White, between 1867 and 1870, launched various attacks upon these

ludicrous gossamers of speech, and particularly upon /enceinte/, /limb/

and /female/, but only /female/ succumbed. The passage of the notorious

Comstock Postal Act, in 1873, greatly stimulated the search for

euphemisms. Once that act was upon the statute-books and Comstock

himself was given the amazingly inquisitorial powers of a post-office

inspector, it became positively dangerous to print certain ancient and

essentially decent English words. To this day the effects of that old

reign of terror are still visible. We yet use /toilet/ and /public

comfort station/ in place of better terms,[38] and such idiotic forms

as /red-light district/, /disorderly-house/, /blood-poison/,

/social-evil/, /social disease/ and /white slave/ ostensibly conceal

what every flapper is talking about. The word /cadet/, having a foreign

smack and an innocent native meaning, is preferred to the more accurate

/procurer/; even prostitutes shrink from the forthright /pimp/, and

employ a characteristic American abbreviation, /P. I./--a curious

brother to /S. O. B./ and /2 o'clock/. Nevertheless, a movement toward

honesty is getting on its legs. The vice crusaders, if they have

accomplished nothing else, have at least forced the newspapers to use

the honest terms, /syphilis/, /prostitute/, /brothel/ and /venereal

disease/, albeit somewhat gingerly. It is, perhaps, significant of the

change going on that the /New York Evening Post/ [Pg128] recently

authorized its reporters to use /street-walker/.[39] But in certain

quarters the change is viewed with alarm, and curious traces of the old

prudery still survive. The Department of Health of New York City, in

April, 1914, announced that its efforts to diminish venereal disease

were much handicapped because "in most newspaper offices the words

/syphilis/ and /gonorrhea/ are still tabooed, and without the use of

these terms it is almost impossible to correctly state the problem."

The Army Medical Corps, in the early part of 1918, encountered the same

difficulty: most newspapers refused to print its bulletins regarding

venereal disease in the army. One of the newspaper trade journals

thereupon sought the opinions of editors upon the subject, and all of

them save one declared against the use of the two words. One editor put

the blame upon the Postoffice, which still cherishes the Comstock

tradition. Another reported that "at a recent conference of the Scripps

Northwest League editors" it was decided that "the use of such terms as

/gonorrhea/, /syphilis/, and even /venereal diseases/ would not add to

the tone of the papers, and that the term /vice diseases/ can be

readily substituted."[40] The Scripps papers are otherwise anything but

distinguished for their "tone," but in this department they yield to

the Puritan habit. An even more curious instance of prudery came to my

notice in Philadelphia several years ago. A one-act play of mine, "The

Artist," was presented at the Little Theatre there, and during its run,

on February 26, 1916, the /Public Ledger/ reprinted some of the

dialogue. One of the characters in the piece is /A Virgin/. At every

occurrence a change was made to /A Young Girl/. Apparently, even

/virgin/ is still regarded as too frank in Philadelphia.[41] Fifty

years [Pg129] ago the very word /decent/ was indecent in the South: no

respectable woman was supposed to have any notion of the difference

between /decent/ and /indecent/.

In their vocabularies of opprobrium and profanity English and

Americans diverge sharply. The English /rotter/ and /blighter/ are

practically unknown in America, and there are various American

equivalents that are never heard in England. A /guy/, in the American

vulgate, simply signifies a man; there is not necessarily any

disparaging significance. But in English, high or low, it means one

who is making a spectacle of himself. The derivative verb, /to guy/,

is unknown in English; its nearest equivalent is /to spoof/, which is

unknown in American. The average American, I believe, has a larger

vocabulary of profanity than the average Englishman, and swears a good

deal more, but he attempts an amelioration of many of his oaths by

softening them to forms with no apparent meaning. /Darn/

(=/dern/=/durn/) for /damn/ is apparently of English origin, but it is

heard ten thousand times in America to once in England. So is

/dog-gone/. Such euphemistic written forms as /damphool/ and /damfino/

are also far more common in this country. /All-fired/ for

/hell-fired/, /gee-whiz/ for /Jesus/, /tarnal/ for /eternal/,

/tarnation/ for /damnation/, /cuss/ for /curse/, /goldarned/ for

/God-damned/, /by gosh/ for /by God/ and /great Scott/ for /great God/

are all Americanisms; Thornton has traced /all-fired/ to 1835,

/tarnation/ to 1801 and /tarnal/ to 1790. /By golly/ has been found in

English literature so early as 1843, but it probably originated in

America; down to the Civil War it was the characteristic oath of the

negro slaves. Such terms as /bonehead/, /pinhead/ and /boob/ have been

invented, perhaps, to take the place of the English /ass/, which has a

flavor of impropriety in America on account of its identity in sound

with the American pronunciation of /arse/.[42] At an earlier day /ass/

was always differentiated by making it /jackass/. Another word that is

improper in America but not in England is /tart/. To an Englishman the

word connotes sweetness, and so, if he be of the lower orders, he may

apply [Pg130] it to his sweetheart. But to the American it signifies

a prostitute, or, at all events, a woman of too ready an amiability.

