de Guermantes’s box. The Princess was in the act—by a movement that
called into being an exquisite line which my mind pursued into the
void—of turning her head towards the back of the box; her party were all
standing, and also turning towards the back, and between the double
hedge which they thus formed, with all the assurance, the grandeur of
the goddess that she was, but with a strange meekness which so late an
arrival, making every one else get up in the middle of the performance,
blended with the white muslin in which she was attired, just as an
adroitly compounded air of simplicity, shyness and confusion tempered
her triumphant smile, the Duchesse de Guermantes, who had at that moment
entered the box, came towards her cousin, made a profound obeisance to a
young man with fair hair who was seated in the front row, and turning
again towards the amphibian monsters who were floating in the recesses
of the cavern, gave to these demi-gods of the Jockey Club—who at that
moment, and among them all M. de Palancy in particular, were the men
whom I should most have liked to be—the familiar “good evening” of an
old and intimate friend, an allusion to the daily sequence of her
relations with them during the last fifteen years. I felt the mystery,
but could not solve the riddle of that smiling gaze which she addressed
to her friends, in the azure brilliance with which it glowed while she
surrendered her hand to one and then to another, a gaze which, could I
have broken up its prism, analysed its crystallisation, might perhaps
have revealed to me the essential quality of the unknown form of life
which became apparent in it at that moment. The Duc de Guermantes
followed his wife, the flash of his monocle, the gleam of his teeth, the
whiteness of his carnation or of his pleated shirt-front scattering, to
make room for their light, the darkness of his eyebrows, lips and coat;
with a wave of his outstretched hand which he let drop on to their
shoulders, vertically, without moving his head, he commanded the
inferior monsters, who were making way for him, to resume their seats,
and made a profound bow to the fair young man. One would have said that
the Duchess had guessed that her cousin, of whom, it was rumoured, she
was inclined to make fun for what she called her “exaggerations” (a name
which, from her own point of view, so typically French and restrained,
would naturally be applied to the poetry and enthusiasm of the Teuton),
would be wearing this evening one of those costumes in which the Duchess
thought of her as “dressed up”, and that she had decided to give her a
lesson in good taste. Instead of the wonderful downy plumage which, from
the crown of the Princess’s head, fell and swept her throat, instead of
her net of shells and pearls, the Duchess wore in her hair only a simple
aigrette, which, rising above her arched nose and level eyes, reminded
one of the crest on the head of a bird. Her neck and shoulders emerged
from a drift of snow-white muslin, against which fluttered a swansdown
fan, but below this her gown, the bodice of which had for its sole
ornament innumerable spangles (either little sticks and beads of metal,
or possibly brilliants), moulded her figure with a precision that was
positively British. But different as their two costumes were, after the
Princess had given her cousin the chair in which she herself had
previously been sitting, they could be seen turning to gaze at one
another in mutual appreciation.
Possibly a smile would curve the lips of Mme. de Guermantes when next
day she referred to the headdress, a little too complicated, which the
Princess had worn, but certainly she would declare that it had been, all
the same, quite lovely, and marvellously arranged; and the Princess,
whose own tastes found something a little cold, a little austere, a
little “tailor-made” in her cousin’s way of dressing, would discover in
this rigid sobriety an exquisite refinement. Moreover the harmony that
existed between them, the universal and pre-established gravitation
exercised by their upbringing neutralised the contrasts not only in
their apparel but in their attitude. By those invisible magnetic
longitudes which the refinement of their manners traced between them the
expansive nature of the Princess was stopped short, while on the other
side the formal correctness of the Duchess allowed itself to be
attracted and relaxed, turned to sweetness and charm. As, in the play
which was now being performed, to realise how much personal poetry Berma
extracted from it one had only to entrust the part which she was
playing, which she alone could play, to no matter what other actress, so
the spectator who should raise his eyes to the balcony might see in two
smaller boxes there how an “arrangement” supposed to suggest that of the
Princesse de Guermantes simply made the Baronne de Morienval appear
eccentric, pretentious and ill-bred, while an effort, as painstaking as
it must have been costly, to imitate the clothes and style of the
Duchesse de Guermantes only made Mme. de Cambremer look like some
provincial schoolgirl, mounted on wires, rigid, erect, dry, angular,
with a plume of raven’s feathers stuck vertically in her hair. Perhaps
the proper place for this lady was not a theatre in which it was only
with the brightest stars of the season that the boxes (even those in the
highest tier, which from below seemed like great hampers brimming with
human flowers and fastened to the gallery on which they stood by the red
cords of their plush-covered partitions) composed a panorama which
deaths, scandals, illnesses, quarrels would soon alter, but which this
evening was held motionless by attention, heat, giddiness, dust,
smartness or boredom, in that so to speak everlasting moment of
unconscious waiting and calm torpor which, in retrospect, seems always
to have preceded the explosion of a bomb or the first flicker of a fire.
The explanation of Mme. de Cambremer’s presence on this occasion was
that the Princesse de Parme, devoid of snobbishness as are most truly
royal personages, and to make up for this devoured by a pride in and
passion for charity which held an equal place in her heart with her
taste for what she believed to be the Arts, had bestowed a few boxes
here and there upon women like Mme. de Cambremer who were not numbered
among the highest aristocratic society but with whom she was connected
in various charitable undertakings. Mme. de Cambremer never took her
eyes off the Duchesse and Princesse de Guermantes, which was all the
simpler for her since, not being actually acquainted with either, she
could not be suspected of angling for recognition. Inclusion in the
visiting lists of these two great ladies was nevertheless the goal
towards which she had been marching for the last ten years with untiring
patience. She had calculated that she might reach it, possibly, in five
years more. But having been smitten by a relentless malady, the
inexorable character of which—for she prided herself upon her medical
knowledge—she thought she knew, she was afraid that she might not live
so long. This evening she was happy at least in the thought that all
these women whom she barely knew would see in her company a man who was
one of their own set, the young Marquis de Beausergent, Mme.
d’Argencourt’s brother, who moved impartially in both worlds and with
whom the women of the second were greatly delighted to bedizen
themselves before the eyes of those of the first. He was seated behind
Mme. de Cambremer on a chair placed at an angle, so that he might rake
the other boxes with his glasses. He knew everyone in the house, and, to
greet his friends, with the irresistible charm of his beautifully curved
figure, and fine fair head, he half rose from his seat, stiffening his
body, a smile brightening his blue eyes, with a blend of deference and
detachment, a picture delicately engraved, in its rectangular frame, and
placed at an angle to the wall, like one of those old prints which
portray a great nobleman in his courtly pride. He often accepted these
invitations to go with Mme. de Cambremer to the play. In the theatre
itself, and on their way out, in the lobby, he stood gallantly by her
side in the thick of the throng of more brilliant friends whom he saw
about him, and to whom he refrained from speaking, to avoid any
awkwardness, just as though he had been in doubtful company. If at such
moments there swept by him the Princesse de Guermantes, lightfoot and
fair as Diana, letting trail behind her the folds of an incomparable
cloak, turning after her every head and followed by every eye (and, most
of all, by Mme. de Cambremer’s), M. de Beausergent would become absorbed
in conversation with his companion, acknowledging the friendly and
dazzling smile of the Princess only with constraint, under compulsion,
and with the well-bred reserve, the considerate coldness of a person
whose friendliness might at the moment have been inconvenient.
Had not Mme. de Cambremer known already that the box belonged to the
Princess, she could still have told that the Duchesse de Guermantes was
the guest from the air of keener interest with which she was surveying
the spectacle of stage and stalls, out of politeness to her hostess. But
simultaneously with this centrifugal force, an equal and opposite force
generated by the same desire to be sociable drew her attention back to
her own attire, her plume, her necklace, her bodice and also to that of
the Princess, whose subject, whose slave her cousin seemed thus to
proclaim herself, come thither solely to see her, ready to follow her
elsewhere should it have taken the fancy of the official occupant of the
box to rise and leave, and regarding as composed merely of strangers,
worth looking at simply as curiosities, the rest of the house, in which,
nevertheless, she numbered many friends to whose boxes she regularly
repaired on other evenings and with regard to whom she never failed on
those occasions to demonstrate a similar loyalism, exclusive,
conditional and hebdomadary. Mme. de Cambremer was surprised to see her
there that evening. She knew that the Duchess was staying on very late
at Guermantes, and had supposed her to be there still. But she had been
told, also, that sometimes, when there was some special function in
Paris which she considered it worth her while to attend, Mme. de
Guermantes would order one of her carriages to be brought round as soon
as she had taken tea with the guns, and, as the sun was setting, start
out at a spanking pace through the gathering darkness of the forest,
then over the high road, to join the train at Combray and so be in Paris
the same evening. “Perhaps she has come up from Guermantes on purpose to
hear Berma,” thought Mme. de Cambremer, and marvelled at the thought.
And she remembered having heard Swann say in that ambiguous jargon which
he used in common with M. de Charlus: “The Duchess is one of the noblest
souls in Paris, the cream of the most refined, the choicest society.”
For myself, who derived from the names Guermantes, Bavaria and Condé
what I imagined to be the life, the thoughts of the two cousins (I could
no longer so ascribe their faces, having seen them), I would rather have
had their opinion of _Phèdre_ than that of the greatest critic in the
world. For in his I should have found merely intellect, an intellect
superior to my own but similar in kind. But what the Duchesse and
Princesse de Guermantes might think, an opinion which would have
furnished me with an invaluable clue to the nature of these two poetic
creatures, I imagined with the aid of their names, I endowed with an
irrational charm, and, with the thirst, the longing of a fever-stricken
wretch, what I demanded that their opinion of _Phèdre_ should yield to
me was the charm of the summer afternoons that I had spent in wandering
along the Guermantes way.
