LETTER V.

_Seville, ---- 1801._

The calamity which has afflicted this town and swept away eighteen

thousand of its inhabitants,[24] will more than sufficiently

account for my long silence. But, during the interruption of my

correspondence, there is a former period for which I owe you a more

detailed explanation.

[24] The yellow fever in 1800.

My travels in Spain have hitherto been as limited as is used among

my countrymen. The expense, the danger, and the great inconvenience

attending a journey, prevent our travelling for pleasure or

curiosity. Most of our people spend their whole lives within their

province, and few among the females have ever lost sight of the town

that gave them birth. I have, however, brought home some of your

English restlessness; and, as my dear friend, the young clergyman,

whose account of himself is already in your hands, had to visit a

very peculiar spot of Andalusia, I joined him most willingly in his

excursion, during which I collected a few traits of our national

manners, with a view to add one more to my preceding sketches.

My friend’s destination was a town in the mountains or Sierra de

Ronda, called Olbera, or Olvera, for we make no difference in the

pronunciation of the _b_ and the _v_. A young man of that town

had been elected to a fellowship of this _Colegio Mayor_, and my

friend, who is a member of that body, was the appointed commissioner

for collecting the _pruebas_, or evidence, which, according to

the statutes, must be taken at the birth-place of the candidate,

concerning the purity of his blood and family connexions. The badness

of the roads, in that direction, induced us to make the whole

journey on horseback. We were provided with the coarse dress which

country gentlemen wear on similar occasions--a short loose jacket

and small-clothes of brown serge; thick leather gaiters; a cloak

tied up in a roll on the pommel of the saddle; and a stout spencer,

ornamented with a kind of patchwork lace, made of pieces of various

colours, which is a favourite riding-dress of our Andalusian beaux.

Each of us, as well as the servant, whose horse carried our light

luggage, was armed with a musket, hanging by a hook, on a ring,

which all travelling-saddles are furnished with for that purpose.

This manner of travelling is, upon the whole, the most pleasant

in Andalusia. Robbers seldom attack people on horseback, provided

they take care, as we did, never to pass any wooded ground without

separating to the distance of a musket-shot from each other.

My fellow-traveller took this opportunity to pay a visit to some

of his acquaintance at Osuna, a town of considerable wealth, with

a numerous _noblesse_, a collegiate church, and a university. At

the end of our first days’ journey we stopped at a pretty populous

village called El Arahal. The inn, though far from comfortable, in

the English sense of the word, was not one of the worst we were

doomed to endure in our tour, for travellers were not here obliged

to starve if they had not brought their own provisions; and we had a

room with a few broken chairs, a deal table and two flock beds, laid

upon planks raised from the brick-floor by iron tressels. A dish of

ham and eggs afforded us an agreeable and substantial dinner, and a

bottle of cheap, but by no means unpleasant wine, made us forget the

jog-trot of our day’s journey.

We had just felt the approach of that peculiar kind of _ennui_

which lurks in every corner of an inn, when the sound of a fife and

drum, with more of the sporting and mirthful than of the military

character, awakened our curiosity. But to ask a question, even at

the best Spanish _fonda_ (hotel), you must either exert your lungs,

calling the waiter, chambermaid, and landlord, in succession, to

multiply the chances of finding one disposed to hear you; or adopt

the more quiet method of searching them through the house, beginning

at the kitchen. Here, however, we had only to step out of our room

and we found ourselves within the cook’s dominions. The best country

inns, indeed, consist of a large hall contiguous to the street or

road, and paved like the former with round stones. At one end of this

hall there is a large hearth, raised about a foot from the ground. A

wood-fire is constantly burning upon it, and travellers of all ranks

and degrees, who do not prefer moping in their cold, unglazed rooms,

are glad to take a seat near it, where they enjoy, gratis, the wit

and humour of carriers, coachmen, and clowns, and a close view of the

hostess or her maid, dressing successively in the same frying pan,

now an omelet of eggs and onions, now a dish of dried fish with oil

and love-apples, or it may be the limbs of a tough fowl which but

a few moments before had been strutting about the house. The doors

of the bed-rooms, as well as that of the stable-yard, all open into

the hall. Leaving a sufficient space for carriages and horses to

cross from the front door to the stables, the Spanish carriers, or

_harrieros_, who travel in parties of twenty or thirty men and double

that number of mules, range themselves at night along the walls, each

upon his large packsaddle, with no other covering but a kind of

horse-cloth, called _manta_, which they use on the road to keep them

dry and warm in winter.

