All the compositors in a composing room, and all the pressmen in a

press room, who are journeymen, form the chapel in each department,

(for they seldom unite,) in which one of the number is elected,

during pleasure, as president, or _The Father_, as he is styled.

In their assembled body they enjoin regulations, and enforce their

due observance; they also take cognizance of any disputes, and any

grievance that may be complained of, that arise within the chapel,

when called upon for that purpose; and there is no appeal from their

decision.

The chapel is in general sanctioned by the master printer, on

account of some of the rules tending to the preservation of his

property;--such as the infliction of a fine on any one connected with

the house leaving the premises without putting out his candle or

leaving it in charge, or for throwing types, quadrats, or furniture,

at another; and for the regular despatch of business, so far as

regards the forwarding of work in general--but in addition the

workmen make particular regulations for themselves, with regard to

their own mode of working in companionship, &c. The chapel will also,

if appealed to, enforce these bye laws, if I may so term them.

The fine for leaving a candle burning, is, I believe, never remitted;

it is generally sixpence for a workman, double for the overseer, and

half a crown for the master of the house.

The person who first sees the candle extinguishes it and delivers

the candlestick to the Father, who keeps it till the fine is either

paid, or promised to be paid; for Monday is the regular pay day in a

printing office.

There are frequently a number of devices resorted to to induce a

workman to go out after the candles are lighted, for the sake of the

fine--the open air being the boundary--such as saying, a person is

below who wants to speak to Mr. ----; this is usually avoided by the

party giving his candle in charge; that is, saying to some one, _Mr.

----, take charge of my candle_. This person then becomes responsible

for the charge as well as for his own candle, and has to pay for both

should he leave the house without putting them out, or giving them in

charge to some other person.

I have previously said that the office of Father is during pleasure,

although I am aware that Mr. Hansard, in his Typographia, has stated

it to be otherwise; but I have known instances of the Father being

deposed, after having held the office for many years, and a successor

appointed and deposed within a fortnight, merely for the sake of the

initiatory fine, which is usually a gallon of porter. These instances

have occurred when a flush of business caused an additional number

of men to be employed in a printing office; some of whom being of a

thoughtless disposition, and thinking they could outvote the sedate

and the sober part of the workmen, call a chapel for the most trivial

purposes, which thus becomes a hinderance to business, as it takes

the whole of the men from their work.

But this evil produces its own remedy, when it is carried to too

great an extent. Workmen get tired of being called from their

employment, and losing time continually, on trifling objects in which

they feel no interest: and they check the evil by fining those who

call the chapel, when it is evident that liquor is the motive for

calling it.

I remember an instance when calling chapels had become a grievance

from their frequency, in which the party was so completely checked,

that he never ventured to call another. It occurred during a flush

of work, when there were temporary hands employed, some of whom were

partial to liquor, and eager to fine any one in order to obtain it.

After deposing the Father two or three times, and calling chapels

many times unnecessarily, a person left his candle burning one

evening, and another passing his frame observed, _Here’s a candle

left; whose is it?_ The reply was, Mr.----’s.--_If I had known that,

I would have put it out._ This was sufficient to bring the individual

before the chapel, as it was held to be an attempt to defraud it of

its due, of which the chapel is very jealous. Well, a chapel was

called to take cognizance of the charge, without a doubt that they

should levy a good fine for what they looked on as a great offence:

but the established workmen of the house, and some of the additional

men, had got tired of these repeated calls from their employment; and

it being proved in the defence, that a party in the house had been

for some time expressing a desire to fine this individual, who was of

a warm temper, and had brought a charge against him for a thoughtless

expression that was not acted on, the chapel decided that it was a

conspiracy against him, acquitted him, and laid a heavy fine upon the

accuser.

No person but the Father can call a chapel, which is generally held

at the imposing stone: and when any one wishes to appeal to it, he

notifies the same to the Father, stating the objects generally, and

accompanying the notification with a penny. The Father will sometimes

decline to call the chapel, where the object appears trivial; but if

the notification be accompanied with the value of a gallon of porter,

it is imperative on him to call it, under the penalty of being

deposed.

