CHAPTER V.

THE KINDERGARTNER.

THE first requisite to a Kindergarten is, of course, the Kindergartner,

fully intelligent of childhood, and thoroughly trained herself in

everything that the child is to do.

The first Kindergartner was Froebel himself; who, in the course of a

long life, studied into the science of childhood, and worked out a

series of artistical exercises, which aim to educate--that is, _draw_

forth---the powers of children from a more profound depth than ordinary

education respects. But instead of beginning with putting checks upon

childish play, he took the hint of his method from this spontaneous

activity; and began with genially directing it to a more certainly

beautiful effect than it can attain when left to itself. A large part of

the art of primary school-teaching hitherto, has consisted in keeping

children still, and preventing them from playing.

It was Froebel's wisdom to accept the natural activity of childhood as a

hint of the Divine Providence, and to utilize its spontaneous play for

education. And it is this which takes away from his system that element

of baneful antagonism which school discipline is so apt to excite, and

which it is such a misfortune should ever be excited between the young

and old. Nothing is worse for the soul, at any period of life, than to

be put upon self-defence; for humility is the condition of the growth of

mind as well as morals, and ensures that natural self-respect shall not

degenerate into a petty wilfulness and self-assertion. The divine

impulse of activity in children should not be directly opposed, but

accepted and guided into beautiful production, according to the laws of

creative order, which the adult has studied out in nature, and genially

presents in _playing_ with the child.

But such playing is a great art, and founded on the deepest science of

nature, within and without; and therefore Froebel never established a

Kindergarten without previously preparing Kindergartners by a normal

training, which his faithful disciples have scrupulously kept up. And if

only genius and love like his own could in one lifetime have discovered

the science and worked out the processes of this culture, yet hundreds

of pupils of these normal classes have proved, that any fairly gifted,

well-educated, genial-tempered young woman, who will devote a reasonable

time to training for it, can become a competent Kindergartner.

Nothing short of this will do; for none of the manuals which have been

written to guide already trained experts, can supply the place of the

living teacher. Written words will not describe the fine gradations of

the work, or give an idea of the conversation which is to be constantly

had with the children. It would be less absurd to suppose that a person

could learn to make watches by reading a description of the manufacture

in an encyclopædia, than to suppose a person could learn to educate

children by mere formulas.

Indeed, it is _infinitely_ less absurd. For a child is not finite mass

to be moulded, or a blank paper to be written upon, at another's will.

It is a living subject, whose own coöperation--or at least

willingness--is to be conciliated and made instrumental to the end in

view. Would a Cremona violin be put into the hands of a person ignorant

of music, to be tuned and made to discourse divine harmonies? How is it,

then, that the "harp of a thousand strings"--which God puts into the

hands of every mother, in perfect tune--is so recklessly committed,

first to ignorant girl-nurses, and then to the least educated teachers?

Looking at children's first schools, it would seem that anybody is

thought skilful enough to begin a child's education! It takes a long

apprenticeship to learn to play on the instrument with seven strings,

in order to bring out music. But it is stupidly thought that anybody

can play on the greater instrument, whose strings thrill with pleasure

or pain, and discourse good or evil, as they are touched wisely or

unwisely!

Froebel struck the key-note of the music of the spheres, which human

life is destined to become, when he announced, as a first principle,

that the well-thought-out wisdom of the ideal mother's love is the

science of education; and that this science of sciences is founded on

self-knowledge; by which he did not mean (any more than did Socrates, or

that older sage who engraved "know thyself" upon the temple of Delphi)

