CHAPTER XL.

Beat, happy stars, timing with things below,

Beat with my heart, more blest than heart can tell,

Blest, but for some dark undercurrent woe

That seems to draw--but it shall not be so:

Let all be well, be well.

_Maud._

"Dinner at once, Fritz," said Percivale to his servant, as he advanced

to meet his guests.

"Are we late?" cried Lady Mabel, as she swept her silken skirts up the

long room, and greeted her host with extended hand. "It must be Elsa's

fault, then--she was so long dressing."

"Oh, Lady Mabel!" cried Elsa, in lovely confusion, as she came forward

in her turn.

She was in black to-night--some delicate, clinging, semi-transparent

material, arranged in wonderful folds, with gleams of brightness here

and there. It caused her neck and arms to seem a miracle of fairness;

the arrangement of her golden hair was perfect, a diamond arrow being

stuck through its masses.

To the chivalrous poetic mind of her lover, she was a dream of beauty--a

thing hardly mortal--so transfused with soul and spirit, that no thought

of the mundane or the commonplace could intrude into his thoughts of

her.

Disillusioned! Could any man ever be disillusioned who had the depths of

those lake-like eyes to gaze into?

She gave him her little hand--_bien gantee_--and lifted those eyes to

his. Lady Mabel had passed on to speak to her brother.

"I have no flowers," said Elsa, softly "you told me not to wear any."

"I wished you to wear mine, will you?" said Percivale.

Her eyelids fell before his eager glance: but she made a little movement

of assent.

He turned to the table, and taking up the fragrant bouquet of lillies,

placed it in her hands; then lifting another of mixed flowers, which lay

beside it, he offered it to Lady Mabel, with an entreaty that she would

honor him by carrying it that night.

As he spoke, a pair of dark curtains, which hung at the upper end of the

room, were drawn back by two men in livery; and Fritz, appearing in the

aperture, solemnly announced,

"Dinner is served."

Percivale offered Lady Mabel his arm, and led her through the archway,

followed by Claud and Elsa.

"Claud, will you take the foot of the table for me?" said he.

"Which do you call the foot?" laughed Claud, as he sat down opposite his

host at the daintily appointed round table.

The room was very much smaller than that they had quitted, but was quite

a study in its way. Vanbrugh had designed the ceiling and carvings, and

a fine selection of paintings adorned the walls. A beautiful Procaccini

was let into the wall above the mantelpiece; a Sasso Ferrato was

opposite. Two Ruysdaels lent the glamor of their deep gloomy wood and

sky, and the foam of their magic waterfalls. The whole room was lit with

wax candles, and fragrant with the violets which composed the table

decorations.

"I am so sorry to seem to hurry you," said Percivale, apologetically;

"but I want Miss Brabourne to hear the overture; one ought not to miss

the overture to 'Lohengrin,' though I find it is the fashion in England

to saunter in in the middle of the first act."

"Oh, dear, yes; but we don't go to the opera to hear music in England,"

laughed Lady Mabel. "It is to see the new _prima donna_, or study the

costumes of the ladies in the stalls."

"I should have no objection, if these laudable objects could be attained

without spoiling the pleasure of those who are sufficiently out of date

to wish to listen to the performance," replied Percivale. "It is the one

thing in England which I cannot bear with temper! It would not be

allowed in Germany."

"Germany is the land of the leal for those that love music."

"Yes, indeed; there one can let oneself go, in utter enjoyment, knowing

that there can be no onslaught of large and massive Philistine, sweeping

her ample wraps, kicking your toes, struggling across your knees,

banging down the seat of her stall with a report that eclipses and blots

out a dozen delicate chords. No loudly whispered comments, no breathless

pantings are audible, no wrestling with contumacious hooks and clasps

sets your teeth on edge. For the unmusical and vociferous British

female, if she have arrived late, will be forcibly detained at the door

till the first act is over, and even then will enter despoiled of most

of her weapons for creating a disturbance, having been forced to leave

her superfluous clothing in the _garde-robe_."

They had never seen Percivale so gay, nor so full of talk. He chatted on

about one subject and another, addressing himself mostly to Lady Mabel,

whilst Claud was constrained to listen, since Elsa was even more silent

than her wont.

The dinner was excellently cooked and served.

"You are a perfect Count of Monte Cristo, Percivale," laughed Claud. "I

feel myself waiting for the crowning point of the entertainment. Will

not your slaves presently bring in a living fish, brought from Russia in

salt water to die on the table? Shall we each find a Koh-i-noor diamond

in our finger-bowl as a slight mark of your esteem? Or, at a given

signal, shall we be buried in a shower of rose-leaves like the guests of

Heliogabalus!"

Percivale laughed, and reddened.

