I could see that Roy was disappointed.

“Did you expect him to sing Schumann?” I asked.

“I don’t know why not. It would have been rather a good point. But I

think I should have expected him to sing sea chanteys or old English

country airs, you know, the sort of thing they used to sing at

fairings—blind fiddlers and the village swains dancing with the girls

on the threshing floor and all that sort of thing. I might have made

something rather beautiful out of that, but I can’t _see_ Edward

Driffield singing music hall songs. After all, when you’re drawing a

man’s portrait you must get the values right; you only confuse the

impression if you put in stuff that’s all out of tone.”

“You know that shortly after this he shot the moon. He let everybody

in.”

Roy was silent for fully a minute and he looked down at the carpet

reflectively.

“Yes, I knew there’d been some unpleasantness. Mrs. Driffield mentioned

it. I understand everything was paid up later before he finally bought

Ferne Court and settled down in the district. I don’t think it’s

necessary to dwell on an incident that is not really of any importance

in the history of his development. After all, it happened nearly forty

years ago. You know, there were some very curious sides to the old man.

One would have thought that after a rather sordid little scandal like

that the neighbourhood of Blackstable would be the last place he’d

choose to spend the rest of his life in when he’d become celebrated,

especially when it was the scene of his rather humble origins; but he

didn’t seem to mind a bit. He seemed to think the whole thing rather a

good joke. He was quite capable of telling people who came to lunch

about it and it was very embarrassing for Mrs. Driffield. I should like

you to know Amy better. She’s a very remarkable woman. Of course the old

man had written all his great books before he ever set eyes on her, but

I don’t think anyone can deny that it was she who created the rather

imposing and dignified figure that the world saw for the last

twenty-five years of his life. She’s been very frank with me. She didn’t

have such an easy job of it. Old Driffield had some very queer ways and

she had to use a good deal of tact to get him to behave decently. He was

very obstinate in some things and I think a woman of less character

would have been discouraged. For instance, he had a habit that poor Amy

had a lot of trouble to break him of: after he’d finished his meat and

vegetables he’d take a piece of bread and wipe the plate clean with it

and eat it.”

“Do you know what that means?” I said. “It means that for long he had so

little to eat that he couldn’t afford to waste any food he could get.”

“Well, that may be, but it’s not a very pretty habit for a distinguished

man of letters. And then, he didn’t exactly tipple, but he was rather

fond of going down to the Bear and Key at Blackstable and having a few

beers in the public bar. Of course there was no harm in it, but it did

make him rather conspicuous, especially in summer when the place was

full of trippers. He didn’t mind who he talked to. He didn’t seem able

to realize that he had a position to keep up. You can’t deny it was

rather awkward after they’d been having a lot of interesting people to

lunch—people like Edmund Gosse, for instance, and Lord Curzon—that he

should go down to a public house and tell the plumber and the baker and

the sanitary inspector what he thought about them. But of course that

could be explained away. One could say that he was after local colour

and was interested in types. But he had some habits that really were

rather difficult to cope with. Do you know that it was with the greatest

difficulty that Amy Driffield could ever get him to take a bath?”

“He was born at a time when people thought it unhealthy to take too many

baths. I don’t suppose he ever lived in a house that had a bathroom till

he was fifty.”

“Well, he said he never had had a bath more than once a week and he

didn’t see why he should change his habits at his time of life. Then Amy

said that he must change his under linen every day, but he objected to

that too. He said he’d always been used to wearing his vest and drawers

for a week and it was nonsense, it only wore them out to have them

washed so often. Mrs. Driffield did everything she could to tempt him to

have a bath every day, with bath salts and perfumes, you know, but

nothing would induce him to, and as he grew older he wouldn’t even have

one once a week. She tells me that for the last three years of his life

he never had a bath at all. Of course, all this is between ourselves;

I’m merely telling it to show you that in writing his life I shall have

to use a good deal of tact. I don’t see how one can deny that he was

just a wee bit unscrupulous in money matters and he had a kink in him

that made him take a strange pleasure in the society of his inferiors

and some of his personal habits were rather disagreeable, but I don’t

think that side of him was the most significant. I don’t want to say

anything that’s untrue, but I do think there’s a certain amount that’s

better left unsaid.”

“Don’t you think it would be more interesting if you went the whole hog

and drew him warts and all?”

“Oh, I couldn’t. Amy Driffield would never speak to me again. She only

asked me to do the life because she felt she could trust my discretion.

I must behave like a gentleman.”

“It’s very hard to be a gentleman and a writer.”

“I don’t see why. And besides, you know what the critics are. If you

tell the truth they only say you’re cynical and it does an author no

good to get a reputation for cynicism. Of course I don’t deny that if I

were thoroughly unscrupulous I could make a sensation. It would be

rather amusing to show the man with his passion for beauty and his

careless treatment of his obligations, his fine style and his personal

hatred for soap and water, his idealism and his tippling in disreputable

pubs; but honestly, would it pay? They’d only say I was imitating Lytton

Strachey. No, I think I shall do much better to be allusive and charming

and rather subtle, you know the sort of thing, and tender. I think one

ought always to _see_ a book before one starts it. Well, I see this

rather like a portrait of Van Dyck, with a good deal of atmosphere, you

know, and a certain gravity, and with a sort of aristocratic

distinction. Do you know what I mean? About eighty thousand words.”

He was absorbed for a moment in the ecstasy of æsthetic contemplation.

In his mind’s eye he saw a book, in royal octavo, slim and light in the

hand, printed with large margins on handsome paper in a type that was

both clear and comely, and I think he saw a binding in smooth black

cloth with a decoration in gold and gilt lettering. But being human,

Alroy Kear could not, as I suggested a few pages back, hold the ecstasy

that beauty yields for more than a little while. He gave me a candid

smile.