Mme. de Cambremer was trying to make out how exactly the cousins were
dressed. For my own part, I never doubted that their garments were
peculiar to themselves, not merely in the sense in which the livery with
red collar or blue facings had belonged once exclusively to the houses
of Guermantes and Condé, but rather as is peculiar to a bird the plumage
which, as well as being a heightening of its beauty, is an extension of
its body. The toilet of these two ladies seemed to me like a
materialisation, snow-white or patterned with colour, of their internal
activity, and, like the gestures which I had seen the Princesse de
Guermantes make, with no doubt in my own mind that they corresponded to
some idea latent in hers, the plumes which swept downward from her brow,
and her cousin’s glittering spangled bodice seemed each to have a
special meaning, to be to one or the other lady an attribute which was
hers and hers alone, the significance of which I would eagerly have
learned; the bird of paradise seemed inseparable from its wearer as her
peacock is from Juno, and I did not believe that any other woman could
usurp that spangled bodice, any more than the fringed and flashing aegis
of Minerva. And when I turned my eyes to their box, far more than on the
ceiling of the theatre, painted with cold and lifeless allegories, it
was as though I had seen, thanks to a miraculous rending of the clouds
that ordinarily veiled it, the Assembly of the Gods in the act of
contemplating the spectacle of mankind, beneath a crimson canopy, in a
clear lighted space, between two pillars of Heaven. I gazed on this
brief transfiguration with a disturbance which was partly soothed by the
feeling that I myself was unknown to these Immortals; the Duchess had
indeed seen me once with her husband, but could surely have kept no
memory of that, and it gave me no pain that she found herself, owing to
the place that she occupied in the box, in a position to gaze down upon
the nameless, collective madrepores of the public in the stalls, for I
had the happy sense that my own personality had been dissolved in
theirs, when, at the moment in which, by the force of certain optical
laws, there must, I suppose, have come to paint itself on the impassive
current of those blue eyes the blurred outline of the protozoon, devoid
of any individual existence, which was myself, I saw a ray illumine
them; the Duchess, goddess turned woman, and appearing in that moment a
thousand times more lovely, raised, pointed in my direction the
white-gloved hand which had been resting on the balustrade of the box,
waved it at me in token of friendship; my gaze felt itself trapped in
the spontaneous incandescence of the flashing eyes of the Princess, who
had unconsciously set them ablaze merely by turning her head to see who
it might be that her cousin was thus greeting, while the Duchess, who
had remembered me, showered upon me the sparkling and celestial torrent
of her smile.
And now every morning, long before the hour at which she would appear, I
went by a devious course to post myself at the corner of the street
along which she generally came, and, when the moment of her arrival
seemed imminent, strolled homewards with an air of being absorbed in
something else, looking the other way and raising my eyes to her face as
I drew level with her, but as though I had not in the least expected to
see her. Indeed, for the first few mornings, so as to be sure of not
missing her, I waited opposite the house. And every time that the
carriage gate opened (letting out one after another so many people who
were none of them she for whom I was waiting) its grinding rattle
continued in my heart in a series of oscillations which it took me a
long time to subdue. For never was devotee of a famous actress whom he
did not know, posting himself and patrolling the pavement outside the
stage door, never was angry or idolatrous crowd, gathered to insult or
to carry in triumph through the streets the condemned assassin or the
national hero whom it believes to be on the point of coming whenever a
sound is heard from the inside of the prison or the palace, never were
these so stirred by their emotion as I was, awaiting the emergence of
this great lady who in her simple attire was able, by the grace of her
movements (quite different from the gait she affected on entering a
drawing-room or a box), to make of her morning walk—and for me there was
no one in the world but herself out walking—a whole poem of elegant
refinement and the finest ornament, the most curious flower of the
season. But after the third day, so that the porter should not discover
my stratagem, I betook myself much farther afield, to some point upon
the Duchess’s usual route. Often before that evening at the theatre I
had made similar little excursions before luncheon when the weather was
fine; if it had been raining, at the first gleam of sunshine I would
hasten downstairs to take a turn, and if, suddenly, coming towards me,
on the still wet pavement changed by the sun into a golden lacquer, in
the transformation scene of a cross-roads dusty with a grey mist which
the sun tanned and gilded, I caught sight of a schoolgirl followed by
her governess or of a dairy-maid with her white sleeves, I stood
motionless, my hand pressed to my heart which was already leaping
towards an unexplored form of life; I tried to bear in mind the street,
the time, the number of the door through which the girl (whom I followed
sometimes) had vanished and failed to reappear. Fortunately the fleeting
nature of these cherished images, which I promised myself that I would
make an effort to see again, prevented them from fixing themselves with
any vividness in my memory. No matter, I was less sad now at the thought
of my own ill health, of my never having summoned up courage to set to
work, to begin a book, the world appeared to me now a pleasanter place
to live in, life a more interesting experience now that I had learned
that the streets of Paris, like the roads round Balbec, were aflower
with those unknown beauties whom I had so often sought to evoke from the
woods of Méséglise, each one of whom aroused a sensual longing which she
alone appeared capable of assuaging.
On coming home from the Opéra-Comique I had added for next morning to
the list of those which for some days past I had been hoping to meet
again the form of Mme. de Guermantes, tall, with her high-piled crown of
silky, golden hair; with the kindness promised me in the smile which she
had directed at me from her cousin’s box. I would follow the course
which Françoise had told me that the Duchess generally took, and I would
try at the same time, in the hope of meeting two girls whom I had seen a
few days earlier, not to miss the break-up of their respective class and
catechism. But in the mean time, ever and again, the scintillating smile
of Mme. de Guermantes, the pleasant sensation it had given me returned.
And without exactly knowing what I was doing, I tried to find a place
for them (as a woman studies the possible effect on her dress of some
set of jewelled buttons that have just been given her) beside the
romantic ideas which I had long held and which Albertine’s coldness,
Gisèle’s premature departure, and before them my deliberate and too long
sustained separation from Gilberte had set free (the idea, for instance
of being loved by a woman, of having a life in common with her); next,
it had been the image of one or other of the two girls seen in the
street that I brought into relation with those ideas, to which
immediately afterwards I was trying to adapt my memory of the Duchess.
Compared with those ideas my memory of Mme. de Guermantes at the
Opéra-Comique was a very little thing, a tiny star twinkling beside the
long tail of a blazing comet; moreover I had been quite familiar with
the ideas long before I came to know Mme. de Guermantes; my memory of
her, on the contrary, I possessed but imperfectly; every now and then it
escaped me; it was during the hours when, from floating vaguely in my
mind in the same way as the images of various other pretty women, it
passed gradually into a unique and definite association—exclusive of
every other feminine form—with those romantic ideas of so much longer
standing than itself, it was during those few hours in which I
remembered it most clearly that I ought to have taken steps to find out
exactly what it was; but I did not then know the importance which it was
to assume for me; it was pleasant merely as a first private meeting with
Mme. de Guermantes inside myself, it was the first, the only accurate
sketch, the only one taken from life, the only one that was really Mme.
de Guermantes; during the few hours in which I was fortunate enough to
retain it without having the sense to pay it any attention, it must all
the same have been charming, that memory, since it was always to it, and
quite freely moreover, to that moment, without haste, without strain,
without the slightest compulsion or anxiety, that my ideas of love
returned; then, as gradually those ideas fixed it more definitely, it
acquired from them a proportionately greater strength but itself became
more vague; presently I could no longer recapture it; and in my dreams I
probably altered it completely, for whenever I saw Mme. de Guermantes I
realised the difference—never twice, as it happened, the same—between
what I had imagined and what I saw. And now every morning, certainly at
the moment when Mme. de Guermantes emerged from her gateway at the top
of the street I saw again her tall figure, her face with its bright eyes
and crown of silken hair—all the things for which I was there waiting;
but, on the other hand, a minute or two later, when, having first turned
my eyes away so as to appear not to be waiting for this encounter which
I had come out to seek, I raised them to look at the Duchess at the
moment in which we converged, what I saw then were red patches (as to
which I knew not whether they were due to the fresh air or to a faulty
complexion) on a sullen face which with the curtest of nods, a long way
removed from the affability of the _Phèdre_ evening, acknowledged my
salute, which I addressed to her daily with an air of surprise, and
which did not seem to please her. And yet, after a few days, during
which the memory of the two girls fought against heavy odds for the
mastery of my amorous feelings against that of Mme. de Guermantes, it
was in the end the latter which, as though of its own accord, generally
prevailed while its competitors withdrew; it was to it that I finally
found myself, deliberately moreover, and as though by preference and for
my own pleasure, to have transferred all my thoughts of love. I had
ceased to dream of the little girls coming from their catechism, or of a
certain dairy-maid; and yet I had also lost all hope of encountering in
the street what I had come out to seek, either the affection promised to
me, at the theatre, in a smile, or the profile, the bright face beneath
its pile of golden hair which were so only when seen from afar. Now I
should not even have been able to say what Mme. de Guermantes was like,
by what I recognised her, for every day, in the picture which she
presented as a whole, the face was different, as were the dress and the
hat.
Why did I one morning, when I saw bearing down on me beneath a violet
hood a sweet, smooth face whose charms were symmetrically arranged about
a pair of blue eyes, a face in which the curve of the nose seemed to
have been absorbed, gauge from a joyous commotion in my bosom that I was
not going to return home without having caught a glimpse of Mme. de
Guermantes; and on the next feel the same disturbance, affect the same
indifference, turn away my eyes in the same careless manner as on the
day before, on the apparition, seen in profile as she crossed from a
side street and crowned by a navy-blue toque, of a beak-like nose
bounding a flushed cheek chequered with a piercing eye, like some
Egyptian deity? Once it was not merely a woman with a bird’s beak that I
saw but almost the bird itself; the outer garments, even the toque of
Mme. de Guermantes were of fur, and since she thus left no cloth
visible, she seemed naturally furred, like certain vultures whose thick,
smooth, dusky, downy plumage suggests rather the skin of a wild beast.
From the midst of this natural plumage, the tiny head arched out its
beak and the two eyes on its surface were piercing-keen and blue.
One day I had been pacing up and down the street for hours on end
without a vestige of Mme. de Guermantes when suddenly, inside a
pastry-cook’s shop tucked in between two of the mansions of this
aristocratic and plebeian quarter, there appeared, took shape the vague
and unfamiliar face of a fashionably dressed woman who was asking to see
some little cakes, and, before I had had time to make her out, there
shot forth at me like a lightning flash, reaching me sooner than its
accompaniment of thunder, the glance of the Duchess; another time,
having failed to meet her and hearing twelve strike, I realised that it
was not worth my while to wait for her any longer, I was sorrowfully
making my way homewards; and, absorbed in my own disappointment, looking
absently after and not seeing a carriage that had overtaken me, I
realised suddenly that the movement of her head which I saw a lady make
through the carriage window was meant for me, and that this lady, whose
features, relaxed and pale, or it might equally be tense and vivid,
composed, beneath a round hat which nestled at the foot of a towering
plume, the face of a stranger whom I had supposed that I did not know,
was Mme. de Guermantes, by whom I had let myself be greeted without so
much as acknowledging her bow. And sometimes I came upon her as I
entered the gate, standing outside the lodge where the detestable porter
whose scrutinous eye I loathed and dreaded was in the act of making her
a profound obeisance and also, no doubt, his daily report. For the
entire staff of the Guermantes household, hidden behind the window
curtains, were trembling as they watched a conversation which they were
unable to overhear, but which meant as they very well knew that one or
other of them would certainly have his “day out” stopped by the Duchess
to whom this Cerberus was betraying him. In view of the whole series of
different faces which Mme. Guermantes displayed thus one after another,
faces that occupied a relative and varying extent, contracted one day,
vast the next, in her person and attire as a whole, my love was not
attached to any one of those changeable and ever-changing elements of
flesh and fabric which replaced one another as day followed day, and
which she could modify, could almost entirely reconstruct without
altering my disturbance because beneath them, beneath the new collar and
the strange cheek, I felt that it was still Mme. de Guermantes. What I
loved was the invisible person who set all this outward show in motion,
her whose hostility so distressed me, whose approach set me trembling,
whose life I would fain have made my own and driven out of it her
friends. She might flaunt a blue feather or shew a fiery cheek without
her actions’ losing their importance for me.
