in yellow letters on a green ground. It was an offence to him that his
father's name should be thus posted up in a place where every carriage
passed.
Every evening, when he closed the ugly iron gate and went up to
Beaulieu to give his arm to Mme. de Bargeton among the dandies of the
upper town, he chafed beyond all reason at the disparity between his
lodging and his fortune.
"I love Mme. de Bargeton; perhaps in a few days she will be mine, yet
here I live in this rat-hole!" he said to himself this evening, as he
went down the narrow passage into the little yard behind the shop.
This evening bundles of boiled herbs were spread out along the wall,
the apprentice was scouring a caldron, and M. Postel himself, girded
about with his laboratory apron, was standing with a retort in his
hand, inspecting some chemical product while keeping an eye upon the
shop door, or if the eye happened to be engaged, he had at any rate an
ear for the bell.
A strong scent of camomile and peppermint pervaded the yard and the
poor little dwelling at the side, which you reached by a short ladder,
with a rope on either side by way of hand-rail. Lucien's room was an
attic just under the roof.
"Good-day, sonny," said M. Postel, that typical, provincial tradesman.
"Are you pretty middling? I have just been experimenting on treacle,
but it would take a man like your father to find what I am looking
for. Ah! he was a famous chemist, he was! If I had only known his gout
specific, you and I should be rolling along in our carriage this day."
The little druggist, whose head was as thick as his heart was kind,
never let a week pass without some allusion to Chardon senior's
unlucky secretiveness as to that discovery, words that Lucien felt
like a stab.
"It is a great pity," Lucien answered curtly. He was beginning to
think his father's apprentice prodigiously vulgar, though he had
blessed the man for his kindness, for honest Postel had helped his
master's widow and children more than once.
"Why, what is the matter with you?" M. Postel inquired, putting down
his test tube on the laboratory table.
"Is there a letter for me?"
"Yes, a letter that smells like balm! it is lying on the corner near
my desk."
Mme. de Bargeton's letter lying among the physic bottles in a
druggist's shop! Lucien sprang in to rescue it.
"Be quick, Lucien! your dinner has been waiting an hour for you, it
will be cold!" a sweet voice called gently through a half-opened
window; but Lucien did not hear.
"That brother of yours has gone crazy, mademoiselle," said Postel,
lifting his face.
The old bachelor looked rather like a miniature brandy cask,
embellished by a painter's fancy, with a fat, ruddy countenance much
pitted with the smallpox; at the sight of Eve his face took a
ceremonious and amiable expression, which said plainly that he had
thoughts of espousing the daughter of his predecessor, but could not
put an end to the strife between love and interest in his heart. He
often said to Lucien, with a smile, "Your sister is uncommonly pretty,
and you are not so bad looking neither! Your father did everything
well."
Eve was tall, dark-haired, dark of complexion, and blue-eyed; but
notwithstanding these signs of virile character, she was gentle,
tender-hearted, and devoted to those she loved. Her frank innocence,
her simplicity, her quiet acceptance of a hard-working life, her
character--for her life was above reproach--could not fail to win
David Sechard's heart. So, since the first time that these two had
met, a repressed and single-hearted love had grown up between them in
the German fashion, quietly, with no fervid protestations. In their
secret souls they thought of each other as if there were a bar between
that kept them apart; as if the thought were an offence against some
jealous husband; and hid their feelings from Lucien as though their
love in some way did him a wrong. David, moreover, had no confidence
in himself, and could not believe that Eve could care for him; Eve was
a penniless girl, and therefore shy. A real work-girl would have been
bolder; but Eve, gently bred, and fallen into poverty, resigned
herself to her dreary lot. Diffident as she seemed, she was in reality
proud, and would not make a single advance towards the son of a father
said to be rich. People who knew the value of a growing property, said
that the vineyard at Marsac was worth more than eighty thousand
francs, to say nothing of the traditional bits of land which old
Sechard used to buy as they came into the market, for old Sechard had
savings--he was lucky with his vintages, and a clever salesman.
Perhaps David was the only man in Angouleme who knew nothing of his
father's wealth. In David's eyes Marsac was a hovel bought in 1810 for
fifteen or sixteen thousand francs, a place that he saw once a year at
vintage time when his father walked him up and down among the vines
and boasted of an output of wine which the young printer never saw,
and he cared nothing about it.
David was a student leading a solitary life; and the love that gained
even greater force in solitude, as he dwelt upon the difficulties in
the way, was timid, and looked for encouragement; for David stood more
in awe of Eve than a simple clerk of some high-born lady. He was
awkward and ill at ease in the presence of his idol, and as eager to
hurry away as he had been to come. He repressed his passion, and was
silent. Often of an evening, on some pretext of consulting Lucien, he
would leave the Place du Murier and go down through the Palet Gate as
far as L'Houmeau, but at the sight of the green iron railings his
heart failed. Perhaps he had come too late, Eve might think him a
nuisance; she would be in bed by this time no doubt; and so he turned
back. But though his great love had only appeared in trifles, Eve read
it clearly; she was proud, without a touch of vanity in her pride, of
the deep reverence in David's looks and words and manner towards her,
but it was the young printer's enthusiastic belief in Lucien that drew
her to him most of all. He had divined the way to win Eve. The mute
delights of this love of theirs differed from the transports of stormy
passion, as wildflowers in the fields from the brilliant flowers in
garden beds. Interchange of glances, delicate and sweet as blue
water-flowers on the surface of the stream; a look in either face,
vanishing as swiftly as the scent of briar-rose; melancholy, tender as
the velvet of moss--these were the blossoms of two rare natures,
springing up out of a rich and fruitful soil on foundations of rock.
Many a time Eve had seen revelations of the strength that lay below
the appearance of weakness, and made such full allowance for all that
David left undone, that the slightest word now might bring about a
closer union of soul and soul.
Eve opened the door, and Lucien sat down without a word at the little
table on an X-shaped trestle. There was no tablecloth; the poor little
household boasted but three silver spoons and forks, and Eve had laid
them all for the dearly loved brother.
"What have you there?" she asked, when she had set a dish on the
table, and put the extinguisher on the portable stove, where it had
been kept hot for him.
Lucien did not answer. Eve took up a little plate, daintily garnished
with vine-leaves, and set it on the table with a jug full of cream.
