CHAPTER VII

PEACE MAYTHORNE'S ROOM

"Tis, too."

"It isn't, either."

"I know just as well as you."

"No you don't any such a thing. You've lived up here in this old country

place all your life, and you don't know any more about the fashions than

Mrs. Surly."

"But I know it's perfectly ridiculous to rig up in white chenille and

silver pins, when anybody's in such deep mourning as you. _I_ wouldn't

do it for anything."

"I'll take care of myself, if you please, miss."

"And _I_ know another thing, too."

"You do? A whole thing?"

"Yes, I do. I know you're just as proud as you can be, and I've heard

more'n one person say so. All the girls think you're dreadfully stuck up

about your dresses and things--so there!"

"I don't care what the girls think, or you either. I guess I'll be glad

when father comes home and I get out of this house!"

Joy fastened the gaudy silver pins with a jerk into the heavy white

chenille that she was tying about her throat and hair, turned herself

about before the glass with a last complacent look, and walked, in her

deliberate, cool, provoking way, from the room. Gypsy got up,

and--slammed the door on her.

Very dignified proceedings, certainly, for girls twelve and thirteen

years old. An unspeakably important matter to quarrel about--a piece of

white chenille! Angry people, be it remembered, are not given to

over-much dignity, and how many quarrels are of the slightest

importance?

Yet the things these two girls found to dispute, and get angry, and get

miserable, and make the whole family miserable over, were so

ridiculously petty that I hardly expect to be believed in telling of

them. The front side of the bed, the upper drawer in the bureau, a

hair-ribbon, who should be helped first at the table, who was the best

scholar, which was the more stylish color, drab or green, and whether

Vermont wasn't a better State than Massachusetts--such matters might

very appropriately be the subjects of the dissensions of young ladies in

pinafores and pantalettes.

Yet I think you will bear me witness, girls, some of you--ah, I know

you by the sudden pink in your cheeks--who have gone to live with a

cousin, or had a cousin live with you, or whose mother has adopted an

orphan, or taken charge of a missionary's daughter, or in some way or

other have been brought for the first time in your life into daily and

hourly collision with another young will just as strong and unbending as

yours--can't you bear me witness that, in these little contests between

Joy and Gypsy, I am telling no "made-up stories," but sad, simple fact?

If you can't, I am very glad of it.

No, as I said before, matters were not going on at all comfortably; and

every week seemed to make them worse. Wherein lay the trouble, and how

to prevent it, neither of the girls had as yet exerted themselves to

think.

A week or two after the adventures that befell that unfortunate kitten,

something happened which threatened to make the breach between Gypsy and

Joy of a very serious nature. It began, as a great many other serious

things begin, in a very small and rather funny affair.

[Illustration]

Mrs. Surly, who has been spoken of as Gypsy's particular aversion, was a

queer old lady with green glasses, who lived opposite Mr. Breynton's,

who felt herself particularly responsible for Gypsy's training, and gave

her good advice, double measure, pressed down and running over. One

morning it chanced that Gypsy was playing "stick-knife" with Tom out in

the front yard, and that Mrs. Surly beheld her from her parlor window,

and that Mrs. Surly was shocked. She threw up her window and called in

an awful voice--

"Jemima Breynton!"

Now you might about as well challenge Gypsy to a duel as call her

Jemima; so--

"What do you want?" she said, none too respectfully.

"I have something to say to you, Jemima Breynton."

"Say ahead," said Gypsy, under her breath, and did not stir an inch.

Distance certainly lent enchantment to the view when Mrs. Surly was in

the case.

"_Does_ your ma allow you to be so bold as to play boys' games _with_

boys, right out in sight of folks?" vociferated Mrs. Surly.

"Certainly," nodded Gypsy. "It's your turn, Tom."

"Well, it's my opinion, Gypsy Breynton, you're a romp. You're nothing

but a romp, and if _I_ was your ma----"

Tom dropped his knife just then, stood up and looked at Mrs. Surly. For

reasons best known to herself, Mrs. Surly shut the window and contented

herself with glaring through the glass.

Now, Joy had stood in the doorway and been witness to the scene, and

moreover, having been reproved by her aunt for something or other that

morning, she felt ill-humored, and very ready to find fault in her turn.

"I think it's just so, anyway," she said. "_I_ wouldn't be seen playing

stick-knife for a good deal."

"And I wouldn't be seen telling lies!" retorted Gypsy, sorry for it the

minute she had said it. Then there followed a highly interesting

dialogue of about five minutes' length, and of such a character that Tom

speedily took his departure.

Now it came about that Gypsy, as usual, was the first ready to "make

up," and she turned over plan after plan in her mind, to find something

pleasant she could do for Joy. At last, as the greatest treat she could

think of to offer her, she said:

"I'll tell you what! Let's go down to Peace Maythorne's. I do believe I

haven't taken you there since you've been in Yorkbury."

