“Why, Holmes, it is a child's drawing,” I cried.
“Oh, that's your idea!”
“What else should it be?”
“That is what Mr. Hilton Cubitt, of Riding Thorpe Manor, Norfolk, is
very anxious to know. This little conundrum came by the first post, and
he was to follow by the next train. There's a ring at the bell, Watson.
I should not be very much surprised if this were he.”
A heavy step was heard upon the stairs, and an instant later there
entered a tall, ruddy, clean-shaven gentleman, whose clear eyes and
florid cheeks told of a life led far from the fogs of Baker Street. He
seemed to bring a whiff of his strong, fresh, bracing, east-coast air
with him as he entered. Having shaken hands with each of us, he was
about to sit down when his eye rested upon the paper with the curious
markings, which I had just examined and left upon the table.
“Well, Mr. Holmes, what do you make of these?” he cried. “They told me
that you were fond of queer mysteries, and I don't think you can find a
queerer one than that. I sent the paper on ahead so that you might have
time to study it before I came.”
“It is certainly rather a curious production,” said Holmes. “At first
sight it would appear to be some childish prank. It consists of a number
of absurd little figures dancing across the paper upon which they
are drawn. Why should you attribute any importance to so grotesque an
object?”
“I never should, Mr. Holmes. But my wife does. It is frightening her to
death. She says nothing, but I can see terror in her eyes. That's why I
want to sift the matter to the bottom.”
Holmes held up the paper so that the sunlight shone full upon it. It was
a page torn from a note-book. The markings were done in pencil, and ran
in this way:--