THÉODORE DE BANVILLE

(1823-1891)

Théodore Faullain De Banville is best known as a very skillful maker of

polished artificial verse. His poetry stands high; but it is the poetry

not of nature, but of elegant society. His muse, as Mr. Henley says, is

always in evening dress. References to the classic poets are woven into

all of his descriptions of nature. He is distinguished, scholarly, full

of taste, and brilliant in execution; never failing in propriety, and

never reaching inspiration. As an artist in words and cadences he has

few superiors.

[Illustration: De Banville]

These qualities are partly acquired, and partly the result of birth.

Born in 1823, the son of a naval officer, from his earliest years he

devoted himself to literature. His birthplace, Moulins, an old

provincial town on the banks of the Allier, where he spent a happy

childhood, made little impression on him. Still almost a child he went

to Paris, where he led a life without events,--without even a marriage

or an election to the Academy; he died March 13th, 1891. His place was

among the society people and the artists; the painter Courbet and the

writers Mürger, Baudelaire, and Gautier were among his closest friends.

He first attracted attention in 1848 by the publication of a volume of

verse, 'The Caryatids.' In 1857 came another, 'Odes Funambulesque,' and

later another series under the same title, the two together containing

his best work in verse. Here he stands highest; though he wrote also

many plays, one of which, 'Gringoire,' has been acted in various

translations. 'The Wife of Socrates' also holds the stage. Like his

other work, his drama is artificial, refined, and skillful. He presents

a marked instance of the artist working for art's sake. During the

latter years of his life he wrote mostly prose, and he has left many

well-drawn portraits of his contemporaries, in addition to several books

of criticism, with much color and charm, but little definiteness. He was

always vague, for facts did not interest him; but he had the power of

making his remote, unreal world attractive, and among the writers of the

school of Gautier he stands among the first.

Library of the World's Best Literature, Ancient and Modern — Volume 04 · 第 29 / 316 题