Not a shadow of doubt lingered. She was gone; I was free. Her manner
had been the manner of finality. Her reluctance and her sadness were
little more than the convention of mourning which human beings feel
compelled to display on mortuary occasions of all kinds. Beneath the
crepe I saw a not discontented resignation, a conviction of the truth
that life together was impossible for her and me.
My male readers--those who have a thinking apparatus and use it--will
probably wonder, as I did then, that she had overlooked certain obvious
advantages to be gained through refusing to divorce me. She knew me
well enough to be certain I would not compel her to go to America and
live with me, but if she insisted would let her stay in Europe or
wander where she pleased. This would have given her all the advantages
of widowhood. Free, with plenty of money, she could have led her own
life, without ever having to consult the conveniences and caprices of
a husband. It seemed to me singularly stupid of her to resign this
signal advantage, to tie herself to a husband she could not ignore, a
husband she already saw would bore her, as poseurs invariably bore each
other--to tie herself to such a man with no compensating advantage but
a title. Indeed, so stupid did it seem that from the moment she began
to waver about confirming the divorce I all but lost hope of freedom.
My women readers will understand her. A man cannot appreciate how
hampered a woman of the lady class is without a legitimate male
attachment of some kind--a husband, a brother, or a father in constant
attendance, ready for use the instant the need arises. Our whole
society is built upon the theory that woman is the dependent, the
appendage of man. Freedom is impossible for a woman, except at a price
almost no woman voluntarily pays. To have any measure of freedom a
woman must bind herself to some man, and the bondage has to be cruel
indeed not to be preferable to the so-called freedom of the unattached
female. Thus it was not altogether snobbishness, it may not have been
chiefly snobbishness, that moved Edna to transfer herself to a husband
who would be a more or less unpleasant actuality. She had to have a
man. She wished to live abroad and to be in fashionable society. She
chose shrewdly. I imagine, from several things she said, that she had
measured Frascatoni with calm impartiality, had discovered many serious
disadvantages in him as husband to a woman of her fondness for her own
way. But estimating the disadvantages at their worst, the balance still
tipped heavily toward him.
I am glad I was not born a woman. I pity the women of our day, bred
and educated in the tastes of men, yet compelled to be dependents, and
certain of defeat in a finish contest with man.
Though there was now no reasonable doubt of Edna’s having the decree of
divorce made final, I, through overcaution or oversensitiveness as to
Mary Kirkwood’s rights, or what motive you please, would not let myself
leave London until a cable from my lawyers in New York informed me that
the decree had been entered and that I was legally free. The newspapers
had given much space to our affairs. It was assumed that I had come
abroad “to make last desperate efforts to win back the beautiful and
charming wife, the favorite of fashionable European society.” Stories
had been published, giving in minute detail accounts of the bribes I
had offered. And when the final decree was entered, my chagrin and fury
were pictured vividly.
I did nothing to discredit this, but, on the contrary, helped along the
campaign for the preservation of the literary and journalistic fiction
that the American woman is a kind of divine autocrat over mankind. If
I had been so vain and so ungallant as to try to make the public see
the truth I should have failed. You can discredit the truth to the
foolish race of men; but you cannot discredit, nor even cast a shade
of doubt upon, a generally accepted fiction of sentimentality. And of
all the sentimental fictions that everyone slobbers over, but no one
in his heart believes with the living and only valid faith of works,
the fictions about woman are the most sacred. Further, how many men are
there who believe that a man could get enough of a physically lovely
woman, however trying she might be? Once in a while in a novel--not
often, but once in a while--there are scenes portraying with some
approach to fidelity what happens between a woman and a man who is
of the sort that is attractive to women. Invariably such scenes are
derided or denounced by the critics. Why? For an obvious reason. A
critic is, to put it charitably, an average man. He has no insight; he
must rely for his knowledge of life solely upon experience. Now what
is the average man’s experience of women? He treats them in a certain
dull, conventional way, and they treat him--as he invites and compels.
So when he reads how women act toward a man who does not leave them
cold or indifferent, who rouses in them some sensation other than
wonder whether they would be able to stomach him as a husband, the
critic scoffs and waxes wroth. The very idea that women might be less
reserved, less queenly, less grudgingly gracious than woman has ever
been to him sends shooting pains through his vanity--and toothache and
sciatica are mild compared with the torturings of a pain-shotten vanity.
Edna scored heavily in the newspapers. You would never have suspected
it was her late husband’s money that had given her everything, that
had made her throughout; for, what had she, and what was she, except
a product of lavishly squandered money? Think about that carefully,
gentle reader, before you damn me and commiserate her as in these pages
a victim of my venomous malice.... She was the newspaper heroine of the
hour. If she had been content with this-- But I shall not anticipate.
My cable message from New York came at five o’clock. At half-past six,
accompanied only by my valet, I was journeying toward Switzerland.