"There, Lucien, I have had strawberries for you."
But Lucien was so absorbed in his letter that he did not hear a word.
Eve came to sit beside him without a murmur; for in a sister's love
for a brother it is an element of great pleasure to be treated without
ceremony.
"Oh! what is it?" she cried as she saw tears shining in her brother's
eyes.
"Nothing, nothing, Eve," he said, and putting his arm about her waist,
he drew her towards him and kissed her forehead, her hair, her throat,
with warmth that surprised her.
"You are keeping something from me."
"Well, then--she loves me."
"I knew very well that you kissed me for somebody else," the poor
sister pouted, flushing red.
"We shall all be happy," cried Lucien, swallowing great spoonfuls of
soup.
"_We_?" echoed Eve. The same presentiment that had crossed David's mind
prompted her to add, "You will not care so much about us now."
"How can you think that, if you know me?"
Eve put out her hand and grasped his tightly; then she carried off the
empty plate and the brown earthen soup-tureen, and brought the dish
that she had made for him. But instead of eating his dinner, Lucien
read his letter over again; and Eve, discreet maiden, did not ask
another question, respecting her brother's silence. If he wished to
tell her about it, she could wait; if he did not, how could she ask
him to tell her? She waited. Here is the letter:--
"MY FRIEND,--Why should I refuse to your brother in science the
help that I have lent you? All merits have equal rights in my
eyes; but you do not know the prejudices of those among whom I
live. We shall never make an aristocracy of ignorance understand
that intellect ennobles. If I have not sufficient influence to
compel them to accept M. David Sechard, I am quite willing to
sacrifice the worthless creatures to you. It would be a perfect
hecatomb in the antique manner. But, dear friend, you would not,
of course, ask me to leave them all in exchange for the society of
a person whose character and manner might not please me. I know
from your flatteries how easily friendship can be blinded. Will
you think the worse of me if I attach a condition to my consent?
In the interests of your future I should like to see your friend,
and know and decide for myself whether you are not mistaken. What
is this but the mother's anxious care of my dear poet, which I am
in duty bound to take?
"LOUISE DE NEGREPELISSE."
Lucien had no suspicion of the art with which polite society puts
forward a "Yes" on the way to a "No," and a "No" that leads to a
"Yes." He took this note for a victory. David should go to Mme. de
Bargeton's house! David would shine there in all the majesty of his
genius! He raised his head so proudly in the intoxication of a victory
which increased his belief in himself and his ascendency over others,
his face was so radiant with the brightness of many hopes, that his
sister could not help telling him that he looked handsome.
"If that woman has any sense, she must love you! And if so, to-night
she will be vexed, for all the ladies will try all sorts of coquetries
on you. How handsome you will look when you read your _Saint John in
Patmos_! If only I were a mouse, and could just slip in and see it!
Come, I have put your clothes out in mother's room."
The mother's room bore witness to self-respecting poverty. There were
white curtains to the walnut wood bedstead, and a strip of cheap green
carpet at the foot. A chest of drawers with a wooden top, a
looking-glass, and a few walnut wood chairs completed the furniture.
The clock on the chimney-piece told of the old vanished days of
prosperity. White curtains hung in the windows, a gray flowered paper
covered the walls, and the tiled floor, colored and waxed by Eve
herself, shone with cleanliness. On the little round table in the
middle of the room stood a red tray with a pattern of gilt roses, and
three cups and a sugar-basin of Limoges porcelain. Eve slept in the
little adjoining closet, where there was just room for a narrow bed,
an old-fashioned low chair, and a work-table by the window; there was
about as much space as there is in a ship's cabin, and the door always
stood open for the sake of air. But if all these things spoke of great
poverty, the atmosphere was sedate and studious; and for those who knew
the mother and children, there was something touchingly appropriate in
their surroundings.
Lucien was tying his cravat when David's step sounded outside in the
little yard, and in another moment the young printer appeared. From
his manner and looks he seemed to have come down in a hurry.
"Well, David!" cried the ambitious poet, "we have gained the day! She
loves me! You shall come too."
"No," David said with some confusion, "I came down to thank you for
this proof of friendship, but I have been thinking things over
seriously. My own life is cut out for me, Lucien. I am David Sechard,
printer to His Majesty in Angouleme, with my name at the bottom of the
bills posted on every wall. For people of that class, I am an artisan,
or I am in business, if you like it better, but I am a craftsman who
lives over a shop in the Rue de Beaulieu at the corner of the Place du
Murier. I have not the wealth of a Keller just yet, nor the name of a
Desplein, two sorts of power that the nobles still try to ignore, and
--I am so far agreed with them--this power is nothing without a
knowledge of the world and the manners of a gentleman. How am I to
prove my claim to this sudden elevation? I should only make myself a
laughing-stock for nobles and _bourgeoisie_ to boot. As for you, your
position is different. A foreman is not committed to anything. You are
busy gaining knowledge that will be indispensable by and by; you can
explain your present work by your future. And, in any case, you can
leave your place to-morrow and begin something else; you might study
law or diplomacy, or go into civil service. Nobody had docketed and
pigeon-holed _you_, in fact. Take advantage of your social maiden fame
to walk alone and grasp honors. Enjoy all pleasures gladly, even
frivolous pleasures. I wish you luck, Lucien; I shall enjoy your
success; you will be like a second self for me. Yes, in my own
thoughts I shall live your life. You shall have the holiday life, in
the glare of the world and among the swift working springs of
intrigue. I will lead the work-a-day life, the tradesman's life of
sober toil, and the patient labor of scientific research.
"You shall be our aristocracy," he went on, looking at Eve as he
spoke. "If you totter, you shall have my arm to steady you. If you
have reason to complain of the treachery of others, you will find a
refuge in our hearts, the love there will never change. And influence
and favor and the goodwill of others might fail us if we were two; we
should stand in each other's way; go forward, you can tow me after you
if it comes to that. So far from envying you, I will dedicate my life
to yours. The thing that you have just done for me, when you risked
the loss of your benefactress, your love it may be, rather than
forsake or disown me, that little thing, so great as it was--ah, well,
Lucien, that in itself would bind me to you forever if we were not
brothers already. Have no remorse, no concern over seeming to take the
larger share. This one-sided bargain is exactly to my taste. And,
after all, suppose that you should give me a pang now and again, who
knows that I shall not still be your debtor all my life long?"