individual idiosyncrasy, but the very self which Jesus Christ said all

men must _become_, when he set a little child in the midst, and declared

that no one could enter his kingdom, that did not _become_ as _one_; and

when, another time, he called and blessed little children, because, as

he said, of such was the kingdom of heaven; and again, more

significantly still, when he warned from "_offending_ (it might be

better rendered _perverting_) these little ones; _because_," as he

added, "_their spirits do always behold the face of my Father who is in

heaven_." To know the soul before it has been warped by individual

caprice and circumstance, is the science of sciences, on which is to be

founded the art of arts; viz., that of educating the child so that its

individuality may develop, not destroy, its sense of universal

relations. And here I must pause to say, that it is simply astonishing

that when most of us believe, as our religion, that Jesus Christ

embodied in himself the wisdom, as well as love, and even power of

God,--"without measure,"--his words about children are passed over with

so little inquiry into the depths of their _meaning_. What can it

mean--that their spirits always behold the face of the Father--short of

the very philosophy of Gioberti,--that the newly-created soul commences

its consciousness in the eternal world, with a reciprocal vision of God

_remembered in the heart_ through life, and constituting the divine term

of conscience, which is the CONSTANT, while the human term is of only

fitful growth. As Wordsworth says,--

"Our Life's Star

Hath had elsewhere its setting,

And cometh from afar!

Not in entire forgetfulness

And not in utter nakedness,

But trailing clouds of glory do we come

From God who is our home.

Heaven lies about us in our infancy!

Shades of the prison-house begin to close

Upon the growing boy,

But he beholds the light and whence it flows;

He sees it _in his joy_:

The youth, who daily from the East

Must travel, still is nature's priest,

And by the vision splendid

Is on his way attended."

But Froebel does not, like Wordsworth, make it strictly inevitable,

however it may have hitherto been common, that

"The man perceives it die away

And fade into the light of common day;"

for he teaches that the parental sympathy and instruction of those

adults who have attained

"The faith that looks through death

In years that bring the philosophic mind"

should intervene; which is just Kindergarten culture; preserving the

heart's vision of the truths that

"We are toiling all our lives to find"

unshadowed; while the organs of the human mind gradually bring to bear

God's manifestation in nature, which, point by point, forms the human

understanding, by making an intellectual consciousness of what the heart

knows.

Because the science of education is the analysis and gauging of love by

intellect, Froebel sought the true form of the art of education in the

method of the mother's love, which he studied out with a philosophic

earnestness. Not that any mother could _tell_ him the secret. It cannot

be put into formulas, nor does it come by intuition into the scientific

form in which a Kindergartner needs to have it. Froebel, in watching the

mother, saw that she was "led in a way she knew not." But he divined the

meaning of that way, and its issues, and gives it to the Kindergartner.

The beginning of a child's life is its learning the fact and uses of its

body. Here, as everywhere, human action blindly gropes for knowledge.

The child cannot even find the breast to suck, but sucks what is

nearest, compelling the mother to give it the breast by automatic

motions which she understands; or by cries which awaken her heart.

Gradually these reciprocal instincts open upon the child the first thing

it knows; namely, that it is dependent for the means of life. For a

child knows, in its heart, for a long time before it reflects and gets

the thought, that not in itself, but outside of itself, is the source of

its life. Of course, it is bodily life merely that it seeks at first,

trying to incorporate the without with the within by eating every thing;

the organs for this action on the outward world being first developed.

But if it is regularly fed and kept comfortable, the eye will be

satisfied with seeing, the ear with hearing, the hand with handling.

Now it is no less the instinct of the mother to make the baby's body the

first plaything, than to feel its own body is the first pleasure of the

child. To use its organs in play is the first action in which the

voluntary combines with the instinctive animal impulse.

The first distinctive human intelligence a child _expresses_, is the

recognition of its mother's smile. Its higher life begins in the

reciprocation of that smile. _No mere animal smiles!_ The mother's heart

also goes to meet the child's faith with vocal expressions of tender

joy; the heart of the child is awakened by tones which emparadise it,

and it answers by like tones. There is nothing among the lower animals

like this conversation of mother and child, by looks and tones,

emparadising both. By and by, it notices light and colors, and begins to

play with its hands and feet.

Hence the most characteristic work of Froebel is "The Mother's Cosseting

Songs." In this imperfect world, mothers are not always true to ideal

motherhood; but ignorance, and often indolence, and other forms of

self-indulgence, superinducing stupidity,--even a tyrannous sense of

property in the child, and sometimes mere timidity, interferes. And, in

general, Froebel saw how little most mothers reflect on the great work

they are doing when they play with their children. He wished them to

study into the laws they are obeying, in order to discover their scope

and meaning, that they may be able to supplement with thought the

short-comings of their too often spoilt instincts. Mothers taught him

more than they knew themselves; and he repaid the debt by telling them

what they taught him in these "Cosseting Songs," which he gathered from

many lips and brought together for the enriching of all.