I should not myself have felt that Mme. de Guermantes was tired of
meeting me day after day, had I not learned it indirectly by reading it
on the face, stiff with coldness, disapproval and pity which Françoise
shewed when she was helping me to get ready for these morning walks. The
moment I asked her for my outdoor things I felt a contrary wind arise in
her worn and battered features. I made no attempt to win her confidence,
for I knew that I should not succeed. She had, for at once discovering
any unpleasant thing that might have happened to my parents or myself, a
power the nature of which I have never been able to fathom. Perhaps it
was not supernatural, but was to be explained by sources of information
that were open to her alone: as it may happen that the news which often
reaches a savage tribe several days before the post has brought it to
the European colony has really been transmitted to them not by telepathy
but from hill-top to hill-top by a chain of beacon fires. So, in the
particular instance of my morning walks, possibly Mme. de Guermantes’s
servants had heard their mistress say how tired she was of running into
me every day without fail wherever she went, and had repeated her
remarks to Françoise. My parents might, it is true, have attached some
servant other than Françoise to my person, still I should have been no
better off. Françoise was in a sense less of a servant than the others.
In her way of feeling things, of being kind and pitiful, hard and
distant, superior and narrow, of combining a white skin with red hands
she was still the village maiden whose parents had had “a place of their
own” but having come to grief had been obliged to put her into service.
Her presence in our household was the country air, the social life of a
farm of fifty years ago wafted to us by a sort of reversal of the normal
order of travel whereby it is the place that comes to visit the person.
As the glass cases in a local museum are filled with specimens of the
curious handiwork which the peasants still carve or embroider or
whatever it may be in certain parts of the country, so our flat in Paris
was decorated with the words of Françoise, inspired by a traditional
local sentiment and governed by extremely ancient laws. And she could in
Paris find her way back as though by clues of coloured thread to the
songbirds and cherry trees of her childhood, to her mother’s deathbed,
which she still vividly saw. But in spite of all this wealth of
background, once she had come to Paris and had entered our service she
had acquired—as, obviously, anyone else coming there in her place would
have acquired—the ideas, the system of interpretation used by the
servants on the other floors, compensating for the respect which she was
obliged to shew to us by repeating the rude words that the cook on the
fourth floor had used to her mistress, with a servile gratification so
intense that, for the first time in our lives, feeling a sort of
solidarity between ourselves and the detestable occupant of the fourth
floor flat, we said to ourselves that possibly we too were “employers”
after all. This alteration in Françoise’s character was perhaps
inevitable. Certain forms of existence are so abnormal that they are
bound to produce certain characteristic faults; such was the life led by
the King at Versailles among his courtiers, a life as strange as that of
a Pharaoh or a Doge—and, far more even than his, the life of his
courtiers. The life led by our servants is probably of an even more
monstrous abnormality, which only its familiarity can prevent us from
seeing. But it was actually in details more intimate still that I should
have been obliged, if I had dismissed Françoise, to keep the same
servant. For various others might, in years to come, enter my service;
already furnished with the defects common to all servants, they
underwent nevertheless a rapid transformation with me. As, in the rules
of tactics, an attack in one sector compels a counter-attack in another,
so as not to be hurt by the asperities of my nature, all of them
effected in their own an identical resilience, always at the same
points, and to make up for this took advantage of the gaps in my line to
thrust out advanced posts. Of these gaps I knew nothing, any more than
of the salients to which they gave rise, precisely because they were
gaps. But my servants, by gradually becoming spoiled, taught me of their
existence. It was from the defects which they invariably acquired that I
learned what were my own natural and invariable shortcomings; their
character offered me a sort of negative plate of my own. We had always
laughed, my mother and I, at Mme. Sazerat, who used, in speaking of her
servants, expressions like “the lower orders” or “the servant class”.
But I am bound to admit that what made it useless to think of replacing
Françoise by anyone else was that her successor would inevitably have
belonged just as much to the race of servants in general and to the
class of my servants in particular.
To return to Françoise, I never in my life experienced any humiliation
without having seen beforehand on her face a store of condolences
prepared and waiting; and if then in my anger at the thought of being
pitied by her I tried to pretend that on the contrary I had scored a
distinct success, my lies broke feebly on the wall of her respectful but
obvious unbelief and the consciousness that she enjoyed of her own
infallibility. For she knew the truth. She refrained from uttering it,
and made only a slight movement with her lips as if she still had her
mouth full and was finishing a tasty morsel. She refrained from uttering
it, or so at least I long believed, for at that time I still supposed
that it was by means of words that one communicated the truth to others.
Indeed the words that people used to me recorded their meaning so
unalterably on the sensitive plate of my mind that I could no more
believe it to be possible that anyone who had professed to love me did
not love me than Françoise herself could have doubted when she had read
it in a newspaper that some clergyman or gentleman was prepared, on
receipt of a stamped envelope, to furnish us free of charge with an
infallible remedy for every known complaint or with the means of
multiplying our income an hundredfold. (If, on the other hand, our
doctor were to prescribe for her the simplest ointment to cure a cold in
the head, she, so stubborn to endure the keenest suffering, would
complain bitterly of what she had been made to sniff, insisting that it
tickled her nose and that life was not worth living.) But she was the
first person to prove to me by her example (which I was not to
understand until, long afterwards, when it was given me afresh and to my
greater discomfort, as will be found in the later volumes of this work,
by a person who was dearer to me than Françoise) that the truth has no
need to be uttered to be made apparent, and that one may perhaps gather
it with more certainty, without waiting for words, without even
bothering one’s head about them, from a thousand outward signs, even
from certain invisible phenomena, analogous in the sphere of human
character to what in nature are atmospheric changes. I might perhaps
have suspected this, since to myself at that time it frequently occurred
that I said things in which there was no vestige of truth, while I made
the real truth plain by all manner of involuntary confidences expressed
by my body and in my actions (which were at once interpreted by
Françoise); I ought perhaps to have suspected it, but to do so I should
first have had to be conscious that I myself was occasionally untruthful
and dishonest. Now untruthfulness and dishonesty were with me, as with
most people, called into being in so immediate, so contingent a fashion,
and in self-defence, by some particular interest, that my mind, fixed on
some lofty ideal, allowed my character, in the darkness below, to set
about those urgent, sordid tasks, and did not look down to observe them.
When Françoise, in the evening, was polite to me, and asked my
permission before sitting down in my room, it seemed as though her face
became transparent and I could see the goodness and honesty that lay
beneath. But Jupien, who had lapses into indiscretion of which I learned
only later, revealed afterwards that she had told him that I was not
worth the price of a rope to hang me, and that I had tried to insult her
in every possible way. These words of Jupien set up at once before my
eyes, in new and strange colours, a print of the picture of my relations
with Françoise so different from that on which I used to like letting my
eyes rest, and in which, without the least possibility of doubt,
Françoise adored me and lost no opportunity of singing my praises, that
I realised that it is not only the material world that is different from
the aspect in which we see it; that all reality is perhaps equally
dissimilar from what we think ourselves to be directly perceiving; that
the trees, the sun and the sky would not be the same as what we see if
they were apprehended by creatures having eyes differently constituted
from ours, or, better still, endowed for that purpose with organs other
than eyes which would furnish trees and sky and sun with equivalents,
though not visual. However that might be, this sudden outlet which
Jupien threw open for me upon the real world appalled me. So far it was
only Françoise that was revealed, and of her I barely thought. Was it
the same with all one’s social relations? And in what depths of despair
might this not some day plunge me, if it were the same with love? That
was the future’s secret. For the present only Françoise was concerned.
Did she sincerely believe what she had said to Jupien? Had she said it
to embroil Jupien with me, possibly so that we should not appoint
Jupien’s girl as her successor? At any rate I realised the impossibility
of obtaining any direct and certain knowledge of whether Françoise loved
or lothed me. And thus it was she who first gave me the idea that a
person does not (as I had imagined) stand motionless and clear before
our eyes with his merits, his defects, his plans, his intentions with
regard to ourself exposed on his surface, like a garden at which, with
all its borders spread out before us, we gaze through a railing, but is
a shadow which we can never succeed in penetrating, of which there can
be no such thing as direct knowledge, with respect to which we form
countless beliefs, based upon his words and sometimes upon his actions,
though neither words nor actions can give us anything but inadequate and
as it proves contradictory information—a shadow behind which we can
alternately imagine, with equal justification, that there burns the
flame of hatred and of love.
I was genuinely in love with Mme. de Guermantes. The greatest happiness
that I could have asked of God would have been that He should overwhelm
her under every imaginable calamity, and that ruined, despised, stripped
of all the privileges that divided her from me, having no longer any
home of her own or people who would condescend to speak to her, she
should come to me for refuge. I imagined her doing so. And indeed on
those evenings when some change in the atmosphere or in my own condition
brought to the surface of my consciousness some forgotten scroll on
which were recorded impressions of other days, instead of profiting by
the refreshing strength that had been generated in me, instead of
employing it to decipher in my own mind thoughts which as a rule escaped
me, instead of setting myself at last to work, I preferred to relate
aloud, to plan out in the third person, with a flow of invention as
useless as was my declamation of it, a whole novel crammed with
adventure, in which the Duchess, fallen upon misfortune, came to implore
assistance from me—me who had become, by a converse change of
circumstances, rich and powerful. And when I had let myself thus for
hours on end imagine the circumstances, rehearse the sentences with
which I should welcome the Duchess beneath my roof, the situation
remained unaltered; I had, alas, in reality, chosen to love the very
woman who, in her own person, combined perhaps the greatest possible
number of different advantages; in whose eyes, accordingly, I could not
hope, myself, ever to cut any figure; for she was as rich as the richest
commoner—and noble also; without reckoning that personal charm which set
her at the pinnacle of fashion, made her among the rest a sort of queen.
I felt that I was annoying her by crossing her path in this way every
morning; but even if I had had the courage to refrain, for two or three
days consecutively, from doing so, perhaps that abstention, which would
have represented so great a sacrifice on my part, Mme. de Guermantes
would not have noticed, or would have set it down to some obstacle
beyond my control. And indeed I could not have succeeded in making
myself cease to track her down except by arranging that it should be
impossible for me to do so, for the need incessantly reviving in me to
meet her, to be for a moment the object of her attention, the person to
whom her bow was addressed, was stronger than my fear of arousing her
displeasure. I should have had to go away for some time; and for that I
had not the heart. I did think of it more than once. I would then tell
Françoise to pack my boxes, and immediately afterwards to unpack them.