Mrs. Kirkwood, I had learned from her brother, was at Territet, at the
Hotel Excelsior, with the Horace Armstrongs. At four the following
afternoon I descended at Montreux from the Milan express; at five, with
travel stains removed, I was in the garden of the Excelsior having
tea with Mrs. Armstrong and listening to her raptures over the Savoy
Alps. Doubtless you know Mrs. Armstrong’s (Neva Carlin’s) work. Her
portrait of Edna is famous, is one of the best examples I know of
inside-outness. Edna does not like it, perhaps for that reason.
Mary and Horace Armstrong had gone up to Caux. “But,” said Neva,
“they’ll surely be back in a few minutes. Count von Tilzer-Borgfeldt is
coming at half-past five.”
I instantly recognized that name as the one Edna gave in telling me
that Mary had gone shopping for a title and had invested. I had thought
Edna’s jeer produced no effect upon me. I might have known better. My
nature has, inevitably, been made morbidly suspicious by my business
career. Also, I had found out Robert Armitage as a well-veneered snob,
and this could not but have put me in an attitude of watchfulness
toward his sister, so like him mentally. Also my investigations of
that most important phenomenon of American life, the American woman,
had compelled me to the conclusion that the disease of snobbishness
had infected them all, with a few doubtful exceptions. So, without my
realizing it, my mind was prepared to believe that Mary Kirkwood was
like the rest. When Neva Armstrong pronounced the name Edna had given,
there shot through me that horrible feeling of insufferable heat and
insufferable cold which it would be useless to attempt to describe; for
those who have felt it will understand at once, and those who have not
could not be made to understand. And then I recalled Hartley Beechman’s
jeer, “She’s laughing at us both.” But my voice was natural as I said:
“Tilzer-Borgfeldt. That’s the chap she’s engaged to just now, isn’t it?”
Mrs. Armstrong, who is a loyal friend, flushed angrily. “Mary isn’t
that sort, and you know it, for you’ve known her a long time.”
“Then she’s not engaged to him?” said I.
“Yes, she is,” replied Neva. “And if you knew him, you’d not wonder at
it. I don’t like foreigners, but if I weren’t bespoke I think I’d have
to take Tilzer-Borgfeldt if he asked me.”
“No doubt it’s a first-class title,” said I.
“You know perfectly well, Godfrey Loring, that I don’t mean the title.”
She happened to glance toward the entrance to the garden. “Here he
comes now. You’ll judge for yourself.”
Advancing toward us was a big, happy blond man of the pattern from
which nine out of ten German upper-class men are cut. He had the
expression of simple, unaffected joy natural to a big, healthy, happy
blond youth looking forward to seeing his best girl. He had youth, good
looks, unusual personal magnetism--and you will imagine what effect
this produced upon my mood. I could not deny that Neva was right.
Without a title this man would have all the chances in his favor when
he went courting. He had not a trace of aristocratic futility.
You would have admired the frank cordiality of my greeting. Instead of
sitting down again I glanced at my watch and said:
“Well, my time’s up. I shall have to go without seeing Horace and Mary.”
“But you’ll come to dinner?” said Mrs. Armstrong.
“I’m taking the first express back to Paris,” said I. “I found a
telegram waiting for me at my hotel.”
“Mary will be disappointed,” said Neva. “You’ll give Mrs. Loring my
best?”
I remembered that the English papers, with the news doubtless in it,
would not reach Territet until late that evening or the following
morning. But I could not well tell her what had occurred. “Good-by,”
said I, shaking hands. “Tell them how sorry I was. I may see you all in
Paris.”
And away I went, with not an outward sign of my internal state. In less
than half an hour I was in the Paris express.
* * * * *
I stopped at Paris a month. A letter came from her--a bulky letter. I
tossed it unopened into the fire. A week, and a second letter came. It
was not so bulky. I flung it unopened into the fire. About two weeks,
and a third letter came. I got Rossiter to address an envelope to her.
I inclosed her unopened letter in the envelope and mailed it. I was
giving myself an exquisite pleasure, the keener because it was seasoned
with exquisite pain.
All this time I had been amusing my idle days in the usual fashion.
My readers who lead quiet lives--the women who sit thinking what they
would do if only they were men--the men who slip away occasionally
for a scampish holiday, and return to their sober routine with the
cheering impression that they have been most fearfully and wonderfully
devilish--those women and those men will regret that I refrain from
details of how I amused myself. But to my notion I have said enough
when I have said “in the usual fashion.” It passed the time as probably
nothing else in the circumstances would have passed such tenacious
hours, every one lingering to be counted. But I confess I have never
been virtuous enough to be especially raptured by so-called vice. No
doubt those who divide actions into good and bad, using the good for
steady diet and the bad for dessert, have advantages in enjoyment over
those who simply regard things as interesting and uninteresting. For,
curiously enough, on that latter basis of division practically all the
things esteemed by most human beings as the delightful but devilish
dessert of life fall into the class of more or less uninteresting. But
for the stimulus of the notion that he is doing something courageously,
daringly wicked, I doubt if any but a dull fellow would perpetrate
vice enough to lift the most easily scandalized hands in the world.