"Sorry to disappoint you, but I have prepared no conjuring tricks

to-night," he said. "Another time, perhaps, when we have more leisure.

Lady Mabel, you must not judge of the entertainment I like to offer my

guests from this hurried little meal; you will do me the honor to return

here after the opera, and have some supper? I am afraid we have no time

to lose now."

"Mabel neither eats anything herself nor thinks that other people ought

to," complained Claud. "I suffer a daily martyrdom in her house, and I

am sure I begin to perceive signs of inanition in Miss Brabourne. You

see, it demoralises the cook. She thinks that to live on air is the

peculiarity of the upper ten, and wants me to dine on a cutlet the size

of half-a-crown with a tomato on the top, followed by the leg of a

quail."

"How can you, sir?" cried Lady Mabel, in mock indignation, shaking her

fist at her brother.

"I tell you it's the literal truth; that is the real reason why poor

Edward is wintering abroad. He cannot reduce his appetite to the

required pitch of elegance."

"If elegance consists in eating nothing, Mr. Percivale may take the

prize to-night," observed Lady Mabel, significantly, as she and Elsa

rose from table.

"I--have not much appetite to-night," stammered the young man, in some

confusion, as he started up and held the curtain for the ladies to pass

through.

He remained standing, so, with uplifted arm, for several seconds after

the sweep of Elsa's black skirts had died away into silence; then,

letting the curtain drop suddenly into place, turned back and tossed his

crushed serviette upon the table. She had been there--in these lonely

rooms, which year by year he had heaped with treasures for the ideal

bride who was to come. Now the fancy had taken shape--the vision was

realised; the beautiful woman of his dreams stood before him in bodily

form. Would she take all this treasured, stored-up love and longing

which he was aching to cast at her feet?

Claud broke in upon his reverie.

"I wish you luck, Leon," said he, coming up and grasping his hand.

His friend turned round with a brilliant smile.

"That is a capital omen," he said, "that you should call me by my name.

Nobody has called me by my name--for five years. Thank you, Claud."

He returned the pressure of the hand with fervor; then, starting, said:

"Come, get your coat, we shall be late," and hurried through the

archway, followed by Mr. Cranmer.

The opera-house was crowded that night. There were the German

enthusiasts occupying all the cheap places, their scores under their

arms, their faces beaming with anticipation; there was the fashionable

English crowd in the most costly places, there because they supposed

they ought to say they had heard "Lohengrin," but consoling themselves

with the thought that they could leave if they were very much bored, and

mildly astonished at the eccentricity of those who could persuade

themselves that they really liked Wagner. And lastly, there were the

excessively cultured English clique, the apostles of the music of the

future, looking with gentle tolerance on the youthful crudities of

"Lohengrin," and sitting through it only because they could not have

"Siegfried" or the "Goetterdaemmerung."

A very languid clapping greeted the conductor of the orchestra as he

took his seat. Percivale, watching Elsa, saw her eyes dilated, her whole

being poised in anticipation of the first note, as the _baton_ was

slowly raised. There was a soft shudder of violins--a delicate agony of

sound vibrated along the nerves. Can any operatic writer ever hope to

surpass that first slow sweep of suggestive harmony? From the moment

when the overture began, Percivale's beloved sat rapt.

The curtain rose on the barbaric crowd--the dramatic action of the opera

began. At the appearance of her namesake, the falsely accused Elsa of

Brabant, a storm of feeling agitated the modern Elsa as she gazed.

At last she could keep silence no longer. Turning up her face to

Percivale's, who sat next her:

"Oh," she whispered, "it is like me--and you came, like Lohengrin, to

save me."

He smiled into her eyes.

"Nay," he said, "I am no immortal or miraculous champion; you will not

induce me to depart as easily as he did. Besides, I do not think he was

right--he demanded too much of his Elsa--more than any woman was capable

of. You will see what I mean, when the next act begins."

To these two, as they sat together--so near--almost hand-in-hand, the

music was fraught with an exquisite depth of meaning which it could not

bear to other ears.

As the notes of the distant organ broke through the orchestra, and

rolled sonorous from the cathedral doors, it was like a foreshadowing to

Percivale of his own future happiness.

And when, in the twilight of their chamber, Lohengrin and Elsa were left

alone, and the mysterious thrilling melody of the wonderful love-duet

was flooding the air, unconsciously the hand of the listening girl fell

into that of her lover, and so they sat, recking nothing of the

significance of the action, until the curtain fell.

"Now you will see," spoke Percivale, softly, "that Lohengrin did what I

could not do; he left his--Elsa."

She did not answer; she could not. Ashamed of her late action, and with

a tumult of strange new feelings stirring in her heart, she turned her

head away from him, and would not speak again until the end of the

opera.