And as the spirit of imitation, the desire not to appear behind the
times, alters the most natural and most positive form of oneself,
Françoise, borrowing the expression from her daughter’s vocabulary, used
to remark that I was “dippy”. She did not approve of this; she said that
I was always “balancing”, for she made use, when she was not aspiring to
rival the moderns, of the language of Saint-Simon. It is true that she
liked it still less when I spoke to her as master to servant. She knew
that this was not natural to me, and did not suit me, a condition which
she rendered in words as “where there isn’t a will”. I should never have
had the heart to leave Paris except in a direction that would bring me
closer to Mme. de Guermantes. This was by no means an impossibility.
Should I not indeed find myself nearer to her than I was in the morning,
in the street, solitary, abashed, feeling that not a single one of the
thoughts which I should have liked to convey to her ever reached her, in
that weary patrolling up and down of walks which might be continued, day
after day, for ever without the slightest advantage to myself, if I were
to go miles away from Mme. de Guermantes, but go to some one of her
acquaintance, some one whom she knew to be particular in the choice of
his friends and who would appreciate my good qualities, would be able to
speak to her about me, and if not to obtain it from her at least to make
her know what I wanted, some one by means of whom, in any event, simply
because I should discuss with him whether or not it would be possible
for him to convey this or that message to her, I should give to my
solitary and silent meditations a new form, spoken, active, which would
seem an advance, almost a realisation. What she did during the
mysterious daily life of the “Guermantes” that she was—this was the
constant object of my thoughts; and to break through the mystery, even
by indirect means, as with a lever, by employing the services of a
person to whom were not forbidden the town house of the Duchess, her
parties, unrestricted conversation with her, would not that be a contact
more distant but at the same time more effective than my contemplation
of her every morning in the street?
The friendship, the admiration that Saint-Loup felt for me seemed to me
undeserved and had hitherto left me unmoved. All at once I attached a
value to them, I would have liked him to disclose them to Mme. de
Guermantes, I was quite prepared even to ask him to do so. For when we
are in love, all the trifling little privileges that we enjoy we would
like to be able to divulge to the woman we love, as people who have been
disinherited and bores of other kinds do to us in every-day life. We are
distressed by her ignorance of them; we seek consolation in the thought
that just because they are never visible she has perhaps added to the
opinion which she already had of us this possibility of further
advantages that must remain unknown.
Saint-Loup had not for a long time been able to come to Paris, whether,
as he himself explained, on account of his military duties, or, as was
more likely, on account of the trouble that he was having with his
mistress, with whom he had twice now been on the point of breaking off
relations. He had often told me what a pleasure it would be to him if I
came to visit him at that garrison town, the name of which, a couple of
days after his leaving Balbec, had caused me so much joy when I had read
it on the envelope of the first letter I received from my friend. It was
(not so far from Balbec as its wholly inland surroundings might have led
one to think) one of those little fortified towns, aristocratic and
military, set in a broad expanse of country over which on fine days
there floats so often into the distance a sort of intermittent haze of
sound which—as a screen of poplars by its sinuosities outlines the
course of a river which one cannot see—indicates the movements of a
regiment on parade that the very atmosphere of its streets, avenues and
squares has been gradually tuned to a sort of perpetual vibration,
musical and martial, while the most ordinary note of cartwheel or
tramway is prolonged in vague trumpet calls, indefinitely repeated, to
the hallucinated ear, by the silence. It was not too far away from Paris
for me to be able, if I took the express, to return, join my mother and
grandmother and sleep in my own bed. As soon as I realised this,
troubled by a painful longing, I had too little will power to decide not
to return to Paris but rather to stay in this town; but also too little
to prevent a porter from carrying my luggage to a cab and not to adopt,
as I walked behind him, the unburdened mind of a traveller who is
looking after his luggage and for whom no grandmother is waiting
anywhere at home, to get into the carriage with the complete detachment
of a person who, having ceased to think of what it is that he wants, has
the air of knowing what he wants, and to give the driver the address of
the cavalry barracks. I thought that Saint-Loup might come to sleep that
night at the hotel at which I should be staying, so as to make less
painful for me the first shock of contact with this strange town. One of
the guard went to find him, and I waited at the barrack gate, before
that huge ship of stone, booming with the November wind, out of which,
every moment, for it was now six o’clock, men were emerging in pairs
into the street, staggering as if they were coming ashore in some
foreign port in which they found themselves temporarily anchored.
Saint-Loup appeared, moving like a whirlwind, his eyeglass spinning in
the air before him; I had not given my name, I was eager to enjoy his
surprise and delight. “Oh! What a bore!” he exclaimed, suddenly catching
sight of me, and blushing to the tips of his ears. “I have just had a
week’s leave, and I shan’t be off duty again for another week.”
And, preoccupied by the thought of my having to spend this first night
alone, for he knew better than anyone my bed-time agonies, which he had
often remarked and soothed at Balbec, he broke off his lamentation to
turn and look at me, coax me with little smiles, with tender though
unsymmetrical glances, half of them coming directly from his eye, the
other half through his eyeglass, but both sorts alike an allusion to the
emotion that he felt on seeing me again, an allusion also to that
important matter which I did not always understand but which concerned
me now vitally, our friendship.
“I say! Where are you going to sleep? Really, I can’t recommend the
hotel where we mess; it is next to the Exhibition ground, where there’s
a show just starting; you’ll find it beastly crowded. No, you’ld better
go to the Hôtel de Flandre; it is a little eighteenth-century palace
with old tapestries. It ‘makes’ quite an ‘old world residence’.”
Saint-Loup employed in every connexion the word “makes” for “has the air
of”, because the spoken language, like the written, feels from time to
time the need of these alterations in the meanings of words, these
refinements of expression. And just as journalists often have not the
least idea from what school of literature come the “turns of speech”
that they borrow, so the vocabulary, the very diction of Saint-Loup were
formed in imitation of three different aesthetes, none of whom he knew
personally but whose way of speaking had been indirectly instilled into
him. “Besides,” he concluded, “the hotel I mean is more or less adapted
to your supersensitiveness of hearing. You will have no neighbours. I
quite see that it is a slender advantage, and as, after all, another
visitor may arrive to-morrow, it would not be worth your while to choose
that particular hotel with so precarious an object in view. No, it is
for its appeal to the eye that I recommend it. The rooms are quite
attractive, all the furniture is old and comfortable; there is something
reassuring about that.” But to me, less of an artist than Saint-Loup,
the pleasure that an attractive house could give was superficial, almost
non-existent, and could not calm my growing anguish, as painful as that
which I used to feel long ago at Combray when my mother did not come
upstairs to say good night, or that which I felt on the evening of my
arrival at Balbec in the room with the unnaturally high ceiling, which
smelt of flowering grasses. Saint-Loup read all this in my fixed gaze.
“A lot you care, though, about this charming palace, my poor fellow;
you’re quite pale; and here am I like a great brute talking to you about
tapestries which you won’t have the heart to look at, even. I know the
room they’ll put you in; personally I find it most enlivening, but I can
quite understand that it won’t have the same effect on you with your
sensitive nature. You mustn’t think I don’t understand; I don’t feel the
same myself, but I can put myself in your place.”
At that moment a serjeant who was exercising a horse on the square,
entirely absorbed in making the animal jump, disregarding the salutes of
passing troopers, but hurling volleys of oaths at such as got in his
way, turned with a smile to Saint-Loup and, seeing that he had a friend
with him, saluted us. But his horse at once reared. Saint-Loup flung
himself at its head, caught it by the bridle, succeeded in quieting it
and returned to my side.
“Yes,” he resumed; “I assure you that I fully understand; I feel for you
as keenly as you do yourself. I am wretched,” he went on, laying his
hand lovingly on my shoulder, “when I think that if I could have stayed
with you to-night, I might have been able, if we talked till morning, to
relieve you of a little of your unhappiness. I can lend you any number
of books, but you won’t want to read if you’re feeling like that. And I
shan’t be able to get anyone else to take my duty here; I’ve been off
now twice running because my girl came down to see me.”
And he knitted his brows partly with vexation and also in the effort to
decide, like a doctor, what remedy he might best apply to my disease.
“Run along and light the fire in my quarters,” he called to a trooper
who passed us. “Hurry up; get a move on!”
After which he turned once more to me, and his eyeglass and his peering,
myopic gaze hinted an allusion to our great friendship.
“No! To see you here, in these barracks where I have spent so much time
thinking about you, I can scarcely believe my eyes. I must be dreaming.
And how are you? Better, I hope. You must tell me all about yourself
presently. We’ll go up to my room; we mustn’t hang about too long on the
square, there’s the devil of a draught; I don’t feel it now myself, but
you aren’t accustomed to it, I’m afraid of your catching cold. And what
about your work; have you started yet? No? You are a quaint fellow! If I
had your talent I’m sure I should be writing morning, noon and night. It
amuses you more to do nothing? What a pity it is that it’s the useless
fellows like me who are always ready to work, and the ones who could if
they wanted to, won’t. There, and I’ve clean forgotten to ask you how
your grandmother is. Her Proudhons are in safe keeping. I never part
from them.”
An officer, tall, handsome, majestic, emerged with slow and solemn gait
from the foot of a staircase. Saint-Loup saluted him and arrested the
perpetual instability of his body for the moment occupied in holding his
hand against the peak of his cap. But he had flung himself into the
action with so much force, straightening himself with so sharp a
movement, and, the salute ended, let his hand fall with so abrupt a
relaxation, altering all the positions of shoulder, leg, and eyeglass,
that this moment was one not so much of immobility as of a throbbing
tension in which were neutralised the excessive movements which he had
just made and those on which he was about to embark. Meanwhile the
officer, without coming any nearer us, calm, benevolent, dignified,
imperial, representing, in short, the direct opposite of Saint-Loup,
himself also, but without haste, raised his hand to the peak of his cap.
“I must just say a word to the Captain,” whispered Saint-Loup. “Be a
good fellow, and go and wait for me in my room. It’s the second on the
right, on the third floor; I’ll be with you in a minute.”
And setting off at the double, preceded by his eyeglass which fluttered
in every direction, he made straight for the slow and stately Captain
whose horse had just been brought round and who, before preparing to
mount, was giving orders with a studied nobility of gesture as in some
historical painting, and as though he were setting forth to take part in
some battle of the First Empire, whereas he was simply going to ride
home, to the house which he had taken for the period of his service at
Doncières, and which stood in a Square that was named, as though in an
ironical anticipation of the arrival of this Napoleonid, Place de la
République. I started to climb the staircase, nearly slipping on each of
its nail-studded steps, catching glimpses of barrack-rooms, their bare
walls edged with a double line of beds and kits. I was shewn
Saint-Loup’s room. I stood for a moment outside its closed door, for I
could hear some one stirring; he moved something, let fall something
else; I felt that the room was not empty, that there must be somebody
there. But it was only the freshly lighted fire beginning to burn. It
could not keep quiet, it kept shifting its faggots about, and very
clumsily. I entered the room; it let one roll into the fender and set
another smoking. And even when it was not moving, like an ill-bred
person it made noises all the time, which, from the moment I saw the
flames rising, revealed themselves to me as noises made by a fire,
although if I had been on the other side of a wall I should have thought
that they came from some one who was blowing his nose and walking about.
