Of heat and cold, as of wit and madness, it may be said that "thin

partitions do their bounds divide." Thus, paint one half of the surface

of a tin pot with a mixture of lamp-black and size, and leave the other

half, or side, bright; fill the vessel with boiling water, and by dipping

a thermometer, or even the finger, into it shortly after, it will be found

to cool much more rapidly upon the blackened than upon the bright side of

the pot.

WARMTH OF DIFFERENT COLORS.

Place upon the surface of snow, as upon the window sill, in bright

daylight or sunshine, pieces of cloth of the same size and quality, but of

different colors, black, blue, green, yellow, and white: the black cloth

will soon melt the snow beneath it, and sink downwards; next the blue, and

then the green; the yellow but slightly; but the snow beneath the white

cloth will be as firm as at first.

SUBSTITUTE FOR FIRE.

Put into a cup a lump of quicklime, fresh from the kiln, pour water upon

it, and the heat will be very great. A pailful of quicklime, if dipped in

water, and shut closely into a box constructed for the purpose, will give

out sufficient heat to warm a room, even in very cold weather. This is the

source of steam vapor in theatrical representations.

LAUGHING GAS.

The above fanciful appellation has been given to nitrous oxide, from the

very agreeable sensations excited by inhaling it. In its pure state it

destroys animal life, but loses this noxious quality when inhaled, because

it becomes blended with the atmospheric air which it meets in the lungs.

This gas is made by putting three or four drams of nitrate of ammonia, in

crystals, into a small glass retort, which being held over a spirit lamp,

the crystals will melt, and the gas be evolved.

Having thus produced the gas, it is to be passed into a large bladder,

having a stop-cock; and when you are desirous of exhibiting its effects,

you cause the person who wishes to experience them, to first exhale

the atmospheric air from the lungs, and then quickly placing the cock

in his mouth, you turn it, and bid him inhale the gas. Immediately, a

sense of extraordinary cheerfulness, fanciful flights of imagination,

an uncontrollable propensity to laughter, and a consciousness of being

capable of great muscular exertion, supervene. It does not operate in

exactly the same manner on all persons; but in most cases the sensations

are agreeable, and have this important difference from those produced by

wine or spirituous liquors, that they are not succeeded by any depression

of mind.

FLAME FROM COLD METALS.

Provide a bottle of the gas chlorine, which may be purchased of any

operative chemist, and with it you may exhibit some brilliant experiments.

For example, reduce a small piece of the metal antimony to a very fine

powder in a mortar; place some of this on a bent card, then loosen the

stopper of the bottle of chlorine, and throw in the antimony; it will take

fire spontaneously, and burn with much splendor, thus exhibiting a cold

metal spontaneously bursting into flame.

If, however, a lump of antimony be dropped into the chlorine, there will

be no spontaneous combustion, nor immediate change; but, in the course

of time, the antimony will become incrusted with a white powder, and no

chlorine will be found in the bottle.

Or, provide copper in fine leaves, known as "Dutch metal;" slightly

breathe on one end of a glass rod, about ten inches long, and cause one

or two leaves of the metal to adhere to the damp end; then open a bottle

of chlorine, quickly plunge in the leaves, when they will instantly

take fire, and burn with a fine red light, leaving in the bottle a

greenish-yellow solid substance.

A small _lump_ of copper, or "Dutch metal," will not burn as above, but

will be slowly acted upon, like the antimony.

Immerse gold leaf in a jar of chlorine gas, and combustion with a

beautiful green flame will take place.

PHOSPHORUS IN CHLORINE.

Put into a deflagrating spoon about four grains of phosphorus, and let

it down into a bottle of chlorine, when the phosphorus will ignite

instantaneously.

Or, fold a slip of blotting-paper into a match five inches long; dip it

into oil of turpentine, drain it an instant, drop it into another bottle

of chlorine, when it will burst into a flame, and deposit much carbon.

MAGIC VAPOR.

Provide a glass tube, about three feet long and half an inch in diameter;

nearly fill it with water, upon the surface of which pour a little colored

ether; then close the open end of the tube carefully with the palm of the

hand, invert it in a basin of water, and rest the tube against the wall:

the ether will rise through the water to the upper end of the tube; pour a

little hot water over the tube, and it will soon cause the ether to boil

within, and its vapor may thus be made to drive nearly all the water out

of the tube into the basin; if, however, you then cool the tube by pouring

cold water over it, the vaporized ether will again become a liquid, and

float upon the water as before.