But the most curious disparity between the profane vocabulary of the

two tongues is presented by /bloody/. This word is entirely without

improper significance in America, but in England it is regarded as the

vilest of indecencies. The sensation produced in London when George

Bernard Shaw put it into the mouth of a woman character in his play,

"Pygmalion," will be remembered. "The interest in the first English

performance," said the /New York Times/,[43] "centered in the

heroine's utterance of this banned word. It was waited for with

trembling, heard shudderingly, and presumably, when the shock

subsided, interest dwindled." But in New York, of course, it failed to

cause any stir. Just why it is regarded as profane and indecent by the

English is one of the mysteries of the language. The theory that it

has some blasphemous reference to the blood of Christ is disputed by

many etymologists. It came in during the latter half of the

seventeenth century, and at the start it apparently meant no more than

"in the manner of a blood," /i. e./, a rich young roisterer of the

time. Thus, /bloody drunk/ was synonymous with as /drunk as a lord/.

The adjective remained innocuous for 200 years. Then it suddenly

acquired its present abhorrent significance. It is regarded with such

aversion by the English that even the lower orders often substitute

/bleeding/ as a euphemism.

So far no work devoted wholly to the improper terms of English and

American has been published, but this lack may be soon remedied by a

compilation made by a Chicago journalist. It is entitled "The Slang of

Venery and Its Analogues," and runs to two large volumes. A small

edition, mimeographed for private circulation, was issued in 1916. I

have examined this work and found it of great value. If the influence

of comstockery is sufficient to prevent its publication in the United

States, as seems likely, it will be printed in Switzerland.

FOOTNOTES:

[1] It should be noted that /mews/ is used only in the larger cities.

In the small towns /livery-stable/ is commoner. /Mews/ is quite

unknown in America save as an occasional archaism.

[2] Sometimes /whiffle-tree/.

[3] The latter has crept into American of late. I find it on p. 58 of

The United States at War, a pamphlet issued by the Library of

Congress, 1917. The compiler of this pamphlet is a savant bearing the

fine old British name of Herman H. B. Meyer.

[4] /Living-room/, however, is gradually making its way in England. It

was apparently suggested, in America, by the German /wohnzimmer/.

[5] This form survives in the American term /city-stock/, meaning the

bonds of a municipality. But government securities are always called

/bonds/.

[6] /Cf./ A Glossary of Colloquial Slang and Technical Terms in Use in

the Stock Exchange and in the Money Market, by A. J. Wilson, London,

1895.

[7] Or /bailiffs/.

[8] But he is /run/ by his party organization. /Cf./ The Government of

England, by A. Lawrence Lowell; New York, 1910, vol. ii, p. 29.

[9] Until very recently no self-respecting American newspaper reporter

would call himself a /journalist/. He always used /newspaper man/, and

referred to his vocation, not as a profession, but as the newspaper

/business/. This old prejudice, however, now seems to be breaking

down. /Cf./ Don't Shy at Journalist, /The Editor and Publisher and

Journalist/, June 27, 1914.

[10] /Cf./ a speech of Senator La Follette, /Congressional Record/,

Aug. 27, 1917, p. 6992.

[11] According to the New International Encyclopedia, 2nd ed. (/Art./

Apartment House), the term /flat/ "is usually in the United States

restricted to apartments in houses having no elevator or hall

service." In New York such apartments are commonly called /walk-up

apartments/. Even with the qualification, /apartment/ is better than

/flat/.

[12] Canoeing was introduced into England by John MacGregor in 1866,

and there is now a Royal Canoe Club. In America the canoe has been

familiar from the earliest times, and in Mme. Sarah Kemble Knight's

diary (1704) there is much mention of /cannoos/. The word itself is

from an Indian dialect, probably the Haitian, and came into American

through the Spanish, in which it survives as /canoa/.