I sat down in the room and waited. Liberty hangings and old German
stuffs of the eighteenth century managed to rid it of the smell that was
exhaled by the rest of the building, a coarse, insipid, mouldy smell
like that of stale toast. It was here, in this charming room, that I
could have dined and slept with a calm and happy mind. Saint-Loup seemed
almost to be present by reason of the text-books which littered his
table, between his photographs, among which I could make out my own and
that of the Duchesse de Guermantes, by the light of the fire which had
at length grown accustomed to the grate, and, like an animal crouching
in an ardent, noiseless, faithful watchfulness, let fall only now and
then a smouldering log which crumbled into sparks, or licked with a
tongue of flame the sides of the chimney. I heard the tick of
Saint-Loup’s watch, which could not be far away. This tick changed its
place every moment, for I could not see the watch; it seemed to come
from behind, from in front of me, from my right, from my left, sometimes
to die away as though at a great distance. Suddenly I caught sight of
the watch on the table. Then I heard the tick in a fixed place from
which it did not move again. That is to say, I thought I heard it at
this place; I did not hear it there; I saw it there, for sounds have no
position in space. Or rather we associate them with movements, and in
that way they serve the purpose of warning us of those movements, of
appearing to make them necessary and natural. Certainly it happens
commonly enough that a sick man whose ears have been stopped with
cotton-wool ceases to hear the noise of a fire such as was crackling at
that moment in Saint-Loup’s fireplace, labouring at the formation of
brands and cinders, which it then lets fall into the fender, nor would
he hear the passage of the tramway-cars whose music took its flight, at
regular intervals, over the Grand’place of Doncières. Let the sick man
then read a book, and the pages will turn silently before him, as though
they were moved by the fingers of a god. The dull thunder of a bath
which is being filled becomes thin, faint and distant as the twittering
of birds in the sky. The withdrawal of sound, its dilution, take from it
all its power to hurt us; driven mad a moment ago by hammer-blows which
seemed to be shattering the ceiling above our head, it is with a quiet
delight that we now gather in their sound, light, caressing, distant,
like the murmur of leaves playing by the roadside with the passing
breeze. We play games of patience with cards which we do not hear, until
we imagine that we have not touched them, that they are moving of their
own accord, and, anticipating our desire to play with them, have begun
to play with us. And in this connexion we may ask ourselves whether, in
the case of love (to which indeed we may add the love of life and the
love of fame, since there are, it appears, persons who are acquainted
with these latter sentiments), we ought not to act like those who, when
a noise disturbs them, instead of praying that it may cease, stop their
ears; and, with them for our pattern, bring our attention, our defensive
strength to bear on ourselves, give ourselves as an objective to capture
not the “other person” with whom we are in love but our capacity for
suffering at that person’s hands.
To return to the problem of sounds, we have only to thicken the wads
which close the aural passages, and they confine to a pianissimo the
girl who has just been playing a boisterous tune overhead; if we go
farther, and steep the wad in grease, at once the whole household must
obey its despotic rule; its laws extend even beyond our portals.
Pianissimo is not enough; the wad instantly orders the piano to be shut,
and the music lesson is abruptly ended; the gentleman who was walking up
and down in the room above breaks off in the middle of his beat; the
movement of carriages and tramways is interrupted as though a Sovereign
were expected to pass. And indeed this attenuation of sounds sometimes
disturbs our slumbers instead of guarding them. Only yesterday the
incessant noise in our ears, by describing to us in a continuous
narrative all that was happening in the street and in the house,
succeeded at length in making us sleep, like a boring book; to-night,
through the sheet of silence that is spread over our sleep a shock,
louder than the rest, manages to make itself heard, gentle as a sigh,
unrelated to any other sound, mysterious; and the call for an
explanation which it emits is sufficient to awaken us. Take away for a
moment from the sick man the cotton-wool that has been stopping his ears
and in a flash the full daylight, the sun of sound dawns afresh,
dazzling him, is born again in his universe; in all haste returns the
multitude of exiled sounds; we are present, as though it were the
chanting of choirs of angels, at the resurrection of the voice. The
empty streets are filled for a moment with the whirr of the swift,
consecutive wings of the singing tramway-cars. In the bedroom itself,
the sick man has created, not, like Prometheus, fire, but the sound of
fire. And when we increase or reduce the wads of cotton-wool, it is as
though we were pressing alternately one and the other of the two pedals
with which we have extended the resonant compass of the outer world.
Only there are also suppressions of sound which are not temporary. The
man who has grown completely deaf cannot even heat a pan of milk by his
bedside, but he must keep an eye open to watch, on the tilted lid, for
the white, arctic reflexion, like that of a coming snow-storm, which is
the warning sign which he is wise to obey, by cutting off (as Our Lord
bade the waves be still) the electric current; for already the swelling,
jerkily climbing egg of boiling milk-film is reaching its climax in a
series of sidelong movements, has filled and set bellying the drooping
sails with which the cream has skimmed its surface, sends in a sudden
storm a scud of pearly substance flying overboard—sails which the
cutting off of the current, if the electric storm is hushed in time,
will fold back upon themselves and let fall with the ebbing tide,
changed now to magnolia petals. But if the sick man should not be quick
enough in taking the necessary precautions, presently, when his drowned
books and watch are seen barely emerging from the milky tide, he will be
obliged to call the old nurse who, though he be himself an eminent
statesman or a famous writer, will tell him that he has no more sense
than a child of five. At other times in the magic chamber, between us
and the closed door, a person who was not there a moment ago makes his
appearance; it is a visitor whom we did not hear coming in, and who
merely gesticulates, like a figure in one of those little puppet
theatres, so restful for those who have taken a dislike to the spoken
tongue. And for this totally deaf man, since the loss of a sense adds as
much beauty to the world as its acquisition, it is with ecstasy that he
walks now upon an earth grown almost an Eden, in which sound has not yet
been created. The highest waterfalls unfold for his eyes alone their
ribbons of crystal, stiller than the glassy sea, like the cascades of
Paradise. As sound was for him before his deafness the perceptible form
in which the cause of a movement was draped, objects moved without sound
seemed to be being moved also without cause; deprived of all resonant
quality, they shew a spontaneous activity, seem to be alive. They move,
halt, become alight of their own accord. Of their own accord they vanish
in the air like the winged monsters of prehistoric days. In the solitary
and unneighboured home of the deaf man the service which, before his
infirmity was complete, was already shewing an increased discretion, was
being carried on in silence, is now assured him with a sort of
surreptitious deftness, by mutes, as at the court of a fairy-tale king.
And, as upon the stage, the building on which the deaf man looks from
his window—be it barracks, church, or town hall—is only so much scenery.
If one day it should fall to the ground, it may emit a cloud of dust and
leave visible ruins; but, less material even than a palace on the stage,
though it has not the same exiguity, it will subside in the magic
universe without letting the fall of its heavy blocks of stone tarnish,
with anything so vulgar as sound, the chastity of the prevailing
silence.
The silence, though only relative, which reigned in the little
barrack-room where I sat waiting was now broken. The door opened and
Saint-Loup, dropping his eyeglass, dashed in.
“Ah, my dear Robert, you make yourself very comfortable here;” I said to
him; “how jolly it would be if one were allowed to dine and sleep here.”
And to be sure, had it not been against the regulations, what repose
untinged by sadness I could have tasted there, guarded by that
atmosphere of tranquillity, vigilance and gaiety which was maintained by
a thousand wills controlled and free from care, a thousand heedless
spirits, in that great community called a barracks where, time having
taken the form of action, the sad bell that tolled the hours outside was
replaced by the same joyous clarion of those martial calls, the ringing
memory of which was kept perpetually alive in the paved streets of the
town, like the dust that floats in a sunbeam;—a voice sure of being
heard, and musical because it was the command not only of authority to
obedience but of wisdom to happiness.
“So you’ld rather stay with me and sleep here, would you, than go to the
hotel by yourself?” Saint-Loup asked me, smiling.
“Oh, Robert, it is cruel of you to be sarcastic about it,” I pleaded;
“you know it’s not possible, and you know how wretched I shall be over
there.”
“Good! You flatter me!” he replied. “It occurred to me just now that you
would rather stay here to-night. And that is precisely what I stopped to
ask the Captain.”
“And he has given you leave?” I cried.
“He hadn’t the slightest objection.”
“Oh! I adore him!”
“No; that would be going too far. But now, let me just get hold of my
batman and tell him to see about our dinner,” he went on, while I turned
away so as to hide my tears.
We were several times interrupted by one or other of Saint-Loup’s
friends’ coming in. He drove them all out again.
“Get out of here. Buzz off!”
I begged him to let them stay.
“No, really; they would bore you stiff; they are absolutely uncultured;
all they can talk about is racing, or stables shop. Besides, I don’t
want them here either; they would spoil these precious moments I’ve been
looking forward to. But you mustn’t think, when I tell you that these
fellows are brainless, that everything military is devoid of
intellectuality. Far from it. We have a major here who is a splendid
chap. He’s given us a course in which military history is treated like a
demonstration, like a problem in algebra. Even from the aesthetic point
of view there is a curious beauty, alternately inductive and deductive,
about it which you couldn’t fail to appreciate.”
“That’s not the officer who’s given me leave to stay here to-night?”
“No; thank God! The man you ‘adore’ for so very trifling a service is
the biggest fool that ever walked the face of the earth. He is perfect
at looking after messing, and at kit inspections; he spends hours with
the serjeant major and the master tailor. There you have his mentality.
Apart from that he has a vast contempt, like everyone here, for the
excellent major I was telling you about. No one will speak to him
because he’s a free-mason and doesn’t go to confession. The Prince de
Borodino would never have an outsider like that in his house. Which is
pretty fair cheek, when all’s said and done, from a man whose
great-grandfather was a small farmer, and who would probably be a small
farmer himself if it hadn’t been for the Napoleonic wars. Not that he
hasn’t a lurking sense of his own rather ambiguous position in society,
where he’s neither flesh nor fowl. He hardly ever shews his face at the
Jockey, it makes him feel so deuced awkward, this so-called Prince,”
added Robert, who, having been led by the same spirit of imitation to
adopt the social theories of his teachers and the worldly prejudices of
his relatives, had unconsciously wedded the democratic love of humanity
to a contempt for the nobility of the Empire.
