OUR BOOKING-OFFICE.

[Illustration]

There is a judicial review of GEORGE MEREDITH's work in the

_Quarterly_ for October--masterly, too, quoth the Baron, as striking

a balance between effect and defect, and finding so much to be duly

said in high praise of the diffuse and picturesquely-circumnavigating

Novelist through whose labyrinthine pages the simple Baron finds it

hard to thread his way, and yet keep the clue. When the unskippingly

conscientious peruser of GEORGE M.'s novels is most desirous that the

author shall go ahead, GEORGE, like an Irish cardriver, will stop to

"discoorse us," and at such length, and so diffusely, and with such a

wealth of eccentric word-coming and grammar-dodging, that at last the

Baron gasps, choked by the rolling billows of sonorously booming or

boomingly sonorous words, battles with the waves, ducks, and comes

up again breathlessly, wondering where he may be, and what it was

all about. "Story! God bless you, I haven't much to tell, Sir!" says

the luxuriantly fanciful novel-grinder. And he hasn't much, it must

be owned, for essenced it would go into half a volume, or less, and

all over and above is pot-fuls of rich colour, spilt about almost at

haphazard, permutations and combinations, giving the effect of genius.

Which--genius it is; but a little of it goes a great way, in fact, a

very great way, wandering and straying until at length the Baron calls

for his _Richard Feverel_, and says, "This is the best that GEORGE

MEREDITH has written, as sure as my name is

"THE BARON DE BOOK-WORMS."

* * * * *

Punch, or the London Charivari, Volume 101, October 31, 1891 · 第 17 / 23 题