We have one last glimpse of the old lady--a month or two after

Kenneth’s death in action. It would be rosemary to us to see

her in her black dress, of which she is very proud; but let us

rather peep at her in the familiar garments that make a third

to her mop and pail. It is early morning, and she is having a

look at her medals before setting off on the daily round. They

are in a drawer, with the scarf covering them, and on the scarf

a piece of lavender. First, the black frock, which she carries

in her arms like a baby. Then her War Saving Certificates,

Kenneth’s bonnet, a thin packet of real letters, and the famous

champagne cork. She kisses the letters, but she does not blub

over them. She strokes the dress, and waggles her head over

the certificates and presses the bonnet to her cheeks, and

rubs the tinsel of the cork carefully with her apron. She is

a tremulous old ’un; yet she exults, for she owns all these

things, and also the penny flag on her breast. She puts them

away in the drawer, the scarf over them, the lavender on the

scarf. Her air of triumph well becomes her. She lifts the pail

and the mop, and slouches off gamely to the day’s toil.

THE NEW WORD

Any room nowadays must be the scene, for any father and any son are the

_dramatis personæ_. We could pick them up in Mayfair, in Tooting, on

the Veldt, in rectories or in grocers’ back parlours, dump them down on

our toy stage and tell them to begin. It is a great gathering to choose

from, but our needs are small. Let the company shake hands, and all go

away but two.

The two who have remained (it is discovered on inquiry) are Mr.

Torrance and his boy; so let us make use of them. Torrance did not

linger in order to be chosen, he was anxious, like all of them, to be

off; but we recognised him, and sternly signed to him to stay. Not that

we knew him personally, but the fact is, we remembered him (we never

forget a face) as the legal person who reads out the names of the jury

before the court opens, and who brushes aside your reasons for wanting

to be let off. It pleases our humour to tell Mr. Torrance that we

cannot let him off.

He does not look so formidable as when last we saw him, and this is

perhaps owing to our no longer being hunched with others on those

unfeeling benches. It is not because he is without a wig, for we saw

him, on the occasion to which we are so guardedly referring, both

in a wig and out of it; he passed behind a screen without it, and

immediately (as quickly as we write) popped out in it, giving it a

finishing touch rather like the butler’s wriggle to his coat as he goes

to the door. There are the two kinds of learned brothers, those who use

the screen, and those who (so far as the jury knows) sleep in their

wigs. The latter are the swells, and include the judges; whom, however,

we have seen in the public thoroughfares without their wigs, a horrible

sight that has doubtless led many an onlooker to crime.

Mr. Torrance, then, is no great luminary; indeed, when we accompany

him to his house, as we must, in order to set our scene properly, we

find that it is quite a suburban affair, only one servant kept, and

her niece engaged twice a week to crawl about the floors. There is no

fire in the drawing-room, so the family remain on after dinner in the

dining-room, which rather gives them away. There is really no one in

the room but Roger. That is the truth of it, though to the unseeing eye

all the family are there except Roger. They consist of Mr., Mrs., and

Miss Torrance. Mr. Torrance is enjoying his evening paper and a cigar,

and every line of him is insisting stubbornly that nothing unusual is

happening in the house. In the home circle (and now that we think of

it, even in court) he has the reputation of being a somewhat sarcastic

gentleman; he must be dogged, too, otherwise he would have ceased long

ago to be sarcastic to his wife, on whom wit falls like pellets on

sandbags; all the dents they make are dimples.

Mrs. Torrance is at present exquisitely employed; she is listening to

Roger’s step overhead. You know what a delightful step the boy has. And

what is more remarkable is that Emma is listening to it too, Emma who

is seventeen, and who has been trying to keep Roger in his place ever

since he first compelled her to bowl to him. Things have come to a pass

when a sister so openly admits that she is only number two in the house.

Remarks well worthy of being recorded fall from these two ladies

as they gaze upward. ‘I think--didn’t I, Emma?’ is the mother’s

contribution, while it is Emma who replies in a whisper, ‘No, not yet!’

Mr. Torrance calmly reads, or seems to read, for it is not possible

that there can be anything in the paper as good as this. Indeed he

occasionally casts a humorous glance at his womenfolk. Perhaps he is

trying to steady them. Let us hope he has some such good reason for

breaking in from time to time on their entrancing occupation.