I was looking at the photograph of his aunt, and the thought that, since
Saint-Loup had this photograph in his possession, he might perhaps give
it to me, made me feel all the fonder of him and hope to do him a
thousand services, which seemed to me a very small exchange for it. For
this photograph was like one encounter more, added to all those that I
had already had, with Mme. de Guermantes; better still, a prolonged
encounter, as if, by some sudden stride forward in our relations, she
had stopped beside me, in a garden hat, and had allowed me for the first
time to gaze at my leisure at that plump cheek, that arched neck, that
tapering eyebrow (veiled from me hitherto by the swiftness of her
passage, the bewilderment of my impressions, the imperfection of
memory); and the contemplation of them, as well as of the bare bosom and
arms of a woman whom I had never seen save in a high-necked and
long-sleeved bodice, was to me a voluptuous discovery, a priceless
favour. Those lines, which had seemed to me almost a forbidden
spectacle, I could study there, as in a text-book of the only geometry
that had any value for me. Later on, when I looked at Robert, I noticed
that he too was a little like the photograph of his aunt, and by a
mysterious process which I found almost as moving, since, if his face
had not been directly created by hers, the two had nevertheless a common
origin. The features of the Duchesse de Guermantes, which were pinned to
my vision of Combray, the nose like a falcon’s beak, the piercing eyes,
seemed to have served also as a pattern for the cutting out—in another
copy analogous and slender, with too delicate a skin—of Robert’s face,
which might almost be superimposed upon his aunt’s. I saw in him, with a
keen longing, those features characteristic of the Guermantes, of that
race which had remained so individual in the midst of a world with which
it was not confounded, in which it remained isolated in the glory of an
ornithomorphic divinity, for it seemed to have been the issue, in the
age of mythology, of the union of a goddess with a bird.
Robert, without being aware of its cause, was touched by my evident
affection. This was moreover increased by the sense of comfort inspired
in me by the heat of the fire and by the champagne which bedewed at the
same time my brow with beads of sweat and my cheeks with tears; it
washed down the partridges; I ate mine with the dumb wonder of a profane
mortal of any sort when he finds in a form of life with which he is not
familiar what he has supposed that form of life to exclude—the wonder,
for instance, of an atheist who sits down to an exquisitely cooked
dinner in a presbytery. And next morning, when I awoke, I rose and went
to cast from Saint-Loup’s window, which being at a great height
overlooked the whole countryside, a curious scrutiny to make the
acquaintance of my new neighbour, the landscape which I had not been
able to distinguish the day before, having arrived too late, at an hour
when it was already sleeping beneath the outspread cloak of night. And
yet, early as it had awoken from its sleep, I could see the ground, when
I opened the window and looked out, only as one sees it from the window
of a country house, overlooking the lake, shrouded still in its soft
white morning gown of mist which scarcely allowed me to make out
anything at all. But I knew that, before the troopers who were busy with
their horses in the square had finished grooming them, it would have
cast its gown aside. In the meantime, I could see only a meagre hill,
rearing close up against the side of the barracks a back already swept
clear of darkness, rough and wrinkled. Through the transparent curtain
of frost I could not take my eyes from this stranger who, too, was
looking at me for the first time. But when I had formed the habit of
coming to the barracks, my consciousness that the hill was there, more
real, consequently, even when I did not see it, than the hotel at
Balbec, than our house in Paris, of which I thought as of absent—or
dead—friends, that is to say without any strong belief in their
existence, brought it about that, even although I was not aware of it
myself, its reflected shape outlined itself on the slightest impressions
that I formed at Doncières, and among them, to begin with this first
morning, on the pleasing impression of warmth given me by the cup of
chocolate prepared by Saint-Loup’s batman in this comfortable room,
which had the effect of being an optical centre from which to look out
at the hill—the idea of there being anything else to do but just gaze at
it, the idea of actually climbing it being rendered impossible by this
same mist. Imbibing the shape of the hill, associated with the taste of
hot chocolate and with the whole web of my fancies at that particular
time, this mist, without my having thought at all about it, succeeded in
moistening all my subsequent thoughts about that period, just as a
massive and unmelting lump of gold had remained allied to my impressions
of Balbec, or as the proximity of the outside stairs of blackish
sandstone gave a grey background to my impressions of Combray. It did
not, however, persist late into the day; the sun began by hurling at it,
in vain, a few darts which sprinkled it with brilliants before they
finally overcame it. The hill might expose its grizzled rump to the
sun’s rays, which, an hour later, when I went down to the town, gave to
the russet tints of the autumn leaves, to the reds and blues of the
election posters pasted on the walls an exaltation which raised my
spirits also and made me stamp, singing as I went, on the pavements from
which I could hardly keep myself from jumping in the air for joy.
But after that first night I had to sleep at the hotel. And I knew
beforehand that I was doomed to find there sorrow. It was like an
unbreathable aroma which all my life long had been exhaled for me by
every new bedroom, that is to say by every bedroom; in the one which I
usually occupied I was not present, my mind remained elsewhere, and in
its place sent only the sense of familiarity. But I could not employ
this servant, less sensitive than myself, to look after things for me in
a new place, where I preceded him, where I arrived by myself, where I
must bring into contact with its environment that “Self” which I
rediscovered only at year-long intervals, but always the same, having
not grown at all since Combray, since my first arrival at Balbec,
weeping, without any possibility of consolation, on the edge of an
unpacked trunk.
As it happened, I was mistaken. I had no time to be sad, for I was not
left alone for an instant. The fact of the matter was that there
remained of the old palace a superfluous refinement of structure and
decoration, out of place in a modern hotel, which, released from the
service of any practical purpose, had in its long spell of leisure
acquired a sort of life: passages winding about in all directions, which
one was continually crossing in their aimless wanderings, lobbies as
long as corridors and as ornate as drawing-rooms, which had the air
rather of being dwellers there themselves than of forming part of a
dwelling, which could not be induced to enter and settle down in any of
the rooms but wandered about outside mine and came up at once to offer
me their company—neighbours of a sort, idle but never noisy, menial
ghosts of the past who had been granted the privilege of staying,
provided they kept quiet, by the doors of the rooms which were let to
visitors; and who, every time that I came across them, greeted me with a
silent deference. In short, the idea of a lodging, of simply a case for
our existence from day to day which shields us only from the cold and
from being overlooked by other people, was absolutely inapplicable to
this house, an assembly of rooms as real as a colony of people, living,
it was true, in silence, but things which one was obliged to meet, to
avoid, to appreciate, as one came in. One tried not to disturb them, and
one could not look without respect at the great drawing-room which had
formed, far back in the eighteenth century, the habit of stretching
itself at its ease, among its hangings of old gold and beneath the
clouds of its painted ceiling. And one was seized with a more personal
curiosity as to the smaller rooms which, without any regard for
symmetry, ran all round it, innumerable, startled, fleeing in disorder
as far as the garden, to which they had so easy an access down three
broken steps.
If I wished to go out or to come in without taking the lift or being
seen from the main staircase, a smaller private staircase, no longer in
use, offered me its steps so skilfully arranged, one close above
another, that there seemed to exist in their gradation a perfect
proportion of the same kind as those which, in colours, scents, savours,
often arouse in us a peculiar, sensuous pleasure. But the pleasure to be
found in going up and downstairs I had had to come here to learn, as
once before to a health resort in the Alps to find that the act—as a
rule not noticed—of drawing breath could be a perpetual delight. I
received that dispensation from effort which is granted to us only by
the things to which long use has accustomed us, when I set my feet for
the first time on those steps, familiar before ever I knew them, as if
they possessed, deposited on them, perhaps, embodied in them by the
masters of long ago whom they used to welcome every day, the prospective
charm of habits which I had not yet contracted and which indeed could
only grow weaker once they had become my own. I looked into a room; the
double doors closed themselves behind me, the hangings let in a silence
in which I felt myself invested with a sort of exhilarating royalty; a
marble mantelpiece with ornaments of wrought brass—of which one would
have been wrong to think that its sole idea was to represent the art of
the Directory—offered me a fire, and a little easy chair on short legs
helped me to warm myself as comfortably as if I had been sitting on the
hearthrug. The walls held the room in a close embrace, separating it
from the rest of the world and, to let in, to enclose what made it
complete, parted to make way for the bookcase, reserved a place for the
bed, on either side of which a column airily upheld the raised ceiling
of the alcove. And the room was prolonged in depth by two closets as
large as itself, the latter of which had hanging from its wall, to scent
the occasion on which one had recourse to it, a voluptuous rosary of
orris-roots; the doors, if I left them open when I withdrew into this
innermost retreat, were not content with tripling its dimensions without
its ceasing to be well-proportioned, and not only allowed my eyes to
enjoy the delights of extension after those of concentration, but added
further to the pleasure of my solitude, which, while still inviolable,
was no longer shut in, the sense of liberty. This closet looked out upon
a courtyard, a fair solitary stranger whom I was glad to have for a
neighbour when next morning my eyes fell on her, a captive between her
high walls in which no other window opened, with nothing but two
yellowing trees which were enough, to give a pinkish softness to the
pure sky above.
Before going to bed I decided to leave the room in order to explore the
whole of my fairy kingdom. I walked down a long gallery which did me
homage successively with all that it had to offer me if I could not
sleep, an armchair placed waiting in a corner, a spinet, on a table
against the wall, a bowl of blue crockery filled with cinerarias, and,
in an old frame, the phantom of a lady of long ago whose powdered hair
was starred with blue flowers, holding in her hand a bunch of
carnations. When I came to the end, the bare wall in which no door
opened said to me simply: “Now you must turn and go back, but, you see,
you are at home here, the house is yours,” while the soft carpet, not to
be left out, added that if I did not sleep that night I could easily
come in barefoot, and the unshuttered windows, looking out over the open
country, assured me that they would hold a sleepless vigil and that, at
whatever hour I chose to come in, I need not be afraid of disturbing
anyone. And behind a hanging curtain I surprised only a little closet
which, stopped by the wall and unable to escape any farther, had hidden
itself there with a guilty conscience and gave me a frightened stare
from its little round window, glowing blue in the moonlight. I went to
bed, but the presence of the eiderdown quilt, of the pillars, of the
neat fireplace, by straining my attention to a pitch beyond that of
Paris, prevented me from letting myself go upon my habitual train of
fancies. And as it is this particular state of strained attention that
enfolds our slumbers, acts upon them, modifies them, brings them into
line with this or that series of past impressions, the images that
filled my dreams that first night were borrowed from a memory entirely
distinct from that on which I was in the habit of drawing. If I had been
tempted while asleep to let myself be swept back upon my ordinary
current of remembrance, the bed to which I was not accustomed, the
comfortable attention which I was obliged to pay to the position of my
various limbs when I turned over were sufficient to correct my error, to
disentangle and to keep running the new thread of my dreams. It is the
same with sleep as with our perception of the external world. It needs
only a modification in our habits to make it poetic, it is enough that
while undressing we should have dozed off unconsciously upon the bed,
for the dimensions of our dream-world to be altered and its beauty felt.
