CHAPTER XI

BILBY AGAIN

The work of picture making that day went without a hitch. Mr. Hooley sent

several men into the woods above the spot on the shore of the "Kingdom of

Pipes," as Helen insisted upon calling the island where the prologue of

the picture was made, and they remained on watch there during the

activities of the company below.

When the film was developed and run off in the projection room that

evening it was pronounced by all--even by Mr. Hammond--as good in detail

as the spoiled reel.

From that point the work went on briskly, for the weather remained

perfect for picture taking. Ruth was busy; but she could give some time

to enjoyment, too, especially in the evening; and that next evening when

Chess Copley appeared in his own motor-boat, the _Lauriette_, she was

glad to join a moonlight boating party which ventured as far as

Alexandria Bay, where they had supper and danced at the pavilion,

returning to the picture camp in the early hours of the morning.

Ruth was Chessleigh's particular guest on this occasion, and Tom and

Helen Cameron went in another launch.

The moonlight upon the islands and the passages of silvery water between

them was most beautiful. And Ruth enjoyed herself immensely. That is, she

found the occasion enjoyable until they got back to the bungalow and had

bidden the Copleys and their party good night. Then the girl of the Red

Mill found her roommate rather irritable. Helen pouted and was frankly

cross when she spoke.

"I don't see what you find so interesting in Chess Copley," she observed,

brushing her hair before the glass.

"He is nice I think," replied Ruth placidly.

"And you just ignore Tommy-boy."

"I could not very well refuse Chess when he invited me into his launch. I

did not know you and Tom were going in the other boat."

"Well, I wasn't going with Chess. And I wouldn't let Tommy tag after

you."

"I wish you wouldn't be so foolish, Helen," sighed her chum.

"If you act this way," declared the rather unreasonable Helen, "you'll

spoil our whole visit at the Thousand Islands."

"My goodness!" exclaimed Ruth, for once showing exasperation, "you do not

talk very sensibly, Helen. I have come here to work, not to play. Please

bear that in mind. If you think I spoil your sport I will not join any

other evening parties."

The next evening when the Copley party came over to get acquainted with

some of the moving picture people and arrange for a big dance on Saturday

night, Ruth was as good as her word, and remained in Mr. Hammond's

office, recasting certain scenes in her story that Mr. Hooley proposed to

make next day.

Helen was sure Ruth was "mad" and kept out of the way intentionally. She

told Tom so. But she did not choose to relieve Chess Copley's loneliness

when she saw him mooning about.

Whenever Chess tried to speak to Helen in private she ran away from him.

Whether it was loyalty to her brother, Tom, or some other reason that

made Helen treat Copley so unkindly, the fact remained that Chess was

plainly not in Helen's good books, although she made much of the two

Copley girls.

The next day Ruth was quite as busy, for the making of the picture was

going ahead rapidly while the good weather lasted. This story she had

written was more of a pageant than anything she had yet essayed. The

scenes were almost all "on location," instead of being filmed under a

glass roof.

Helen and Tom did not seem to understand that their friend could not go

off fishing or sailing or otherwise junketing whenever they would like to

have her. But picture making and directors, and especially sunlight, will

not wait, and so Ruth tried to tell them.

It was Chess Copley, after all, who seemed to have the better

appreciation of Ruth's situation just at this time. Before a week had

passed he was almost always to be found at Ruth's beck and call; for when

she could get away from the work of picture making, Chess turned up as

faithfully as the proverbial bad penny.

"You are not a bad penny, however, Chess," she told him, smiling. "You

are a good scout. Now you may take me out in your motor-boat. If it is

too late to fish, we can at least have a run out into the river. How

pretty it is to-day!"

"If everybody treated me as nicely as you do, Ruth," he said, rather

soberly, "my head would be turned."

"Cheer up, Chess," she said, laughing. "I don't say the worst is yet to

come. Perhaps the best will come to you in time."

"You say that only to encourage me I fear."

"I certainly don't say it to discourage you," she confessed. "Going

around like a faded lily isn't going to help you a mite--and so I have

already told you."

"Huh! How's a fellow going to register joy when he feels anything but?"

"You'd make a poor screen actor," she told him. "See Mr. Grand to-day. He

has an ulcerated tooth and is going to the Bay to-night to have it

treated. Yet, as the French voyageur, he had to make love to Wonota and

Miss Keith, both. Some job!"

"That fellow makes love as easy as falling off a log," grumbled Chess. "I

never saw such a fellow."

"But the girls flock to see him in any picture. If he were my brother--or

husband--I would never know when he was really making love or just

registering love. Still actors live in a world of their own. They are not

like other people--if they are really good actors."

Copley's _Lauriette_ shot them half way across the broad St. Lawrence

before sunset, and from that point they watched the sun sink in the west

and the twilight gather along the Canadian shore and among the islands on

the American side.

When Chessleigh was about to start the engine again and head for the

camp--and dinner--they suddenly spied a powerful speed boat coming out

from the Canadian side. It cleaved the water like the blade of a knife,

throwing up a silver wave on either side. And as it passed the

_Lauriette_ Ruth and her companion could see several men in her cockpit.

"There are those fellows again," Chess remarked. "Wonder what they are up

to? That boat passed our island yesterday evening and the crowd in her

then acted to me as though they were drunk."

"I should think----Why!" exclaimed Ruth suddenly breaking off in what she

was first going to say, "one of those men is a Chinaman."

"So he is," agreed Chessleigh Copley.

"And that little fat man--see him? Why, Chess! it looks like----"

"Who is it?" asked the young fellow, in surprise at Ruth's excitement.

"It's Bilby!" gasped Ruth. "That horrid man! I I hoped we had seen the

last of him. And now he's right here where we are working with Wonota."

She had said so much that she had to explain fully about Bilby, while

they sat and watched the speed boat disappear up the river. Ruth was sure

she had made no mistake in her identification of the rival picture

producer who had made her so much trouble back at the Red Mill.

"I must tell Mr. Hammond at once," she concluded. "If Bilby is here, he

is here for no good purpose, I can be sure. And if he has a boat like

that at his command, we must keep double watch."

"You think he would try to abduct Wonota again?" queried Chess.

"I would believe that fellow capable of anything," she returned. "I mean

anything that did not call for personal courage on his part."

"Humph!" murmured Chess thoughtfully. "I wonder what he was doing with

the Chinaman in his party. You know, sometimes Chinamen are smuggled

across from Canada against the emigration laws of the States."

He headed the _Lauriette_ for the camp then, and they arrived there in a

rather serious mood.

Ruth Fielding on the St. Lawrence; Or, The Queer Old Man of the Thousand Islands · 第 11 / 25 章