[13] "An act was passed to prohibit playing /nine-pins/; as soon as

the law was put in force, it was notified everywhere, '/Ten-pins/

played here.'"--Capt. Marryat: Diary in America, vol. iii, p. 195.

[14] "The term /chapel/," says Joyce, in English as We Speak It in

Ireland, "has so ingrained itself in my mind that to this hour the

word instinctively springs to my lips when I am about to mention a

Catholic place of worship; and I always feel some sort of hesitation

or reluctance in substituting the word /church/. I positively could

not bring myself to say, 'Come, it is time now to set out for

/church/' It must be either /mass/ or chapel."

[15] Certain dissenters, of late, show a disposition to borrow the

American usage. Thus the /Christian World/, organ of the English

Congregationalists, uses /Episcopal/ to designate the Church of

England.

[16] So long ago as the 70's certain Jews petitioned the publishers of

Webster's and Worcester's dictionaries to omit their definitions of

the verb /to jew/, and according to Richard Grant White, the publisher

of Worcester's complied. Such a request, in England, would be greeted

with derision.

[17] But nevertheless he uses /begotten/, not /begot/.

[18] This specimen is from the /Congressional Record/ of Dec. 11,

1917: "I do not like to be butting into this /proposition/, but I look

upon this postoffice business as a purely business /proposition/." The

speaker was "Hon" Homer P. Snyder, of New York. In the /Record/ of

Jan. 12, 1918, p. 8294, /proposition/ is used as a synonym for state

of affairs.

[19] Already in 1855 Bristed was protesting that /to fix/ was having

"more than its legitimate share of work all over the Union." "In

English conversation," he said, "the panegyrical adjective of all work

is /nice/; in America it is /fine/." This was before the adoption of

/jolly/ and its analogues, /ripping/, /stunning/, /rattling/, etc.

[20] In the Appendix to the Final Report of the Royal Commission on

Venereal Diseases, London, 1916, p. iv., I find the following: "/Mr./

C. J. Symonds, F.R.C.S., M.D.; /Mr./ F. J. McCann, F.R.C.S., M.D.;

/Mr./ A. F. Evans, F.R.C.S". /Mr./ Symonds is consulting surgeon to

Guy's Hospital, /Mr./ McCann is an eminent London gynecologist, and

/Mr./ Evans is a general surgeon in large practise. All would be

called /Doctor/ in the United States.

[21] Among the curious recipients of this degree have been Gumshoe

Bill Stone, Uncle Joe Cannon and Josephus Daniels. Billy Sunday, the

evangelist, is a D.D.

[22] /Congressional Record/, May 16, 1918, p. 7147.

[23] /Vide/ his annual reports, printed at Sing Sing Prison.

[24] I encountered this gem in /Public Health Reports/, a government

publication, for April 26, 1918, p. 619.

[25] For the /Record/ see the issue of Dec. 14, 1917, p. 309. For the

New International Encyclopaedia see the article on Brotherhood of

Andrew and Philip. For the /World/ Almanac see the article on Young

People's Society of Christian Endeavor, ed. of 1914. The grammar-book

is Longman's Briefer Grammar; New York, 1908, p. 160. The editor is

George J. Smith, a member of the board of examiners of the New York

City Department of Education.

[26] Edwin S. Gould: Good English; New York, 1867, pp. 56-57.

[27] Despite the example of Congress, however, the Department of State

inserts the /the/. /Vide/ the /Congressional Record/, May 4, 1918, p.

6552. But the War Department, the Treasury and the Post Office omit

it. /Vide/ the /Congressional Record/, May 11, 1918, p. 6895 and p.

6914 and May 14, p. 7004, respectively. So, it appears, does the White

House. /Vide/ the /Congressional Record/, May 10, 1918, p. 6838, and

June 12, 1918, p. 8293.

[28] In the 60's an undertaker was often called an /embalming surgeon/

in America.

[29] In a list of American "universites" I find the Christian of

Canton, Mo., with 125 students; the Lincoln, of Pennsylvania, with

184; the Southwestern Presbyterian, of Clarksville, Tenn., with 86;

and the Newton Theological, with 77. Most of these, of course, are

merely country high-schools.

[30] The Rev. John C. Stephenson in the /New York Sun/, July 10, 1914:

... "that empty courtesy of addressing every clergyman as /Doctor/....

And let us abolish the abuse of ... /baccalaureate/ sermons for

sermons before graduating classes of high schools and the like."

