VIII

Viewed from the bay, under the green shadow of the hills overlooking it,

Frederiksted has the appearance of a beautiful Spanish town, with its

Romanesque piazzas, churches, many arched buildings peeping through

breaks in a line of mahogany, bread-fruit, mango, tamarind, and palm

trees,--an irregular mass of at least fifty different tints, from a

fiery emerald to a sombre bluish-green. But on entering the streets the

illusion of beauty passes: you find yourself in a crumbling, decaying

town, with buildings only two stories high. The lower part, of arched

Spanish design, is usually of lava rock or of brick, painted a light,

warm yellow; the upper stories are most commonly left unpainted, and are

rudely constructed of light timber. There are many heavy arcades and

courts opening on the streets with large archways. Lava blocks have been

used in paving as well as in building; and more than one of the narrow

streets, as it slopes up the hill through the great light, is seen to

cut its way through craggy masses of volcanic stone.

[Illustration 07: CHARLOTTE AMALIE, ST. THOMAS

_All red and white against the green hillside; reflected

as in a mirror by the azure sea._]

But all the buildings look dilapidated; the stucco and paint are falling

or peeling everywhere; there are fissures in the walls, crumbling

façades, tumbling roofs. The first stories, built with solidity worthy

of an earthquake region, seem extravagantly heavy by contrast with the

frail wooden superstructures. One reason may be that the city was burned

and sacked during a negro revolt in 1878;--the Spanish basements

resisted the fire well, and it was found necessary to rebuild only the

second stories of the buildings; but the work was done cheaply and

flimsily, not massively and enduringly, as by the first colonial

builders.

There is great wealth of verdure. Cabbage and cocoa-palms overlook all

the streets, bending above almost every structure, whether hut or public

building;--everywhere you see the splitted green of banana leaves. In

the court-yards you may occasionally catch sight of some splendid palm

with silver-gray stem so barred as to look jointed, like the body of an

annelid.

In the market-place--a broad paved square, crossed by two rows of

tamarind-trees, and bounded on one side by a Spanish piazza--you can

study a spectacle of savage picturesqueness. There are no benches, no

stalls, no booths; the dealers stand, sit, or squat upon the ground

under the sun, or upon the steps of the neighboring arcade. Their wares

are piled up at their feet, for the most part. Some few have little

tables, but as a rule the eatables are simply laid on the dusty ground

or heaped upon the steps of the piazza--reddish-yellow mangoes, that

look like great apples squeezed out of shape, bunches of bananas,

pyramids of bright-green cocoanuts, immense golden-green oranges, and

various other fruits and vegetables totally unfamiliar to Northern

eyes.... It is no use to ask questions--the black dealers speak no

dialect comprehensible outside of the Antilles: it is a negro-English

that sounds like some African tongue,--a rolling current of vowels and

consonants, pouring so rapidly that the inexperienced ear cannot detach

one intelligible word. A friendly white coming up enabled me to learn

one phrase: "Massa, youwancocknerfoobuy?" (Master, do you want to buy a

cocoanut?)

The market is quite crowded,--full of bright color under the tremendous

noon light. Buyers and dealers are generally black;--very few yellow or

brown people are visible in the gathering. The greater number present

are women; they are very simply, almost savagely, garbed--only a skirt

or petticoat, over which is worn a sort of calico short dress, which

scarcely descends two inches below the hips, and is confined about the

waist with a belt or a string. The skirt bells out like the skirt of a

dancer, leaving the feet and bare legs well exposed; and the head is

covered with a white handkerchief, twisted so as to look like a turban.

Multitudes of these barelegged black women are walking past

us,--carrying bundles or baskets upon their heads, and smoking very long

cigars.

They are generally short and thick-set, and walk with surprising

erectness, and with long, firm steps, carrying the bosom well forward.

Their limbs are strong and finely rounded. Whether walking or standing,

their poise is admirable,--might be called graceful, were it not for the

absence of real grace of form in such compact, powerful little figures.

All wear brightly colored cottonade stuffs, and the general effect of

the costume in a large gathering is very agreeable, the dominant hues

being pink, white, and blue. Half the women are smoking. All chatter

loudly, speaking their English jargon with a pitch of voice totally

unlike the English timbre: it sometimes sounds as if they were trying to

pronounce English rapidly according to French pronunciation and pitch of

voice.

These green oranges have a delicious scent and amazing juiciness.