He looked timidly towards Eve as he spoke; her eyes were full of
tears, she saw all that lay below the surface.
"In fact," he went on, turning to Lucien, who stood amazed at this,
"you are well made, you have a graceful figure, you wear your clothes
with an air, you look like a gentleman in that blue coat of yours with
the yellow buttons and the plain nankeen trousers; now I should look
like a workingman among those people, I should be awkward and out of
my element, I should say foolish things, or say nothing at all; but as
for you, you can overcome any prejudice as to names by taking your
mother's; you can call yourself Lucien de Rubempre; I am and always
shall be David Sechard. In this society that you frequent, everything
tells for you, everything would tell against me. You were born to
shine in it. Women will worship that angel face of yours; won't they,
Eve?"
Lucien sprang up and flung his arms about David. David's humility had
made short work of many doubts and plenty of difficulties. Was it
possible not to feel twice tenderly towards this friend, who by the
way of friendship had come to think the very thoughts that he, Lucien,
had reached through ambition? The aspirant for love and honors felt
that the way had been made smooth for him; the young man and the
comrade felt all his heart go out towards his friend.
It was one of those moments that come very seldom in our lives, when
all the forces in us are sweetly strung, and every chord vibrating
gives out full resonance.
And yet, this goodness of a noble nature increased Lucien's human
tendency to take himself as the centre of things. Do not all of us say
more or less, "_L'Etat, c'est moi!_" with Louis Quatorze? Lucien's
mother and sister had concentrated all their tenderness on him, David
was his devoted friend; he was accustomed to see the three making
every effort for him in secret, and consequently he had all the faults
of a spoiled eldest son. The noble is eaten up with the egoism which
their unselfishness was fostering in Lucien; and Mme. de Bargeton was
doing her best to develop the same fault by inciting him to forget all
that he owed to his sister, and mother, and David. He was far from
doing so as yet; but was there not ground for the fear that as his
sphere of ambition widened, his whole thought perforce would be how he
might maintain himself in it?
When emotion had subsided, David had a suggestion to make. He thought
that Lucien's poem, _Saint John in Patmos_, was possibly too biblical to
be read before an audience but little familiar with apocalyptic
poetry. Lucien, making his first appearance before the most exacting
public in the Charente, seemed to be nervous. David advised him to
take Andre de Chenier and substitute certain pleasure for a dubious
delight. Lucien was a perfect reader, the listeners would enjoy
listening to him, and his modesty would doubtless serve him well. Like
most young people, the pair were endowing the rest of the world with
their own intelligence and virtues; for if youth that has not yet gone
astray is pitiless for the sins of others, it is ready, on the other
hand, to put a magnificent faith in them. It is only, in fact, after a
good deal of experience of life that we recognize the truth of
Raphael's great saying--"To comprehend is to equal."
The power of appreciating poetry is rare, generally speaking, in
France; _esprit_ soon dries up the source of the sacred tears of
ecstasy; nobody cares to be at the trouble of deciphering the sublime,
of plumbing the depths to discover the infinite. Lucien was about to
have his first experience of the ignorance and indifference of
worldlings. He went round by way of the printing office for David's
volume of poetry.
The two lovers were left alone, and David had never felt more
embarrassed in his life. Countless terrors seized upon him; he half
wished, half feared that Eve would praise him; he longed to run away,
for even modesty is not exempt from coquetry. David was afraid to
utter a word that might seem to beg for thanks; everything that he
could think of put him in some false position, so he held his tongue
and looked guilty. Eve, guessing the agony of modesty, was enjoying
the pause; but when David twisted his hat as if he meant to go, she
looked at him and smiled.
"Monsieur David," she said, "if you are not going to pass the evening
at Mme. de Bargeton's, we can spend the time together. It is fine;
shall we take a walk along the Charente? We will have a talk about
Lucien."
David longed to fling himself at the feet of this delicious girl. Eve
had rewarded him beyond his hopes by that tone in her voice; the
kindness of her accent had solved the difficulties of the position,
her suggestion was something better than praise; it was the first
grace given by love.
"But give me time to dress!" she said, as David made as if to go at
once.
David went out; he who all his life long had not known one tune from
another, was humming to himself; honest Postel hearing him with
surprise, conceived a vehement suspicion of Eve's feelings towards the
printer.
The most trifling things that happened that evening made a great
impression on Lucien, and his character was peculiarly susceptible to
first impressions. Like all inexperienced lovers he arrived so early
that Louise was not in the drawing-room; but M. de Bargeton was there,
alone. Lucien had already begun to serve his apprenticeship in the
practice of the small deceits with which the lover of a married woman
pays for his happiness--deceits through which, moreover, she learns
the extent of her power; but so far Lucien had not met the lady's
husband face to face.
M. de Bargeton's intellect was of the limited kind, exactly poised on
the border line between harmless vacancy, with some glimmerings of
sense, and the excessive stupidity that can neither take in nor give
out any idea. He was thoroughly impressed with the idea of doing his
duty in society; and, doing his utmost to be agreeable, had adopted
the smile of an opera dancer as his sole method of expression.
Satisfied, he smiled; dissatisfied, he smiled again. He smiled at good
news and evil tidings; with slight modifications the smile did duty on
all occasions. If he was positively obliged to express his personal
approval, a complacent laugh reinforced the smile; but he never
vouchsafed a word until driven to the last extremity. A _tete-a-tete_
put him in the one embarrassment of his vegetative existence, for then
he was obliged to look for something to say in the vast blank of his
vacant interior. He usually got out of the difficulty by a return to
the artless ways of childhood; he thought aloud, took you into his
confidence concerning the smallest details of his existence, his
physical wants, the small sensations which did duty for ideas with
him. He never talked about the weather, nor did he indulge in the
ordinary commonplaces of conversation--the way of escape provided for
weak intellects; he plunged you into the most intimate and personal
topics.
"I took veal this morning to please Mme. de Bargeton, who is very fond
of veal, and my stomach has been very uneasy since," he would tell
you. "I knew how it would be; it never suits me. How do you explain
it?" Or, very likely--
"I am just about to ring for a glass of _eau sucree_; will you have some
at the same time?"
Or, "I am going to take a ride to-morrow; I am going over to see my
father-in-law."
