But Edna----

As I look back on those weeks of days, each one crowded like a ragbag

with rubbish, the figure of Edna stands out radiant. You would never

have thought her the mother of the bride--or, indeed, a mother at all.

A woman who for many years leads a virginal or almost virginal life

gets back the vestal air of the unmarried girl. This air had returned

to Edna. She had it as markedly as had Margot. It was most becoming

to her piquant style of beauty, giving it the allure of the height

that invites ascent and capture, yet has never been desecrated. And

how she did enjoy the grandeur--the great names, the gorgeous presents

of curiously and costlily wrought gold and silver and crystal, and

precious stones, the succession of panoramas of ultra-fashionable life,

with herself and Margot always the center.

I used to stand aside and watch her and feel as if I were hypnotized

into vivid hallucinations. I recalled the incidents of our early

life--Brooklyn, the Passaic flat, the squat and squalid homes of our

childhood. I recalled our people--hers and mine--tucked away in homely

obscurity among the New Jersey hills. But by no effort of mind could I

associate her with these realities. She had literally been born again.

I looked at the other Americans of humble beginnings--and there were

not a few of them in that society. All had retained some traces of

their origin, had some characteristics that made it not difficult to

connect their present with their past. But not Edna.

At the wedding--in the most fashionable church in the West End--Margot

looked weary and rather old, gone slightly stale from too long and

hard preliminary training. Edna was at her best--delicate, fragile,

radiant. How the other women hated her for that time-defying beauty of

hers! Many of the women of her still youthful age retained much of the

physical attractiveness of youth. But there was not another one who

was not beginning to show the effects of dissipation--of too much food

and wine and cigarettes, of lives devoid of elevating sensations, of

minds used only for petty, mean thoughts. But Edna seemed in the flower

of that period when the secrets of the soul have as yet made no marks

upon the countenance. You would have said she was a merry and romantic

girl. I could not fathom that mystery. I cannot fathom it now. Its clew

must be in her truly amazing powers of self-deception and also in that

unique capacity of hers for forgetting the thing, no matter what, that

is disagreeable to remember.

When we were at last alone, with the young couple off for the yacht

Lord Shangway had loaned them for the honeymoon, with the last guest

gone and the last powdered flunkey vanished--when she and I were alone,

she settled herself with a sigh and said:

“I wish I could make it begin all over again!”

“You must be built of steel,” said I.

“I am supremely happy,” said she, “and have been for weeks. Nothing

agrees with me so thoroughly as happiness.”

I looked at her scrutinizingly. No, she was not the least tired; she

was as fresh as if that moment risen from a long sleep in the air of

seashore or mountains.

She went on: “I’m going over to Paris to-morrow. I’ve a lot of

engagements there. And I must get some clothes. I’ve worn out all I

brought with me.”

“Worn out” meant worn once or at most twice; for in a society where

everyone is seeing everyone else all the time a woman with a reputation

for dress cannot afford to reappear in clothes once seen. In some

circles this would sound delightfully prodigal, in others delightfully

impossible, and perhaps in still others delightfully criminal. But then

all that sort of thing is relative--like everything else in the world.

“Won’t you come along?” said she in a perfunctory tone.

“No, thanks,” I replied. “I’m off for Russia with a party of bankers to

look at some mining properties.”

“I thought you were returning to New York?”

“Not for several months,” said I.

“How can you stay away so long from your beloved America?”

“Business--always business.”

She eyed me somewhat as one eyes a strange, mildly interesting

specimen. “Well--you must enjoy it, or you wouldn’t keep at it year in

and year out.”

“One has to pass the time,” said I.

“How does Mary Kirkwood pass the time?”

This unexpected and--except sub-consciously--accidental question,

staggered me for an instant. “I don’t know much about it,” said I. “She

has a house--and she looks after it, herself. She reads, I believe.

She has gardens--and they use up a lot of time. Then she rides.”

Edna yawned. “It sounds dull,” she said. “But domestic people are

always dull. And she is certainly domestic. I wonder why she doesn’t

marry again.”

The Husband's Story: A Novel · 第 33 / 79 题