We awake, look at our watch, see “four o’clock”; it is only four o’clock
in the morning, but we imagine that the whole day has gone by, so
vividly does this nap of a few minutes, unsought by us, appear to have
come down to us from the skies, by virtue of some divine right,
full-bodied, vast, like an Emperor’s orb of gold. In the morning, while
worrying over the thought that my grandfather was ready, and was waiting
for me to start on our walk along the Méséglise way, I was awakened by
the blare of a regimental band which passed every day beneath my
windows. But on several occasions—and I mention these because one cannot
properly describe human life unless one shews it soaked in the sleep in
which it plunges, which, night after night, sweeps round it as a
promontory is encircled by the sea—the intervening layer of sleep was
strong enough to bear the shock of the music and I heard nothing. On the
other mornings it gave way for a moment; but, still velvety with the
refreshment of having slept, my consciousness (like those organs by
which, after a local anaesthetic, a cauterisation, not perceived at
first, is felt only at the very end and then as a faint burning smart)
was touched only gently by the shrill points of the fifes which caressed
it with a vague, cool, matutinal warbling; and after this brief
interruption in which the silence had turned to music it relapsed into
my slumber before even the dragoons had finished passing, depriving me
of the latest opening buds of the sparkling clangorous nosegay. And the
zone of my consciousness which its springing stems had brushed was so
narrow, so circumscribed with sleep that later on, when Saint-Loup asked
me whether I had heard the band, I was no longer certain that the sound
of its brasses had not been as imaginary as that which I heard during
the day echo, after the slightest noise, from the paved streets of the
town. Perhaps I had heard it only in a dream, prompted by my fear of
being awakened, or else of not being awakened and so not seeing the
regiment march past. For often, when I was still asleep at the moment
when, on the contrary, I had supposed that the noise would awaken me,
for the next hour I imagined that I was awake, while still drowsing, and
I enacted to myself with tenuous shadow-shapes on the screen of my
slumber the various scenes of which it deprived me but at which I had
the illusion of looking on.
What one has meant to do during the day, as it turns out, sleep
intervening, one accomplishes only in one’s dreams, that is to say after
it has been distorted by sleep into following another line than one
would have chosen when awake. The same story branches off and has a
different ending. When all is said, the world in which we live when we
are asleep is so different that people who have difficulty in going to
sleep seek first of all to escape from the waking world. After having
desperately, for hours on end, with shut eyes, revolved in their minds
thoughts similar to those which they would have had with their eyes
open, they take heart again on noticing that the last minute has been
crawling under the weight of an argument in formal contradiction of the
laws of thought, and their realisation of this, and the brief “absence”
to which it points, indicate that the door is now open through which
they will perhaps be able, presently, to escape from the perception of
the real, to advance to a resting-place more or less remote on the other
side, which will mean their having a more or less “good” night. But
already a great stride has been made when we turn our back on the real,
when we reach the cave in which “auto-suggestions” prepare—like
witches—the hell-broth of imaginary maladies or of the recurrence of
nervous disorders, and watch for the hour at which the storm that has
been gathering during our unconscious sleep will break with sufficient
force to make sleep cease.
Not far thence is the secret garden in which grow like strange flowers
the kinds of sleep, so different one from another, the sleep induced by
datura, by the multiple extracts of ether, the sleep of belladonna, of
opium, of valerian, flowers whose petals remain shut until the day when
the predestined visitor shall come and, touching them, bid them open,
and for long hours inhale the aroma of their peculiar dreams into a
marvelling and bewildered being. At the end of the garden stands the
convent with open windows through which we hear voices repeating the
lessons learned before we went to sleep, which we shall know only at the
moment of awakening; while, a presage of that moment, sounds the
resonant tick of that inward alarum which our preoccupation has so
effectively regulated that when our housekeeper comes in with the
warning: “It is seven o’clock,” she will find us awake and ready. On the
dim walls of that chamber which opens upon our dreams, within which
toils without ceasing that oblivion of the sorrows of love whose task,
interrupted and brought to nought at times by a nightmare big with
reminiscence, is ever speedily resumed, hang, even after we are awake,
the memories of our dreams, but so overshadowed that often we catch
sight of them for the first time only in the broad light of the
afternoon when the ray of a similar idea happens by chance to strike
them; some of them brilliant and harmonious while we slept, but already
so distorted that, having failed to recognise them, we can but hasten to
lay them in the earth like dead bodies too quickly decomposed or relics
so seriously damaged, so nearly crumbling into dust that the most
skilful restorer could not bring them back to their true form or make
anything of them. Near the gate is the quarry to which our heavier
slumbers repair in search of substances which coat the brain with so
unbreakable a glaze that, to awaken the sleeper, his own will is
obliged, even on a golden morning, to smite him with mighty blows, like
a young Siegfried. Beyond this, again, are the nightmares of which the
doctors foolishly assert that they tire us more than does insomnia,
whereas on the contrary they enable the thinker to escape from the
strain of thought; those nightmares with their fantastic picture-books
in which our relatives who are dead are shewn meeting with a serious
accident which at the same time does not preclude their speedy recovery.
Until then we keep them in a little rat-cage, in which they are smaller
than white mice and, covered with big red spots, out of each of which a
feather sprouts, engage us in Ciceronian dialogues. Next to this
picture-book is the revolving disc of awakening, by virtue of which we
submit for a moment to the tedium of having to return at once to a house
which was pulled down fifty years ago, the memory of which is gradually
effaced as sleep grows more distant by a number of others, until we
arrive at that memory which the disc presents only when it has ceased to
revolve and which coincides with what we shall see with opened eyes.
Sometimes I had heard nothing, being in one of those slumbers into which
we fall as into a pit from which we are heartily glad to be drawn up a
little later, heavy, overfed, digesting all that has been brought to us
(as by the nymphs who fed the infant Hercules) by those agile,
vegetative powers whose activity is doubled while we sleep.
That kind of sleep is called “sleeping like lead”, and it seems as
though one has become, oneself, and remains for a few moments after such
a sleep is ended, simply a leaden image. One is no longer a person. How
then, seeking for one’s mind, one’s personality, as one seeks for a
thing that is lost, does one recover one’s own self rather than any
other? Why, when one begins again to think, is it not another
personality than yesterday’s that is incarnate in one? One fails to see
what can dictate the choice, or why, among the millions of human beings
any one of whom one might be, it is on him who one was overnight that
unerringly one lays one’s hand? What is it that guides us, when there
has been an actual interruption—whether it be that our unconsciousness
has been complete or our dreams entirely different from ourself? There
has indeed been death, as when the heart has ceased to beat and a
rhythmical friction of the tongue revives us. No doubt the room, even if
we have seen it only once before, awakens memories to which other, older
memories cling. Or were some memories also asleep in us of which we now
become conscious? The resurrection at our awakening—after that healing
attack of mental alienation which is sleep—must after all be similar to
what occurs when we recapture a name, a line, a refrain that we had
forgotten. And perhaps the resurrection of the soul after death is to be
conceived as a phenomenon of memory.
When I had finished sleeping, tempted by the sunlit sky—but discouraged
by the chill—of those last autumn mornings, so luminous and so cold, in
which winter begins, to get up and look at the trees on which the leaves
were indicated now only by a few strokes, golden or rosy, which seemed
to have been left in the air, on an invisible web, I raised my head from
the pillow and stretched my neck, keeping my body still hidden beneath
the bedclothes; like a chrysalis in the process of change I was a dual
creature, with the different parts of which a single environment did not
agree; for my eyes colour was sufficient, without warmth; my chest on
the other hand was anxious for warmth and not for colour. I rose only
after my fire had been lighted, and studied the picture, so delicate and
transparent, of the pink and golden morning, to which I had now added by
artificial means the element of warmth that it lacked, poking my fire
which burned and smoked like a good pipe and gave me, as a pipe would
have given me, a pleasure at once coarse because it was based upon a
material comfort and delicate because beyond it was printed a pure
vision. The walls of my dressing-room were covered with a paper on which
a violent red background was patterned with black and white flowers, to
which it seemed that I should have some difficulty in growing
accustomed. But they succeeded only in striking me as novel, in forcing
me to enter not into conflict but into contact with them, in modulating
the gaiety, the songs of my morning toilet, they succeeded only in
imprisoning me in the heart of a sort of poppy, out of which to look at
a world which I saw quite differently from in Paris, from the gay screen
which was this new dwelling-place, of a different aspect from the house
of my parents, and into which flowed a purer air. On certain days, I was
agitated by the desire to see my grandmother again, or by the fear that
she might be ill, or else it was the memory of some undertaking which I
had left half-finished in Paris, and which seemed to have made no
progress; sometimes again it was some difficulty in which, even here, I
had managed to become involved. One or other of these anxieties had kept
me from sleeping, and I was without strength to face my sorrow which in
a moment grew to fill the whole of my existence. Then from the hotel I
sent a messenger to the barracks, with a line to Saint-Loup: I told him
that, should it be materially possible—I knew that it was extremely
difficult for him—I should be most grateful if he would look in for a
minute. An hour later he arrived; and on hearing his ring at the door I
felt myself liberated from my obsessions. I knew that, if they were
stronger than I, he was stronger than they, and my attention was
diverted from them and concentrated on him who would have to settle
them. He had come into the room, and already he had enveloped me in the
gust of fresh air in which from before dawn he had been displaying so
much activity, a vital atmosphere very different from that of my room,
to which I at once adapted myself by appropriate reactions.
“I hope you weren’t angry with me for bothering you; there is something
that is worrying me, as you probably guessed.”
“Not at all; I just supposed you wanted to see me, and I thought it very
nice of you. I was delighted that you should have sent for me. But what
is the trouble? Things not going well? What can I do to help?”
He listened to my explanations, and gave careful answers; but before he
had uttered a word he had transformed me to his own likeness; compared
with the important occupations which kept him so busy, so alert, so
happy, the worries which, a moment ago, I had been unable to endure for
another instant seemed to me as to him negligible; I was like a man who,
not having been able to open his eyes for some days, sends for a doctor,
who neatly and gently raises his eyelid, removes from beneath it and
shews him a grain of sand; the sufferer is healed and comforted. All my
cares resolved themselves into a telegram which Saint-Loup undertook to
dispatch. Life seemed to me so different, so delightful; I was flooded
with such a surfeit of strength that I longed for action.
“What are you doing now?” I asked him.
“I must leave you, I’m afraid; we’re going on a route march in three
quarters of an hour, and I have to be on parade.”
“Then it’s been a great bother to you, coming here?”
“No, no bother at all, the Captain was very good about it; he told me
that if it was for you I must go at once; but you understand, I don’t
like to seem to be abusing the privilege.”
“But if I got up and dressed quickly and went by myself to the place
where you’ll be training, it would interest me immensely, and I could
perhaps talk to you during the breaks.”
“I shouldn’t advise you to do that; you have been lying awake, racking
your brains over a thing which, I assure you, is not of the slightest
importance, but now that it has ceased to worry you, lay your head down
on the pillow and go to sleep, which you will find an excellent antidote
to the demineralisation of your nerve-cells; only you mustn’t go to
sleep too soon, because our band-boys will be coming along under your
windows; but as soon as they’ve passed I think you’ll be left in peace,
and we shall meet again this evening, at dinner.”