Into this truly common-hall were we brought by the sound of the drum,

and soon learned from one of the loungers who sauntered about it,

that a company of strolling-players were in a short time to begin

their performance. This was good news indeed for us, who, unwilling

to go early to bed with a certainty of not being allowed to sleep,

dreaded the close of approaching night. The performance, we were

told, was to take place in an open court, where a cow-house, open

in front, afforded a convenient situation both for the stage and

the dressing-room of the actors. Having each of us paid the amount

of a penny and a fraction, we took our seats under a bright starry

sky, muffled up in our cloaks, and perfectly unmindful of the danger

which might arise from the extreme airiness of the theatre. A

horrible screaming fiddle, a grumbling violoncello, and a deafening

French-horn, composed the band. The drop-curtain consisted of four

counterpanes sewed together; and the scenes, which were red gambroon

curtains, hanging loose from a frame, and flapping in the wind, let

us into the secrets of the dressing-room, where the actors, unable to

afford a different person for every character, multiplied themselves

by the assistance of the tailor.

The play was _El Diablo Predicador_--“The Devil turned

Preacher”--one of the numerous dramatic compositions published

anonymously during the latter part of the Austrian dynasty. The

character of this comedy is so singular, and so much of the public

mind may be learned from its popularity all over the country, that I

will give you an abstract of the plot.

The hero of the play, designated in the Dramatis Personæ by the

title of _primer galan_ (first gallant), is _Lucifer_, who, dressed

in a suit of black velvet and scarlet stockings--the appropriate

stage-dress of devils, of whatever rank and station--appears in

the first scene mounted upon a griffin, summoning his confidant

_Asmodeus_ out of a trap, to acquaint him with the danger to which

the newly-established order of Saint Francis exposed the whole

kingdom of darkness. Italy (according to the arch-demon) was overrun

with mendicant friars; and even Lucca, the scene of the play, where

they had met with a sturdy opposition, might, he feared, consent

to the building of a Franciscan convent, the foundations of which

were already laid. Lucifer, therefore, determines to assist the

Lucchese in dislodging the cowled enemies from that town; and he

sends Asmodeus to Spain upon a similar service. The chief engine he

puts in motion is _Ludovico_, a wealthy and hard-hearted man, who

had just married _Octavia_, a paragon of virtue and beauty, thus

cruelly sacrificed by her father’s ambition. _Feliciano_, a cousin

of Octavia, and the object of her early affection, availing himself

of the husband’s ignorance of their now-broken engagement, makes his

appearance at Lucca with the determination of seducing the bride

and taking revenge on Ludovico. The _Guardian_ of the new convent

of Saint Francis, being obliged by the rule of his order to support

the friars by daily alms collected from the people, and finding the

inhabitants of Lucca determined to starve them out of their city,

applies to Ludovico for help. That wicked man thrusts the Guardian

and his lay-brother _Antolín_--the _gracioso_ of the play--out of

the house, to be hooted and pelted by the mob. Nothing, therefore,

is left for the friars but to quit the town: and now, the poet

considering Horace’s rule for supernatural interference as perfectly

applicable to such a desperate state of things, the _Niño Dios_ (the

Child God),[25] and _Michael the archangel_, come down in a cloud

(you will readily conceive that the actors at our humble theatre

dispensed with the machinery), and the last, addressing himself to

Lucifer, gives him a peremptory order to assume the habit of Saint

Francis, and under that disguise to stop all the mischief he had

devised against Octavia; to obtain support from the people of Lucca

for the Franciscans; and not to depart till he had built two convents

instead of the one he was trying to nip in the bud.

[25] See Note F.

To give, as you say in England, the Devil his due, it must be

confessed, that Lucifer, though now and then exclaiming against the

severity of his punishment, executes his commission with exemplary

zeal. He presents himself to the Guardian, in the garb of the order,

and having Brother Antolín appointed as his attendant, soon changes

the hearts of the people, and obtains abundant supplies for the

convent. The under-plot proceeds in the mean time, involving Octavia

in the most imminent dangers. She snatches from Feliciano a letter,

in which she had formerly avowed her love to him, which, imperfectly

torn to pieces, falls into Ludovico’s hands, and induces him to plan

her death. To accomplish this purpose, he takes her into the country,

and stabs her in the depth of a forest, a few minutes before Monk

Lucifer, who fairly and honestly had intended to prevent the blow,

could arrive at the place with his lay-companion.

