CHAPTER VI.

THE MARTYR'S BURIAL.

The fawning Greek Isidorus had stealthily wormed his way into the

confidence of Faustus, a servant of Adauctus, by professing to be, if

not a Christian, at least a sincere inquirer after the truth, and an

ardent hater of the edict of persecution. Faustus had therefore promised

to conduct him to a private meeting of the Christians, where he might be

more fully instructed by the good presbyter, Primitius. In the short

summer twilight they therefore made their way to the villa of the

Christian matron Marcella, on the Appian Way, about two miles from the

city gates. A high wall surrounded the grounds. In this was a wicket or

door, at which Faustus knocked. The white-haired porter partly opened

the door, and recognizing the foremost figure, admitted him, but gave a

look of inquiry before passing his companion.

"It is all right," said Faustus. "He is a good friend of mine," and so

they passed on.

The grounds were large and elegant, fountains flashed in the soft

moonlight, the night-blooming cereus breathed forth its rare perfume,

and masses of cypress and ilex cast deep shadows on the pleached alleys.

But there was a conspicuous absence of the garden statuary invariably

found in pagan grounds. There was no figure of the god Terminus, nor of

the beautiful Flora, or Pomona, nor of any of the fair goddesses which

to-day people the galleries of Rome. In the spacious _atrium_, or

central apartment of the house, which was partially lighted by bronze

candalabra, was gathered a company of nearly a hundred persons, seated

on couches around the hall--the men on the right and the women on the

left. A solemn stillness brooded over the entire assembly. Near a tall

cadalabrum stood a venerable figure with a snowy beard--the presbyter

Primitius. From a parchment scroll in his hand he read in impressive

tones the holy words of hope and consolation, "Let not your hearts be

troubled, ye believe in God, believe also in me," and the rest of that

sweet, parting counsel of the world's Redeemer.

[Illustration: STAIRWAY TO CATACOMB.]

Before he was through, a procession with torches was seen approaching

through the garden. On a bier, borne by four young men, lay the body of

Lucius the martyr, wrapped in white and strewn with flowers--at rest in

the solemn majesty of death from the tortures of the rack and scourge.

The little assembly within joined the procession without, and softly

singing the holy words which still give such consolation to the stricken

heart, "Beati sunt mortui qui in Domino morientur--Blessed are the dead

who die in the Lord," through the shadowy cypress alleys wound the

solemn procession. Soon it reached an archway, like that shown in our

first chapter, the entrance to the catacomb of St. Callixtus, which lay

beneath the grounds of the Lady Marcella. Then, preceded by torches,

with careful tread the bearers of the bier slowly descended a rock-hewn

stairway, and traversed a long and gloomy corridor, lined on either side

with the graves of the dead.[19] This stairway and corridor are shown in

the engravings which accompany this chapter.

An almost supernatural fear fell upon the soul of Isidorus the Greek,

who had followed in the train of the procession, as it penetrated

further and further into the very heart of the earth. He seemed like

Ulysses with his ghostly guide visiting the grim regions of the

nether-world, and the words of the classic poet came to his mind,

"Horror on all sides, the very silence fills the soul with dread."

