SECTION IV. ODIN’S ATTRIBUTES.

Odin’s hat represents the arched vault of heaven, and his blue or

variegated cloak is the blue sky or atmosphere, and both these symbolize

protection.

Odin’s ravens, Hugin (reflection) and Munin (memory), have been

mentioned before. They are perched upon his shoulders and whisper into

his ears what they see and hear. He sends them out at daybreak to fly

over the world, and they come back at eve toward meal-time. Hence it is

that Odin knows so much and is called Rafnagud (raven-god). Most

beautifully does Odin express himself about these ravens in Grimner’s

lay, in the Elder Edda:

Hugin and Munin

Fly each day

Over the spacious earth.

I fear for Hugin

That he come not back,

Yet more anxious am I for Munin.

And in Odin’s Raven-song, Hug (Hugin) goes forth to explore the heavens.

Odin’s mind, then, is the flying raven; he is the spiritual ruler.

Odin has two wolves, Gere and Freke (the greedy one and the voracious

one). Odin gives the meat that is set on his table to these two wolves;

for he himself stands in no need of food. Wine is for him both meat and

drink. Thus the Elder Edda, in Grimner’s lay:

Gere and Freke

Feeds the war-faring,

Triumphant father of hosts;

For ’tis with wine only

That Odin in arms renowned

Is nourished forever.

To meet a wolf is a good omen. Odin amusing himself with his wolves is

an exquisite theme for the sculptor.

Odin had a ring called Draupner. We find its history in the

conversations of Brage, the second part of the Younger Edda. Loke had

once out of malice cut all the hair off Sif, the wife of Thor. But when

Thor found this out he seized Loke and would have crushed every bone in

him if he had not sworn to get the elves of darkness to make golden hair

for Sif, that would grow like other hair. Then went Loke to the dwarfs,

that are called Ivald’s sons, and they made the hair, and Skidbladner

(Frey’s ship), and the spear that Odin owned and is called Gungner. Then

Loke wagered his head with the dwarf, whose name is Brok, that his

brother, Sindre, would not be able to make three more treasures as good

as those three just named. The brothers went to the smithy. Sindre put a

pig-skin in the furnace and bade Brok blow the bellows and not stop

before Sindre took that out of the furnace which he had put into it. A

fly set itself on Brok’s hand and stung him, but still he continued

blowing the bellows, and that which Sindre took out was a boar with

golden bristles. Then Sindre put gold into the furnace. This time the

fly set itself on Brok’s neck, and stung him worse, but he continued

blowing the bellows, and that which the smith took out was the gold ring

Draupner (from the verb meaning _to drop_). The third time Sindre put

iron in the furnace, and bade his brother be sure to continue blowing or

all would be spoiled. Now the fly set itself between his eyes and stung

his eye-lids. The blood ran down into his eyes, so that he could not

see; then Brok let go of the bellows just for a moment to drive the fly

away. That which the smith now took out was a hammer. Sindre gave his

brother these treasures and bade him go to Asgard to fetch the wager. As

now Loke and Brok came each with his treasures, the asas seated

themselves upon their thrones and held consult, and Odin, Thor and Frey

were appointed judges who should render a final decision. Then Loke gave

Odin the spear, which never would miss its mark; Thor he gave the hair,

which immediately grew fast upon Sif’s head; and to Frey he gave the

ship, which always got fair wind as soon as the sails were hoisted, no

matter where its captain was going, and it could also be folded as a

napkin and put into the pocket, if this were desirable. Thereupon Brok

came forward and gave Odin the ring, and said that every ninth night a

ring equally heavy would drop from it. To Frey he gave the boar, and

said that it could run in the air and on the sea, night and day, faster

than any horse, and the night never was so dark, nor the other worlds so

gloomy, but that it would be light where this boar was present, so

bright shone its bristles. To Thor he gave the hammer, and said that

with it he might strike as large an object as he pleased; it would never

fail, and when he threw it he should not be afraid of losing it, for no

matter how far it flew it would always return into his hand, and at his

wish it would become so small that he might conceal it in his bosom, but

it had one fault, and that was that the handle was rather short.