The chapel never assembles without the fee of a gallon of porter, in

addition to the fine it may impose; and this fee is always paid, even

when it assembles to settle any disputed matter between workmen, when

no fine is levied.

If any workman refuses to attend when a chapel is summoned, after

being called on by the Father for that purpose, the first business is

to proceed to judgment on him for contumacy, which is always punished

by a fine;--the chapel then proceeds to the business for which it

was called, and when the members cannot agree in their decision,

or when the matter becomes personal, they decide by chalking. For

this purpose, a large galley is placed on a frame, in that part of

the room which is most private and cannot be overlooked, and a line

drawn down the middle of it, and at the top over each column is

written _for_ and _against_, or _yes_ and _no_; one of the members

then makes a mark, usually on the lenient side, which saves him from

ill will, as it must be known on which side he gives his decision;

the second generally marks the contrary side, so that the following

persons cannot discover how any have voted. The Father, when all have

chalked, examines the number on each side, and declares the judgment

of the chapel.

It is an invariable rule that the chapel can do no wrong; and it is

a crime to find fault with its decisions, which it would certainly

punish with a fine if called on for that purpose, and the case was

proved. All wagers of half a gallon of porter, or more, go to the

chapel, so that they are never evaded, as the liquor is sent for by

the chapel, which adjudges who shall pay for it: the consequence is,

that when the object is to obtain drink, and perhaps a young man

from the country to act on, who is ignorant of the London customs,

the cases are often of the most preposterous kind; for instance,

an experienced hand has been known to assert in such a case that a

mallet was a planer, and to call it by that name, and then offer

a wager, in support of his assertion, to the young man, who has

accepted it. The chapel decided that it was a planer, and the

stranger had to pay for summoning the chapel, and also the amount of

the wager, by way of initiation.

The chapel also decides all disputes that may arise in the house, as

well private, if it be appealed to, as those which may arise when

two or more are employed on the same piece of work, and frequently

fixes the price which shall be paid for it; for in doubtful cases a

workman will prefer taking the collective opinion of his fellows, to

acting on his own judgment, as it may affect them all. In this case

the person who is on the work must not take less than the chapel

fixes, without permission; and if the employer will not pay it, he,

of course, must quit his situation. If, after the chapel has fixed

a price for a piece of work, a man should venture to do it for a

reduced price, he becomes a “Rat.”

In a press room there is sometimes a fine for men throwing water at

each other, which dirties and spoils the paper;--and in hot summer

weather, when a man has been desirous of a draught of porter, an

instance has been known of his falling down in a pretended fit, and

when another in kindness has procured some cold water and sprinkled

his face with it, the other has jumped up and accused him of throwing

water at him, on which he has had to pay the fine.

If any member of the chapel should be hardy enough to oppose its

decisions, there are a number of ways practised to bring him, and

even the most obstinate, to submission. Every chapel is haunted by an

imaginary spirit, named Ralph; and when any person refuses to obey

its mandates, this spirit begins to _walk_, as it is termed. The

first act is, in general, to hide the offender’s composing stick;

if this does not answer, his galleys are secreted; then the page

cords, which secure his work, are cut, and his labour rendered more

than useless, because he has to distribute his pie as well as to

recompose his matter; if he still remains contumacious, the whole

of the types in his cases are transposed, so that he cannot proceed

in his business; and if he should still set the chapel at defiance,

he is smoked, all the members of the chapel surrounding his frame,

each with a lighted match of brimstone, and singing a doleful ditty;

after this he is sent to Coventry, and every man becomes amenable to

the chapel, if he assists him, gives him any information, or speaks

to him; so that he must either submit to the penalties inflicted, or

leave the house. When he submits, his apparatus is restored, and the

types properly arranged again in his cases.

Apprentices never belong to the chapel; neither is the master of the

house, nor the overseer, ever allowed to be present when one is held.