[31] /Cf./ Dardanelles Commission Report; London, 1916, p. 58, § 47.

[32] Edgar Allan Poe's "The Gold /Bug/" is called "The Golden

/Beetle/" in England. Twenty-five years ago an Englishman named

/Buggey/, laboring under the odium attached to the name, had it

changed to /Norfolk-Howard/, a compound made up of the title and

family name of the Duke of Norfolk. The wits of London at once doubled

his misery by adopting /Norfolk-Howard/ as a euphemism for /bed-bug/.

[33] A recent example of the use of /male-cow/ was quoted in the

/Journal/ of the American Medical Association, Nov. 17, 1917,

advertising page 24.

[34] /New York Organ/ (a "/family journal/ devoted to temperance,

morality, education and general literature"), May 29, 1847. One of the

editors of this delicate journal was T. S. Arthur, author of Ten

Nights in a Bar-room.

[35] John Graham Brooks: As Others See Us; New York, 1908, p. 11.

[36] Domestic Manners of the Americans, 2 vols.; London, 1832; vol. i,

p. 132.

[37] /Female/, of course, was epidemic in England too, but White says

that it was "not a Briticism," and so early as 1839 the Legislature of

Maryland expunged it from the title of a bill "to protect the

reputation of unmarried /females/," substituting /women/, on the

ground that /female/ "was an Americanism in that application."

[38] The French /pissoir/, for instance, is still regarded as indecent

in America, and is seldom used in England, but it has gone into most

of the Continental languages. It is curious to note, however, that

these languages also have their pruderies. Most of them, for example,

use /W. C./, an abbreviation of the English /water-closet/, as a

euphemism. The whole subject of national pruderies, in both act and

speech, remains to be investigated.

[39] Even the /Springfield Republican/, the last stronghold of Puritan

/Kultur/, printed the word on Oct. 11, 1917, in a review of New

Adventures, by Michael Monahan.

[40] /Pep/, July, 1918, p. 8.

[41] Perhaps the Quaker influence is to blame. At all events,

Philadelphia is the most pecksniffian of American cities, and thus

probably leads the world. Early in 1918, when a patriotic

moving-picture entitled "To Hell with the Kaiser" was sent on tour

under government patronage, the word /hell/ was carefully toned down,

on the Philadelphia billboards, to /h----/.

[42] /Cf./ R. M. Bache: Vulgarisms and Other Errors of Speech; Phila.,

1869, p. 34 /et seq./

[43] April 14, 1914.

[Pg131]

V

Tendencies in American

§ 1

/International Exchanges/--More than once, during the preceding

chapters, we encountered Americanisms that had gone over into English,

and English locutions that had begun to get a foothold in the United

States. Such exchanges are made very frequently and often very

quickly, and though the guardians of English still attack every new

Americanism vigorously, even when, as in the case of /scientist/, it

is obviously sound and useful, they are often routed by public

pressure, and have to submit in the end with the best grace possible.

For example, consider /caucus/. It originated in Boston at some

indeterminate time before 1750, and remained so peculiarly American

for more than a century following that most of the English visitors

before the Civil War remarked its use. But, according to J. Redding

Ware,[1] it began to creep into English political slang about 1870,

and in the 80's it was lifted to good usage by the late Joseph

Chamberlain. Ware, writing in the first years of the present century,

said that the word had become "very important" in England, but was

"not admitted into dictionaries." But in the Concise Oxford

Dictionary, dated 1914, it is given as a sound English word, though

its American origin is noted. The English, however, use it in a sense

that has become archaic in America, thus preserving an abandoned

American meaning in the same way that many abandoned British meanings

have been preserved on this side. In the United States the word means,

and has meant for years, a meeting of some division, [Pg132] large or

small, of a political or legislative body for the purpose of agreeing

upon a united course of action in the main assembly. In England it

means the managing committee of a party or fraction--something

corresponding to our national committee, or state central committee,

or steering committee, or to the half-forgotten congressional caucuses

of the 20's. It has a disparaging significance over there, almost

equal to that of our words /organization/ and /machine/. Moreover, it

has given birth to two derivatives of like quality, both unknown in

America--/caucusdom/, meaning machine control, and /caucuser/, meaning

a machine politician.[2]

