LA GUIABLESSE

I

Night in all countries brings with it vaguenesses and illusions which

terrify certain imaginations;--but in the tropics it produces effects

peculiarly impressive and peculiarly sinister. Shapes of vegetation that

startle even while the sun shines upon them assume, after his setting, a

grimness,--a grotesquery,--a suggestiveness for which there is no

name.... In the North a tree is simply a tree;--here it is a personality

that makes itself felt; it has a vague physiognomy, an indefinable Me:

it is an Individual (with a capital I); it is a Being (with a capital

B).

From the high woods, as the moon mounts, fantastic darknesses descend

into the roads,--black distortions, mockeries, bad dreams,--an endless

procession of goblins. Least startling are the shadows flung down by the

various forms of palm, because instantly recognizable;--yet these take

the semblance of giant fingers opening and closing over the way, or a

black crawling of unutterable spiders....

Nevertheless, these phasma seldom alarm the solitary and belated Bitaco:

the darknesses that creep stealthily along the path have no frightful

signification for him,--do not appeal to his imagination;--if he

suddenly starts and stops and stares, it is not because of such shapes,

but because he has perceived two specks of orange light, and is not yet

sure whether they are only fire-flies, or the eyes of a trigonocephalus.

The spectres of his fancy have nothing in common with those indistinct

and monstrous umbrages: what he most fears, next to the deadly serpent,

are human witchcrafts. A white rag, an old bone lying in the path, might

be a maléfice which, if trodden upon, would cause his leg to blacken

and swell up to the size of the limb of an elephant;--an unopened bundle

of plantain leaves or of bamboo strippings, dropped by the way-side,

might contain the skin of a _Soucouyan._ But the ghastly being who doffs

or dons his skin at will--and the Zombi--and the _Moun-Mò_--may be

quelled or exorcised by prayer; and the lights of shrines, the white

gleaming of crosses, continually remind the traveller of his duty to the

Powers that save. All along the way there are shrines at intervals, not

very far apart: while standing in the radiance of one niche-lamp, you

may perhaps discern the glow of the next, if the road be level and

straight. They are almost everywhere,--shining along the skirts of the

woods, at the entrance of ravines, by the verges of precipices;--there

is a cross even upon the summit of the loftiest peak in the island. And

the night-walker removes his hat each time his bare feet touch the soft

stream of yellow light outpoured from the illuminated shrine of a white

Virgin or a white Christ. These are good ghostly company for him;--he

salutes them, talks to them, tells them his pains or fears: their

blanched faces seem to him full of sympathy;--they appear to cheer him

voicelessly as he strides from gloom to gloom, under the goblinry of

those woods which tower black as ebony under the stars.... And he has

other companionship. One of the greatest terrors of darkness in other

lands does not exist here after the setting of the sun,--the terror of

Silence.... Tropical night is full of voices;--extraordinary

populations of crickets are trilling; nations of tree-frogs are

chanting; the _Cabri-des-bois_,[15] or _cra-cra_, almost deafens you

with the wheezy bleating sound by which it earned its creole name; birds

pipe: everything that bells, ululates, drones, clacks, guggles, joins

the enormous chorus; and you fancy you see all the shadows vibrating to

the force of this vocal storm. The true life of Nature in the tropics

begins with the darkness, ends with the light.

And it is partly, perhaps, because of these conditions that the coming

of the dawn does not dissipate all fears of the supernatural. _I ni pè

zombi mênm gran'-jou_ (he is afraid of ghosts even in broad daylight)

is a phrase which does not sound exaggerated in these latitudes,--not,

at least, to any one knowing something of the conditions that nourish or

inspire weird beliefs. In the awful peace of tropical day, in the hush

of the woods, the solemn silence of the hills (broken only by torrent

voices that cannot make themselves heard at night), even in the amazing

luminosity, there is a something apparitional and weird,--something that

seems to weigh upon the world like a measureless haunting. So still all

Nature's chambers are that a loud utterance jars upon the ear brutally,

like a burst of laughter in a sanctuary. With all its luxuriance of

color, with all its violence of light, this tropical day has its

ghostliness and its ghosts. Among the people of color there are many who

believe that even at noon--when the boulevards behind the city are most

deserted--the zombis will show themselves to solitary loiterers.

[Footnote 15: In creole, _cabritt-bois_--("the Wood-Kid")--a colossal

cricket. Precisely at half-past four in the morning it becomes silent;

and for thousands of early risers too poor to own a dock, the cessation

of its song is the signal to get up.]

Two years in the French West Indies · 第 67 / 176 题