‘Listen to this, dear. It is very important. The paper says,

upon apparently good authority, that love laughs at locksmiths.’

His wife answers without lowering her eyes. ‘Did you speak,

John? I am listening.’

‘Yes, I was telling you that the Hidden Hand has at last been

discovered in a tub in Russell Square.’

‘I hear, John. How thoughtful.’

‘And so they must have been made of margarine, my love.’

‘I shouldn’t wonder, John.’

‘Hence the name Petrograd.’

‘Oh, was that the reason?’

‘You will be pleased to hear, Ellen, that the honourable

gentleman then resumed his seat.’

‘That was nice of him.’

‘As I,’ good-naturedly, ‘now resume mine, having made my usual

impression.’

‘Yes, John.’

Emma slips upstairs to peep through a keyhole, and it strikes

her mother that John has been saying something. They are on too

good terms to make an apology necessary. She observes blandly,

‘John, I haven’t heard a word you said.’

‘I’m sure you haven’t, woman.’

‘I can’t help being like this, John.’

‘Go on being like yourself, dear.’

‘Am I foolish?’

‘Um.’

‘Oh, but, John, how can you be so calm--with him up there?’

‘He has been up there a good deal, you know, since we presented

him to an astounded world nineteen years ago.’

‘But he--he is not going to be up there much longer, John.’ She

sits on the arm of his chair, so openly to wheedle him that

it is not worth his while to smile. Her voice is tremulous;

she is a woman who can conceal nothing. ‘You will be nice to

him--to-night--won’t you, John?’

Mr. Torrance is a little pained. ‘Do I just begin to-night,

Ellen?’

‘Oh no, no; but I think he is rather--shy of you at times.’

‘That,’ he says a little wryly, ‘is because he is my son,

Ellen.’

‘Yes--it’s strange; but--yes.’

With a twinkle that is not all humorous, ‘Did it ever strike

you, Ellen, that I am a bit--shy of him?’

She is indeed surprised. ‘Of Rogie!’

‘I suppose it is because I am his father.’

She presumes that this is his sarcasm again, and lets it pass

at that. It reminds her of what she wants to say.

‘You are so sarcastic,’ she has never quite got the meaning of

this word, ‘to Rogie at times. Boys don’t like that, John.’

‘Is that so, Ellen?’

‘Of course I don’t mind your being sarcastic to _me_----’

‘Much good,’ groaning, ‘my being sarcastic to you! You are so

seldom aware of it.’

‘I am not asking you to be a mother to him, John.’

‘Thank you, my dear.’

She does not know that he is sarcastic again. ‘I quite

understand that a man can’t think all the time about his son as

a mother does.’

‘Can’t he, Ellen? What makes you so sure of that?’

‘I mean that a boy naturally goes to his mother with his

troubles rather than to his father. Rogie tells me everything.’

Mr. Torrance is stung. ‘I daresay he might tell me things he

wouldn’t tell you.’

She smiles at this. It is very probably sarcasm.

‘I want you to be serious just now. Why not show more warmth to

him, John?’

With an unspoken sigh, ‘It would terrify him, Ellen. Two men

show warmth to each other! Shame, woman!’

‘Two men!’ indignantly. ‘John, he is only nineteen.’

‘That’s all,’ patting her hand. ‘Ellen, it is the great age to

be to-day, nineteen.’

Emma darts in.

‘Mother, he has unlocked the door! He is taking a last look at

himself in the mirror before coming down!’

Having made the great announcement, she is off again.

‘You won’t be sarcastic, John?’

‘I give you my word--if you promise not to break down.’

Rashly, ‘I promise.’ She hurries to the door and back again.

‘John, I’ll contrive to leave you and him alone together for a

little.’

Mr. Torrance is as alarmed as if the judge had looked over the

bench and asked where he was. ‘For God’s sake, woman, don’t do

that! Father and son! He’ll bolt; or if he doesn’t, I will.’

Emma Torrance flings open the door grandly, and we learn what

all the to-do is about.

EMMA. ‘Allow me to introduce 2nd Lieutenant Torrance of the Royal

Sussex. Father--your son; 2nd Lieutenant Torrance--your father.

Mother--your little Rogie.’

