I glanced up quickly.

"In this room?" I asked.

My landlady seemed troubled at my tone.

"Well, not exactly in this very room. We carried her upstairs, but she

died immediately. She was dying when she came here. I should not have

taken her in had I known. So many people are prejudiced against a house

where death has occurred, as if there were anywhere it had not. It was

not quite fair to us."

I did not speak for a while, and the rattle of the plates and knives

continued undisturbed.

"What did she leave here?" I asked at length.

"Oh, just a few books and photographs, and such-like small things that

people bring with them to lodgings," was the reply. "Her people promised

to send for them, but they never did, and I suppose I forgot them. They

were not of any value."

The woman turned as she was leaving the room.

"It won't drive you away, sir, I hope, what I have told you," she said.

"It all happened a long while ago.

"Of course not," I answered. "It interested me, that was all." And the

woman went out, closing the door behind her.

So here was the explanation, if I chose to accept it. I sat long that

morning, wondering to myself whether things I had learnt to laugh at

could be after all realities. And a day or two afterwards I made a

discovery that confirmed all my vague surmises.

Rummaging through this same dusty book-case, I found in one of the ill-

fitting drawers, beneath a heap of torn and tumbled books, a diary

belonging to the fifties, stuffed with many letters and shapeless

flowers, pressed between stained pages; and there--for the writer of

stories, tempted by human documents, is weak--in faded ink, brown and

withered like the flowers, I read the story I already knew.

Such a very old story it was, and so conventional. He was an artist--was

ever story of this type written where the hero was not an artist? They

had been children together, loving each other without knowing it till one

day it was revealed to them. Here is the entry:--

"May 18th.--I do not know what to say, or how to begin. Chris loves

me. I have been praying to God to make me worthy of him, and dancing

round the room in my bare feet for fear of waking them below. He

kissed my hands and clasped them round his neck, saying they were

beautiful as the hands of a goddess, and he knelt and kissed them

again. I am holding them before me and kissing them myself. I am

glad they are so beautiful. O God, why are you so good to me? Help

me to be a true wife to him. Help me that I may never give him an

instant's pain! Oh, that I had more power of loving, that I might

love him better,"--and thus foolish thoughts for many pages, but

foolish thoughts of the kind that has kept this worn old world,

hanging for so many ages in space, from turning sour.

Sketches in Lavender, Blue and Green · 第 10 / 56 题