According to the decision of the gods, the hammer was the best of all

the treasures, and especially as a protection against the frost-giants;

they accordingly decided that the dwarf had won the wager. The latter

now wanted Loke’s head. Loke offered to redeem it in some way, but the

dwarf would accept no alternatives. Well take me then, said Loke, and in

a moment he was far away, for he had shoes with which he could run

through the air and over the sea. Then the dwarf asked Thor to seize

him, which was done; but when the dwarf wanted to cut his head off, Loke

said: The head is yours, but not the neck.[35] Then took the dwarf

thread and knife and wanted to pierce Loke’s lips, so as to sew his lips

together, but the knife was not sharp enough. Now it were well, if I had

my brother’s awl, said he, and instantaneously the awl was there, and it

was sharp. Then the dwarf sewed Loke’s lips together. (The dwarfs are

here represented as smiths of the gods.)

The ring Draupner is a symbol of fertility. Odin placed this ring on

Balder’s funeral pile and it was burnt with Balder (the summer), and

when Balder sent this ring back to Odin, his wife, the flower-goddess

Nanna, sent Frigg, the wife of Odin, a carpet (of grass), which

represents the return of vegetation and fruitfulness. Balder sends the

ring back as a memento of the fair time when he and his father (Odin)

worked together, and reminds the father of all, that he must continue to

bless the earth and make it fruitful. But this is not all; this ring

also symbolizes the fertility of the mind, the creative power of the

poet, the evolution of one thought from the other, the wonderful chain

of thought. The rings fell from Draupner as drop falls from drop. Ideas

do not cling fast to their parent, but live an independent life when

they are born; and the idea or thought, when once awakened, does not

slumber, but continues to grow and develop in man after man, in

generation after generation, evolving constantly new ideas until it has

grown into a unique system of thought. If we, as our fathers undoubtedly

did, make this gold ring typify the historical connection between times

and events, a ring constantly multiplying and increasing with ring

interlinked with ring in time’s onward march, what a beautiful golden

chain there has been formed from time’s morning until now!

Odin had a spear called Gungner. The word means producing a violent

shaking or trembling, and it most thoroughly shook whomsoever was hit by

it. As has been seen above, it was made by the sons of Ivald (the

dwarfs), and was presented to Odin by Loke. Odin speeds forth to the

field of battle with golden helmet, resplendent armor, and his spear

Gungner. Oath was taken on the point of Gungner. This spear is

frequently referred to in the semi-mythological Sagas, where spears are

seen flying over the heads of the enemy; they are panic-stricken and

defeated. Spears are sometimes seen as meteorical phenomena, showing

that war is impending. The spear symbolizes Odin’s strength and power.

When Odin’s spear was thrown over anybody, Odin thereby marked him as

his own. Did not Odin wound himself with a spear, and thereby consecrate

himself to heaven? (See pp. 254-261.) When Odin puts the spear into the

hands of the warrior, it means that he awakens and directs his deeds of

valor. When Odin is the god of poetry and eloquence (Anglo-Saxon _wód_),

then the spear Gungner is the keen, stinging satire that can be

expressed in poetry and oratory.

Odin’s horse Sleipner (slippery) was the most excellent horse. Runes

were carved on his teeth. The following myth gives us an account of his

birth: When the gods were constructing their abodes, and had already

finished Midgard and Valhal, a certain artificer came and offered to

build them, in the space of three half years, a residence so well

fortified that they should be perfectly safe from the incursions of the

frost-giants and the giants of the mountains, even though they should

have penetrated within Midgard. But he demanded for his reward the

goddess Freyja, together with the sun and moon. After long deliberation

the gods agreed to his terms, provided he would finish the whole work

himself without any one’s assistance, and all within the space of one

winter; but if anything remained unfinished on the first day of summer,

he should forfeit the recompense agreed on. On being told these terms,

the artificer stipulated that he should be allowed the use of his horse,

called Svadilfare (slippery-farer), and this by the advice of Loke was

granted to him. He accordingly set to work on the first day of winter,

and during the night let his horse draw stone for the building. The

enormous size of the stones struck the gods with astonishment, and they

saw clearly that the horse did one half more of the toilsome work than

his master. Their bargain, however, had been concluded in the presence

of witnesses and confirmed by solemn oaths, for without these

precautions a giant would not have thought himself safe among the gods,

especially when Thor returned from an expedition he had then undertaken

toward the east against evil demons.