Roger, in uniform, walks in, strung up for the occasion. Or the

uniform comes forward with Roger inside it. He has been a very

ordinary nice boy up to now, dull at his ‘books’; by an effort

Mr. Torrance had sent him to an obscure boarding-school, but

at sixteen it was evident that an office was the proper place

for Roger. Before the war broke out he was treasurer of the

local lawn tennis club, and his golf handicap was seven; he

carried his little bag daily to and from the city, and his

highest relaxation was giggling with girls or about them.

Socially he had fallen from the standards of the home; even now

that he is in his uniform the hasty might say something clever

about ‘temporary gentlemen.’ But there are great ideas buzzing

in Roger’s head, which would never have been there save for the

war. At present he is chiefly conscious of his clothes. His

mother embraces him with cries of rapture, while Mr. Torrance

surveys him quizzically over the paper; and Emma, rushing to

the piano, which is of such an old-fashioned kind that it can

also be used as a sideboard, plays ‘See the Conquering Hero

Comes.’

ROGER, in an agony, ‘Mater, do stop that chit making an ass of me.’

He must be excused for his ‘mater.’ That was the sort of

school; and his mother is rather proud of the phrase, though it

sometimes makes his father wince.

MRS. TORRANCE. ‘Emma, please, don’t. But I’m sure you deserve it, my

darling. Doesn’t he, John?’

MR. TORRANCE, missing his chance, ‘Hardly yet, you know. Can’t be

exactly a conquering hero the first night you put them on, can you,

Roger?’

ROGER, hotly, ‘Did I say I was?’

MRS. TORRANCE. ‘Oh, John! Do turn round, Rogie. I never did--I never

did!’

EMMA. ‘Isn’t he a pet!’

ROGER. ‘Shut up, Emma.’

MRS. TORRANCE, challenging the world, ‘Though I say it who

shouldn’t--and yet, why shouldn’t I?’

MR. TORRANCE. ‘In any case you will--so go ahead, “mater.”’

MRS. TORRANCE. ‘I knew he would look splendid; but I--of course I

couldn’t know that he would look quite so splendid as this.’

ROGER. ‘I know I look a bally ass. That is why I was such a time in

coming down.’

MR. TORRANCE. ‘We thought we heard you upstairs strutting about.’

MRS. TORRANCE. ‘John! Don’t mind him, Rogie.’

ROGER, haughtily, ‘I don’t.’

MR. TORRANCE. ‘Oh!’

ROGER. ‘But I wasn’t strutting.’

MRS. TORRANCE. ‘That dreadful sword! No, I would prefer you not to draw

it, dear--not till necessity makes you.’

MR. TORRANCE. ‘Come, come, Ellen; that’s rather hard lines on the boy.

If he isn’t to draw it here, where is he to draw it?’

EMMA, with pride, ‘At the Front, father.’

MR. TORRANCE. ‘I thought they left them at home nowadays, Roger?’

ROGER. ‘Yes, mater; you see, they are a bit in the way.’

MRS. TORRANCE, foolishly, ‘Not when you have got used to them.’

MR. TORRANCE. ‘That isn’t what Roger means.’

(His son glares.)

EMMA, who, though she has not formerly thought much of Roger, is now

proud to trot by his side and will henceforth count the salutes, ‘I

know what he means. If you carry a sword the snipers know you are an

officer, and they try to pick you off.’

MRS. TORRANCE. ‘It’s no wonder they are called Huns. Fancy a British

sniper doing that! Roger, you will be very careful, won’t you, in the

trenches?’

ROGER. ‘Honour bright, mater.’

MRS. TORRANCE. ‘Above all, don’t look up.’

MR. TORRANCE. ‘The trenches ought to be so deep that they can’t look

up.’

MRS. TORRANCE. ‘What a good idea, John.’

ROGER. ‘He’s making game of you, mater.’

MRS. TORRANCE, unruffled, ‘Is he, my own?--very likely. Now about the

question of provisions----’

ROGER. ‘Oh, lummy, you talk as if I was going off to-night! I mayn’t go

for months and months.’

MRS. TORRANCE. ‘I know--and, of course, there is a chance that you may

not be needed at all.’

ROGER, poor boy, ‘None of that, mater.’

MRS. TORRANCE. ‘There is something I want to ask you, John--How long

do you think the war is likely to last?’ Her John resumes his paper.

‘Rogie, I know you will laugh at me, but there are some things that I

could not help getting for you.’