"Who's Peace Maythorne?" asked Joy, sulkily.

"Well, she's the person I love just about best of anybody."

"Best of anybody!"

"Oh, mother, of course, and Tom, and Winnie, and father, and all those.

Relations don't count. But I do love her as well as anybody but

mother--and Tom, and--well, anyway, I love her dreadfully."

"What is she, a woman, or a girl, or what?"

"She's an angel," said Gypsy.

"What a goose you are!"

"Very likely; but whether I'm a goose or not, she's an angel. I look for

the wings every time I see her. She has the sweetest little way of

keeping 'em folded up, and you're always on the jump, thinking you see

'em."

"How you talk! I've a good mind to go and see her."

"All right."

So away they went, as pleasant as a summer's day, merrily chatting.

"But I don't think angels are very nice, generally," said Joy,

doubtingly. "They preach. Does Peace Maythorne preach? I shan't like her

if she does."

"Peace preach! Not like her! You'd better know what you're talking

about, if you're going to talk," said Gypsy, with heightened color.

"Dear me, you take a body's head off. Well, if she _should_ preach, I

shall come right home."

They had come now to the village, where were the stores and the

post-office, the bank, and some handsome dwelling-houses. Also the one

paved sidewalk of Yorkbury, whereon the young people did their

promenading after school in the afternoon. Joy always fancied coming

here, gay in her white chenille and white ribbons, and dainty parasol

lined with white silk. There is nothing so showy as showy mourning, and

Joy made the most of it.

"Why, where are you going?" she exclaimed at last. Gypsy had turned away

from the fashionable street, and the handsome houses, and the paved

sidewalk.

"To Peace Maythorne's."

"_This_ way?"

"This way."

The street into which Gypsy had turned was narrow and not over clean;

the houses unpainted and low. As they walked on it grew narrower and

dirtier, and the houses became tenement houses only.

"Do, for pity's sake, hurry and get out of here," said Joy, daintily

holding up her dress. Gypsy walked on and said nothing. Red-faced women

in ragged dresses began to cluster on the steps; muddy-faced children

screamed and quarreled in the road. At the door of a large tenement

building, somewhat neater than the rest, but miserable enough, Gypsy

stopped.

"What are you stopping for?" said Joy.

"This is where she lives."

_"Here?"_

"I just guess she does," put in a voice from behind; it was Winnie, who

had followed them on tiptoe, unknown to them, all the way. "She's got a

funny quirk in her back, 'n' she lies down pretty much. That's her room

up there to the top of the house. It's a real nice place, I tell _you_.

They have onions mos' every day. Besides, I saw a little boy here one

time when I was comin' 'long with mother, 'n' he was smokin' some

tobaccer. He said he'd give it to me for two napples, and mother just

wouldn't let me."

"_Here_--a cripple!" exclaimed Joy.

"Here, and a cripple," said Gypsy, in a queer tone, looking very

straight at Joy.

"You ought to be ashamed of yourself!" broke out Joy, "playing such a

trick on me. Do you suppose _I'm_ going into such a place as this, to

see an old beggar--a hunch-backed beggar?"

Gypsy turned perfectly white. When she was very angry, too angry to

speak, she always turned white. It was some seconds before she could

find her voice.

"_A hunch-backed beggar!_ Peace? How _dare_ you say such things of Peace

Maythorne? Joy Breynton, I'll never forgive you for this as long as I

live--never!"

The two girls looked at each other. Just at that moment I am afraid

there was something in their hearts answering to that forbidden word,

that terrible word--hate. Ah, we feel so safe from it in our gentle,

happy, untempted lives, just as safe as they felt once. Remember this,

girls: _when Love goes out_, Hate comes in. In your heart there stands

an angel, watching, silent, on whose lips are kindly words, in whose

hands are patient, kindly deeds, whose eyes see "good in everything,"

something to love where love is hardest, some generous, gentle way to

show that love when ways seem closed. In your heart, too, away down in

its darkest corner, all forgotten, perhaps, by you, crouches something

with face too black to look upon, something that likewise watches and

waits with horrible patience, if perhaps the angel, with folded wing and

drooping head, may be driven out. It is never empty, this curious,

fickle heart. One or the other must stand there, king of it. One or the

other--and in the twinkling of an eye the change is made, from angel to

fiend, from fiend to angel; just which you choose.

Joy broke away from her cousin in a passion. Gypsy flew into the door of

the miserable house, up the stairs two steps at a time, to the door of a

low room in the second story, and rushed in without knocking.

"Oh, Peace Maythorne!"