These short observations did not permit of discussion; a "Yes" or
"No," extracted from his interlocutor, the conversation dropped dead.
Then M. de Bargeton mutely implored his visitor to come to his
assistance. Turning westward his old asthmatic pug-dog countenance, he
gazed at you with big, lustreless eyes, in a way that said, "You were
saying?"
The people whom he loved best were bores anxious to talk about
themselves; he listened to them with an unfeigned and delicate
interest which so endeared him to the species that all the twaddlers
of Angouleme credited M. de Bargeton with more understanding than he
chose to show, and were of the opinion that he was underrated. So it
happened that when these persons could find nobody else to listen to
them, they went off to give M. de Bargeton the benefit of the rest of
the story, argument, or what not, sure beforehand of his eulogistic
smile. Madame de Bargeton's rooms were always crowded, and generally
her husband felt quite at ease. He interested himself in the smallest
details; he watched those who came in and bowed and smiled, and
brought the new arrivals to his wife; he lay in wait for departing
visitors, and went with them to the door, taking leave of them with
that eternal smile. When conversation grew lively, and he saw that
every one was interested in one thing or another, he stood, happy and
mute, planted like a swan on both feet, listening, to all appearance,
to a political discussion; or he looked over the card-players' hands
without a notion of what it was all about, for he could not play at
any game; or he walked about and took snuff to promote digestion.
Anais was the bright side of his life; she made it unspeakably
pleasant for him. Stretched out at full length in his armchair, he
watched admiringly while she did her part as hostess, for she talked
for him. It was a pleasure, too, to him to try to see the point in her
remarks; and as it was often a good while before he succeeded, his
smiles appeared after a delay, like the explosion of a shell which has
entered the earth and worked up again. His respect for his wife,
moreover, almost amounted to adoration. And so long as we can adore,
is there not happiness enough in life? Anais' husband was as docile as
a child who asks nothing better than to be told what to do; and,
generous and clever woman as she was, she had taken no undue advantage
of his weaknesses. She had taken care of him as you take care of a
cloak; she kept him brushed, neat, and tidy, looked closely after him,
and humored him; and humored, looked after, brushed, kept tidy, and
cared for, M. de Bargeton had come to feel an almost dog-like
affection for his wife. It is so easy to give happiness that costs
nothing! Mme. de Bargeton, knowing that her husband had no pleasure
but in good cheer, saw that he had good dinners; she had pity upon
him, she had never uttered a word of complaint; indeed, there were
people who could not understand that a woman might keep silence
through pride, and argued that M. de Bargeton must possess good
qualities hidden from public view. Mme. de Bargeton had drilled him
into military subordination; he yielded a passive obedience to his
wife. "Go and call on Monsieur So-and-So or Madame Such-an-One," she
would say, and he went forthwith, like a soldier at the word of
command. He stood at attention in her presence, and waited motionless
for his orders.
There was some talk about this time of nominating the mute gentleman
for a deputy. Lucien as yet had not lifted the veil which hid such an
unimaginable character; indeed, he had scarcely frequented the house
long enough. M. de Bargeton, spread at full length in his great chair,
appeared to see and understand all that was going on; his silence
added to his dignity, and his figure inspired Lucien with a prodigious
awe. It is the wont of imaginative natures to magnify everything, or
to find a soul to inhabit every shape; and Lucien took this gentleman,
not for a granite guard-post, but for a formidable sphinx, and thought
it necessary to conciliate him.
"I am the first comer," he said, bowing with more respect than people
usually showed the worthy man.
"That is natural enough," said M. de Bargeton.
Lucien took the remark for an epigram; the lady's husband was jealous,
he thought; he reddened under it, looked in the glass and tried to
give himself a countenance.
"You live in L'Houmeau," said M. de Bargeton, "and people who live a
long way off always come earlier than those who live near by."
"What is the reason of that?" asked Lucien politely.
"I don't know," answered M. de Bargeton, relapsing into immobility.
"You have not cared to find out," Lucien began again; "any one who
could make an observation could discover the cause."
"Ah!" said M. de Bargeton, "final causes! Eh! eh! . . ."
The conversation came to a dead stop; Lucien racked his brains to
resuscitate it.
"Mme. de Bargeton is dressing, no doubt," he began, shuddering at the
silliness of the question.
"Yes, she is dressing," her husband naturally answered.
Lucien looked up at the ceiling and vainly tried to think of something
else to say. As his eyes wandered over the gray painted joists and the
spaces of plaster between, he saw, not without qualms, that the little
chandelier with the old-fashioned cut-glass pendants had been stripped
of its gauze covering and filled with wax candles. All the covers had
been removed from the furniture, and the faded flowered silk damask
had come to light. These preparations meant something extraordinary.
The poet looked at his boots, and misgivings about his costume arose
in his mind. Grown stupid with dismay, he turned and fixed his eyes on
a Japanese jar standing on a begarlanded console table of the time of
Louis Quinze; then, recollecting that he must conciliate Mme. de
Bargeton's husband, he tried to find out if the good gentleman had a
hobby of any sort in which he might be humored.
"You seldom leave the city, monsieur?" he began, returning to M. de
Bargeton.
"Very seldom."
Silence again. M. de Bargeton watched Lucien's slightest movements
like a suspicious cat; the young man's presence disturbed him. Each
was afraid of the other.
"Can he feel suspicious of my attentions?" thought Lucien; "he seems
to be anything but friendly."
Lucien was not a little embarrassed by the uneasy glances that the
other gave him as he went to and fro, when luckily for him, the old
man-servant (who wore livery for the occasion) announced "M. du
Chatelet." The Baron came in, very much at ease, greeted his friend
Bargeton, and favored Lucien with the little nod then in vogue, which
the poet in his mind called purse-proud impertinence.