ROGER. ‘You know, you have knitted enough things already to fit up my

whole platoon.’

MRS. TORRANCE, proud almost to tears, ‘His platoon.’

EMMA. ‘Have you noticed how fine all the words in -oon are? Platoon!

Dragoon!’

MR. TORRANCE. ‘Spitoon!’

EMMA. ‘Colonel is good, but rather papaish; Major is nosey; Admiral of

the Fleet is scrumptious, but Maréchal de France--that is the best of

all.’

MRS. TORRANCE. ‘I think there is nothing so nice as 2nd Lieutenant.’

Gulping, ‘Lot of little boys.’

ROGER. ‘Mater!’

MRS. TORRANCE. ‘I mean, just think of their cold feet.’ She produces

many parcels and displays their strange contents. ‘Those are for

putting inside your socks. Those are for outside your socks. I am told

that it is also advisable to have straw in your boots.’

MR. TORRANCE. ‘Have you got him some straw?’

MRS. TORRANCE. ‘I thought, John, he could get it there. But if you

think----’

ROGER. ‘He’s making fun of you again, mater.’

MRS. TORRANCE. ‘I shouldn’t wonder. Here are some overalls. One is

leather and one fur, and this one is waterproof. The worst of it is

that they are from different shops, and each says that the others keep

the damp in, or draw the feet. They have such odd names, too. There are

new names for everything nowadays. Vests are called cuirasses. Are you

laughing at me, Rogie?’

MR. TORRANCE, sharply, ‘If he is laughing, he ought to be ashamed of

himself.’

ROGER, barking, ‘Who was laughing?’

MRS. TORRANCE. ‘John!’

Emma cuffs her father playfully.

MR. TORRANCE. ‘All very well, Emma, but it’s past your bedtime.’

EMMA, indignantly, ‘You can’t expect me to sleep on a night like this.’

MR. TORRANCE. ‘You can try.’

MRS. TORRANCE. ‘2nd Lieutenant! 2nd Lieutenant!’

MR. TORRANCE, alarmed, ‘Ellen, don’t break down. You promised.’

MRS. TORRANCE. ‘I am not going to break down; but--but there is a

photograph of Rogie when he was very small----’

MR. TORRANCE. ‘Go to bed!’

MRS. TORRANCE. ‘I happen--to have it in my pocket----’

ROGER. ‘Don’t bring it out, mater.’

MRS. TORRANCE. ‘If I break down, John, it won’t be owing to the picture

itself so much as because of what is written on the back.’

She produces it dolefully.

MR. TORRANCE. ‘Then don’t look at the back.’

He takes it from her.

MRS. TORRANCE, not very hopeful of herself, ‘But I know what is written

on the back, “Roger John Torrance, aged two years four months, and

thirty-three pounds.”’

MR. TORRANCE. ‘Correct.’ She weeps softly. ‘There, there, woman.’ He

signs imploringly to Emma.

EMMA, kissing him, ‘I’m going to by-by. ’Night, mammy. ’Night, Rog.’

She is about to offer him her cheek, then salutes instead, and rushes

off, with Roger in pursuit.

MRS. TORRANCE. ‘I shall leave you together, John.’

MR. TORRANCE, half liking it, but nervous, ‘Do you think it’s wise?’

With a groan, ‘You know what I am.’

MRS. TORRANCE. ‘Do be nice to him, dear.’ Roger’s return finds her very

artful indeed. ‘I wonder where I put my glasses?’

ROGER. ‘I’ll look for them.’

MRS. TORRANCE. ‘No, I remember now. They are upstairs in such a funny

place that I must go myself. Do you remember, Rogie, that I hoped they

would reject you on account of your eyes?’

ROGER. ‘I suppose you couldn’t help it.’

MRS. TORRANCE, beaming on her husband, ‘Did you believe I really meant

it, John?’

MR. TORRANCE, curious, ‘Did _you_, Roger?’

ROGER. ‘Of course. Didn’t you, father?’

MR. TORRANCE. ‘No! I knew the old lady better.’

He takes her hand.

MRS. TORRANCE, sweetly, ‘I shouldn’t have liked it, Rogie dear. I’ll

tell you something. You know your brother Harry died when he was seven.

To you, I suppose, it is as if he had never been. You were barely five.’

ROGER. ‘I don’t remember him, mater.’