Many master printers are decidedly against chapels, as tending to

encourage drinking, and the neglect of business; where this has been

the case within my knowledge, the grievance has remedied itself,

for the sober and industrious prevent the evil going to an extreme;

and where there are a number of men employed, the majority will be

found opposed to being called from their work repeatedly to decide on

fractious or quibbling questions, in which they feel no interest;

and by fining a busy meddling person, they put a stop to the frequent

calling of chapels, which, as I have said before, are, generally

speaking, promoted by temporary workmen, who seldom stop long in

a house, and on whose departure the business is carried on in the

regular manner, while, if one or two continue to work in the house,

they soon fall into the old customs of the permanent men; for among

the established workmen of a house chapels are seldom called.

It has also been objected to them that they tend to excite an

opposition to the employer on the question of wages. This may have

happened; but wherever I have seen a question respecting prices

brought before a chapel, I have always seen it discussed in a fair

manner, and the value estimated impartially,--the scale being kept

in view for any thing nearly similar;--for among a number of workmen

there will always be found men of principle, who would not sanction

an unreasonable demand for the temporary advantage of a few shillings

a week; and these men have always great influence in the decision.

Upon the whole, when I take into account the decreased risk from

fire, owing to the fine for candles--the prevention of waste of

materials, by throwing them about--the appeal for wrongs done in

companionships, or for neglect, or throwing impediments in the way

of business, and remedying them--I am of opinion that the advantages

attending chapels outweigh their disadvantages, and that the business

is carried on with more regularity and promptitude with them than

without them, particularly when it is taken into account that the

rules and regulations laid down by the employer for the governing of

his house, are adopted by the workmen and become chapel laws.

As many of the customs of chapels are passing away, I have been

rather more diffuse in this article than the mere definition of the

term might seem to require; but as I am not aware that any preceding

writer has explained a chapel, I have been led to do so, that the

knowledge of old customs might not be entirely lost. _See_ RULES.

CHAPEL LAWS.

The regulations adopted by the men in chapel assembled, for

preserving good order in the office, are called chapel laws.

CHARGE,

{ paper with great pages.

is to fill { a page with long and many lines.

{ a line with many letters.--_M._

This term is not in general use: we are more in the custom of saying

a full sheet, a full page, a full line.

CHARITABLE DONATIONS. _See_ DONATIONS.

CHASE.

An iron frame to fasten types in to print with.--_M._

A great revolution has taken place with respect to chases. They were

formerly made thin and narrow, but are now made thicker, which gives

more safety to a form in quoining; and they are made much broader,

both in the rim and the crosses, which adds to their strength and

durability.

It is customary to dovetail the crosses into the rim of wrought iron

chases, and to have mortises for duodecimos and eighteens, so as to

move the crosses according to the size of the work for which the

chase is wanted. This plan is convenient in many instances, but it is

in many others inconvenient and wasteful.

It is necessary to have chases in an office with the crosses loose,

to a limited extent, as they could not well be dispensed with on many

occasions; but I would have as few as possible; for the mortises

in the rim cut the quoins to pieces, and the loose crosses are

frequently used for pokers, and for tightening quoins in forms when

they get slack. By these means they are bent and destroyed, and

the chases to which they belong are rendered nearly useless. The

loose crosses have also another disadvantage: they frequently get

mislaid or lost when taken out for folios, or broadsides, and when

the chase is wanted for any other size, the cross cannot be found,

and the compositor, or person who has the care of the furniture, is

obliged to take such a cross as he can meet with, and which he can

drive into the mortises with a mallet; this cross is sometimes of a

different thickness from the right one, and affects the register of

the pages in working, particularly if the furniture and the chase be

transposed, as too frequently occurs through carelessness.

There is less waste and destruction when the crosses are rivetted

into the rim; for the chases are then always ready for use--the

crosses can never be mislaid nor destroyed--and the whole implement

is much more durable than when the parts are separate.

Cast iron chases are now coming greatly into use, and answer the

purpose very well. The crosses are fast, the whole chase being cast

in one piece, so that there must be chases for each size, viz.

folios, quartos, and duodecimos; the crosses fixed for these sizes

will answer every other, except broadsides. They are cast from a card

chase to the largest size; and stand locking up and the usual wear,

without breaking. These chases are much cheaper than those made of

wrought iron.