The cripple lying on the bed turned her pale face to the door, her

large, quiet eyes blue with wonder.

"Why, Gypsy! What is the matter?"

Gypsy's face was white still, very white. She shut the door loudly, and

sat down on the bed with a jar that shook it all over. A faint

expression of pain crossed the face of Peace.

"Oh, I didn't mean to--it was cruel in me! How _could_ I? Have I hurt

you _very_ badly, Peace?" Gypsy slipped down upon the floor, the color

coming into her face now, from shame and sorrow. Peace gently motioned

her back to her place upon the bed, smiling.

"Oh, no. It was nothing. Sit up here; I like to have you. Now, what is

it, Gypsy?"

The tone of this "What is it, Gypsy?" told a great deal. It told that it

was no new thing for Gypsy to come there just so, with her troubles and

her joys, her sins and her well-doings, her plans and hopes and fears,

all the little stories of the fresh, young life from which the cripple

was forever shut out. It told, too, what Gypsy found in this quiet room,

and took away from it--all the help and the comfort, and the sweet, sad

lessons. It told, besides, much of what Peace and Gypsy were to each

other, that only they two should ever exactly understand. It was a tone

that always softened Gypsy, in her gayest frolics, in her wildest moods.

For the first time since she had known Peace, it failed to soften her

now.

She began in her impetuous way, her face angry and flushed, her voice

trembling yet:--

"I can't tell you what it is, and that's the thing of it! It's about

that horrid old Joy."

"Gypsy!"

"I can't help it--I hate her!"

"Gypsy."

Gypsy's eyes fell at the gentle word.

"Well, I felt just as if I did, down there on the steps, anyway. You

don't know what Joy said. It's something about you, and that's what

makes me so mad. If she ever says it again!"

"About me?" interrupted Peace.

"Yes," said Gypsy, with great, flashing eyes. "I wouldn't tell it to you

for all the world; it's so bad as that, Peace. How she _dared_ to call

you a beg----"

Gypsy stopped short. But she had let the cat out of the bag. Peace

smiled again.

"A beggar! Well, it doesn't hurt me any, does it? Joy has never seen me,

doesn't know me, you must remember, Gypsy. Besides, nobody else thinks

as much of me as you do."

"I didn't mean to say that; I'm always saying the wrong thing! Anyway,

that isn't all of it, and I did think I should strike her when she said

it. I can't bear Joy. You don't know what she is, Peace. She grows worse

and worse. She does things I wouldn't do for anything, and I wish she'd

never come here!"

"Is Joy _always_ wrong?" asked Peace, gently. Peace rarely gave to any

one as much of a reproof as that. Gypsy felt it.

"No," said she, honestly, "she isn't. I'm real horrid and wicked, and do

ugly things. But I can't help it; Joy makes me--she acts so."

"I know what's the matter with you and Joy, I guess," said Peace.

"The matter? Well, I don't; I wish I did. We're always fight--fighting,

day in and day out, and I'm tired to death of it. I'm just crazy for the

time for Joy to go home, and I'm dreadfully unhappy having her round,

now I am, Peace."

Gypsy drew down her merry, red lips, and looked very serious. To tell

the truth, however, do the best she would, she could not look altogether

as if her heart were breaking from the amount of "unhappiness" that fell

to her lot. A little smile quivered around the lips of Peace.

"Well," said Gypsy, laughing in spite of herself, "I am. I never _can_

make anybody believe it, though. What is the matter with Joy and me? You

didn't say."

"You've forgotten something, I think."

"Forgotten something?"

"Yes--something you read me once out of an old Book."

"Book? Oh!" said Gypsy, beginning to understand.

"In honor preferring one another," said Peace, softly. Gypsy did not say

anything. Peace took up her Bible that lay on the bed beside her--it

always lay on the bed--and turned the leaves, and laid her finger on

the verse. Gypsy read it through before she spoke. Then she said slowly:

"Why, Peace Maythorne. I--never could--in this world--never."

Just then there came a knock at the door. Gypsy went to open it, and

stood struck dumb for amazement. It was Joy.

"Auntie said it was supper-time, and you were to come home," began Joy,

somewhat embarrassed. "She was going to send Winnie, but I thought I'd

come."

"Why, I never!" said Gypsy, still standing with the door-knob in her

hand.

"Is this your cousin?" spoke up Peace.

"Oh, yes, I forgot. This is Peace Maythorne, Joy."

"I am glad to see you," said Peace in her pleasant way; "won't you come

in?"

"Well, perhaps I will, a minute," said Joy, awkwardly, taking a chair by

the window, and wondering if Gypsy had told Peace what she said. But

Peace was so cordial, her voice so quiet, and her eyes so kind, that she

concluded she knew nothing about it, and soon felt quite at her ease.