To be thus taken by surprise puzzles the ex-archangel not a little.

Still he observes, that since Octavia’s soul had neither gone to

heaven, purgatory, nor hell, a miracle was on the point of being

performed. Nor was he deceived in this shrewd conjecture; for the

_Virgin Mary_ descends in a cloud, and touching the body of Octavia,

restores her to life. Feliciano arriving at this moment, attributes

the miracle to the two friars; and the report of this wonder exposes

Antolín to a ludicrous mobbing in the town, where his frock is torn

to pieces to keep the shreds as relics. Lucifer now endeavours to

prove to the resuscitated wife, that, according to the canon law,

her marriage has been dissolved by death; but she, distrusting the

casuistry of that learned personage, immediately returns to her

husband. Her unwilling protector is therefore compelled to prevent a

second death, which the desperate Ludovico intends to inflict upon

his too faithful wife. After this second rescue of the beautiful

Octavia, Lucifer makes a most edifying address, urging Ludovico to

redeem his sins, by giving alms to the Franciscans. His eloquence,

however, making no impression upon the miser, Saint Michael gives

the word from behind the scenes, and the obdurate man is swallowed

up by the earth. Michael now makes his appearance; and, upon a very

sensible remonstrance of Lucifer, as to the hardship of his present

case, he allows the latter to strip off the cowl, and carry on

hostilities against the Franciscans by the usual arts he employs

against the other religious orders, _i. e._ assaulting the monks’

virtue by any means except their stomachs. Food the Franciscans must

never want, according to the heavenly promise made to their founder.

This curious play is performed, at least once a year, on every

Spanish theatre; when the Franciscan friars, instead of enforcing

the standing rule, which forbids the exhibition of the monkish dress

upon the stage, regularly lend the requisite suits to the actors: so

favourable is the impression it leaves in favour of that mendicant

order.

Our truly Thespian entertainment was just concluded, when we heard

the church-bell toll what in Spain is called _Las Animas_--the Souls.

A man, bearing a large lantern with a painted glass, representing

two naked persons enveloped in flames, entered the court, addressing

every one of the company in these words:--_The Holy Souls, Brother!

Remember the Holy Souls._ Few refused the petitioner a copper coin,

worth about the eighth part of a penny. This custom is universal in

Spain. A man, whose chief employment is to be agent for the souls in

purgatory, in the evening--the only time when the invisible sufferers

are begged for about the towns--and for some saint or _Madonna_,

during the day, parades the streets after sunset, with the lantern

I have described, and never fails to visit the inns, where the

travellers, who generally entrust their safety from robbers to the

_holy souls_, are always ready to make some pecuniary acknowledgement

for past favours, or to engage their protection in future dangers.

The tenderness of all sorts of _believing_ Spaniards for the souls

in purgatory, and the reliance they place on their intercession with

God, would almost be affecting, did it not originate in the most

superstitious credulity.

The doctrine of purgatory is very easily, nay, consistently embraced

by such as believe in the expiatory nature of pain and suffering.

The best feelings of our hearts are, besides, most ready to assist

the imagination in devising means to keep up an intercourse with

that invisible world, which either possesses already, or must

soon possess, whatever has engaged our affections in this. Grief

for a departed friend loses half its bitterness with a Catholic

who can firmly believe that not a day shall pass without repeated

and effectual proofs of attachment, on his part, till he join the

conscious object of his love in bliss. While other articles of the

Catholic faith are too refined and abstract for children, their

tender and benevolent minds eagerly seize on the idea of purgatory

fire. A parent or a brother, still kind to them in another world,

yet suffering excruciating pains that may be relieved, shortened,

and perhaps put an end to by some privation or prayer, are notions

perfectly adapted to their capacity and feelings. Every year brings

round the day devoted by the church to the relief of the departed

souls. The holy vestments used at the three masses, which, by a

special grant, every priest is allowed to perform that morning,

are black. Large candles of yellow wax are placed over the graves

within the churches; and even the church-yards, those humble places

of repose appointed among us for criminals and paupers, are not

neglected on that day of revived sorrows. Lights are provided for

them at the expense of the society established in every town of

Spain for the relief of the friendless spirits, who, for want of

assistance, may be lingering in the purifying flames; and many of the

members, with a priest at their head, visit these cemeteries for nine

successive evenings.

