V.

AND so it continued throughout the inquest and throughout the

trial—for, yes, they tried me for my sweetheart’s murder. I ate,

drank, slept, and answered the questions that were put to me, all in a

dazed, dull way, but suffered no pain, no surprise, no indignation, had

no more sensation than a dead man. That Veronika had been killed, and

that I was accused of having killed her, were the facts which I heard

told and told again from morning till night each day; yet I had not the

least conception of what they signified. I was too stunned and benumbed

to realize.

The first day passed by, and the second and the third, every one of them

busy with events that meant life or death for me: yet I took no notice.

When left to myself, invariably I closed my eyes, and the stupor settled

over my senses like a cloud of smoke. When aroused, I did whatever was

required as passively as an automaton. I remember those first few days

as one remembers a hateful dream. I remember being driven in a dark,

noisy vehicle from the station-house to the city prison, and having in

the latter place a cell assigned to me which was destined to serve as my

home for many weeks. I remember making several trips, handcuffed to my

custodian, from the jail to the office where the inquest was held and

back: but my only recollection of the inquest itself is a confused

one—a crowded, foul-smelling room, a chaos of faces and voices,

endless talking, endless questioning of myself by men who were strangers

to me. I remember that by and by these journeys came to an end: but

what the verdict of the inquest was I do not remember—I do not think I

troubled myself to ask at the time. Then I remember that after some days

spent alone in my cell one of the keepers said, “You are indicted,”

and inquired whether I wished to communicate with my attorney. Indicted?

My attorney? I did not comprehend. I do not remember what I answered.

Once the door of my cell opened, and they brought in a trunk and a

violin-case and placed them on the floor at the foot of my cot.

I recognized these for my own property. Mechanically I took out my

violin and drew forth one long, clear note. That note was like a sudden

flash of light. For a single instant the desolation to which my world

had been reduced became visible in all its ghastliness. For a single

instant I realized my position, realized that Veronika was dead, and the

rest. The truth pierced my consciousness like an arrow and made my body

quake with pain. But immediately the darkness settled over me again, the

stupor returned.

Slowly, however, this stupor was changing its character. By degrees,

so far as my mere thinking faculties were involved, it began to be

dissipated. By degrees my mind struggled out of it. I began to notice

and to understand things, and was able to converse and to appreciate

what was said. But over my feelings it retained its sway. Although I

was quite competent now to follow the explanations of my lawyer—how

Veronika had been murdered and how and why I was suspected as the

murderer—still I had no feeling of any sort about the matter. I might

have been a log of wood.

My lawyer had presented himself one day and volunteered his services. I

had accepted them without even inquiring his name.

“Don’t you remember me?” he asked.

As It Was Written: A Jewish Musician's Story · 第 28 / 50 题