First may be seen in the pictured illustrations which accompany the

songs, that the plays are merely the sympathetic furtherance of the

child's own motions. The mother enjoys the sight of her baby kicking up

its little legs, fumbling its little hands, and enjoying its bodily

existence generally; and she sympathizingly intervenes, and draws the

child to forget itself in its heart-sense of her sympathetic presence.

She feeds the instinctive putting forth of its own joy, the first form

of its faith, with the expression of her joy; and thus the heart grows

with the body, and the mind opens to expect boundless love, which it

reciprocates without reserve. A healthy child

"Loves whate'er it looks upon."

If it is not happy and loving, it is the condemnation of its

environment. Some one in relation with it, perhaps more than one, has

failed to show the necessary love; and "better were it for such," as

Jesus Christ has said "that a millstone were hung about their necks,

and they were cast into the uttermost depths of the sea." If these words

mean any thing,--and who will dare say they are mere rhetoric?--then let

us take care that we do not rush into the work of education, without

being sure that we shall not do so immense a mischief; and let mothers

see to it, that they do not put their children into the care of persons

who do not combine love and knowledge of childhood in measures not to be

expected of the common run of children's nurses and primary teachers.

Not only because every mother is not an ideal mother, but because

sometimes children are consigned, by inevitable circumstance, to other

nursing than a wise mother's, such a manual as the "Cosseting Songs" is

indispensable _to instruct nurses_.

And nurses ought always to be instructed. When Froebel was in Hamburg,

he received nurses into normal training. Both mothers and nurses brought

their infants of six months old to his house, and he taught them how to

play with--without fatiguing--them, by carefully respecting those

indications of pleasure and pain which are the child's only means of

communication.

And as lectures on _child-nature_ are a part of the Kindergarten

training, those preparing to be children's nurses, even to this day, are

admitted to the Hamburg training-school, which was not relinquished when

Froebel died, but is now instructed by the best teachers of the

Volks-Kindergartens, who go into it by turns. It has its sessions in the

evenings; and the normal pupils pay for their instruction, at least in

part, by assisting in the morning in the Volks-Kindergarten, which forms

also an important part of their training.

But at all events, there can be no adequate Kindergarten culture

anywhere, unless a specific normal training is constantly kept up to

supply the ever-increasing demand which tends to outgo the supply,

especially when nurses are admitted, as at Hamburg.

Having thus indicated the source whence must be drawn the Kindergarten

culture, it is not our purpose to attempt the impossible, by stating it

abstractly; for a series of abstractions is more apt to conceal than to

reveal a living science. No book can train a Kindergartner, but only at

best serve as a convenient reminder to educated experts, and instruct

parents that there is one necessary condition of their children's

receiving the benefit of Kindergarten culture; viz., a thoroughly

educated Kindergartner.

And this may be obtained even in America, from a lady of _the apostolic

succession_; a pupil of the training-school of the Baroness Marienholtz,

of Berlin, who has devoted her talents, her fortune, the prestige of her

rank, and her personal services, to spread the art of her revered master

on the continent of Europe. Miss Kriege not only has studied a year in

this training-school, but all the while frequented the Kindergarten of

Madame Vogler, as observer and assistant; and,--together with her

mother, a lady who is the equal of the Baroness Marienholtz in every

thing but the fortune which enables the latter to teach without

price,--combines every qualification, with enthusiasm, for the spread of

a method of education that unquestionably has a great future in this

country, inasmuch as it makes a true base to the grand harmonies of our

national constitution.

As one feature of the normal class is a series of lectures on _the being

of the child_, which are given on one day of the week, it would be

desirable that Madame Kriege should admit mothers and sisters who have

no intention of making teaching their vocation, but who may thus

understand and be able to co-operate in spirit with the Kindergartner,

in the education of the children; for it is a great hindrance to the

Kindergarten when it is not understood at home. All the educators of the

child should understand each other, and co-operate, if the highest

results are to be attained.

Guide to the Kindergarten and Intermediate Class; and Moral Culture of Infancy. · 第 5 / 14 章