Already for more than two centuries these gloomy galleries had been the

receptacles of the Christian dead, and in many places the slabs that

sealed the tombs were broken, and the graves yawned weirdly as he

passed, revealing the unfleshed skeletons lying on their stony bed. To

his excited imagination they seemed to menace him with their

outstretched bony arms. Deep, mysterious shadows crouched around, full

of vague suggestions of affright. His gay, joyous and pleasure-loving

nature recoiled from the evidences of mortality around him. His

footsteps faltered, and he almost fell to the rocky pavement. The

procession swept on, the glimmering lights growing dimmer and dimmer,

and then turning an angle they suddenly disappeared. Fear lent wings to

his feet, and he fled along the narrow path with outstretched hands,

sometimes touching with a feeling of horrible recoil the bones or ashes

of the dead. He hurried along, groping from side to side, and when he

reached the passage down which the funeral procession had disappeared,

no gleam of it was visible, nor could he tell, so suddenly the lights

had disappeared, whether it had turned to the right or to the left. The

darkness was intense--a darkness that might be felt, a brooding horror

that oppressed every sense. He tried to call out, but his tongue seemed

to cleave to the roof of his mouth, and his faint cry was swallowed up

in the deep and oppressive silence. Had the vengeance of the gods

overtaken him in punishment for his meditated crime? Was he, who so

loved the light and air, and joyous sunshine, never to behold them

again? Must he be buried in these gloomy vaults for ever? These thoughts

surged through his brain, and almost drove him wild. But what sounds are

those that steal faintly on his ear? They seem like the music of heaven

heard in the heart of hell. Stronger, sweeter, clearer, come the holy

voices. And now they shape themselves to words, "Nam et si ambulavero in

medio umbræ mortis, non timebo mala--Yea, though I walk through the

valley of the shadow of death, I will fear no evil." Was it to taunt his

terrors those strange words were sung? Then the holy chant went on,

"Quonian tu mecum es Virga tua, et baculus tuus, ipsa me consolata

sunt--For thou art with me, thy rod and thy staff they comfort me." What

strange secret had these Christians that sustained their souls even

surrounded by the horrors of the tomb?

[Illustration: CORRIDOR OF CATACOMB.]

Isidorus groped his way amid the gloom toward these heavenly sounds.

Soon he caught a faint glimmer of light reflected from an angle of the

corridor, and then a ray through an open doorway pierced the gloom.

Hurrying forward he found the whole company from which he had become

separated gathered in a sort of chapel hewn out of the solid rock. The

body of Lucius lay upon the bier before an open tomb, hewn out of the

wall. The venerable presbyter, by the fitful torchlight which illumined

the strange group, and lit up the pious paintings and epitaphs upon the

wall, read from a scroll the strange words, "And I saw under the altar

the souls of them that were slain for the Word of God and for the

testimony which they held, and they cried with a loud voice, saying, How

long, Lord, holy and true, dost thou not judge and avenge our blood on

them that dwell on the earth?" A great fear fell upon the soul of the

susceptible Greek, for the slain man seemed, in the solemn majesty of

death, to become an accusing judge.

Then turning his scroll the presbyter read on, "What are these arrayed

in white robes and whence came they? These are they which came out of

great tribulation, and have washed their robes and made them white in

the blood of the Lamb. Therefore are they before the throne of God, and

serve Him day and night in His temple.... They shall hunger no more,

neither thirst any more ... and God shall wipe away all tears from

their eyes."

These holy words stirred strange emotions in the agitated breast of the

young Greek. Sweeter were they than ought he had ever read in Pindar's

page, and more sublime than even Homer's hymns. If these things were

true, he thought, he would gladly change places with the martyr on his

bier, if only he might exchange the torturing ambitions, strifes and

sins of time for the holy joys which that marvellous scroll revealed.

Then by loving hands the martyr's body was placed in its narrow tomb. A

marble slab, on which were simply written his name and the words,

"DORMIT IN PACE--He sleeps in peace," was cemented against the opening.

With a trowel, a palm branch, the symbol of martyrdom, was rudely traced

in the yet unhardened cement, and the little company began to disperse.

"O sir," cried the young Greek, clasping the hand of the venerable

Primitius, "teach me more fully this excellent way."

"Gladly, my son," replied the benignant old man. "Come hither to-morrow.

For here," he added with a smile, "my friends insist that I must remain

concealed till this outburst of persecution shall have passed.[20]

Hilarus, the fossor, will be thy guide. He will now conduct thee back

to thy friend Faustus, who is seeking thee."

By the dim light of a waxen taper which he carried, Hilarus led the

Greek to the entrance to the Catacomb, where they found Faustus waiting

in some alarm at the delay of his friend. In the bright moonlight they

walked back to the city. Isidorus thought well to evade giving an

account of his adventure in the Catacomb, and, to turn the conversation,

asked how the Christians had obtained the body of Lucius from the public

executioner.

"Oh, money will do anything in Rome," said Faustus, at which the Greek

visibly winced. "The Lady Marcella, in whose grounds the Catacomb is,

devotes much of her wealth to burying the poor of the Church, and her

steward had no difficulty in purchasing from Hanno, the executioner, the

mangled remains of the martyr. 'Tis like, before long, that he will have

many such to sell."

[Illustration]

FOOTNOTES:

[19] For the details above given, see Bingham's _Origines Ecclesiastica_

[20] Liberius, Bishop of Rome, lay concealed in the Catacombs for a

whole year, during a time of persecution.

Valeria, the Martyr of the Catacombs: A Tale of Early Christian Life in Rome · 第 6 / 30 章