Sixte du Chatelet appeared in a pair of dazzling white trousers with
invisible straps that kept them in shape. He wore pumps and thread
stockings; the black ribbon of his eyeglass meandered over a white
waistcoat, and the fashion and elegance of Paris was strikingly
apparent in his black coat. He was indeed just the faded beau who
might be expected from his antecedents, though advancing years had
already endowed him with a certain waist-girth which somewhat exceeded
the limits of elegance. He had dyed the hair and whiskers grizzled by
his sufferings during his travels, and this gave a hard look to his
face. The skin which had once been so delicate had been tanned to the
copper-red color of Europeans from India; but in spite of his absurd
pretensions to youth, you could still discern traces of the Imperial
Highness' charming private secretary in du Chatelet's general
appearance. He put up his eyeglass and stared at his rival's nankeen
trousers, at his boots, at his waistcoat, at the blue coat made by the
Angouleme tailor, he looked him over from head to foot, in short, then
he coolly returned his eyeglass to his waistcoat pocket with a gesture
that said, "I am satisfied." And Lucien, eclipsed at this moment by
the elegance of the inland revenue department, thought that it would
be his turn by and by, when he should turn a face lighted up with
poetry upon the assembly; but this prospect did not prevent him from
feeling the sharp pang that succeeded to the uncomfortable sense of M.
de Bargeton's imagined hostility. The Baron seemed to bring all the
weight of his fortune to bear upon him, the better to humiliate him in
his poverty. M. de Bargeton had counted on having no more to say, and
his soul was dismayed by the pause spent by the rivals in mutual
survey; he had a question which he kept for desperate emergencies,
laid up in his mind, as it were, against a rainy day. Now was the
proper time to bring it out.
"Well, monsieur," he said, looking at Chatelet with an important air,
"is there anything fresh? anything that people are talking about?"
"Why, the latest thing is M. Chardon," Chatelet said maliciously. "Ask
him. Have you brought some charming poet for us?" inquired the
vivacious Baron, adjusting the side curl that had gone astray on his
temple.
"I should have asked you whether I had succeeded," Lucien answered;
"you have been before me in the field of verse."
"Pshaw!" said the other, "a few vaudevilles, well enough in their way,
written to oblige, a song now and again to suit some occasion, lines
for music, no good without the music, and my long Epistle to a Sister
of Bonaparte (ungrateful that he was), will not hand down my name to
posterity."
At this moment Mme. de Bargeton appeared in all the glory of an
elaborate toilette. She wore a Jewess' turban, enriched with an
Eastern clasp. The cameos on her neck gleamed through the gauze scarf
gracefully wound about her shoulders; the sleeves of her printed
muslin dress were short so as to display a series of bracelets on her
shapely white arms. Lucien was charmed with this theatrical style of
dress. M. du Chatelet gallantly plied the queen with fulsome
compliments, that made her smile with pleasure; she was so glad to be
praised in Lucien's hearing. But she scarcely gave her dear poet a
glance, and met Chatelet with a mortifying civility that kept him at a
distance.
By this time the guests began to arrive. First and foremost appeared
the Bishop and his Vicar-General, dignified and reverend figures both,
though no two men could well be more unlike, his lordship being tall
and attenuated, and his acolyte short and fat. Both churchmen's eyes
were bright; but while the Bishop was pallid, his Vicar-General's
countenance glowed with high health. Both were impassive, and
gesticulated but little; both appeared to be prudent men, and their
silence and reserve were supposed to hide great intellectual powers.
Close upon the two ecclesiastics followed Mme. de Chandour and her
husband, a couple so extraordinary that those who are unfamiliar with
provincial life might be tempted to think that such persons are purely
imaginary. Amelie de Chandour posed as the rival queen of Angouleme;
her husband, M. de Chandour, known in the circle as Stanislas, was a
_ci-devant_ young man, slim still at five-and-forty, with a countenance
like a sieve. His cravat was always tied so as to present two menacing
points--one spike reached the height of his right ear, the other
pointed downwards to the red ribbon of his cross. His coat-tails were
violently at strife. A cut-away waistcoat displayed the ample,
swelling curves of a stiffly-starched shirt fastened by massive gold
studs. His dress, in fact, was exaggerated, till he looked almost like
a living caricature, which no one could behold for the first time with
gravity.
Stanislas looked himself over from top to toe with a kind of
satisfaction; he verified the number of his waistcoat buttons, and
followed the curving outlines of his tight-fitting trousers with fond
glances that came to a standstill at last on the pointed tips of his
shoes. When he ceased to contemplate himself in this way, he looked
towards the nearest mirror to see if his hair still kept in curl;
then, sticking a finger in his waistcoat pocket, he looked about him
at the women with happy eyes, flinging his head back in three-quarters
profile with all the airs of a king of the poultry-yard, airs which
were prodigiously admired by the aristocratic circle of which he was
the beau. There was a strain of eighteenth century grossness, as a
rule, in his talk; a detestable kind of conversation which procured
him some success with women--he made them laugh. M. du Chatelet was
beginning to give this gentleman some uneasiness; and, as a matter of
fact, since Mme. de Bargeton had taken him up, the lively interest
taken by the women in the Byron of Angouleme was distinctly on the
increase. His coxcomb superciliousness tickled their curiosity; he
posed as the man whom nothing can arouse from his apathy, and his
jaded Sultan airs were like a challenge.
Amelie de Chandour, short, plump, fair-complexioned, and dark-haired,
was a poor actress; her voice was loud, like everything else about
her; her head, with its load of feathers in winter and flowers in
summer, was never still for a moment. She had a fine flow of
conversation, though she could never bring a sentence to an end
without a wheezing accompaniment from an asthma, to which she would
not confess.
M. de Saintot, otherwise Astolphe, President of the Agricultural
Society, a tall, stout, high-colored personage, usually appeared in
the wake of his wife, Elisa, a lady with a countenance like a withered
fern, called Lili by her friends--a baby name singularly at variance
with its owner's character and demeanor. Mme. de Saintot was a solemn
and extremely pious woman, and a very trying partner at a game of
cards. Astolphe was supposed to be a scientific man of the first rank.
He was as ignorant as a carp, but he had compiled the articles on
Sugar and Brandy for a Dictionary of Agriculture by wholesale plunder
of newspaper articles and pillage of previous writers. It was believed
all over the department that M. Saintot was engaged upon a treatise on
modern husbandry; but though he locked himself into his study every
morning, he had not written a couple of pages in a dozen years. If
anybody called to see him, he always contrived to be discovered
rummaging among his papers, hunting for a stray note or mending a pen;
but he spent the whole time in his study on puerilities, reading the
newspaper through from end to end, cutting figures out of corks with
his penknife, and drawing patterns on his blotting-paper. He would
turn over the leaves of his Cicero to see if anything applicable to
the events of the day might catch his eye, and drag his quotation by
the heels into the conversation that evening saying, "There is a
passage in Cicero which might have been written to suit modern times,"
and out came his phrase, to the astonishment of his audience.
