to Monte

Carlo and Mentone. The older portion of this road, between Nice and

Villefranche, falls well within the scope of our present subject.

You leave modern Nice by the quays and the Pont Garibaldi, dash rapidly

through the new broad streets that now intersect the Italian city, skirt

the square basins lately added to the more shapeless ancient Greek port of

Limpia, and begin to mount the first spurs of the Mont Boron among the

villas and gardens of the Quartier du Lazaret. Banksia roses fall in

cataracts over the walls as you go; looking back, the lovely panorama of

Nice opens out before your eyes. In the foreground, the rocky islets of La

Réserve foam white with the perpetual plashing of that summer sea. In the

middle distance, the old Greek harbor, with its mole and lighthouse,

stands out against the steep rocks of the Castle Hill. The background

rises up in chain on chain of Alps, allowing just a glimpse at their base

of that gay and fickle promenade and all the Parisian prettinesses of the

new French town. The whole forms a wonderful picture of the varied

Mediterranean world, Greek, Roman, Italian, French, with the vine-clad

hills and orange-groves behind merging slowly upward into the snow-bound

Alps.

Turning the corner of the Mont Boron by the grotesque vulgarisms of the

Château Smith (a curious semi-oriental specimen of the shell-grotto order

of architecture on a gigantic scale) a totally fresh view bursts upon our

eyes of the Rade de Villefranche, that exquisite land-locked bay bounded

on one side by the scarped crags of the Mont Boron itself, and on the

other by the long and rocky peninsula of St. Jean, which terminates in the

Cap Ferrat and the Villefranche light. The long deep bay forms a favorite

roadstead and rendezvous for the French Mediterranean squadron, whose huge

ironclad monsters may often be seen ploughing their way in single file

from seaward round the projecting headlands, or basking at ease on the

calm surface of that glassy pond. The surrounding heights, of course,

bristle with fortifications, which, in these suspicious days of armed

European tension, the tourist and the sketcher are strictly prohibited

from inspecting with too attentive an eye. The quaintly picturesque town

of Villefranche itself, Italian and dirty, but amply redeemed by its

slender bell-tower and its olive-clad terraces, nestles snugly at the very

bottom of its pocket-like bay. The new road to Monte Carlo leaves it far

below, with true modern contempt for mere old-world beauty; the artist and

the lover of nature will know better than to follow the example of those

ruthless engineers; they will find many subjects for a sketch among those

whitewashed walls, and many a rare sea-flower tucked away unseen among

those crannied crags.

And now, when all is said and done, I, who have known and loved Nice for

so many bright winters, feel only too acutely how utterly I have failed to

set before those of my readers who know it not the infinite charms of that

gay and rose-wreathed queen of the smiling Riviera. For what words can

paint the life and movement of the sparkling sea-front? the manifold

humors of the Jardin Public? the southern vivacity of the washer-women

who pound their clothes with big stones in the dry bed of the pebbly

Paillon? the luxuriant festoons of honeysuckle and mimosa that drape the

trellis-work arcades of Carabacel and Cimiez? Who shall describe aright

with one pen the gnarled olives of Beaulieu and the palace-like front of

the Cercle de la Méditerranée? Who shall write with equal truth of the

jewelers' shops on the quays, of the oriental bazaars of the Avenue, and

of the dome after dome of bare mountain tops that rise ever in long

perspective to the brilliant white summits of the great Alpine backbone?

Who shall tell in one breath of the carmagnoles of the Carnival, or the

dust-begrimed bouquets of the Battle of Flowers, and of the silent summits

of the Mont Cau and the Cime de Vinaigrier, or the vast and varied

sea-view that bursts on the soul unawares from the Corniche near Eza?

There are aspects of Nice and its environs which recall Bartholomew Fair,

or the Champs Élysées after a Sunday review; and there are aspects which

recall the prospect from some solemn summit of the Bernese Oberland, mixed

with some heather-clad hill overlooking the green Atlantic among the

Western Highlands. Yet all is so graciously touched and lighted with

Mediterranean color and Mediterranean sunshine, that even in the midst of

her wildest frolics you can seldom be seriously angry with Nice. The works

of God's hand are never far off. You look up from the crowd of carriages

and loungers on the Promenade des Anglais, and the Cap Ferrat rises bold

and bluff before your eyes above the dashing white waves of the sky-blue

sea: you cross the bridge behind the Casino amid the murmur of the quays,

and the great bald mountains soar aloft to heaven above the brawling

valley of the snow-fed Paillon. It is a desecration, perhaps, but a

desecration that leaves you still face to face with all that is purest and

most beautiful in nature.