Thus, even benevolence, under the guidance of superstition,

degenerates into absurdity. It does not, however, stop here; but,

rushing headlong into the ludicrous, forces a smile upon the face

of sympathy, and painfully compels our mirth where our tears were

ready to flow. The religious ingenuity of the Catholics has gone

so far as to publish the scheme of a lottery for the benefit of

such souls as might otherwise escape their notice. It consists of a

large sheet of paper fixed in a frame, with an open box beneath it.

Under different heads, numbered from one to ninety, the inventor of

this pious game has distributed the most interesting cases which

can occur in the _debtors’ side_ of the infernal Newgate, allotting

to each a prayer, penance or offering. In the box are deposited

ninety pieces of card, distinguished by numbers corresponding to the

ninety classes. According as the pious gambler draws the tickets, he

performs the meritorious works enjoined in the scheme--generally a

short prayer or slight penance--transferring their spiritual value to

the fortunate souls to whom each card belongs. Often in my childhood,

have I amused myself at this good-natured game. But the Inquisition

is growing fastidious; and though the _lottery of purgatory_ is as

fairly grounded on the doctrines of Rome, as the papal bulls for the

release of suffering souls, which are sold for sixpence, with a blank

for inserting the name of the person in whose behalf it is purchased;

the inquisitors, it seems, will not allow the liberation of the

departed to become a matter of chance, and the _lottery scheme_ has

lately been prohibited. Fortunately, we still have various means

of assisting our friends in _Hades_; for, besides masses, Bulls,

prayers, and penances, the Pope has established eight or ten days

in the year, on which every Spaniard (for the grant is confined to

Spain) by kneeling at five different altars, and there praying for

the _extirpation of heresy_, is entitled to send a species of _habeas

animam_ writ to any of his friends in purgatory. The name of the

person whose liberation is intended should, for fear of mistakes,

be mentioned in the prayers. But, lest the order of release should

find him already free, or perhaps within those gates to which no Pope

has ever ventured to apply his keys, we are taught to endorse the

spiritual bill with other names, addressing it finally to the _most

worthy and disconsolate_.

These privileged days are announced to the public by a printed

notice, placed over the bason of holy water, which stands near every

church-door; and, as no one enters without wetting his forehead with

the blessed fluid, there is no fear that the happy season should pass

unheeded by the pious. The words written on the tablet are plain and

peremptory: _Hoy se saca Anima_; literally, “This is a soul-drawing

day.” We must, however, proceed on our uninterrupted journey.

Osuna, where we arrived on the second day after leaving Seville,

is built on the declivity of one of the detached hills which stand

as out-posts to the Sierra de Ronda, having in front a large

ill-cultivated plain, from whence the principal church, and the

college, to which the university of that town is attached, are

seen to great advantage. The great square of the town is nearly

surrounded by an arcade or piazza, with balconies above it, and is

altogether not unlike a large theatre. Such squares are to be found

in every large town of Spain, and seem to have been intended for the

exhibition of tournaments and a kind of bull-fights, less fierce

and bloody than those of the amphitheatre, which bear the name of

_regocijos_ (rejoicings.)

The line of distinction between the _noblesse_ and the unprivileged

class being here drawn with the greatest precision, there cannot

be a more disagreeable place for such as are, by education, above

the lower ranks, yet have the misfortune of a plebeian birth. An

honest respectable labourer without ambition, yet with a conscious

dignity of mind not uncommon among the Spanish peasantry, may, in

this respect, well be an object of envy to many of his betters.

Gentlemen treat them with a less haughty and distant air than is used

in England towards inferiors and dependents. A _rabadán_ (chief

shepherd), or an _aperador_ (steward), is always indulged with a

seat when speaking on business with his master, and men of the first

distinction will have a kind word for every peasant, when riding

about the country. Yet they will exclude from their club and billiard

table a well-educated man, because, forsooth, he has no legal title

to a Don before his name.

This town, though one of the third order, supports three convents

of friars and two of nuns. A gentleman of this place who, being

a clergyman, enjoys a high reputation as a spiritual director,

introduced us to some of the ladies at the nunneries. By this means

I became acquainted with two very remarkable characters--a worker of

miracles, and a nun in despair (_monja desesperada_). The first was

an elderly woman, whose countenance and manners betrayed no symptoms

of mental weakness, and whom, from all I was able to learn, it would

be difficult to class either with the deceiving or deceived. The

firm persuasion of her companions that she is sometimes the object,

sometimes the instrument of supernatural operations, inspires them

with a respect bordering upon awe. It would be tedious to relate the

alleged instances of her prying into futurity, and searching the

recesses of the heart. Reports like these are indeed easily raised

and propagated: but I shall briefly relate one, which shows how

stories of this kind may get abroad through the most respectable

channels, and form a chain of evidence which ingenuity cannot

trace up to involuntary error, and candour would not attribute to

deliberate falsehood.