There are some chases now made with the inside of the rim bevelled

off from the cross to the angle, to answer the purpose of sidesticks

and footsticks; a piece of broad, or narrow, being used at the sides

and feet of the pages. This plan appears to be economical with regard

to furniture.

The usual practice in cutting chases for 18mo. is to place the long

cross about one third of the width from one of the sides of the

chase, and two thirds from the other, for the purpose of making it

fall in one of the backs; by this mode one of the quarters in the

offcut has only two pages in it, so as hardly to admit of quoin room,

the other has four; and the remainder of the form is also divided

unequally, one side of the long cross having four pages, and the

other eight pages. This method of imposing an 18mo. is inconvenient,

and the large quarter is in danger of falling out. The plan appears

to have been adopted merely to cause the long cross to fall in one

of the backs, which is of no consequence whatever. I have always

imposed eighteens in chases cut for 12mo. which I prefer; for the

quarters being more equal, make the locking up more secure, and the

only difference in the imposition is, that the long cross falls in a

gutter, instead of a back.

Mr. T. C. Hansard took out a patent for “Improvements on, and

Additions to, Printing Presses, and various Processes relative to

Printing.” Among the different articles are chases, which Mr. Hansard

thus describes:--“The Demi- (or half-) Chases are made so as to

contain the pages imposed within a less measure of square than usual.

One side of the rim is made particularly straight, and rather less

in breadth than the other three sides: this narrow side forms the

part to lie in the middle of the Table of the Press: by turning a

pair of chases so made on contrary faces, the two narrow sides will

join and form as one chase. The pages are not in these chases, as in

others for all sizes above Folios, locked-up by having side sticks

and quoins on all four sides, but only on one side, and at each end.

The inner Forme being locked up on the right side only, and at each

end, and the outer Forme on the left side only, and at each end; and

the margin being made when the two demi-chases are laid together on

the Imposing Stone, as if the same were one large chase of double

dimensions, the pages will require no more margin in the centre of

the double sheet, than a fair equal proportion for the division of

margin. The chases must be made in proportion to the size of the work

intended to be executed.”

CHEEKS.

The upright sides of a printing press.--_M._

CHEEK THE BAR.

Pulling the bar of the press till it touches the near cheek. In good

work I would always have the pull so justified that when the bar

was pulled home, or cheeked, it should occasion the proper degree

of pressure of the platen upon the form; this would in some degree

assist in procuring equal impressions through all the copies printed;

but in heavy or large forms it would be too great an exertion for

the pressman to continue doing without some assistance, as such work

requires to rest on the pull. I adopted a catch for the bar when

cheeked, in some presses, which completely answered the purpose, and

enabled the pressman to rest on his pull as long as was necessary,

without overstraining his arms. _See_ CATCH OF THE BAR.

CHEMISTRY. _See_ ELEMENTARY SUBSTANCES. FORMULÆ, CHEMICAL.

CHOKE.

If a form be not washed in due time, the ink will get into the

hollows of the face of the letter: and that getting in of the ink is

called Choking of the Letter, or Choking of the Form--_M._ It is also

said, the letter is choked with ink, or the form is choked with ink,

when too much is used.

CIMBRIC. _See_ RUNIC.

CIRCUMFLEX. _See_ ACCENTED LETTERS. CARET.

CITIES AND TOWNS, ANCIENT NAMES OF. _See_ NAMES.

CLAW

of a sheep’s foot. The end to draw the ball nails out of the ball

stocks.--_M._

CLAWS, for Stereotype Risers. _See_ RISERS.

CLEAN PROOF.

When a proof has but few faults in it, it is called a _Clean

Proof_.--_M._ It is also called a clean proof when it is printed

after being corrected, to be sent out, or to be read for press--that

is, the pressmen take more care in printing it, and keep the margins

clean.

CLEAN SHEETS.

