Scene One

[Cardenos, Ramiro, Doña Rufina, Doña Serafina, Doña Syrena, Doña

Fabia, Velasco, Don Ambrosio, Rioubos, Cristobol, Cavaliers, Women,

etc.]

[Ambrosio, Syrena, Serafina, Fabia, are seated in the foreground.

Cristobol and Rioubos are outside.]

DOÑA FABIA. Ah! here is Doña Rufina.

[Doña Rufina enters with Ramiro into the foreground. Salutations.]

RAMIRO. (To Doña Rufina) Then, Señora, you were not at the cathedral?

DOÑA RUFINA. (Seating herself in a chair which Ramiro places at the

left) No!--I have just arrived from Aranjuez, bringing the Queen's

gift to the bride--a very costly girdle-buckle.

CRISTOBOL. It was a beautiful ceremony, Señora.

RIOUBOS. His Eminence Cardinal Ximénès himself pronounced the nuptial

blessing.

DOÑA SYRENA. Naturally! Doña Joana is his god-daughter.

DOÑA RUFINA. The city seems to me very gay.

DOÑA FABIA. Compared with it ordinarily.

RAMIRO. Yes, all day they have had on the Plaza del Zocodover

entertainments by jugglers, buffoons, dancers and monstrous African

monkeys!

DON AMBROSIO. (An old cavalier sitting in an arm-chair) Yes, at this

moment there is singing and dancing in all the public places.

DOÑA SYRENA. Among us, this marriage was a long time postponed.

DOÑA FABIA. Yes--they were betrothed five years.

RAMIRO. Pardon me, Señoras. When Don Enrique's father--the Lord

Palacios--felt that he could not live much longer he decided to

select a wife for his son's future marriage. He and the Governor

made an arrangement whereby Don Enrique and Doña Joana were

affianced. As Doña Joana was then only ten years old, her father made

her go to the convent to grow up!

DOÑA RUFINA. They say she became so devout they believed she would

never come out.

DOÑA SYRENA. She did not have a radiant air in the church--the bride!

RIOUBOS. No more than did Enrique.

CRISTOBOL. There was one radiant person--the Governor!

VELASCO. (Unexpectedly) Undoubtedly because his daughter did not take

the veil!

RAMIRO. (To Velasco) What! are you here, Velasco?--I believed you

were in Alpujarras, chasing the Moors.

VELASCO. (Bowing to the women) I was, in a way; but I have returned

for this fête.

DON AMBROSIO. Have they not yet taught these rebels to be reasonable?

VELASCO. They have retreated into inaccessible places where it is

impossible to follow them.

DON AMBROSIO. They are chasing these pagans too long.

RAMIRO. Not now, Don Ambrosio. His Eminence and the Governor are

after them with the hand of death.

DON AMBROSIO. Then, Ramiro, you will see the advantages of severe

treatment. Within six months thousands of Moors will be converted.

[Murmurs of satisfaction. The music ceases.]

CARDENOS. That is a mere farce, my Lord Ambrosio! (Gravely) These new

Christians are liars--they go to mass, only to laugh when they come

away. They themselves confess of avowing only to silly things. When

their children are baptized, they wash them quickly to cleanse them

of what they call the pollution of the blessed holy oil. (Murmurs of

indignation) Their daughters are married at our altars, dressed as

Christians, but when they reënter their homes they dress themselves

as Moors--and celebrate their nuptials with dances and forbidden

Arabian songs, such as the zambra, to the music of tambourines,

trumpet-shells, cymbals and other instruments also forbidden!

DOÑA RUFINA. For my part, I can overlook the zambra and the

tambourine, but I strongly approve prohibiting Moorish women from

dyeing their eyebrows and eyelashes. They are bold enough looking

without that.

DOÑA SYRENA. Oh, my! I think the most admirable royal edict is the

one which provides the penalty of execution for any intimacy between

a Spaniard and a Mooress--for there are truly beautiful girls in the

homes of these Africans, and you are not too little inclined, my

lords, to perceive them.

RIOUBOS. And for my part, Señora, I strongly approve of the edict

which punishes with solitary confinement in a dungeon any Spanish

woman who loves one of these blacks to whose beauty you are not

always indifferent.

DOÑA SYRENA. (Quickly) Oh! but that is all the more excusable.

[Laughter and exclamations.]

DOÑA RUFINA. (Quickly) Ah, my dear, what did you say then?

DOÑA SYRENA. (A little confused by her blunder) You see!--Yes!--The

circumstances are very different.

[The same sounds of laughter.]

RAMIRO. Ah! see, I beg of you, Señora--see the difference!

DOÑA SYRENA. What!--If the intrigue has results, is it not so?

ALL. Yes!

RAMIRO. A child!

DOÑA SYRENA. In the first case, the mother being Moorish the child is

a little Mussulman--in the second case, where the mother is Spanish,

it is a little Christian!--Dear angel!--And there are never too many

of those!

ALL. (Laughing in approval) Oh! very good! Very ingenious! Charming!

[Three trumpet calls are sounded in the banquet room.]

The Sorceress: A Drama in Five Acts · 第 36 / 73 题