The community of the _Descalzas_ (unshod nuns) had more than once

been thrown into great consternation on seeing their prioress--for to

that office had her sanctity raised the subject of my story--reduced,

for many days together, to absolute abstinence from food and drink.

Though prostrate, and with hardly any power of motion, she was in

full possession of her speech and faculties. Dr. Carnero, a physician

well known in these parts for skill and personal respectability,

attended the patient, for though it was firmly believed by the nuns

that human art could not reach the disease, it is but justice to say,

that no attempts were visible to give it a supernatural character

among strangers. The doctor, who seems to have at first considered

the case as a nervous affection, wished to try the effect of a

decided effort of the patient under the influence of his presence and

authority; for among nuns the physician is next in influence to the

professor. Having therefore sent for a glass of water, and desiring

the attendants to bolster up the prioress into a sitting posture, he

put it into her hand, with a peremptory injunction to do her utmost

to drink. The unresisting nun put the water to her lips, and stopped.

The physician was urging her to proceed, when to his great amazement

he found the contents of the glass reduced to one lump of ice.--We

had the account of this wonder from the clergyman who introduced us

to the nun. Of his veracity I can entertain no doubt: while he, on

the other hand, was equally confident of Dr. Carnero’s.

Our visit to the other convent made me acquainted with one of the

most pitiable objects ever produced by superstition--a reluctant nun.

Of the actual existence of such miserable beings one seldom hears

in Spain. A sense of decorum, and the utter hopelessness of relief,

keep the bitter regrets of many an imprisoned female a profound

secret to all but their confessor. In the present case, however, the

vehemence of the sufferer’s feelings had laid open to the world the

state of her harassed mind. She was a good-looking woman, of little

more than thirty: but the contrast between the monastic weeds, and

an indescribable air of wantonness which, in spite of all caution,

marked her every glance and motion, raised a mixed feeling of disgust

and pity, that made us uncomfortable during the whole visit. We had,

nevertheless, to stay till the customary refreshments of preserves,

cakes, and chocolate were served from within the double grate that

divided us from the inhabitants of the convent. This is done by means

of a semicircular wooden frame which fills up an opening in the wall:

the frame turns upon its centre, presenting alternately its concave

and its convex side. The refreshments being placed within the hollow

part; a slight impulse of the hand places them within reach of the

visitors. This machine takes the name of _torno_, from its rotatory

motion. But I must leave the convents for a future letter.

After a few days not unpleasantly spent at Osuna, we proceeded to

Olbera. The roads through all the branches of the Sierra de Ronda,

though often wild and romantic, are generally execrable. A mistake

of our servant had carried us within two miles of a village called

Pruna, when we were overtaken by a tremendous storm of hail and

thunder. Rain succeeded in torrents, and forced us to give up all

idea of reaching our destination that evening. We, consequently, made

for the village, anxious to dry our clothes, which were perfectly wet

through; but so wretched was the inn, that it had not a room where

we could retire to undress. In this awkward situation, my friend as

a clergyman, thought of applying to the vicar, who, upon learning

his name, very civilly received us in his house. The dress of this

worthy priest, a handsome man of about forty, shewed that he was at

least as fond of his gun and pointer, as of his missal. He had a

little of the swaggering manner of Andalusia, but it was softened by

a frankness and a gentleman-like air, which we little expected in

a retired Spanish vicar. The fact is, that the livings being poor,

none but the sons of tradesmen or peasants have, till very lately,

entered the church, without well-grounded hopes of obtaining at once

a place among the dignified clergy. But I should rather say that the

real _vicars_ are exempted from the care of a parish, and, under the

name of _beneficiados_, receive the tithes, and spend them how and

where they please. The nomination of curates belongs to the bishops;

some of whom, much to the credit of the Spanish prelacy, have of late

contrived to raise their income, and thereby induced a few young men,

who, not long ago would have disdained the office, to take a parish

under their care. The superiority, however, which was visible in

our host, arose from his being what is known by the name of _cura y

beneficiado_, or having a church, of which, as is sometimes the case,

the incumbency is inseparable from the curacy. He was far above his

neighbours in wealth and consequence; and being fond of field sports

and freedom, he preferred the wild spot where he had been born, to a

more splendid station in a Spanish cathedral.