“But how the devil am I to get over the first Mrs. Driffield?”

“The skeleton in the cupboard,” I murmured.

“She is damned awkward to deal with. She was married to Driffield for a

good many years. Amy has very decided views on the subject, but I don’t

see how I can possibly meet them. You see, her attitude is that Rose

Driffield exerted a most pernicious influence on her husband, and that

she did everything possible to ruin him morally, physically, and

financially; she was beneath him in every way, at least intellectually

and spiritually, and it was only because he was a man of immense force

and vitality that he survived. It was of course a very unfortunate

marriage. It’s true that she’s been dead for ages and it seems a pity to

rake up old scandals and wash a lot of dirty linen in public; but the

fact remains that all Driffield’s greatest books were written when he

was living with her. Much as I admire the later books, and no one is

more conscious of their genuine beauty than I am, and they have a

restraint and a sort of classical sobriety which are admirable, I must

admit that they haven’t the tang and the vigour and the smell and bustle

of life of the early ones. It does seem to me that you can’t altogether

ignore the influence his first wife had on his work.”

“What are you going to do about it?” I asked.

“Well, I can’t see why all that part of his life shouldn’t be treated

with the greatest possible reserve and delicacy, so as not to offend the

most exacting susceptibility, and yet with a sort of manly frankness, if

you understand what I mean, that would be rather moving.”

“It sounds a very tall order.”

“As I see it, there’s no need to dot the i’s or to cross the t’s. It can

only be a question of getting just the right touch. I wouldn’t state

more than I could help, but I would suggest what was essential for the

reader to realize. You know, however gross a subject is you can soften

its unpleasantness if you treat it with dignity. But I can do nothing

unless I am in complete possession of the facts.”

“Obviously you can’t cook them unless you have them.”

Roy had been expressing himself with a fluent ease that revealed the

successful lecturer. I wished (a) that I could express myself with so

much force and aptness, never at a loss for a word, rolling off the

sentences without a moment’s hesitation; and (b) that I did not feel so

miserably incompetent with my one small insignificant person to

represent the large and appreciative audience that Roy was instinctively

addressing. But now he paused. A genial look came over his face, which

his enthusiasm had reddened and the heat of the day caused to perspire,

and the eyes that had held me with a dominating brilliance softened and

smiled.

“This is where you come in, old boy,” he said pleasantly.

I have always found it a very good plan in life to say nothing when I

had nothing to say and when I do not know how to answer a remark to hold

my tongue. I remained silent and looked back at Roy amiably.

“You know more about his life at Blackstable than anybody else.”

“I don’t know about that. There must be a number of people at

Blackstable who saw as much of him in the old days as I did.”

“That may be, but after all they’re presumably not people of any

importance, and I don’t think they matter very much.”

“Oh, I see. You mean that I’m the only person who might blow the gaff.”

“Roughly, that is what I do mean, if you feel that you must put it in a

facetious way.”

I saw that Roy was not inclined to be amused. I was not annoyed, for I

am quite used to people not being amused at my jokes. I often think that

the purest type of the artist is the humorist who laughs alone at his

own jests.

“And you saw a good deal of him later on in London, I believe.”

“Yes.”

“That is when he had an apartment somewhere in Lower Belgravia.”

“Well, lodgings in Pimlico.”

Roy smiled drily.

“We won’t quarrel about the exact designation of the quarter of London

in which he lived. You were very intimate with him then.”

“Fairly.”

“How long did that last?”

“About a couple of years.”

“How old were you then?”

“Twenty.”

“Now look here, I want you to do me a great favour. It won’t take you

very long and it will be of quite inestimable value to me. I want you to

jot down as fully as you can all your recollections of Driffield, and

all you remember about his wife and his relations with her and so on,

both at Blackstable and in London.”

“Oh, my dear fellow, that’s asking a great deal. I’ve got a lot of work

to do just now.”

“It needn’t take you very long. You can write it quite roughly, I mean.

You needn’t bother about style, you know, or anything like that. I’ll

put the style in. All I want are the facts. After all, you know them and

nobody else does. I don’t want to be pompous or anything like that, but

Driffield was a great man and you owe it to his memory and to English

literature to tell everything you know. I shouldn’t have asked you, but

you told me the other day that you weren’t going to write anything about

him yourself. It would be rather like a dog in a manger to keep to

yourself a whole lot of material that you have no intention of using.”

Thus Roy appealed at once to my sense of duty, my indolence, my

generosity, and my rectitude.

“But why does Mrs. Driffield want me to go down and stay at Ferne

Court?” I asked.

“Well, we talked it over. It’s a very jolly house to stay in. She does

one very well, and it ought to be divine in the country just now. She

thought it would be very nice and quiet for you if you felt inclined to

write your recollections there; of course, I said I couldn’t promise

that, but naturally being so near Blackstable would remind you of all

sorts of things that you might otherwise forget. And then, living in his

house, among his books and things, it would make the past seem much more

real. We could all talk about him, and you know how in the heat of

conversation things come back. Amy’s very quick and clever. She’s been

in the habit of making notes of Driffield’s talk for years, and after

all it’s quite likely that you’ll say things on the spur of the moment

that you wouldn’t think of writing and she can just jot them down

afterward. And we can play tennis and bathe.”

“I’m not very fond of staying with people,” I said. “I hate getting up

for a nine-o’clock breakfast to eat things I have no mind to. I don’t

like going for walks, and I’m not interested in other people’s

chickens.”

“She’s a lonely woman now. It would be a kindness to her and it would be

a kindness to me too.”

Cakes and ale · 第 20 / 52 题