Authors and publishers have generally one copy of each sheet of a

work sent to them as it is printed, for the purpose of reference,

and to see the progress of the work; these copies are called _clean

sheets_. _See_ TOPS.

CLEARING AWAY.

When a work is completed, clearing away is the distributing of

headlines, chapters, lines of small capitals, and other useful sorts,

taking the lines of quadrats away, and tying up the remainder of the

matter in moderate sized pieces with old page cord, so as to be ready

to be papered up; and tying the furniture, reglets, and leads up, and

delivering them to the proper person, who takes charge of them.

The compositor, after laying up the form to be cleared away and

washing it well--and matter ought never to be cleared away without

undergoing this process--takes a page into a galley--an old one

generally--and picks out the leads, if it be leaded matter; he will

then push the matter up from the foot and put another page on his

galley, and take the leads out of it also; he will then take the

headlines away, and put them on another galley; then take the lines

of quadrats and reglets out, and put them on a paper under his frame,

then the chapters, contents of chapters, any lines with words of

Greek, or other useful sorts, and, after pushing the matter close

up together, he will tie it firmly up, in pieces rather longer than

a full sized octavo page, and if a short line happens to fall at

the bottom, put it in some other situation, so that the top and the

bottom shall be full lines. He will thus proceed, till his sheet or

other quantity be all tied up, taking care to make his pieces of

equal lengths, for the convenience of piling them up in the letter

closet.

If the work should be in very small pages, so that two in width would

not be wider than a large octavo page, he will put two together, side

by side, to prevent papering the matter up in long narrow slips.

Having tied all the matter up for papering, he will either place it

on a board in a rack, or put it in some other place where cleared

away matter is usually deposited till papered up; he will then

distribute his headlines, chapters, contents, and other useful sorts

into their proper places; and if there be not room in the cases for

the quadrats, he will put them into the proper drawers in which the

surplus quadrats are kept.

If the work be in folio or quarto, he will tie it up in

proportionally sized pieces.

He will then tie up his leads; and if there be any of different

thicknesses, he will, of course, assort them, and tie them up

separately: he takes a moderate quantity, if they be octavo leads,

rather more than the length of a page of matter, and places a piece

of reglet at each end of it, to guard the outside leads from injury

by the tightening of the cord, and making a slip knot at one end of a

piece of old page cord, he places the leads in the noose, and draws

it as tight as the cord will bear, then turns the leads over upon the

spare cord and draws it tight; he thus proceeds turning the leads

over upon the spare cord, and drawing it tight, till he has got turns

sufficient round the leads to secure them, and tucks in the end of

the cord under the turns two or three times, drawing it tight; he

knocks up the ends of the leads upon the imposing stone, gently, not

to injure them, and when he has thus tied them all up, he puts them

along with his matter.

He ties his reglets up in the same manner, and puts them with the

leads.

He puts the quoins into the quoin drawer.

He inquires of the proper person whether the furniture is to be tied

up, or put into the drawers; if the latter, he assorts it--side and

foot sticks, gutters, broads, narrows, reglets, and scaleboards, and

puts each into its separate drawer; if it be to be tied up, he puts

the scaleboard into its proper drawer, and arranges the others neatly

and ties them firmly together with old page cord, and delivers them

and the chases to the proper person, who may be either the overseer,

or some person appointed to take care of the materials.

CLEARING PIE.

To separate from each other in the confused mass, and assort the

different kinds and sizes of types, and to distribute them into their

respective cases; if there be a large quantity of any particular

fount, or founts, it is usual to compose them into pages, and, if the

letter be not wanted, to paper it up; when that fount is brought into

use, a proportionate quantity of pie is given to each compositor to

distribute.

This is generally the work of the apprentices during any slackness of

business. A quantity of pie is placed on the imposing stone, or, if

that cannot be spared for the purpose, on a letter board upon a bulk,

and each fount is separated from the other; they are then composed

into lines, and either distributed or papered up: although it may

appear a roundabout way to compose it, it in reality saves time, as

the composed matter is distributed with greater facility. In large

establishments the reading boys assort pie at their leisure time.

CLEARING STONE.

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