The principal, or rather the most frequented, room in the vicars

house was, as usual, the kitchen or great hall at the entrance.

A well-looking woman, about five and thirty, with a very pretty

daughter of fifteen, and a peasant-girl to do the drudgery of the

house, formed the canonical establishment of this happy son of St.

Peter. To scrutinize the relation in which these ladies stood to the

priest, the laws of hospitality would forbid; while to consider them

as mere servants, we shrewdly guessed, would have hurt the feelings

of the vicar. Having therefore, with becoming gallantry, wound

ourselves into their good graces, we found no difficulty, when supper

was served up, in making them take their accustomed places, which,

under some pretence, they now seemed prepared to decline.

Our hearty meal ended, the _alcalde_, the _escribano_ (attorney), and

three or four of the more substantial farmers, dropped in to their

nightly _tertulia_. As the vicar saw no professional squeamishness

in my reverend companion, he had no hesitation to acquaint us with

the established custom of the house, which was to play at _faro_

till bed-time; and we joined the party. A green glazed earthen jar,

holding a quart of brandy, flavoured with anise, was placed at the

foot of the vicar, and a glass before each of the company. The

inhabitants of the Sierra de Ronda are fond of spirits, and many

exceptions to the general abstemiousness of the Spaniards are found

among them. But we did not observe any excess in our party. Probably

the influence of the clergyman, and the presence of strangers kept

all within the strictest rules of decorum. Next morning, after taking

a cup of chocolate, and cordially thanking our kind host, we took

horse for Olbera.

Some miles from that village, we passed one of the extensive woods

of ilex, which are found in many parts of Spain. In summer, the

beauty of these forests is very great. Wild flowers of all kinds,

myrtles, honeysuckles, cystus, &c. grow in the greatest profusion,

and ornament a scene doubly delicious from the cool shade which

succeeds to the glare of open and desolate plains, under a burning

sun. Did not the monumental crosses, erected on every spot where a

traveller has fallen by the hands of robbers, bring gloomy ideas to

the mind, and keep the eye watching every turn, and scouring every

thicket, without allowing it to repose on the beauties that court

it on all sides; Spain would afford many a pleasant and romantic

tour. Wild boars, and deer, and a few wolves, are found in these

forests. Birds of all kinds, hawks, kites, vultures, storks, cranes,

and bustards, are exceedingly numerous in most parts of the country.

Game, especially rabbits, is so abundant in these mountains, that

many people live by shooting; and though the number of dogs and

ferrets probably exceeds that of houses in every village, I heard

many complaints of annual depredations on the crops.

We had traversed some miles of dreary rocky ground, without a tree,

and hardly any verdure to soften its aspect, when from a deep valley,

formed by two barren mountains, we discovered Olbera, on the top of

a third, higher than the rest, and more rugged and steep than any we

had hitherto passed Both the approach and view of the town were so

perfectly in character with what we knew of the inhabitants, that the

idea of spending a week on that spot became gloomy and uncomfortable

at that moment.