MRS. TORRANCE. ‘No--no. But I do, Rogie. He would be twenty-one now;

but though you and Emma grew up I have always gone on seeing him as

just seven. Always till the war broke out. And now I see him a man of

twenty-one, dressed in khaki, fighting for his country, same as you. I

wouldn’t have had one of you stay at home, though I had had a dozen.

That is, if it is the noble war they all say it is. I’m not clever,

Rogie, I have to take it on trust. Surely they wouldn’t deceive

mothers. I’ll get my glasses.’

She goes away, leaving the father and son somewhat moved. It is

Mr. Torrance who speaks first, gruffly.

‘Like to change your mother, Roger?’

The answer is also gruff. ‘What do _you_ think?’

Then silence falls. These two are very conscious of being

together, without so much as the tick of a clock to help them.

The father clings to his cigar, sticks his knife into it,

studies the leaf, tries crossing his legs another way. The son

examines the pictures on the walls as if he had never seen them

before, and is all the time edging toward the door.

Mr. Torrance wets his lips; it must be now or never, ‘Not

going, Roger?’

Roger counts the chairs. ‘Yes, I thought----’

‘Won’t you--sit down and--have a chat?’

Roger is bowled over. ‘A what? You and me!’

‘Why not?’ rather truculently.

‘Oh--oh, all right,’ sitting uncomfortably.

The cigar gets several more stabs.

‘I suppose you catch an early train to-morrow?’

‘The 5.20. I have flag-signalling at half-past six.’

‘Phew! Hours before I shall be up.’

‘I suppose so.’

‘Well, you needn’t dwell on it, Roger.’

Indignantly, ‘I didn’t.’ He starts up. ‘Good-night, father.’

‘Good-night. Damn. Come back. My fault. Didn’t I say I wanted

to have a chat with you?’

‘I thought we had had it.’

Gloomily, ‘No such luck.’

There is another pause. A frightened ember in the fire makes an

appeal to some one to say something. Mr. Torrance rises. It is

now he who is casting eyes at the door. He sits again, ashamed

of himself.

‘I like your uniform, Roger,’ he says pleasantly.

Roger wriggles. ‘Haven’t you made fun of me enough?’

Sharply, ‘I’m not making fun of you. Don’t you see I’m trying

to tell you that I’m proud of you?’

Roger is at last aware of it, with a sinking. He appeals, ‘Good

lord, father, _you_ are not going to begin now.’

The father restrains himself.

‘Do you remember, Roger, my saying that I didn’t want you to

smoke till you were twenty?’

‘Oh, it’s that, is it?’ Shutting his mouth tight, ‘I never

promised.’

Almost with a shout, ‘It’s not that.’ Then kindly, ‘Have a

cigar, my boy?’

‘Me?’

A rather shaky hand passes him a cigar case. Roger selects from

it and lights up nervously. He is now prepared for the worst.

‘Have you ever wondered, Roger, what sort of a fellow I am?’

Guardedly, ‘Often.’

Mr. Torrance casts all sense of decency to the winds; such is

one of the effects of war.

‘I have often wondered what sort of fellow you are, Roger. We

have both been at it on the sly. I suppose that is what makes a

father and son so uncomfortable in each other’s presence.’

Roger is not yet prepared to meet him halfway, but he casts a

line.

‘Do you feel the creeps when you are left alone with me?’

‘Mortally, Roger. My first instinct is to slip away.’

‘So is mine,’ with deep feeling.

‘You don’t say so!’ with such surprise that the father

undoubtedly goes up a step in the son’s estimation. ‘I always

seem to know what you are thinking, Roger.’

‘Do you? Same here.’

‘As a consequence it is better, it is right, it is only decent

that you and I should be very chary of confidences with each

other.’

Roger is relieved. ‘I’m dashed glad you see it in that way.’

‘Oh, quite. And yet, Roger, if you had to answer this question

on oath, “Whom do you think you are most like in this world?”

I don’t mean superficially, but deep down in your vitals, what

would you say? Your mother, your uncle, one of your friends on

the golf links?’

‘No.’

‘Who?’

Darkly, ‘You.’

‘Just how I feel.’

There is such true sympathy in the manly avowal that Roger

cannot but be brought closer to his father.

‘It’s pretty ghastly, father.’