GAS FROM THE UNION OF METAL.

Nearly fill a wine-glass with diluted sulphuric acid, and place in it a

wire of silver and another of zinc, taking care that they do not touch

each other; when the zinc will be changed by the acid, but the silver will

remain inert. But cause the upper ends of the wires to touch each other,

and a stream of gas will issue from them.

CAMPHOR SUBLIMED BY FLAME.

Set a metallic plate over the flame of a spirit lamp; place upon it a

small portion of camphor under a glass funnel; and the camphor will be

beautifully sublimed by the heat of the lamp, in an efflorescent crust on

the sides of the funnel.

GREEN FIRE.

A beautiful green fire may be thus made. Take of flour of sulphur

thirteen parts, nitrate of baryta seventy-seven, oxymuriate of potassa

five, metallic arsenic two, and charcoal three. Let the nitrate of

baryta be well dried and powdered; then add to it the other ingredients,

all finely pulverized, and exceedingly well mixed and rubbed together.

Place a portion of the composition in a small tin pan, having a polished

reflector fitted to one side, and set light to it; when a splendid green

illumination will be the result. By adding a little calamine, it will burn

more slowly.

BRILLIANT RED FIRE.

Weigh five ounces of dry nitrate of strontia, one ounce and a half of

finely powdered sulphur, five drams of chlorate of potash, and four drams

of sulphuret of antimony. Powder the chlorate of potash and the sulphuret

of antimony separately in a mortar, and mix them on paper; after which add

them to the other ingredients, previously powdered and mixed. No other

kind of mixture than rubbing together on paper is required. For use, mix

with a portion of the powder a small quantity of spirits of wine, in a tin

pan resembling a cheese toaster, light the mixture, and it will shed a

rich crimson hue. When the fire burns dim and badly, a very small quantity

of finely powdered charcoal or lamp black will revive it.

PURPLE FIRE.

Dissolve chloride of lithium in spirit of wine, and when lighted, it will

burn with a purplish flame.

SILVER FIRE.

Place upon a piece of burning charcoal a morsel of the dried crystals of

nitrate of silver (not the lunar caustic), and it will immediately throw

out the most beautiful sparks that can be imagined, whilst the surface of

the charcoal will be coated with silver.

THE FIERY FOUNTAIN.

Put into a glass tumbler fifteen grains of finely granulated zinc, and

six grains of phosphorus, cut into very small pieces beneath water. Mix

in another glass, gradually, a dram of sulphuric acid, with two drams of

water. Remove both glasses into a dark room, and there pour the diluted

acid over the zinc and phosphorus in the glass; in a short time beautiful

jets of bluish flame will dart from all parts of the surface of the

mixture; it will become quite luminous, and beautiful luminous smoke will

rise in a column from the glass, thus representing a fountain of fire.

COMBUSTION WITHOUT FLAME.

Light a small _green_ wax taper; in a minute or two, blow out the flame,

and the wick will continue red hot for many hours; and if the taper

were regularly and carefully uncoiled, and the room kept free from the

current of air, the wick would burn on in this manner until the whole was

consumed. The same effect is not produced when the color of the wax is

red, on which account red wax tapers are safer than green, for the latter,

if left imperfectly extinguished, may set fire to any object with which

they are in contact.

COMBUSTION OF THREE METALS.

Mix a grain or two of potassium with an equal quantity of sodium; add a

globule of quicksilver, and the three metals, when shaken, will take fire,

and burn vividly.

TO MAKE PAPER APPARENTLY INCOMBUSTIBLE.

Take a smooth cylindrical piece of metal, about one inch and a half in

diameter, and eight inches long; wrap very closely round it a piece of

clean writing paper, then hold the paper in the flame of a spirit lamp,

and it will not take fire; but it may be held there for a considerable

time, without being in the least affected by the flame. If the paper be

strained over a cylinder of wood, it is quickly scorched.

HEAT NOT TO BE ESTIMATED BY TOUCH.

Hold both hands in water which causes the thermometer to rise to ninety

degrees, and when the liquid has become still, you will be insensible to

the heat, and that the hand is touching anything. Then remove one hand

to water that causes the thermometer to rise to two hundred degrees, and

the other in water at thirty-two degrees. After holding the hands thus

for some time, remove them, and again immerse them in the water at ninety

degrees; when you will find _warmth_ in one hand and _cold_ in the other.