And then, the flowers, the waves, the soft air, the sunshine! On the

beach, between the bathing places, men are drying scented orange peel to

manufacture perfumes: in the dusty high roads you catch whiffs as you pass

of lemon blossom and gardenia: the very trade of the town is an expert

trade in golden acacia and crimson anemones: the very _gamins_ pelt you in

the rough horse-play of the Carnival with sweet-smelling bunches of

syringa and lilac. Luxury that elsewhere would move one to righteous wrath

is here so democratic in its display that one almost condones it. The

gleaming white villas, with carved caryatides or sculptured porches of

freestone nymphs, let the wayfarer revel as he goes in the riches of their

shrubberies or their sunlit fountains and in the breezes that blow over

their perfumed parterres. Nice vulgar! Pah, my friend, if you say so, I

know well why. You have a vulgar soul that sees only the gewgaws and the

painted ladies. You have never strolled up by yourself from the noise and

dust of the crowded town to the free heights of the Mont Alban or the

flowery olive-grounds of the Magnan valley. You have never hunted for

purple hellebore among the gorges of the Paillon or picked orchids and

irises in big handfuls upon the slopes of Saint André. I doubt even

whether you have once turned aside for a moment from the gay crowd of the

Casino and the Place Masséna into the narrow streets of the Italian town;

communed in their own delicious dialect with the free fisherfolk of the

Limpia quarter; or looked out with joy upon the tumbled plain of mountain

heights from the breezy level of the Castle platform. Probably you have

only sat for days in the balcony of your hotel, rolled at your ease down

the afternoon Promenade, worn a false nose at the evening parade of the

Carnival, or returned late at night by the last train from Monte Carlo

with your pocket much lighter and your heart much heavier than when you

left by the morning express in search of fortune. And then you say Nice is

vulgar! You have no eyes, it seems, for sea, or shore, or sky, or

mountain; but you look down curiously at the dust in the street, and you

mutter to yourself that you find it uninteresting. When you go to Nice

again, walk alone up the hills to Falicon, returning by Le Ray, and then

say, if you dare, Nice is anything on earth but gloriously beautiful.

VII

THE RIVIERA

In the days of the Doges--Origin of the name--The blue bay of

Cannes--Ste. Marguerite and St. Honorat--Historical associations--The

Rue L'Antibes--The rock of Monaco--"Notre Dame de la Roulette"--From

Monte Carlo to Mentone--San Remo--A romantic railway.

"Oh, Land of Roses, what bulbul shall sing of thee?" In plain prose, how

describe the garden of Europe? The Riviera! Who knows, save he who has

been there, the vague sense of delight which the very name recalls to the

poor winter exile, banished by frost and cold from the fogs and bronchitis

of more northern climes? What visions of gray olives, shimmering silvery

in the breeze on terraced mountain slopes! What cataracts of Marshal

Niels, falling in rich profusion over gray limestone walls! What aloes and

cactuses on what sun-smitten rocks! What picnics in December beneath what

cloudless blue skies! But to those who know and appreciate it best, the

Riviera is something more than mere scenery and sunshine. It is life, it

is health, it is strength, it is rejuvenescence. The return to it in

autumn is as the renewal of youth. Its very faults are dear to us, for

they are the defects of its virtues. We can put up with its dust when we

remember that dust means sun and dry air; we can forgive its staring

white roads when we reflect to ourselves that they depend upon almost

unfailing fine weather and bright, clear skies, when northern Europe is

wrapped in fog and cold and wretchedness.

And what is this Riviera that we feeble folk who "winter in the south"

know and adore so well? Has everybody been there, or may one venture even

now to paint it in words once more for the twentieth time? Well, after

all, how narrow is our conception of "everybody!" I suppose one out of

every thousand at a moderate estimate, has visited that smiling coast that

spreads its entrancing bays between Marseilles and Genoa; my description

is, therefore, primarily for the nine hundred and ninety-nine who have not

been there. And even the thousandth himself, if he knows his Cannes and

his Mentone well, will not grudge me a reminiscence of those delicious

gulfs and those charming headlands that must be indelibly photographed on

his memory.

The name Riviera is now practically English. But in origin it is Genoese.

To those seafaring folk, in the days of the Doges, the coasts to east and

west of their own princely city were known, naturally enough, as the

Riviera di Levante and the Riviera di Ponente respectively, the shores of

the rising and the setting sun. But on English lips the qualifying clause

"di Ponente" has gradually in usage dropped out altogether, and we speak

nowadays of this favored winter resort, by a somewhat illogical clipping,

simply as "the Riviera." In our modern and specially English sense, then,

the Riviera means the long and fertile strip of coast between the arid

mountains and the Ligurian Sea, beginning at St. Raphael and ending at

Genoa. Hyères, it is true, is commonly reckoned of late among Riviera

towns, but by courtesy only. It lies, strictly speaking, outside the

charmed circle. One may say that the Riviera, properly so called, has its

origin where the Estérel abuts upon the Gulf of Fréjus, and extends as far

as the outliers of the Alps skirt the Italian shore of the Mediterranean.