"Really," they said among themselves, "Astolphe is a well of
learning." The interesting fact circulated all over the town, and
sustained the general belief in M. de Saintot's abilities.
After this pair came M. de Bartas, known as Adrien among the circle.
It was M. de Bartas who boomed out his song in a bass voice, and made
prodigious claims to musical knowledge. His self-conceit had taken a
stand upon solfeggi; he began by admiring his appearance while he
sang, passed thence to talking about music, and finally to talking of
nothing else. His musical tastes had become a monomania; he grew
animated only on the one subject of music; he was miserable all
evening until somebody begged him to sing. When he had bellowed one of
his airs, he revived again; strutted about, raised himself on his
heels, and received compliments with a deprecating air; but modesty
did not prevent him from going from group to group for his meed of
praise; and when there was no more to be said about the singer, he
returned to the subject of the song, discussing its difficulties or
extolling the composer.
M. Alexandre de Brebian performed heroic exploits in sepia; he
disfigured the walls of his friends' rooms with a swarm of crude
productions, and spoiled all the albums in the department. M.
Alexandre de Brebian and M. de Bartas came together, each with his
friend's wife on his arm, a cross-cornered arrangement which gossip
declared to be carried out to the fullest extent. As for the two
women, Mesdames Charlotte de Brebian and Josephine de Bartas, or
Lolotte and Fifine, as they were called, both took an equal interest
in a scarf, or the trimming of a dress, or the reconciliation of
several irreconcilable colors; both were eaten up with a desire to
look like Parisiennes, and neglected their homes, where everything
went wrong. But if they dressed like dolls in tightly-fitting gowns of
home manufacture, and exhibited outrageous combinations of crude
colors upon their persons, their husbands availed themselves of the
artist's privilege and dressed as they pleased, and curious it was to
see the provincial dowdiness of the pair. In their threadbare clothes
they looked like the supernumeraries that represent rank and fashion
at stage weddings in third-rate theatres.
One of the queerest figures in the rooms was M. le Comte de Senonches,
known by the aristocratic name of Jacques, a mighty hunter, lean and
sunburned, a haughty gentleman, about as amiable as a wild boar, as
suspicious as a Venetian, and jealous as a Moor, who lived on terms of
the friendliest and most perfect intimacy with M. du Hautoy, otherwise
Francis, the friend of the house.
Madame de Senonches (Zephirine) was a tall, fine-looking woman, though
her complexion was spoiled already by pimples due to liver complaint,
on which grounds she was said to be exacting. With a slender figure
and delicate proportions, she could afford to indulge in languid
manners, savoring somewhat of affectation, but revealing passion and
the consciousness that every least caprice will be gratified by love.
Francis, the house friend, was rather distinguished-looking. He had
given up his consulship in Valence, and sacrificed his diplomatic
prospects to live near Zephirine (also known as Zizine) in Angouleme.
He had taken the household in charge, he superintended the children's
education, taught them foreign languages, and looked after the
fortunes of M. and Mme. de Senonches with the most complete devotion.
Noble Angouleme, administrative Angouleme, and _bourgeois_ Angouleme
alike had looked askance for a long while at this phenomenon of the
perfect union of three persons; but finally the mysterious conjugal
trinity appeared to them so rare and pleasing a spectacle, that if M.
du Hautoy had shown any intention of marrying, he would have been
thought monstrously immoral. Mme. de Senonches, however, had a lady
companion, a goddaughter, and her excessive attachment to this Mlle.
de la Haye was beginning to raise surmises of disquieting mysteries;
it was thought, in spite of some impossible discrepancies in dates,
that Francoise de la Haye bore a striking likeness to Francis du
Hautoy.
When "Jacques" was shooting in the neighborhood, people used to
inquire after Francis, and Jacques would discourse on his steward's
little ailments, and talk of his wife in the second place. So curious
did this blindness seem in a man of jealous temper, that his greatest
friends used to draw him out on the topic for the amusement of others
who did not know of the mystery. M. du Hautoy was a finical dandy
whose minute care of himself had degenerated into mincing affectation
and childishness. He took an interest in his cough, his appetite, his
digestion, his night's rest. Zephirine had succeeded in making a
valetudinarian of her factotum; she coddled him and doctored him; she
crammed him with delicate fare, as if he had been a fine lady's
lap-dog; she embroidered waistcoats for him, and pocket-handkerchiefs
and cravats until he became so used to wearing finery that she
transformed him into a kind of Japanese idol. Their understanding was
perfect. In season and out of season Zizine consulted Francis with a
look, and Francis seemed to take his ideas from Zizine's eyes. They
frowned and smiled together, and seemingly took counsel of each other
before making the simplest commonplace remark.
The largest landowner in the neighborhood, a man whom every one
envied, was the Marquis de Pimentel; he and his wife, between them,
had an income of forty thousand livres, and spent their winters in
Paris. This evening they had driven into Angouleme in their caleche,
and had brought their neighbors, the Baron and Baroness de Rastignac
and their party, the Baroness' aunt and daughters, two charming young
ladies, penniless girls who had been carefully brought up, and were
dressed in the simple way that sets off natural loveliness.
These personages, beyond question the first in the company, met with a
reception of chilling silence; the respect paid to them was full of
jealousy, especially as everybody saw that Mme. de Bargeton paid
marked attention to the guests. The two families belonged to the very
small minority who hold themselves aloof from provincial gossip,
belong to no clique, live quietly in retirement, and maintain a
dignified reserve. M. de Pimentel and M. de Rastignac, for instance,
were addressed by their names in full, and no length of acquaintance
had brought their wives and daughters into the select coterie of
Angouleme; both families were too nearly connected with the Court to
compromise themselves through provincial follies.
