CHAPTER XXVI

The portrait of that civil and decent girl, Christian Talbot Lowry,

was finished; it had been conveyed to Mount Music and was there

established on an easel in the billiard-room The artist and the model,

having raised and lowered blinds and arranged curtains to their

liking, or as nearly to that unattainable ideal as circumstances

permitted, were now recovering from the criticism of their relations

on the completed work.

The artist who works in the bosom of his own family has much to bear,

and, so the family consider, much to learn. Neither in endurance, nor

in the docile assimilation of instruction, had Mr. Coppinger been

conspicuously successful, and his model, on whom had rested the

weighty responsibility of keeping the peace, or, at least, of averting

open warfare between the painter and the critics, was now, albeit much

spent by her efforts, engaged in binding up the wounds inflicted on

the former by the latter.

"If you hadn't argued with them, they would have liked it very much;

you took them the _absolutely_ wrong way! But they _really_

are deeply impressed by it."

"I don't care what they think; I know jolly well it's the best thing

I've ever done!" said Larry, whose temperature was still considerably

above normal. "Your mother is the only one of the lot with a soul to be

saved. _She_ didn't harangue about what she doesn't understand! _She_

said: 'It makes me think of when she was a little child, and used to

say she saw things, and the other children used to tease her so

dreadfully'!"

"Quite true," said Christian. "So they did! And now they're going for

you! But you never teased me, Larry."

"Thank God, I didn't!" said Larry; he had been glowering at his

picture, but as he spoke he wheeled round, and sat down beside

Christian on the long billiard-room sofa. "Christian, you know--" he

began, stammering, and hesitating in a way that was unlike himself.

Christian interrupted him quickly.

"What shall you call the picture? I met Barty Mangan the other day,

and he was asking me all sorts of questions about it."

"I shall call it 'Christian, dost thou hear them?'" said Larry,

telling himself that the moment had come. "I was feeling that about

you all the time--I mean when I was painting. Christian, you

_did_ hear them, didn't you? What were they saying? Did they say

anything about me?"

He caught her hand and leaned to her, compelling her eyes to meet his;

"Let her see into my heart!" he thought; "she will find only herself

there!"

And just then the door opened, and old Evans appeared.

Larry released Christian's hand, and went red with rage up to the

roots of his fair hair. What he thought of Evans' incursion was

written so plainly on his face, that Christian, in that impregnable

corner of her mind where dwelt her sense of humour, felt a bubble of

laughter rise.

"You asked Mrs. Dixon, Miss, to see the picture," said Evans, with a

sour look at Larry. "She's outside now."

"Come in, Dixie," called Christian, with a sensation of reprieve.

Suspense had been trembling in the air round her; it trembled still,

but Dixie would bring respite, if not calm.

Mrs. Dixon, ceremonially clad in black silk, sailed up the long

billiard room, majestic as a full-rigged ship. Time had treated her

well; the increase of weight that the years had brought had done

little more than help to keep the wrinkles smoothed; her love for

Christian, having survived the depredations of the larder that had

once tried it, had triumphed over the enforced economies that marked

Christian's rule as housekeeper and was now her consolation for them.

To apprehend the intention of a painting is not given to all and is a

matter that requires more experience than is generally supposed. To

find a landscape has been reversed by the hand that wields the duster,

so that the trees stand on their heads, and the sky is as the waters

that are beneath the firmament, is an experience that has been denied

to few painters, and Mrs. Dixon would have found many to sympathise

with her, as she stood in silent stupefaction before the portrait.

Larry had been justified in his belief in it, but for such as Mrs.

Dixon, its appeal was inappreciable. Christian's face was in shade,

the brown darkness of her loosened hair framed it, and blended with

the green darkness of the yew hedge. Faint reflected lights from her

white dress, touches of sunlight that came through the leaves of the

surrounding trees gave the shadowed face life. In the clear stillness

of the eyes, something had been caught of the wonder that was latent

in Christian's look, the absorption in things far away, seen inwardly,

that in childhood had set her in a place apart; rarer now, but still

there for those to see who could give confidence to her shy spirit to

forget the limitations of this world, and to stray forth to meet

invisible comrades from other spheres. Sometimes it has been given to

an artist to rise, not by his conscious volition, above his wonted

power; to portray one beloved face with the force of his emotion

rather than that of his capacity, transcending the limits of his

ordinary skill, just as a horse will put forth his last ounce of

effort in response to the magnetism of one rider, and may never again

touch the same level of achievement.

But although the very fact that in this canvas something had lifted

Larry's art to greatness, made it for Mrs. Dixon a mystery and a

bewilderment, she had no intention of admitting defeat. After a moment

or two of silence, she cast up her eyes in an appeal to what seemed to

be a familiar near the ceiling, and said in impassioned tones:

"Well, well, isn't that lovely?"