‘It is. I don’t know which it is worse for.’

They consider each other without bitterness.

‘You are a bit of a wag at times, Roger.’

‘You soon shut me up.’

‘I have heard that you sparkle more freely in my absence.’

‘They say the same about you.’

‘And now that you mention it, I believe it is true; and yet,

isn’t it a bigger satisfaction to you to catch me relishing

your jokes than any other person?’

Roger’s eyes open wide. ‘How did you know that?’

‘Because I am so bucked if I see you relishing mine.’

‘_Are_ you?’ Roger’s hold on the certain things in life are

slipping. ‘You don’t show it.’

‘That is because of our awkward relationship.’

Roger lapses into gloom. ‘We have got to go through with it.’

His father kicks the coals. ‘There’s no way out.’

‘No.’

‘We have, as it were, signed a compact, Roger, never to let on

that we care for each other. As gentlemen we must stick to it.’

‘Yes. What are you getting at, father?’

‘There is a war on, Roger.’

‘That needn’t make any difference.’

‘Yes, it does. Roger, be ready; I hate to hit you without

warning. I’m going to cast a grenade into the middle of you.

It’s this, I’m fond of you, my boy.’

Roger squirms. ‘Father, if any one were to hear you!’

‘They won’t. The door is shut, Amy is gone to bed, and all is

quiet in our street. Won’t you--won’t you say something civil

to me in return, Roger?’

Roger looks at him and away from him. ‘I sometimes--bragged

about you at school.’

Mr. Torrance is absurdly pleased. ‘Did you? What sort of

things, Roger?’

‘I--I forget.’

‘Come on, Roger.’

‘Is this fair, father?’

‘No, I suppose it isn’t.’ Mr. Torrance attacks the coals again.

‘You and your mother have lots of confidences, haven’t you?’

‘I tell her a good deal. Somehow----’

‘Yes, somehow one can.’ With the artfulness that comes of

years, ‘I’m glad you tell her everything.’

Roger looks down his cigar. ‘Not everything, father. There are

things--about oneself----’

‘Aren’t there, Roger!’

‘Best not to tell her.’

‘Yes--yes. If there are any of them you would care to tell me

instead--just if you want to, mind--just if you are in a hole

or anything?’

‘No thanks,’ very stiffly.

‘Any little debts, for instance?’

‘That’s all right now. Mother----’

‘She did?’

Roger is ready to jump at him. ‘I was willing to speak to you

about them, but----’

‘She said, “Not worth while bothering father.”’

‘How did you know?’

‘Oh, I have met your mother before, you see. Nothing else?’

‘No.’

‘Haven’t been an ass about a girl or anything of that sort?’

‘Good lord, father!’

‘I shouldn’t have said it. In my young days we

sometimes----It’s all different now.’

‘I don’t know. I could tell you things that would surprise you.’

‘No! Not about yourself?’

‘No. At least----’

‘Just as you like, Roger.’

‘It blew over long ago.’

‘Then there’s no need?’

‘No--oh no. It was just--you know--the old, old story.’

He eyes his father suspiciously, but not a muscle in Mr.

Torrance’s countenance is out of place.

‘I see. It hasn’t--left you bitter about the sex, Roger, I

hope?’

‘Not now. She--you know what women are.’

‘Yes, yes.’

‘You needn’t mention it to mother.’

‘I won’t.’ Mr. Torrance is elated to share a secret with Roger

about which mother is not to know. ‘Think your mother and I are

an aged pair, Roger?’

‘I never----of course you are not young.’

‘How long have you known that? I mean, it’s true--but I didn’t

know it till quite lately.’

‘That you’re old?’

‘Hang it, Roger, not so bad as that--elderly. This will stagger

you; but I assure you that until the other day I jogged along

thinking of myself as on the whole still one of the juveniles.’

He makes a wry face. ‘I crossed the bridge, Roger, without

knowing it.’

‘What made you know?’

‘What makes us know all the new things, Roger?--the war. I’ll

tell you a secret. When we realised in August of 1914 that

myriads of us were to be needed, my first thought wasn’t that I

had a son, but that I must get fit myself.’

‘You!’

‘Funny, isn’t it?’ says Mr. Torrance quite nastily. ‘But, as I

tell you, I didn’t know I had ceased to be young. I went into

Regent’s Park and tried to run a mile.’

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