The trouble with vice is that it is so tiresome--and so bad for the
health. And most of it is so vulgar. Drinking to excess and gambling,
for instance. I have indulged in both at times, when hard pressed
for ways to pass the time or when in those stupid moods of obstinate
unreasonableness in which a man takes a savage pleasure in disgusting
himself with himself. Drinking has a certain coarse appeal to the
imagination--coarse and slight but definite. But gambling is sheer
vulgarity. I have been called money-mad, because I have made money,
finding it easy and occupying to attend to business. Yet never have I
cared about money sufficiently to take the faintest interest in the
gaming table. Gambling--all forms of it--is for those sordid creatures
who love money, and who have no intelligent appreciation of its value.
Gambling--all the vices, for that matter--is essentially aristocratic;
for, as I believe I have explained, aristocracy analyzes into the
quintessence of vulgarity. The two incompetent classes--the topmost
and the bottommost--are steeped in vice, for the same reason of their
incompetence to think or to act.
A fourth letter, the bulkiest of all, came from Mary Kirkwood. A few
hours before it was delivered a telegram came from her:
“A letter is on the way. Godfrey, I beg you to read it. I love you.”
I tore up the telegram, sent back the letter without opening it. You
are denouncing me as inhuman, gentle reader. Perhaps you are right.
But permit me to point out to you that, if I had not in my composition
a vein of iron, I should never have risen from the mosquito-haunted
flats of the Passaic. Also, gentle reader, if I had been a man of the
ordinary sort would Mary Kirkwood have been sufficiently interested in
me to send those letters and that telegram?
A day or so after the return of her last letter I was seized--I can’t
say why--with a longing to see my father and mother and sister, on that
lonely farm out in New Jersey. I had never felt that desire since I
first left home, but had made my few and brief visits out of a sense
of duty--no, of shame. The thought of them gave me no sensation of
horror, as it gave Edna and her daughter. When I remembered them it
was simply as one remembers any random fact. They did not understand
me; and in them there was nothing to understand. We had few subjects
for conversation, and those not wildly interesting and soon exhausted.
You will smile when I say I loved them. Yet it is the truth. We do not
always love those we like to be with; we do not always like to be with
those we love.
There was nothing to detain me in Paris. The hours hung like guests
who do not know how to take leave. So not many days elapsed between
my seizure and my appearance at the spacious and comfortable stone
farmhouse where the four old people were awaiting in a semi-comatose or
dozing state what they firmly believed was a summons to a higher life.
Their belief in it, like that of most religious people, was not strong
enough to make them impatient to get it; still they believed, and found
the belief a satisfactory way of employing such small part of their
minds as remained awake.
I had not seen them or their place in several years, so I was
astonished by the changes. My sister Polly--a homely old maid--and
Edna’s father had some glimmerings of enterprise. Polly took in and
read several magazines, and from them gathered odds and ends of
up-to-date ideas about dress, about furnishing, about gardens. With
the valuable assistance of old Weeping Willie she had wrought a most
creditable transformation. The old people now “looked like something,”
as the saying is. And the place had a real smartness--both within and
without.
Polly--she was about eight years my senior, but looked old enough to be
my mother--Polly watched me anxiously as I strolled and nosed about. My
delight filled her with delight.
“You’re not so ashamed of us, perhaps?” said she.
“I never have been,” replied I. Nor did I put an accent on the personal
pronoun that would have been a hint about somebody else’s feelings.
“Well--you ought to have been,” said she. “We were mighty far behind
even the tail of the procession.”
“I’ll admit I like this better than the way we used to live in Passaic.
Polly, you’ve got the best there is going. All the rest--all the luxury
and other nonsense--is nothing but a source of unhappiness.”
She did not answer. I noted a touching sadness in her expression.
“You don’t agree with me?” said I.
“Yes, I do,” replied she emphatically. “I wasn’t thinking of that.”
“What have _you_ got to be unhappy about?”
“You think I’m ungrateful to you,” said she, with quick sensitiveness.
“But I’m not, Godfrey--indeed I’m not.”
“Ungrateful?” I laughed. “Don’t talk nonsense.”
“You’ve done all you could--all anyone could. And in a way I am happy.
But----”
“Yes?” I urged, as she hesitated.
“Well, I’ve found out--looking back over my life--I’ve found out that
I-- It seems to me I’ve got all the _tools_ of happiness, but nothing
to _work on_. I keep thinking, ‘How happy I could be if I only had
something to work on!’”
I was silent. A shadow crept out of a black corner of my heart and cast
a somberness and a chill over me.
“You understand?” said she.