Now, the Riviera is just the point where the greatest central mountain

system of all Europe topples over most directly into the warmest sea. And

its best-known resorts, Nice, Monte Carlo, Mentone, occupy the precise

place where the very axis of the ridge abuts at last on the shallow and

basking Mediterranean. They are therefore as favorably situated with

regard to the mountain wall as Pallanza or Riva, with the further

advantage of a more southern position and of a neighboring extent of sunny

sea to warm them. The Maritime Alps cut off all northerly winds; while the

hot air of the desert, tempered by passing over a wide expanse of

Mediterranean waves, arrives on the coast as a delicious breeze, no longer

dry and relaxing, but at once genial and refreshing. Add to these varied

advantages the dryness of climate due to an essentially continental

position (for the Mediterranean is after all a mere inland salt lake), and

it is no wonder we all swear by the Riviera as the fairest and most

pleasant of winter resorts. My own opinion remains always unshaken, that

Antibes, for climate, may fairly claim to rank as the best spot in Europe

or round the shores of the Mediterranean.

Not that I am by any means a bigoted Antipolitan. I have tried every other

nook and cranny along that delightful coast, from Carqueyranne to

Cornigliano, and I will allow that every one of them has for certain

purposes its own special advantages. All, all are charming. Indeed, the

Riviera is to my mind one long feast of delights. From the moment the

railway strikes the sea near Fréjus the traveller feels he can only do

justice to the scenery on either side by looking both ways at once, and so

"contracting a squint," like a sausage-seller in Aristophanes. Those

glorious peaks of the Estérel alone would encourage the most prosaic to

"drop into poetry," as readily as Mr. Silas Wegg himself in the mansion of

the Boffins. How am I to describe them, those rearing masses of rock, huge

tors of red porphyry, rising sheer into the air with their roseate crags

from a deep green base of Mediterranean pinewood? When the sun strikes

their sides, they glow like fire. There they lie in their beauty, like a

huge rock pushed out into the sea, the advance-guard of the Alps, unbroken

save by the one high-road that runs boldly through their unpeopled midst,

and by the timider railway that, fearing to tunnel their solid porphyry

depths, winds cautiously round their base by the craggy sea-shore, and so

gives us as we pass endless lovely glimpses into sapphire bays with red

cliffs and rocky lighthouse-crowned islets. On the whole, I consider the

Estérel, as scenery alone, the loveliest "bit" on the whole Riviera;

though wanting in human additions, as nature it is the best, the most

varied in outline, the most vivid in coloring.

Turning the corner by Agay, you come suddenly, all unawares, on the blue

bay of Cannes, or rather on the Golfe de la Napoule, whose very name

betrays unintentionally the intense newness and unexpectedness of all this

populous coast, this "little England beyond France" that has grown up

apace round Lord Brougham's villa on the shore by the mouth of the Siagne.

For when the bay beside the Estérel received its present name, La Napoule,

not Cannes, was still the principal village on its bank. Nowadays, people

drive over on a spare afternoon from the crowded fashionable town to the

slumbrous little hamlet; but in older days La Napoule was a busy local

market when Cannes was nothing more than a petty hamlet of Provençal

fishermen.

The Golfe de la Napoule ends at the Croisette of Cannes, a long, low

promontory carried out into the sea by a submarine bank, whose farthest

points re-emerge as the two Iles Lérins, Ste. Marguerite and St. Honorat.

Their names are famous in history. A little steamer plies from Cannes to

"the Islands," as everybody calls them locally; and the trip, in calm

weather, if the Alps are pleased to shine out, is a pleasant and

instructive one. Ste. Marguerite lies somewhat the nearer of the two, a

pretty little islet, covered with a thick growth of maritime pines, and

celebrated as the prison of that mysterious being, the Man with the Iron

Mask, who has given rise to so much foolish and fruitless speculation.

Near the landing-place stands the Fort, perched on a high cliff and

looking across to the Croisette. Uninteresting in itself, this old

fortification is much visited by wonder-loving tourists for the sake of

its famous prisoner, whose memory still haunts the narrow terrace

corridor, where he paced up and down for seventeen years of unrelieved

captivity.

St. Honorat stands farther out to sea than its sister island, and, though

lower and flatter, is in some ways more picturesque, in virtue of its

massive mediæval monastery and its historical associations. In the early

middle ages, when communications were still largely carried on by water,

the convent of the Iles Lérins enjoyed much reputation as a favorite

stopping-place, one might almost say hotel, for pilgrims to or from Rome;

and most of the early British Christians in their continental wanderings

found shelter at one time or another under its hospitable roof. St.

Augustine stopped here on his way to Canterbury; St. Patrick took the

convent on his road from Ireland; Salvian wrote within its walls his

dismal jeremiad; Vincent de Lérins composed in it his "Pilgrim's Guide."

The somber vaults of the ancient cloister still bear witness by their

astonishingly thick and solid masonry to their double use as monastery and

as place of refuge from the "Saracens," the Barbary corsairs of the ninth,

tenth, and eleventh centuries. Indeed, Paynim fleets plundered the place

more than once, and massacred the monks in cold blood.

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