A good many other such Americanisms have got into good usage in

England, and new ones are being exported constantly. Farmer describes

the process of their introduction, and assimilation. American books,

newspapers and magazines, especially the last, circulate in England in

large number, and some of their characteristic locutions pass into

colloquial speech. Then they get into print, and begin to take on

respectability. "The phrase, 'as the Americans say,'" he continues,

"might in some cases be ordered from the type foundry as a logotype,

so frequently does it do introduction duty."[3] Ware shows another

means of ingress: the argot of sailors. Many of the Americanisms he

notes as having become naturalized in England, /e. g./, /boodle/,

/boost/ and /walk-out/, are credited to Liverpool as a sort of

half-way station. Travel brings in still more: England swarms with

Americans, and Englishmen themselves, visiting America, bring home new

and racy phrases. Bishop Coxe says[4] that [Pg133] Dickens, in his

"American Notes," gave English currency to /reliable/, /influential/,

/talented/ and /lengthy/. Bristed, writing in 1855, said that

/talented/ was already firmly fixed in the English vocabulary by that

time. All four words are in the Concise Oxford Dictionary, and only

/lengthy/ is noted as "originally an Americanism." Finally, there is

the influence of the moving pictures. Hundreds of American films are

shown in England every week, and the American words and phrases

appearing in their titles, sub-titles and other explanatory legends

thus become familiar to the English. "The patron of the picture

palace," says W. G. Faulkner, in an article in the /London Daily

Mail/, "learns to think of his railway station as a /depot/; he has

alternatives to one of our newest words, /hooligan/, in /hoodlum/ and

/tough/; he watches a /dive/, which is a thieves' kitchen or a room in

which bad characters meet, and whether the villain talks of /dough/ or

/sugar/ he knows it is money to which he is referring. The musical

ring of the word /tramp/ gives way to the stodgy /hobo/ or

/dead-beat/. It may be that the plot reveals an attempt to deceive

some simple-minded person. If it does, the innocent one is spoken of

as a /sucker/, a /come-on/, a /boob/, or a /lobster/ if he is stupid

into the bargain."

Mr. Faulkner goes on to say that a great many other Americanisms are

constantly employed by Englishmen "who have not been affected by the

avalanche ... which has come upon us through the picture palace."

"Thus today," he says, "we hear people speak of the /fall/ of the

year, a /stunt/ they have in hand, their desire to /boost/ a

particular business, a /peach/ when they mean a pretty girl, a

/scab/--a common term among strikers,--the /glad-eye/, /junk/ when

they mean worthless material, their efforts /to make good/, the

/elevator/ in the hotel or office, the /boss/ or manager, the /crook/

or swindler; and they will tell you that they have the /goods/--that

is, they possess the requisite qualities for a given position." The

venerable Frederic Harrison, writing in the /Fortnightly Review/ in

the Spring of 1918, denounced this tendency with a vigor recalling the

classical anathemas of Dean Alford and Sydney Smith.[5] "Stale

American phrases, ..." [Pg134] he said, "are infecting even our

higher journalism and our parliamentary and platform oratory.... A

statesman is now /out/ for victory; he is /up against/ pacificism....

He has a /card up his sleeve/, by which the enemy are at last to be

/euchred/. Then a fierce fight in which hundreds of noble fellows are

mangled or drowned is a /scrap/.... To criticise a politician is to

call for his /scalp/.... The other fellow is beaten to a /frazzle/."

And so on. "Bolshevism," concluded Harrison sadly, "is ruining

language as well as society."

But though there are still many such alarms by constables of the

national speech, the majority of Englishmen continue to make

borrowings from the tempting and ever-widening American vocabulary.

What is more, some of these loan-words take root, and are presently

accepted as sound English, even by the most watchful. The two Fowlers,

in "The King's English," separate Americanisms from other current

vulgarisms, but many of the latter on their list are actually American

in origin, though they do not seem to know it--for example, /to

demean/ and /to transpire/. More remarkable still, the Cambridge

History of English Literature lists /backwoodsman/, /know-nothing/ and

/yellow-back/ as English compounds, apparently in forgetfulness of

their American origin, and adds /skunk/, /squaw/ and /toboggan/ as

direct importations from the Indian tongues, without noting that they

came through American, and remained definite Americanisms for a long

while.[6] It even adds /musquash/, a popular name for the /Fiber

zibethicus/, borrowed from the Algonquin /muskwessu/ but long since

degenerated to /musk-rat/ in America. /Musquash/ has been in disuse in

this country, indeed, since the middle of the last century, save as a

stray localism, but the English have preserved it, and it appears in

the Oxford Dictionary.[7]

The American Language A Preliminary Inquiry into the Development of English in the United States · 第 12 / 36 段