To the hand which had been immersed in the water at thirty-two degrees,

the water at ninety degrees will feel hot; and to the hand which had been

immersed in the water at two hundred degrees, the water at ninety degrees

will feel cool. If, therefore, the touch in this case be trusted, the same

water will be judged to be hot and cold at the _same_ time.

FLAME UPON WATER.

Fill a wine glass with cold water, pour lightly upon its surface a little

ether; light it by a slip of paper, and it will burn for some time.

ROSE-COLORED FLAME UPON WATER.

Drop a globule of potassium, about the size of a large pea, into as small

cup, nearly full of water, containing a drop or two of strong nitric

acid; the moment that the metal touches the liquid, it will float upon

its surface, enveloped with a beautiful rose-colored flame, and entirely

dissolve.

TO SET A MIXTURE ON FIRE WITH WATER.

Pour into a saucer a little sulphuric acid, and place upon it a chip of

sodium, which will float and remain uninflamed; but the addition of a drop

of water will set it on fire.

WAVES OF FIRE ON WATER.

On a lump of refined sugar let fall a few drops of phosphuretted ether,

and put the sugar into a glass of warm water, which will instantly appear

on fire at the surface, and in waves, if gently blown with the breath.

This experiment should be exhibited in the dark.

WATER FROM THE FLAME OF A CANDLE.

Hold a cold and dry bell glass over a lighted candle, and watery vapor

will be directly condensed on the cold surface; then close the mouth of

the glass with a card or plate, and turn the mouth uppermost; remove the

card, quickly pour in a little lime-water, a perfectly clear liquid, and

it will instantly become turbid and milky, upon meeting with the contents

of the glass, just as lime-water changes when dropped into a glass full of

water.

FORMATION OF WATER BY FIRE.

Put into a tea cup a little spirit of wine, set it on fire, and invert a

large bell-glass over it. In a short time, a thick watery vapor will be

seen upon the inside of the bell, which may be collected by a dry sponge.

BOILING UPON COLD WATER.

Provide a tall glass jar, filled with cold water, and place in it an air

thermometer, which will nearly reach the surface; upon the surface place a

small copper basin, into which put a little live charcoal: the surface of

the water will soon be made to boil, while the thermometer will show that

the water beneath is scarcely warmer than it was at first.

CURRENTS IN BOILING WATER.

Fill a large glass tube with water, and throw into it a few particles of

bruised amber, then hold the tube by a handle for the purpose, upright in

the flame of a lamp, and as the water becomes warm, it will be seen that

currents, carrying with them the pieces of amber, will begin to ascend in

the center, and to descend towards the circumference of the tube. These

currents will soon become rapid in their motions, and continue till the

water boils.

HOT WATER LIGHTER THAN COLD.

Pour into a glass tube, about ten inches long, and one inch in diameter,

a little water colored with pink or other dye; then fill it up gradually

and carefully with colorless water, so as not to mix them; apply heat at

the bottom of the tube, and the colored water will ascend and be diffused

throughout the whole.

The circulation of warm water may be very pleasingly shown, by heating

water in a tube similar to the foregoing; the water having diffused in it

some particles of any light substance not soluble in water.

EXPANSION OF WATER BY COLD.

All fluids, except water, diminish in bulk till they freeze. Thus, fill

a large thermometer tube with water, say of the temperature of eighty

degrees, and then plunge the bulb into pounded ice and salt, or any other

freezing mixture: the water will go on shrinking in the tube till it has

attained the temperature of about forty degrees; and then, instead of

continuing to contract till it freezes, (as in the case with all other

liquids), it will be seen slowly to expand, and consequently to rise in

the tube, until it congeals. In this case, the expansion below forty

degrees, and above forty degrees, seem to be equal; so that the water will

be of the same bulk at thirty-two degrees as at forty-eight degrees, that

is, at eight degrees above or below forty degrees.

THE CUP OF TANTALUS.