As the winter drew to a close, the building was far advanced, and the

bulwarks were sufficiently high and massive to render this residence

impregnable. In short, when it wanted but three days to summer, the only

part that remained to be finished was the gateway. Then sat the gods on

their seats of justice and entered into consultation, inquiring of one

another who among them could have advised to give Freyja away to

Jotunheim or to plunge the heavens in darkness by permitting the giant

to carry away the sun and the moon. They all agreed that none but Loke

Laufeyarson and the author of so many evil deeds could have given such

bad counsel, and that he should be put to a cruel death if he did not

contrive some way or other to prevent the artificer from completing his

task and obtaining the stipulated recompense. They immediately proceeded

to lay hands on Loke, who in his fright promised upon oath, that let it

cost him what it would he would so manage matters that the man should

lose his reward. That very night, when the artificer went with

Svadilfare for building-stone, a mare suddenly ran out of a forest and

began to neigh. The horse being thus excited, broke loose and ran after

the mare into the forest, which obliged the man also to run after his

horse, and thus between one and the other the whole night was lost, so

that at dawn the work had not made the usual progress. The man, seeing

that he had no other means of completing his task, resumed his own

gigantic stature, and the gods now clearly perceived that it was in

reality a mountain giant who had come amongst them. No longer regarding

their oaths, they therefore called on Thor, who immediately ran to their

assistance, and lifting up his mallet Mjolner (the crusher) that the

dwarfs had made, he paid the workman his wages, not with the sun and

moon, and not even by sending him back to Jotunheim, for with the first

blow he shattered the giant’s skull to pieces, and hurled him headlong

into Niflheim. But Loke had run such a race with Svadilfare, that

shortly after the mischief-maker (Loke) bore a gray foal with eight

legs. This is the horse Sleipner, which excels all horses ever possessed

by gods or men. The gods perjured themselves, and in reference to this

says the Elder Edda:

Then went the rulers there,

All gods most holy,

To their seats aloft,

And counsel together took;

Who all the winsome air

With guile had blended,

Or to the giant’s race

Oder’s maiden given.[36]

Then Thor, who was there,

Arose in wrathful mood,

For seldom sits he still

When such things he hears.

Annulled were now all oaths,

And words of promise fair,

And faith not long before

In council plighted.

This riddle is propounded. Who are the two who ride to the Thing? Three

eyes have they together, ten feet and one tail; and thus they travel

through the lands. The answer is Odin, who rides on Sleipner; he has one

eye, the horse two; the horse runs on eight feet, Odin has two; only the

horse has a tail.

Odin’s horse, Sleipner, symbolizes the winds of heaven, that blow from

eight quarters. In Skaane and Bleking, in Sweden, it was customary to

leave a sheaf of grain in the field for Odin’s horse, to keep him from

treading down the grain. Wednesday is named after Odin (Odinsday), and

on this day his horse was most apt to visit the fields. But in a higher

sense Sleipner is a Pegasos. Pegasos flew from the earth to the abodes

of the gods; Sleipner comes from heaven, carries the hero unharmed

through the dangers of life, and lifts the poet, who believes in the

spirit, up to his heavenly home. Grundtvig calls Sleipner the courser of

the poet’s soul; that is to say, of the Icelandic or Old Norse strophe

in poetry, which consisted of eight verses, or four octometers. The most

poetic is the most truthful interpretation of the myths.

Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted · 第 4 / 19 章