The Prefect and the General in command of the garrison were the last
comers, and with them came the country gentleman who had brought the
treatise on silkworms to David that very morning. Evidently he was the
mayor of some canton or other, and a fine estate was his sufficient
title to gentility; but from his appearance, it was plain that he was
quite unused to polite society. He looked uneasy in his clothes, he
was at a loss to know what to do with his hands, he shifted about from
one foot to another as he spoke, and half rose and sat down again when
anybody spoke to him. He seemed ready to do some menial service; he
was obsequious, nervous, and grave by turns, laughing eagerly at every
joke, listening with servility; and occasionally, imagining that
people were laughing at him, he assumed a knowing air. His treatise
weighed upon his mind; again and again he tried to talk about
silkworms; but the luckless wight happened first upon M. de Bartas,
who talked music in reply, and next on M. de Saintot, who quoted
Cicero to him; and not until the evening was half over did the mayor
meet with sympathetic listeners in Mme. and Mlle. du Brossard, a
widowed gentlewoman and her daughter.
Mme. and Mlle. du Brossard were not the least interesting persons in
the clique, but their story may be told in a single phrase--they were
as poor as they were noble. In their dress there was just that tinge
of pretension which betrayed carefully hidden penury. The daughter, a
big, heavy young woman of seven-and-twenty, was supposed to be a good
performer on the piano, and her mother praised her in season and out
of season in the clumsiest way. No eligible man had any taste which
Camille did not share on her mother's authoritative statement. Mme. du
Brossard, in her anxiety to establish her child, was capable of saying
that her dear Camille liked nothing so much as a roving life from one
garrison to another; and before the evening was out, that she was sure
her dear Camille liked a quiet country farmhouse existence of all
things. Mother and daughter had the pinched sub-acid dignity
characteristic of those who have learned by experience the exact value
of expressions of sympathy; they belonged to a class which the world
delights to pity; they had been the objects of the benevolent interest
of egoism; they had sounded the empty void beneath the consoling
formulas with which the world ministers to the necessities of the
unfortunate.
M. de Severac was fifty-nine years old, and a childless widower.
Mother and daughter listened, therefore, with devout admiration to all
that he told them about his silkworm nurseries.
"My daughter has always been fond of animals," said the mother. "And
as women are especially interested in the silk which the little
creatures produce, I shall ask permission to go over to Severac, so
that my Camille may see how the silk is spun. My Camille is so
intelligent, she will grasp anything that you tell her in a moment.
Did she not understand one day the inverse ratio of the squares of
distances!"
This was the remark that brought the conversation between Mme. du
Brossard and M. de Severac to a glorious close after Lucien's reading
that night.
A few habitues slipped in familiarly among the rest, so did one or two
eldest sons; shy, mute young men tricked out in gorgeous jewelry, and
highly honored by an invitation to this literary solemnity, the
boldest men among them so far shook off the weight of awe as to
chatter a good deal with Mlle. de la Haye. The women solemnly arranged
themselves in a circle, and the men stood behind them. It was a quaint
assemblage of wrinkled countenances and heterogeneous costumes, but
none the less it seemed very alarming to Lucien, and his heart beat
fast when he felt that every one was looking at him. His assurance
bore the ordeal with some difficulty in spite of the encouraging
example of Mme. de Bargeton, who welcomed the most illustrious
personages of Angouleme with ostentatious courtesy and elaborate
graciousness; and the uncomfortable feeling that oppressed him was
aggravated by a trifling matter which any one might have foreseen,
though it was bound to come as an unpleasant shock to a young man with
so little experience of the world. Lucien, all eyes and ears, noticed
that no one except Louise, M. de Bargeton, the Bishop, and some few
who wished to please the mistress of the house, spoke of him as M. de
Rubempre; for his formidable audience he was M. Chardon. Lucien's
courage sank under their inquisitive eyes. He could read his plebeian
name in the mere movements of their lips, and hear the anticipatory
criticisms made in the blunt, provincial fashion that too often
borders on rudeness. He had not expected this prolonged ordeal of
pin-pricks; it put him still more out of humor with himself. He grew
impatient to begin the reading, for then he could assume an attitude
which should put an end to his mental torments; but Jacques was giving
Mme. de Pimentel the history of his last day's sport; Adrien was
holding forth to Mlle. Laure de Rastignac on Rossini, the newly-risen
music star, and Astolphe, who had got by heart a newspaper paragraph
on a patent plow, was giving the Baron the benefit of the description.
Lucien, luckless poet that he was, did not know that there was scarce
a soul in the room besides Mme. de Bargeton who could understand
poetry. The whole matter-of-fact assembly was there by a
misapprehension, nor did they, for the most part, know what they had
come out for to see. There are some words that draw a public as
unfailingly as the clash of cymbals, the trumpet, or the mountebank's
big drum; "beauty," "glory," "poetry," are words that bewitch the
coarsest intellect.
When every one had arrived; when the buzz of talk ceased after
repeated efforts on the part of M. de Bargeton, who, obedient to his
wife, went round the room much as the beadle makes the circle of the
church, tapping the pavement with his wand; when silence, in fact, was
at last secured, Lucien went to the round table near Mme. de Bargeton.
A fierce thrill of excitement ran through him as he did so. He
announced in an uncertain voice that, to prevent disappointment, he
was about to read the masterpieces of a great poet, discovered only
recently (for although Andre de Chenier's poems appeared in 1819, no
one in Angouleme had so much as heard of him). Everybody interpreted
this announcement in one way--it was a shift of Mme. de Bargeton's,
meant to save the poet's self-love and to put the audience at ease.
Lucien began with _Le Malade_, and the poem was received with a murmur
of applause; but he followed it with _L'Aveugle_, which proved too great
a strain upon the average intellect. None but artists or those endowed
with the artistic temperament can understand and sympathize with him
in the diabolical torture of that reading. If poetry is to be rendered
by the voice, and if the listener is to grasp all that it means, the
most devout attention is essential; there should be an intimate
alliance between the reader and his audience, or swift and subtle
communication of the poet's thought and feeling becomes impossible.
Here this close sympathy was lacking, and Lucien in consequence was in
the position of an angel who should endeavor to sing of heaven amid
the chucklings of hell. An intelligent man in the sphere most
stimulating to his faculties can see in every direction, like a snail;
he has the keen scent of a dog, the ears of a mole; he can hear, and
feel, and see all that is going on around him. A musician or a poet
knows at once whether his audience is listening in admiration or fails
to follow him, and feels it as the plant that revives or droops under
favorable or unfavorable conditions. The men who had come with their
wives had fallen to discussing their own affairs; by the acoustic law
before mentioned, every murmur rang in Lucien's ear; he saw all the
gaps caused by the spasmodic workings of jaws sympathetically
affected, the teeth that seemed to grin defiance at him.