The rustic and almost savage manners of the _noblesse_ of Olbera

are unparalleled in Andalusia. Both gentlemen and peasants claim

a wild independence, a liberty of misrule for their town, the

existence of which betrays the real weakness which never fails

to attend despotism. An Andalusian proverb desires you to “Kill

your man and fly to Olbera”--_Mata al hombre y vete a Olbera_. A

remarkable instance of the impunity with which murder is committed

in that town occurred two years before our visit. The _alguacil

mayor_, a law-officer of the first rank, was shot dead by an unknown

hand, when retiring to his house from an evening _tertulia_. He had

offended the chief of a party--for they have here their Capulets and

Montagues, though I could never discover a Juliet--who was known to

have formerly dispatched another man in a similar way; and no doubt

existed in the town, that Lobillo had either killed the alguacil, or

paid the assassin. The expectation, however, of his acquittal was as

general as the belief of his guilt. To the usual dilatoriness of the

judicial forms of the country, to the corruption of the scriveners

or notaries who, in taking down, most artfully alter the written

evidence upon which the judges ground their decision, was added the

terror of Lobillo’s name and party, whose vengeance was dreaded by

the witnesses. We now found him at the height of his power; and

he was one of the persons examined in evidence of the noble birth

and family honours of the candidate in whose behalf my friend had

received the commission of his college. Lobillo is a man between

fifty and sixty, with a countenance on which every evil passion is

marked in indelible characters. He was, in earlier life, renowned

for his forwardness in the savage rioting which to this day forms

the chief amusement of the youth of this town. The fact is, that the

constant use of spirits keeps many of them in a state of habitual

intoxication. One cannot cross the threshold of a house at Olbera

without being presented with a glass of brandy, which it would be an

affront to refuse. The exploits performed at their drinking-bouts

constitute the traditional chronicle of the town, and are recounted

with great glee by young and old. The idea of mirth is associated by

the _fashionables_ of Olbera with a rudeness that often degenerates

into downright barbarity. The sports of the field are generally

terminated by a supper at one of the _cortijos_, or farm-houses of

the gentry, where the _gracioso_ or _wit_ of the company, is expected

to promote some practical joke when mischief is rife among the

guests. The word _culebra_, for instance, is the signal for putting

out the lights, and laying about with the first thing that comes to

hand, as if trying to kill the _snake_, which is the pretended cause

of the alarm. The stomachs of the party are, on other occasions,

tried with a raw hare or kid, of which no one dares refuse to eat his

share: and it is by no means uncommon to propose the alternative of

losing a tooth, or paying a fine.

The relations of the young man whose pedigree was to be examined by

my friend, made it a point to entertain us, by rotation, every night

with a dance. At these parties there was no music but a guitar,

and some male and female voices. Two or four couples stood up for

_seguidillas_, a national dance, not unlike the _fandango_, which

was, not long since, modified into the _bolero_, by a dancing-master

of that name, a native of the province of Murcia, from which it was

originally called _Seguidillas Murcianas_. The dancers, rattling

their castanets, move at the sound of a single voice, which sings

couplets of four verses, with a burthen of three, accompanied by

musical chords that, combining the six strings of the guitar into

harmony, are incessantly struck with the nails of the right hand.

The singers relieve each other, every one using different words

to the same tune. The subject of these popular compositions, of

which a copious, though not very elegant collection is preserved in

the memory of the lower classes, is love; and they are generally

appropriate to the sex of the singers.

The illumination of the room consisted of a _candíl_--a rude lamp of

cast-iron, hung up by a hook on an upright piece of wood fixed on

a three-footed stool, the whole of plain deal. Some of the ladies

wore their _mantillas_ crossed upon the chin so as to conceal their

features. A woman in this garb is called _tapada_; and the practice

of that disguise, which was very common under the Austrian dynasty,

is still preserved by a few females in some of our country-towns.

I have seen them at Osuna and El Arahal, covered from head to foot

with a black woollen veil falling on both sides of the face, and

crossed so closely before it that nothing could be perceived but the

gleaming of the right eye placed just behind the aperture. Our old

dramatic writers found in the _tapadas_ an inexhaustible resource for

their plots. As the laws of honour protected a veiled lady from the

intrusions of curiosity, jealousy was thus perpetually mocked by the

very objects that were the main source of its alarms.