This pretty toy may be purchased at any optician's for two or three

shillings. It consists of a cup, in which is placed a standing human

figure, concealing a syphon, or bent tube with one end longer than the

other. This rises in one leg of the figure to reach the chin, and descends

through the other leg, through the bottom of the cup to a reservoir

beneath. If you pour water in the cup, it will rise in the shorter leg by

its upward pressure, driving out the air before it through the longer leg;

and when the cup is filled above the bend of the syphon, (that is, level

with the chin of the figure,) the pressure of the water will force it over

into the longer leg of the syphon, and the cup will be emptied: the toy

thus imitating Tantalus of mythology, who is represented by the poets as

punished in Erebus with an insatiable thirst, and placed up to the chin in

a pool of water, which, however, flowed away as soon as he attempted to

taste it.

THE MAGIC WHIRLPOOL.

Fill a glass tumbler with water, throw upon its surface a few fragments

or thin shavings of camphor, and they will instantly begin to move, and

acquire a motion both progressive and rotary, which will continue for a

considerable time. During these rotations, if the water be touched by any

substance which is at all greasy, the floating particles will quickly

dart back, and as if by a stroke of magic, be instantly deprived of their

motion and vivacity.

In like manner, if thin slices of cork be steeped in sulphuric ether in a

closed bottle for two or three days, and then placed upon the water, they

will rotate for several minutes, like the camphor; until the slices of

cork having discharged all their ether, and become soaked with water, they

will keep at rest.

If the water be made hot, the motion of the camphor will be more rapid

than in cold water, but it will cease in proportionately less time. Thus,

provide two glasses, one containing water at fifty-eight degrees, and the

other at two hundred and ten degrees; place raspings of camphor upon each

at the same time; the camphor in the first glass will rotate for about

five hours, until all but a very minute portion has evaporated, while the

rotation of the camphor in the hot water will last only nineteen minutes:

about half the camphor will pass off, and the remaining pieces, instead

of being dull, white, and opaque, will be vitreous and transparent, and

evidently soaked with water. The gyrations, too, which at first will be

very rapid, will gradually decline in velocity, until they become quite

sluggish.

The stilling influence of oil upon waves has become proverbial: the

extraordinary manner in which a small quantity of oil instantly spreads

over a very large surface of troubled water, and the stealthy manner in

which even a rough wind glides over it, must have excited the admiration

of all who have witnessed it.

By the same principle a drop of oil may be made to stop the motion of

the camphor, as follows: Throw some camphor, both in slices and in small

particles, upon the surface of water, and while they are rotating, dip

a glass rod into oil of turpentine, and allow a single drop thereof to

trickle down the inner side of the glass to the surface of the water; the

camphor will instantly dart to the opposite point of the liquid surface,

and cease to rotate. If a piece of hard tallow or lard be employed, the

motion of the camphor will be more slowly stopped than by oil or fluid

grease, as the latter spreads over the surface of the water with greater

rapidity.

If a few drops of sulphuric or muriatic acid be let fall into the water,

they will gradually stop the motion of the camphor; but if camphor be

dropped into nitric acid diluted with its own bulk of water, it will

rotate rapidly for a few seconds, and then stop.

If a piece of the rotating camphor be attentively examined with a lens,

the currents of the water can be well distinguished, jetting out, chiefly

from the corners of the camphor, and bearing it round with irregular force.

The currents, as given out by the camphor, may also be seen by means of

the microscope; a drop or two of pure water being placed upon a slip of

glass, with a particle of camphor floating upon it. By this means the

current may be detected, and it will be seen that they cause the rotations.

Or a flat watch-glass, called a _lunar_, may be employed, raised a few

inches, and supported on a wire ring, kept steady by thrusting one end

into an upright piece of wood, like a retort stand. Then put the camphor

and water in the watch-glass, and place under the frame a sheet of white

paper, so that it may receive the shadow of the glass, camphor, &c., to

be cast by a steady light, placed above, and somewhat on one side of the

watch glass. On observing the shadow, which may be considered a magnified

representation of the object itself, the rotations and currents can be

distinguished.

ARTIFICIAL FIRE BALLS.

Put thirty grains of phosphorus into a bottle, which contains three or

four ounces of water. Place the vessel over a lamp, and give it a boiling

heat. Balls of fire will soon be seen to issue from the water, after

the manner of an artificial fire-work, attended with the most beautiful

coruscations.

TO MELT STEEL AS EASILY AS LEAD.

Make a piece of steel red in the fire, then hold it with a pair of pincers

or tongs; take in the other hand a stick of brimstone, and touch the piece

of steel with it. Immediately after their contact, you will see the steel

melt and drop like a liquid.