Feeling one of them is sufficient to perfume the skin of the hands for

the rest of the day, however often one may use soap and water.... We

smoke Porto Rico cigars, and drink West Indian lemonades, strongly

flavored with rum. The tobacco has a rich, sweet taste; the rum is

velvety, sugary, with a pleasant, soothing effect: both have a rich

aroma. There is a wholesome originality about the flavor of these

products, a uniqueness which certifies to their _naïf_ purity:

something as opulent and frank as the juices and odors of tropical

fruits and flowers.

The streets leading from the plaza glare violently in the strong

sunlight;--the ground, almost dead-white, dazzles the eyes.... There are

few comely faces visible,--in the streets all are black who pass. But

through open shop-doors one occasionally catches glimpses of a pretty

quadroon face,--with immense black eyes,--a face yellow like a ripe

banana.

... It is now after mid-day. Looking up to the hills, or along sloping

streets towards the shore, wonderful variations of foliage-color meet

the eye: gold-greens, sap-greens, bluish and metallic greens of many

tints, reddish-greens, yellowish-greens. The cane-fields are broad

sheets of beautiful gold-green; and nearly as bright are the masses of

_pomme-cannelle_ frondescence, the groves of lemon and orange; while

tamarind and mahoganies are heavily sombre. Everywhere palm-crests soar

above the wood-lines, and tremble with a metallic shimmering in the blue

light. Up through a ponderous thickness of tamarind arises the spire of

the church; a skeleton of open stone-work, without glasses or lattices

or shutters of any sort for its naked apertures: it is all open to the

winds of heaven; it seems to be gasping with all its granite mouths for

breath--panting in this azure heat. In the bay the water looks greener

than ever: it is so clear that the light passes under every boat and

ship to the very bottom; the vessels cast only very thin green

shadows,--so transparent that fish can be distinctly seen passing

through from sunlight to sunlight.

The sunset offers a splendid spectacle of pure color; there is only an

immense yellow glow in the west,--a lemon-colored blaze; but when it

melts into the blue there is an exquisite green fight.... We leave

to-morrow.

... Morning: the green hills are looming in a bluish vapor: the long

faint-yellow slope of beach to the left of the town, under the mangoes

and tamarinds, is already thronged with bathers,--all men or boys, and

all naked: black, brown, yellow, and white. The white bathers are Danish

soldiers from the barracks; the Northern brightness of their skins forms

an almost startling contrast with the deep colors of the nature about

them, and with the dark complexions of the natives. Some very slender,

graceful brown lads are bathing with them,--lightly built as deer: these

are probably creoles. Some of the black bathers are clumsy-looking, and

have astonishingly long legs.... Then little boys come down, leading

horses;--they strip, leap naked on the animals' backs, and ride into the

sea,--yelling, screaming, splashing, in the morning light. Some are a

fine brown color, like old bronze. Nothing could be more statuesque than

the unconscious attitudes of these bronze bodies in leaping, wrestling,

running, pitching shells. Their simple grace is in admirable harmony

with that of Nature's green creations about them,--rhymes faultlessly

with the perfect self-balance of the palms that poise along the

shore....

Boom! and a thunder-rolling of echoes. We move slowly out of the harbor,

then swiftly towards the southeast.... The island seems to turn slowly

half round; then to retreat from us. Across our way appears a long band

of green light, reaching over the sea like a thin protraction of color

from the extended spur of verdure in which the western wind of the

island terminates. That is a sunken reef, and a dangerous one. Lying

high upon it, in very sharp relief against the blue light, is a wrecked

vessel on her beam-ends,--the carcass of a brig. Her decks have been

broken in; the roofs of her cabins are gone; her masts are splintered

off short; her empty hold yawns naked to the sun; all her upper parts

have taken a yellowish-white color,--the color of sun-bleached bone.

Behind us the mountains still float back. Their shining green has

changed to a less vivid hue; they are taking bluish tones here and

there; but their outlines are still sharp, and along their high soft

slopes there are white specklings, which are villages and towns. These

white specks diminish swiftly,--dwindle to the dimensions of

salt-grains,--finally vanish. Then the island grows uniformly bluish; it

becomes cloudy, vague as a dream of mountains;--it turns at last gray as

smoke, and then melts into the horizon-light like a mirage.

Another yellow sunset, made weird by extraordinary black, dense,

fantastic shapes of cloud. Night darkens, and again the Southern Cross

glimmers before our prow, and the two Milky Ways reveal

themselves,--that of the Cosmos and that ghostlier one which stretches

over the black deep behind us. This alternately broadens and narrows at

regular intervals, concomitantly with the rhythmical swing of the

steamer. Before us the bows spout fire; behind us there is a flaming and

roaring as of Phlegethon; and the voices of wind and sea become so loud

that we cannot talk to one another,--cannot make our words heard even by

shouting.

Two years in the French West Indies · 第 19 / 176 题