When, like the dove in the deluge, he looked round for any spot on
which his eyes might rest, he saw nothing but rows of impatient faces.
Their owners clearly were waiting for him to make an end; they had
come together to discuss questions of practical interest. With the
exceptions of Laure de Rastignac, the Bishop, and two or three of the
young men, they one and all looked bored. As a matter of fact, those
who understand poetry strive to develop the germs of another poetry,
quickened within them by the poet's poetry; but this glacial audience,
so far from attaining to the spirit of the poet, did not even listen
to the letter.
Lucien felt profoundly discouraged; he was damp with chilly
perspiration; a glowing glance from Louise, to whom he turned, gave
him courage to persevere to the end, but this poet's heart was
bleeding from countless wounds.
"Do you find this very amusing, Fifine?" inquired the wizened Lili,
who perhaps had expected some kind of gymnastics.
"Don't ask me what I think, dear; I cannot keep my eyes open when any
one begins to read aloud."
"I hope that Nais will not give us poetry often in the evenings," said
Francis. "If I am obliged to attend while somebody reads aloud after
dinner, it upsets my digestion."
"Poor dearie," whispered Zephirine, "take a glass of eau _sucree_."
"It was very well declaimed," said Alexandre, "but I like whist better
myself."
After this dictum, which passed muster as a joke from the play on the
word "whist," several card-players were of the opinion that the
reader's voice needed a rest, and on this pretext one or two couples
slipped away into the card-room. But Louise, and the Bishop, and
pretty Laure de Rastignac besought Lucien to continue, and this time
he caught the attention of his audience with Chenier's spirited
reactionary _Iambes_. Several persons, carried away by his impassioned
delivery, applauded the reading without understanding the sense.
People of this sort are impressed by vociferation, as a coarse palate
is ticked by strong spirits.
During the interval, as they partook of ices, Zephirine despatched
Francis to examine the volume, and informed her neighbor Amelie that
the poetry was in print.
Amelie brightened visibly.
"Why, that is easily explained," said she. "M. de Rubempre works for a
printer. It is as if a pretty woman should make her own dresses," she
added, looking at Lolotte.
"He printed his poetry himself!" said the women among themselves.
"Then, why does he call himself M. de Rubempre?" inquired Jacques. "If
a noble takes a handicraft, he ought to lay his name aside."
"So he did as a matter of fact," said Zizine, "but his name was
plebeian, and he took his mother's name, which is noble."
"Well, if his verses are printed, we can read them for ourselves,"
said Astolphe.
This piece of stupidity complicated the question, until Sixte du
Chatelet condescended to inform these unlettered folk that the
prefatory announcement was no oratorical flourish, but a statement of
fact, and added that the poems had been written by a Royalist brother
of Marie-Joseph Chenier, the Revolutionary leader. All Angouleme,
except Mme. de Rastignac and her two daughters and the Bishop, who had
really felt the grandeur of the poetry, were mystified, and took
offence at the hoax. There was a smothered murmur, but Lucien did not
heed it. The intoxication of the poetry was upon him; he was far away
from the hateful world, striving to render in speech the music that
filled his soul, seeing the faces about him through a cloudy haze. He
read the sombre Elegy on the Suicide, lines in the taste of a by-gone
day, pervaded by sublime melancholy; then he turned to the page where
the line occurs, "Thy songs are sweet, I love to say them over," and
ended with the delicate idyll _Neere_.
Mme. de Bargeton sat with one hand buried in her curls, heedless of
the havoc she wrought among them, gazing before her with unseeing
eyes, alone in her drawing-room, lost in delicious dreaming; for the
first time in her life she had been transported to the sphere which
was hers by right of nature. Judge, therefore, how unpleasantly she
was disturbed by Amelie, who took it upon herself to express the
general wish.
"Nais," this voice broke in, "we came to hear M. Chardon's poetry, and
you are giving us poetry out of a book. The extracts are very nice,
but the ladies feel a patriotic preference for the wine of the
country; they would rather have it."
"The French language does not lend itself very readily to poetry, does
it?" Astolphe remarked to Chatelet. "Cicero's prose is a thousand
times more poetical to my way of thinking."
"The true poetry of France is song, lyric verse," Chatelet answered.
"Which proves that our language is eminently adapted for music," said
Adrien.
"I should like very much to hear the poetry that has cost Nais her
reputation," said Zephirine; "but after receiving Amelie's request in
such a way, it is not very likely that she will give us a specimen."
"She ought to have them recited in justice to herself," said Francis.
"The little fellow's genius is his sole justification."
"You have been in the diplomatic service," said Amelie to M. du
Chatelet, "go and manage it somehow."
"Nothing easier," said the Baron.
The Princess' private secretary, being accustomed to petty manoeuvres
of this kind, went to the Bishop and contrived to bring him to the
fore. At the Bishop's entreaty, Nais had no choice but to ask Lucien
to recite his own verses for them, and the Baron received a
languishing smile from Amelie as the reward of his prompt success.
"Decidedly, the Baron is a very clever man," she observed to Lolotte.
But Amelie's previous acidulous remark about women who made their own
dresses rankled in Lolotte's mind.
"Since when have you begun to recognize the Emperor's barons?" she
asked, smiling.
Lucien had essayed to deify his beloved in an ode, dedicated to her
under a title in favor with all lads who write verse after leaving
school. This ode, so fondly cherished, so beautiful--since it was the
outpouring of all the love in his heart, seemed to him to be the one
piece of his own work that could hold its own with Chenier's verse;
and with a tolerably fatuous glance at Mme. de Bargeton, he announced
"TO HER!" He struck an attitude proudly for the delivery of the
ambitious piece, for his author's self-love felt safe and at ease
behind Mme. de Bargeton's petticoat. And at the selfsame moment Mme.
de Bargeton betrayed her own secret to the women's curious eyes.
Although she had always looked down upon this audience from her own
loftier intellectual heights, she could not help trembling for Lucien.
Her face was troubled, there was a sort of mute appeal for indulgence
in her glances, and while the verses were recited she was obliged to
lower her eyes and dissemble her pleasure as stanza followed stanza.