The familiar apparently confirmed the opinion, for she repeated, with

a long sigh: "Wonderful altogether! I could be looking at it all day!"

She turned to Christian with profound deference. "And what might it be

intended to represent, Miss?"

Larry, who had picked up a cue, and was knocking the balls about, gave

a short and nettled laugh.

"Oh, Dixie!" said Christian, suffering equally with artist and critic,

"don't you see, it's a picture of me!"

Mrs. Dixon took the blow gallantly.

"Well, wasn't I the finished fool to forget my specs! I that couldn't

see the harp on a ha'penny without them!"

"Don't worry, Dixie," said Larry, smacking a ball into a pocket; "I'm

not surprised you didn't recognise it--it's not half good enough."

"Master Larry, my dear," returned Mrs. Dixon, whose social perceptions

were more acute than her artistic ones, "I'll go bail there isn't one

could take Miss Christian's picture the way you could, you that was

always her companion!" She moved away from the easel, and murmuring;

"and, please God, always will be!" she rustled away down the long

room. Mrs. Dixon, indomitable Protestant though she was, did not share

Evans' opinion of Larry.

Larry threw down the cue and opened the high French window into the

garden at the back of the house.

"Christian, for heaven's sake come out! I can't stand this stinking

room any longer! I feel as if all the imbecilities that I've had to

endure this afternoon were hanging in a cloud over the billiard table.

Come up to the old stone on the hill, and have some fresh air."

He stepped out into the garden, and Christian followed him, smiling

within herself at his impatience, the absurd impatience that she loved

because it was his. It wouldn't be Larry if he suffered fools, or

anything else that he disliked, gladly or peaceably. The feeling that

she was immeasurably older than he was was always at its most

convincing when his painting was in question; even she could not quite

realise what it meant to him to have rude hand laid upon the child of

his soul.

The garden was dank and heavy with overgrown, dying things, as

ill-cared-for gardens are wont to be at the end of September, but the

tall bush of sweet-scented verbena, that grew by the door in the south

wall, was still as green and sweet as in high summer. Christian broke

off some sprays and drew them through her hands before she put one

into the front of her shirt.

"Here, Larry," she said, giving him one, "this will help you to forget

the billiard room!"

Larry gave her a long look as he took it; "I don't altogether want to

forget it," he said. "I daresay good old Dixie was a useful

discipline."

Had Christian heard Mrs. Dixon's final aspiration she would have

realised that with it Dixie had covered her failure as an art critic.

Outside the garden was a wide belt of fir trees, and beyond and above

the trees, stretched the great hill, Cnochán an Ceoil Sidhe, the Hill

of Fairy Music, that gave its name to the house and demesne. Christian

and Larry passed through the shadowy grove, walking side by side along

the narrow track, their footsteps made noiseless by its thick covering

of pine needles. It was dark in the wood; the fir trees towered in

gloom above them; here and there in the deep of the branches there was

the stir of a wing, as a pigeon settled to its nest; from beyond the

wood came a brief, shrill bicker of starlings; all things beside these

were mute, and in the silent dusk, spirit was sensitive to spirit, and

the air was tense with the unspoken word.

The sun was low in the west when they came out on to the open

hillside, and went on up the path, through the heather, that led to

the Druid stone beside the Tober an Sidhe, the fairies' well. The

mist, golden and green, that comes with an autumn sunset, half hid,

half transfigured the wide distances of the valley of the Broadwater;

the darkness of the woods, blended from this aspect into one, of Mount

Music and Coppinger's Court, was softened by its veils; the far hills

were transparent, as if the light had fused them to clearest brown,

and topaz, and opal glass. The hill side, above and beneath them,

glowed and smouldered with the ruby-purple of heather.

Christian and Larry stood in the path beside the ancient stone and

looked out over the valley; the vastness and the glory of the great

prospect whelmed them like a flood, the sense of imminence that was

over them strung their nerves to vibrating and held them silent.

"My God!" sighed Larry, at last, trembling, turning to her who had

never failed to understand him, "Christian! it's too beautiful--the

world is too big--I can't bear it alone--" He caught her arm.

"You've got to help me. Oh Christian!--"

Christian turned her face from him.

"I believe I could," she said in a very low voice.

Even as she spoke, the truth broke out of her soul and ran through

her, running from her soul to his, like the flame of oil spilled upon

clear water. A voice cried a warning in her heart. "Too late!" she

answered it with triumph.

"Darling!" said Larry, holding her close.

* * * * *

The sunset

"bloomed and withered on the hill

Like any hill-flower";

but long those two stood by the Druid stone, knowing, perhaps, the

best moment that life could give them, facing the dying radiance with

hearts that were full of sunrise.

Mount Music · 第 26 / 42 章