But soon I was constantly going to see the regiment being trained in
field operations, when I began to take an interest in the military
theories which Saint-Loup’s friends used to expound over the
dinner-table, and when it had become the chief desire of my life to see
at close quarters their various leaders, just as a person who makes
music his principal study and spends his life in the concert halls finds
pleasure in frequenting the cafés in which one mingles with the life of
the members of the orchestra. To reach the training ground I used to
have to take tremendously long walks. In the evening after dinner the
longing for sleep made my head drop every now and then as in a swoon.
Next morning I realised that I had no more heard the band than, at
Balbec, after the evenings on which Saint-Loup had taken me to dinner at
Rivebelle, I used to hear the concert on the beach. And at the moment
when I wished to rise I had a delicious feeling of incapacity; I felt
myself fastened to a deep, invisible ground by the articulations (of
which my tiredness made me conscious) of muscular and nutritious roots.
I felt myself full of strength; life seemed to extend more amply before
me; this was because I had reverted to the good tiredness of my
childhood at Combray on the mornings following days on which we had
taken the Guermantes walk. Poets make out that we recapture for a moment
the self that we were long ago when we enter some house or garden in
which we used to live in our youth. But these are most hazardous
pilgrimages, which end as often in disappointment as in success. The
fixed places, contemporary with different years, it is in ourselves that
we should rather seek to find them. This is where the advantage comes
in, to a certain extent, of great exhaustion followed by a good night’s
rest. Good nights, to make us descend into the most subterranean
galleries of sleep, where no reflexion from overnight, no gleam of
memory comes to lighten the inward monologue (if so be that it cease not
also), turn so effectively the soil and break through the surface stone
of our body that we discover there, where our muscles dive down and
throw out their twisted roots and breathe the air of the new life, the
garden in which as a child we used to play. There is no need to travel
in order to see it again; we must dig down inwardly to discover it. What
once covered the earth is no longer upon it but beneath; a mere
excursion does not suffice for a visit to the dead city, excavation is
necessary also. But we shall see how certain impressions, fugitive and
fortuitous, carry us back even more effectively to the past, with a more
delicate precision, with a flight more light-winged, more immaterial,
more headlong, more unerring, more immortal than these organic
dislocations.
Sometimes my exhaustion was greater still; I had, without any
opportunity of going to bed, been following the operations for several
days on end. How blessed then was my return to the hotel! As I got into
bed I seemed to have escaped at last from the hands of enchanters,
sorcerers like those who people the “romances” beloved of our forebears
in the seventeenth century. My sleep that night and the lazy morning
that followed it were no more than a charming fairy tale. Charming;
beneficent perhaps also. I reminded myself that the keenest sufferings
have their place of sanctuary, that one can always, when all else fails,
find repose. These thoughts carried me far.
On days when, although there was no parade, Saint-Loup had to stay in
barracks, I used often to go and visit him there. It was a long way; I
had to leave the town and cross the viaduct, from either side of which I
had an immense view. A strong breeze blew almost always over this high
ground, and filled all the buildings erected on three sides of the
barrack-square, which howled incessantly like a cave of the winds. While
I waited for Robert—he being engaged on some duty or other—outside the
door of his room or in the mess, talking to some of his friends to whom
he had introduced me (and whom later on I came now and then to see, even
when he was not to be there), looking down from the window three hundred
feet to the country below, bare now except where recently sown fields,
often still soaked with rain and glittering in the sun, shewed a few
stripes of green, of the brilliance and translucent limpidity of enamel,
I could hear him discussed by the others, and I soon learned what a
popular favourite he was. Among many of the volunteers, belonging to
other squadrons, sons of rich business or professional men who looked at
the higher aristocratic society only from outside and without
penetrating its enclosure, the attraction which they naturally felt
towards what they knew of Saint-Loup’s character was reinforced by the
distinction that attached in their eyes to the young man whom, on
Saturday evenings, when they went on pass to Paris, they had seen
supping in the Café de la Paix with the Duc d’Uzès and the Prince
d’Orléans. And on that account, into his handsome face, his casual way
of walking and saluting officers, the perpetual dance of his eyeglass,
the affectation shewn in the cut of his service dress—the caps always
too high, the breeches of too fine a cloth and too pink a shade—they had
introduced the idea of a “tone” which, they were positive, was lacking
in the best turned-out officers in the regiment, even the majestic
Captain to whom I had been indebted for the privilege of sleeping in
barracks, who seemed, in comparison, too pompous and almost common.
One of them said that the Captain had bought a new horse. “He can buy as
many horses as he likes. I passed Saint-Loup on Sunday morning in the
Allée des Acacias; now he’s got some style on a horse!” replied his
companion, and knew what he was talking about, for these young fellows
belonged to a class which, if it does not frequent the same houses and
know the same people, yet, thanks to money and leisure, does not differ
from the nobility in its experience of all those refinements of life
which money can procure. At any rate their refinement had, in the matter
of clothes, for instance, something about it more studied, more
impeccable than that free and easy negligence which had so delighted my
grandmother in Saint-Loup. It gave quite a thrill to these sons of big
stockbrokers or bankers, as they sat eating oysters after the theatre,
to see at an adjoining table Serjeant Saint-Loup. And what a tale there
was to tell in barracks on Monday night, after a week-end leave, by one
of them who was in Robert’s squadron, and to whom he had said how d’ye
do “most civilly”, while another, who was not in the same squadron, was
quite positive that, in spite of this, Saint-Loup had recognised him,
for two or three times he had put up his eyeglass and stared in the
speaker’s direction.
“Yes, my brother saw him at the Paix,” said another, who had been
spending the day with his mistress; “my brother says his dress coat was
cut too loose and didn’t fit him.”
“What was the waistcoat like?”
“He wasn’t wearing a white waistcoat; it was purple, with sort of palms
on it; stunning!”
To the “old soldiers” (sons of the soil who had never heard of the
Jockey Club and simply put Saint-Loup in the category of ultra-rich
non-commissioned officers, in which they included all those who, whether
bankrupt or not, lived in a certain style, whose income or debts ran
into several figures, and who were generous towards their men), the
gait, the eyeglass, the breeches, the caps of Saint-Loup, even if they
saw in them nothing particularly aristocratic, furnished nevertheless
just as much interest and meaning. They recognized in these
peculiarities the character, the style which they had assigned once and
for all time to this most popular of the “stripes” in the regiment,
manners like no one’s else, scornful indifference to what his superior
officers might think, which seemed to them the natural corollary of his
goodness to his subordinates. The morning cup of coffee in the canteen,
the afternoon “lay-down” in the barrack-room seemed pleasanter, somehow,
when some old soldier fed the hungering, lazy section with some savoury
tit-bit as to a cap in which Saint-Loup had appeared on parade.
“It was the height of my pack.”
“Come off it, old chap, you don’t expect us to believe that; it couldn’t
have been the height of your pack,” interrupted a young college graduate
who hoped by using these slang terms not to appear a “learned beggar”,
and by venturing on this contradiction to obtain confirmation of a fact
the thought of which enchanted him.
“Oh, so it wasn’t the height of my pack, wasn’t it? You measured it, I
suppose! I tell you this much, the C. O. glared at it as if he’ld have
liked to put him in clink. But you needn’t think the great Saint-Loup
felt squashed; no, he went and he came, and down with his head and up
with his head, and that blinking glass screwed in his eye all the time.
We’ll see what the ‘Capstan’ has to say when he hears. Oh, very likely
he’ll say nothing, but you may be sure he won’t be pleased. But there’s
nothing so wonderful about that cap. I hear he’s got thirty of ’em and
more at home, at his house in town.”
“Where did you hear that, old man? From our blasted corporal-dog?” asked
the young graduate, pedantically displaying the new forms of speech
which he had only recently acquired and with which he took a pride in
garnishing his conversation.
“Where did I hear it? From his batman; what d’you think?”
“Ah! Now you’re talking. That’s a chap who knows when he’s well off!”
“I should say so! He’s got more in his pocket than I have, certain sure!
And besides he gives him all his own things, and everything. He wasn’t
getting his grub properly, he says. Along comes de Saint-Loup, and gives
cooky hell: ‘I want him to be properly fed, d’you hear,’ he says, ‘and I
don’t care what it costs.’”
The old soldier made up for the triviality of the words quoted by the
emphasis of his tone, in a feeble imitation of the speaker which had an
immense success.
On leaving the barracks I would take a stroll, and then, to fill up the
time before I went, as I did every evening, to dine with Saint-Loup at
the hotel in which he and his friends had established their mess, I made
for my own, as soon as the sun had set, so as to have a couple of hours
in which to rest and read. In the square, the evening light bedecked the
pepper-pot turrets of the castle with little pink clouds which matched
the colour of the bricks, and completed the harmony by softening the
tone of the latter where it bathed them. So strong a current of vitality
coursed through my nerves that no amount of movement on my part could
exhaust it; each step I took, after touching a stone of the pavement,
rebounded off it. I seemed to have growing on my heels the wings of
Mercury. One of the fountains was filled with a ruddy glow, while in the
other the moonlight had already begun to turn the water opalescent.
Between them were children at play, uttering shrill cries, wheeling in
circles, obeying some necessity of the hour, like swifts or bats. Next
door to the hotel, the old National Courts and the Louis XVI orangery,
in which were installed now the savings-bank and the Army Corps
headquarters, were lighted from within by the palely gilded globes of
their gas-jets which, seen in the still clear daylight outside, suited
those vast, tall, eighteenth-century windows from which the last rays of
the setting sun had not yet departed, as would have suited a complexion
heightened with rouge a headdress of yellow tortoise-shell, and
persuaded me to seek out my fireside and the lamp which, alone in the
shadowy front of my hotel, was striving to resist the gathering
darkness, and for the sake of which I went indoors before it was quite
dark, for pleasure, as to an appetising meal. I kept, when I was in my
room, the same fulness of sensation that I had felt outside. It gave
such an apparent convexity of surface to things which as a rule seem
flat and empty, to the yellow flame of the fire, the coarse blue paper
on the ceiling, on which the setting sun had scribbled corkscrews and
whirligigs, like a schoolboy with a piece of red chalk, the curiously
patterned cloth on the round table, on which a ream of essay paper and
an inkpot lay in readiness for me, with one of Bergotte’s novels, that
ever since then these things have continued to seem to me to be enriched
with a whole form of existence which I feel that I should be able to
extract from them if it were granted me to set eyes on them again. I
thought with joy of the barracks that I had just left and of their
weather-cock turning with every wind that blew. Like a diver breathing
through a pipe which rises above the surface of the water, I felt that I
was in a sense maintaining contact with a healthy, open-air life when I
kept as a baiting-place those barracks, that towering observatory,
dominating a country-side furrowed with canals of green enamel, into
whose various buildings I esteemed as a priceless privilege, which I
hoped would last, my freedom to go whenever I chose, always certain of a
welcome.