TO TELL A LADY IF SHE IS IN LOVE.

Put into a phial some sulphuric ether, color it red with orchanet, then

saturate the tincture with spermaceti. This preparation is solid ten

degrees above freezing point, and melts and boils at twenty degrees. Place

the phial which contains it in a lady's hand, and tell her that if in

love, the solid mass will dissolve. In a few minutes the substance will

become fluid.

AN EGG PUT INTO A PHIAL.

To accomplish this seemingly incredible act, requires the following

preparation: You must take an egg and soak it in strong vinegar; and

in process of time its shell will become quite soft, so that it may be

extended lengthways without breaking; then insert it into the neck of

a small bottle, and by pouring cold water upon it, it will reassume

its former figure and hardness. This is really a complete curiosity,

and baffles those who are not in the secret to find out how it is

accomplished. If the vinegar used to saturate the egg is not sufficiently

strong to produce the required softness of shell, add one teaspoonful

of strong acetic acid to every two tablespoonfuls of vinegar. This will

render the egg perfectly flexible, and of easy insertion into the bottle,

which must then be filled with cold water.

TO ASTONISH A LARGE PARTY.

With some lycopodium, powder the surface of a large or small vessel of

water; you may then challenge any one to drop a piece of money into the

water, and that you will get it with the hand without wetting your skin.

The lycopodium adheres to the hand, and prevents its contact with the

water. A little shake of the hand, after the feat is over, will dislodge

the powder.

TEST PAPERS.

On the otherwise barren rocks which fringe the shore of the Cape de

Verd Islands, grows the archil--a famous seaweed or lichen, renowned

among dyers. By a particular process of manufacture, this archil yields

a beautiful blue pigment, known in the chemical laboratory by the name

of _litmus_. Few colors are more fugitive than litmus. Being a fine

violet-blue, it is changed to red by so minute a portion of any acid,

that it becomes, when properly applied, _a test_ of the presence of the

latter substance. As it is so frequently desirable to know whether a fluid

be acid or alkaline, one of the first practical lessons to a student in

chemistry, is to prepare litmus test paper, thus: Put into a flask half

an ounce of litmus, and three ounces of water; let them remain together

in a warm place for a few hours, then filter the dark blue liquid from

its impurities, divide the solution obtained into two parts, pour one

portion into a saucer, and soak strips of white writing paper in it until

it has acquired a distinct blue color. If not colored enough by once

dipping and drying, repeat the operation. When dry, preserve these strips

in a box, labeled "Blue litmus test papers." These serve to _test_ any

fluid, to ascertain if it has an _acid_ reaction. It is instructive to

learn how very small a portion of any acid in water will be indicated by

the reddening of the litmus. With the second portion of the fluid, mix,

cautiously, a few drops of lemon juice, until it is red; then color paper

as before. When dry, this "red litmus test paper" serves to indicate the

presence of alkalies, a class of bodies opposed to acids. Red litmus test

paper, on being put into any fluid that is _alkaline_, such as lime-water,

is immediately restored to its original blue color. Put the ashes of a

cigar into water, the liquid, when "tested," will indicate the presence of

an alkali. Test some stale milk. If your blue paper becomes red, the milk

is sour; it is acid.

INFINITE DIVISIBILITY OF MATTER.

Dissolve a single grain of copper in about one dram of nitric acid, and

dilute the solution with about one ounce of water, when it will be evident

that a single drop of the mixture must contain an almost immeasurably

small portion of copper. Yet, if the blade of a knife be dipped into it,

it will become covered with a coat of copper; thus showing that the copper

can be infinitely divided without any alteration in its properties.

FOOTNOTES:

[Footnote 4: See also page 84.]

[Footnote 5: All experiments marked thus, *, should be performed on the

hob of the grate, to permit the fumes to escape up the chimney.]

AMUSEMENTS

IN

ELECTRICITY, GALVANISM AND MAGNETISM.

[Illustration]

THE ORIGIN OF GALVANISM.

The Magician's Own Book, or, the Whole Art of Conjuring Being a complete hand-book of parlor magic, and containing over one thousand optical, chemical, mechanical, magnetical, and magical experiments, amusing transmutations, astonishing sleights and subtleties, celebrated card deceptions, ingenious tricks with numbers, curious and entertaining puzzles, together with all the most noted tricks of modern performers. · 第 10 / 28 段