I took a step toward him.

"You heard what I said to the Captain?"

"Yes," the Targa answered calmly.

"I am going with him. We leave you at Tit, to which place you must

bring us. Where is the place you proposed to show the Captain?"

"I did not propose to show it to him; it was his own idea," said the

Targa coldly. "The grottos with the inscriptions are three-days' march

southward in the mountains. At first, the road is rather rough. But

farther on, it turns, and you gain Timissao very easily. There are

good wells where the Tuareg Taitoqs, who are friendly to the French,

come to water their camels."

"And you know the road well?"

He shrugged his shoulders. His eyes had a scornful smile.

"I have taken it twenty times," he said.

"In that case, let's get started."

We rode for two hours. I did not exchange a word with Morhange. I had

a clear intuition of the folly we were committing in risking ourselves

so unconcernedly in that least known and most dangerous part of the

Sahara. Every blow which had been struck in the last twenty years to

undermine the French advance had come from this redoubtable Ahaggar.

But what of it? It was of my own will that I had joined in this mad

scheme. No need of going over it again. What was the use of spoiling

my action by a continual exhibition of disapproval? And, furthermore,

I may as well admit that I rather liked the turn that our trip was

beginning to take. I had, at that instant, the sensation of journeying

toward something incredible, toward some tremendous adventure. You do

not live with impunity for months and years as the guest of the

desert. Sooner or later, it has its way with you, annihilates the good

officer, the timid executive, overthrows his solicitude for his

responsibilities. What is there behind those mysterious rocks, those

dim solitudes, which have held at bay the most illustrious pursuers of

mystery? You follow, I tell you, you follow.

* * * * *

"Are you sure at least that this inscription is interesting enough to

justify us in our undertaking?" I asked Morhange.

My companion started with pleasure. Ever since we began our journey I

had realized his fear that I was coming along half-heartedly. As soon

as I offered him a chance to convince me, his scruples vanished, and

his triumph seemed assured to him.

"Never," he answered, in a voice that he tried to control, but through

which the enthusiasm rang out, "never has a Greek inscription been

found so far south. The farthest points where they have been reported

are in the south of Algeria and Cyrene. But in Ahaggar! Think of it!

It is true that this one is translated into Tifinar. But this

peculiarity does not diminish the interest of the coincidence: it

increases it."

"What do you take to be the meaning of this word?"

"_Antinea_ can only be a proper name," said Morhange. "To whom does it

refer? I admit I don't know, and if at this very moment I am marching

toward the south, dragging you along with me, it is because I count on

learning more about it. Its etymology? It hasn't one definitely, but

there are thirty possibilities. Bear in mind that the Tifinar alphabet

is far from tallying with the Greek alphabet, which increases the

number of hypotheses. Shall I suggest several?"

"I was just about to ask you to."

"To begin with, there is [Greek: agti] and [Greek: neos], _the woman

who is placed opposite a vessel_, an explanation which would have been

pleasing to Gaffarel and to my venerated master Berlioux. That would

apply well enough to the figure-heads of ships. There is a technical

term that I cannot recall at this moment, not if you beat me a hundred

times over.[7]

[Footnote 7: It is perhaps worth noting here that _Figures de Proues_

is the exact title of a very remarkable collection of poems by Mme.

Delarus-Mardrus. (Note by M. Leroux.)]

"Then there is [Greek: agtinêa], that you must relate to [Greek: agti]

and [Greek: naos], _she who holds herself before the_ [Greek: naos],

the [Greek: naos] of the temple, _she who is opposite the sanctuary,_

therefore priestess. An interpretation which would enchant Girard and

Renan.

"Next we have [Greek: agtine], from [Greek: agti] and [Greek: neos],

new, which can mean two things: either _she who is the contrary of

young_, which is to say old; or _she who is the enemy of novelty_ or

_the enemy of youth_.

"There is still another sense of [Greek: gati], _in exchange for,_

which is capable of complicating all the others I have mentioned;

likewise there are four meanings for the verb [Greek: neô], which

means in turn _to go, to flow, to thread_ or _weave, to heap_. There

is more still.... And notice, please, that I have not at my

disposition on the otherwise commodious hump of this mehari, either

the great dictionary of Estienne or the lexicons of Passow, of Pape,

or of Liddel-Scott. This is only to show you, my dear friend, that

epigraphy is but a relative science, always dependent on the discovery

of a new text which contradicts the previous findings, when it is not

merely at the mercy of the humors of the epigraphists and their pet

conceptions of the universe.

"That was rather my view of it," I said, "But I must admit my

astonishment to find that, with such a sceptical opinion of the goal,

you still do not hesitate to take risks which may be quite

considerable."

Morhange smiled wanly.

"I do not interpret, my friend; I collect. From what I will take back

to him, Dom Granger has the ability to draw conclusions which are

beyond my slight knowledge. I was amusing myself a little. Pardon me."

Just then the girth of one of the baggage camels, evidently not well

fastened, came loose. Part of the load slipped and fell to the ground.

Eg-Anteouen descended instantly from his beast and helped Bou-Djema

repair the damage.

When they had finished, I made my mehari walk beside Bou-Djema's.

"It will be better to resaddle the camels at the next stop. They will

have to climb the mountain."

The guide looked at me with amazement. Up to that time I had thought

it unnecessary to acquaint him with our new projects. But I supposed

Eg-Anteouen would have told him.

"Lieutenant, the road across the white plain to Shikh-Salah is not

mountainous," said the Chaamba.

"We are not keeping to the road across the white plain. We are going

south, by Ahaggar."

"By Ahaggar," he murmured. "But...."

"But what?"

"I do not know the road."

"Eg-Anteouen is going to guide us."

"Eg-Anteouen!"

I watched Bou-Djema as he made this suppressed ejaculation. His eyes

were fixed on the Targa with a mixture of stupor and fright.

Eg-Anteouen's camel was a dozen yards ahead of us, side by side with

Morhange's. The two men were talking. I realized that Morhange must be

conversing with Eg-Anteouen about the famous inscriptions. But we were

not so far behind that they could not have overheard our words.

Again I looked at my guide. I saw that he was pale.

"What is it, Bou-Djema?" I asked in a low voice.

"Not here, Lieutenant, not here," he muttered.

His teeth chattered. He added in a whisper:

"Not here. This evening, when we stop, when he turns to the East to

pray, when the sun goes down. Then, call me to you. I will tell

you.... But not here. He is talking, but he is listening. Go ahead.

Join the Captain."

"What next?" I murmured, pressing my camel's neck with my foot so as

to make him overtake Morhange.

* * * * *

It was about five o'clock when Eg-Anteouen who was leading the way,

came to a stop.

"Here it is," he said, getting down from his camel.

It was a beautiful and sinister place. To our left a fantastic wall of

granite outlined its gray ribs against the sky. This wall was pierced,

from top to bottom, by a winding corridor about a thousand feet high

and scarcely wide enough in places to allow three camels to walk

abreast.

"Here it is," repeated the Targa.

To the west, straight behind us, the track that we were leaving

unrolled like a pale ribbon. The white plain, the road to Shikh-Salah,

the established halts, the well-known wells.... And, on the other

side, this black wall against the mauve sky, this dark passage.

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