Everybody was at ease with Peace Maythorne.

"How pleasant it is here!" said Joy, looking about the room in unfeigned

astonishment. And indeed it was. The furniture was poor enough, but

everything was as neat as fresh wax, and the sunlight, that somehow or

other always sought that room the earliest, and left it the latest--the

warm, shimmering sunlight that Peace so loved--was yellow on the old,

faded carpet, on the paperless, pictureless wall, on the bed where the

hands of Peace lay, patient and folded.

"It _is_ pleasant," said Peace, heartily. "You don't know how thankful

it makes me. Aunt came very near taking a room on the north side.

Sometimes I really don't know what I should have done. But then I guess

I should have found something else to like."

_I should have found something else._ A sudden thought came to the two

girls then, in a dim, childish way--a thought they could by no means

have explained; they wondered if in those few words did not lie the key

to Peace Maythorne's beautiful, sorrowful life. They would not have

expressed it so, but that was what they meant.

"See here," broke out Gypsy all at once, "Peace Maythorne wants you and

me to make up, Joy."

"Your cousin will think I'm interfering with what's none of my

business," said Peace, laughing. "I didn't say exactly that, you know; I

was only talking to you."

"Oh, I'd just as lief make up now, but I wouldn't this morning,"

wondering for the second time if Peace _could_ know what she said, and

be so gentle and good to her; "I will if Gypsy will."

"And I will if Joy will," said Gypsy, "so it's a bargain."

"Do you have a great deal of pain?" asked Joy, as they rose to go, with

real sympathy in her puzzled eyes.

"Oh, yes; but then I get along."

"Peace Maythorne!" put in Gypsy just then, "is _that_ all the dinner you

ate?" Gypsy was standing by the table on which was a plate containing a

cold potato, a broken piece of bread, and a bit of beefsteak. Evidently

from the looks of the food, only a few mouthfuls had been eaten.

"I didn't feel hungry," said Peace, evasively.

"But you like meat, for you told me so."

"I didn't care about this," said Peace, looking somewhat restless.

Gypsy looked at her sharply, then stooped and whispered a few words in

her ear.

"No," said Peace, her white cheek flushing crimson. "Oh, no, she never

told me not to. She means to be very kind. I cost her a great deal."

"But you know she'd be glad if you didn't eat much, and that was the

reason you didn't," exclaimed Gypsy, angrily. "I think it's abominable!"

"Hush! _please_ Gypsy."

Gypsy hushed. Just then the door opened and Miss Jane Maythorne, Peace's

aunt, came in. She was a tall, thin, sallow-faced woman, with angular

shoulders and a sharp chin. She looked like a New England woman who had

worked hard all her life and had much trouble, so much that she thought

of little else now but work and trouble; who had a heart somewhere, but

was apt to forget all about it except on great occasions.

"I've been talking to Peace about not eating more," said Gypsy, when she

had introduced Joy, and said good-afternoon. "She'll die if she doesn't

eat more than that," pointing to the plate.

"She can eat all she wants, as far as I know," said Aunt Jane, rather

shortly. "Nobody ever told her not to. It's nothing very fine in the way

of victuals I can get her, working as I work for two, and most beat out

every night. La! Peace, you haven't eaten your meat, have you? Well,

I'll warm it over to-morrow, and it'll be as good as new."

[Illustration]

"The old dragon!" exclaimed Gypsy, under her breath, as the girls went

out. "She is a dragon, nothing more nor less--a dragon that doesn't

scold particularly, but a dragon that _looks_. I'd rather be scolded to

death than looked at and looked at every mouthful I eat. I don't wonder

Peace doesn't eat. She'll starve to death some day."

"But why don't you send her down things?" asked Joy. Gypsy shook her

head.

"You don't understand Peace. She wouldn't like it. Mother does send her

a quantity of books and flowers and things, and dinner just as often as

she can without making Peace feel badly. But Peace wouldn't like 'em

every day."

"She's real different from what I thought," said Joy--"real. What

pretty eyes she has. I didn't seem to remember she was poor, a bit."

"What made you come down?"

"'Cause," said Joy.

This excellent reason was all that was ever to be had out of her. But

that first time was by no means the last she went to Peace Maythorne's

room.

The girls were in good spirits that night, well pleased with each other,

themselves, and everybody else, as is usually the case when one is just

over a fit of ill-temper. When they were alone in bed, Gypsy told Joy

about the verse of which Peace spoke. Joy listened in silence.

Awhile after, Gypsy woke from a dream, and saw a light burning on the

table. Joy was sitting up in her white night-dress, turning the leaves

of a book as if she were hunting for something.

Gypsy's Cousin Joy · 第 7 / 14 章