"I want to offer an apology," said Percivale to Lady Mabel, as he

arranged her cloak. "Will you condescend to drive back in a hansom? My

coachman has rheumatism, and I told him he was not to come for us."

"Certainly. I have a great partiality for hansoms," answered Lady Mabel,

readily; she was rather disconcerted, however, a moment later, to find

that it was her brother who was at her elbow.

"Where is Elsa? Claud, you should have taken her," she said, rather

irritably.

"I? Thanks, no. I don't care to force my company on a young lady who

would rather be with the other fellow. No hurry, Mab. I want to light a

cigar."

"Nonsense, Claud. Get me a cab at once. Am I to wait in this draughty

place?"

"You must, unless you are prepared to walk in those shoes as far as the

end of the street."

"But where are the other two? Are they behind?"

"No; got the start of us, I fancy," said Claud, with exasperating

calmness. "Wait a moment. I will go out and catch a cab if you will stay

here."

He vanished accordingly and his sister was constrained to wait for him.

When at last he returned, she was almost the only lady still waiting.

"You have no idea," said Claud, apologetically, "of the stupendous

difficulty of finding a cab. They all say they are engaged. I feel quite

out of the fashion, Mab; I think I ought to be engaged."

"I'm not in a mood for nonsense, sir. I am vexed with you, and with Mr.

Percivale, too. He could not have meant to treat me like this--he had no

right to make off in that manner and leave me in the lurch."

"To be left in the lurch _is_ sometimes the fate of chaperones,"

observed her brother, pensively, as he piloted her out of the theatre.

"I am afraid you hardly counted the cost, Mab, when you offered to

chaperone a beauty. It is hardly your _role_, old lady."

This was too true to be pleasant. Lady Mabel was so accustomed to male

admiration that she usually took it for granted that she was the

attraction. The great influx of young men which inundated Bruton Street

had caused her, only a few days back, to congratulate herself that her

charms were still potent. Percivale's good looks, riches, and generally

unusual _entourage_ had led her to imagine that a platonic friendship

with him would enliven the winter. The idea suggested by her brother's

words was like a douche of cold water. If he were such an idiot as to be

in love with the pretty face of the foolish Elsa--well! But he was so

fascinating that one could not help regretting it! He was raised all of

a sudden to a much higher value than the crowd of adorers who in general

formed her ladyship's court. Surely he could not intend to go and tie

himself down at his age! The thought greatly disturbed her.

"Claud, you must throw away that cigar, and tell him to let down the

glass--I am frozen."

Claud complied.

"He's going in a very queer direction," observed he, presently. "Hallo,

friend, this is not the way to St. James's Place."

"Thought you said St. James' Square, sir."

"Well, I didn't; it's exactly the opposite direction, down by the

river----"

"Right, sir. I know it."

"I suppose you will get there some time to-morrow morning," observed his

sister, icily.

"I am tearing my lungs to pieces in my efforts to do so," was the polite

response.

Percivale and Elsa stood together in the lamplight.

Thanks to Claud's kindly manoeuvres, a precious half-hour had been

theirs. The young man's arms were round the slim form of his beloved and

there was a look in his eyes as though, to him, life had indeed become

the "perfumed altar-flame" to which Maud's lover likened his.

A deep hush was over the whole place, and over his noble soul as he held

his treasure tenderly to him.

Presently, breaking through his rapturous dream, he led her to the

window, and, pushing it open, they gazed down on the wide dark waters of

the Thames, lighted by a million lamps.

"We stand together as did Lohengrin and his Elsa," he murmured. "Oh,

love, love, love, if I could tell you how I love you!"

"It is sweet to be loved," said the girl. "I have never had much love,

all my life. When first I went abroad, and began to read novels, I used

to wonder if any such thing would ever happen to me."

"But--but," faltered Percivale, a sudden jealous pang darting through

his consciousness, "did not some one speak to you of love before--before

I ever saw you, sweet?"

"Oh, Osmond Allonby. Poor Osmond!" Leaning back against his arm she

turned her beautiful face to his. "I did not know what love meant,

then," she said.

He bent his mouth to hers.

"You know now, Elsa?"

Even as he kissed her, a sudden unbidden memory of Claud's warning words

rushed in and seemed just to dash the bliss of that caress.

"You ask more than any woman can give?" No, he fiercely told himself, he

asked of her nothing but to be just what she was. Was it her fault that

Osmond could not look on her without loving? Most certainly not.

Love and happiness, the two things from which this rich young man had

been debarred, seemed all his own at last.

Farewell to lonely cruising and aimless travels. His heart's core, his

life's aim was found; the birthday of his life had come.

The Tree of Knowledge: A Novel · 第 40 / 54 章