My introduction, at the first evening-party, to one of the ladies

of Olbera, will give you an idea of the etiquette of that town. A

young gentleman, the acknowledged _gracioso_ of the upper ranks,

a character which in those parts must unite that of _first bully_

to support it; had from the day of our arrival taken us under his

patronage, and engaged to do for us the honours of the place. His

only faults were, drinking like a fish, and being as quarrelsome as a

bull-dog; _au reste_, he was a kind-hearted soul, and would serve a

friend the whole length of the broad-sword, which, according to the

good old fashion, he constantly carried under the left arm, concealed

by the large foldings of his cloak. At the dances, he was master of

the ceremonies, and, as such, he introduced us to the company. We

had not yet seated ourselves, when Don Juan de la Rosa--such was

our patron’s name--surprised me with the question, which of the

present ladies I preferred to sit by. Thinking it was a jest, I

made a suitable answer; but I soon found he was serious. As it was

not for me to innovate, or break through the laudable customs of

Olbera, no other cause remained for hesitation but the difficulty of

the choice. Difficult it was indeed; not, however from the balanced

influence of contending beauty, but the formidable host of either

coy or grinning faces, which nearly filled one side of the room. To

take my post by one of the rustic nymphs, and thus engage to keep up

a regular flirtation for the evening, was more, I confess, than my

courage allowed me. Reversing, therefore, the maxim which attributes

increased horrors to things unknown, I begged to be introduced to a

_tapada_ who sat in a corner, provided a young man of the town, who

was at that moment speaking with her, had not a paramount claim to

the place. The word was scarcely spoken, when my friend, Don Juan,

advanced with a bold step, and, addressing his townsman with the

liberty of an established _gracioso_, declared it was not fit for a

_clown_ to take that place, instead of the _stranger_. The young man,

who happened to be a near relation of the lady, gave up his chair

very good-humouredly, and I was glad to find that the airiness and

superior elegance of shape, which led me to the choice, had directed

me to a gentlewoman. My veiled talking partner was highly amused--I

will not say flattered--with what she chose to call my blunder, and,

pretending to be old and ugly, brought into full play all my Spanish

gallantry. The evening was passed less heavily than I dreaded; and

during our stay at Olbera we gave a decided preference to the lady

of whom I had, thus strangely, declared myself the _cortejo pro

tempore_. She was a native of Malaga, whom her husband, an officer

on half-pay, had induced to reside in his native town, which she

most cordially detested. Perhaps you wish to know the reason of her

disguise at the dance. Moved by a similar curiosity, I ventured to

make the inquiry, when I learned that, for want of time to dress, she

had availed herself of the custom of the country, which makes the

_mantilla_ a species of _dishabille_ fit for an evening party.

In the intervals of the dance we were sometimes treated with dramatic

scenes, of which the dialogue is composed on the spot by the actors.

This amusement is not uncommon in country-towns. It is known by the

name of _juegos_--a word literally answering to _plays_. The actors

are in the habit of performing together, and consequently do not

find it difficult to go through their parts without much hesitation.

Men in women’s clothes act the female characters. The truth is, that

far from being surprised at the backwardness of the ladies to join

actively in the amusement, the wit and humour of the _juegos_ is

such, that one only wonders how any modest woman can be present at

the performance.

One night the dance was interrupted by the hoarse voice of our worthy

friend Don Juan, who happened to be in the kitchen on a visit to

a favourite jar of brandy. The ladies, though possessed of strong

nerves, shewed evident symptoms of alarm; and we all hurried out of

the room, anxious to ascertain the cause of the threatening tones

we had heard. Upon our coming to the hall, we found the doughty

hero standing at a window with a cocked gun in his hands, sending

forth a volley of oaths, and protesting he would shoot the first

man who approached his door. The assault, however, which he had

thus gallantly repulsed, being now over, he soon became cool enough

to inform us of the circumstances. Two or three individuals of

the adverse party, who were taking their nightly rounds under the

windows of their mistresses, hearing the revel at Rosa’s house, were

tempted to interrupt it by just setting fire to the door of the

entrance-hall. The house might, in a short time, have been in flames,

but for the unquenchable thirst of the owner, which so seasonably

drew him from the back to the front of the building.

We were once retiring home at break of day, when Don Juan, who never

quitted us, insisted upon our being introduced at that moment to one

of two brothers of the name of Ribera, who had, the evening before,

arrived from his farm. Remonstrance was in vain: Don Juan crossed

the street, and “the wicket opening with a latch,” in primitive

simplicity, we beheld one of the most renowned _braggadocios_

of Olbera lying in bed, with a gun by his side. Ribera, so

unceremoniously disturbed, could not help greeting the visitors in

rather rough language; but he was soon appeased, on perceiving that

we were strangers. He sat up in his bed, and handed to me a tumbler

of brandy, just filled from the ever-present green jar, that stood

within his reach upon a deal table. The life I was leading had given

me a severe cough, and the muzzle of Ribera’s gun close to my head

would scarcely have alarmed me more than the brim-full rummer with

which I was threatened. A terrible fit of coughing, however, came to

my assistance; and Don Juan interposing in my favour, I was allowed

to lay down the glass.

The facetiousness of the two Riberas is greatly admired in their

town. These loving brothers had, on a certain occasion, gone to bed

at their _cortijo_ (farm), forgetting to put out the _candíl_, or

lamp, hung up at the opposite end of the hall. The first who had

retired urged that it was incumbent on him who sat up latest, to have

left every thing in proper order; but the offender was too lazy to

quit his bed, and a long contest ensued. After much, and probably

not very temperate disputing, a bright thought seemed to have crossed

the younger brother. And so it was indeed; for stopping short in

the argument, he grasped the gun, which, as usual, stood by his

bed-side, took a sure aim, and put an end both to the dispute and its

subject, by shooting down the _candíl_. The humour of this _potent

conclusion_ was universally applauded at Olbera. I have been assured

that the same extinguisher is still, occasionally, resorted to by

the brothers; and a gun heard in the night, infallibly reminds the

inhabitants, of the Riberas’ lamp.[26]

[26] See Note G.

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