CHAPTER III.

DARK ROOM AND APPARATUS.

[Sidenote: Dark room.]

There is no need to despair if there is no dark room, no place to build

one, no means to pay for one. Some of our most successful plates were

developed in a scullery, and others in the bedroom of a house-boat.

[Sidenote: Developing rule.] In fact, the sooner the student learns to

develop anywhere, the better, for no one, studying to do artistic work,

should leave his plates till his return home (if he is away on a

journey); they _should without fail be developed the same day on which

they are exposed_.

[Sidenote: Dark room.]

Only for portraiture is a dark room very necessary, and you cannot do

better than build one as suggested by Captain Abney, in his “Treatise on

Photography,” modifying it to suit your taste and means. One thing,

however, you should be careful about, and that is the ventilation, and

money should not be spared on that department. [Sidenote: Ventilation.]

The dark room can be scientifically ventilated by any good sanitary

engineer. We have already, elsewhere, gone into the subject of

ventilation of dark rooms, warning photographers of the pernicious

effects of defective ventilation.[11] [Sidenote: Apparatus.] The best

sinks are made of earthenware, as supplied by Doulton. The lamp should

be large, and give a good light. [Sidenote: Ruby glass.] Ruby glass is,

to some, injurious to the eyesight, and has been known to produce nausea

and vomiting, in which cases cathedral green and yellow glass should be

used. [Sidenote: Dishes.] The photographer will require at least eight

dishes, and at the very start he should make it a rule never to use a

dish save for one purpose. We consider the best dishes for all purposes

are made of ebonite. They should be bought in a nest, the smallest size

taking the largest plate used by the operator, and the other seven

increasing in size, so that one fits into the other. This makes them

more convenient for carriage. The dishes should be marked by painting on

their bottoms. One will be wanted for developing, one for the alum bath,

one for the changing bath, one for the hyposulphite bath, one for the

acid bath in developing platinotype prints, one for the water bath in

the same process, one for an intensifying bath, leaving one over for odd

jobs.

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Footnote 11:

“Ventilation of the Dark Room” and “Ammonia Poisoning” in the “Year

Book of Photography and Photographic News Almanac” for 1885-87, and on

“Pharyngitis and Photography” in the “Year Book of British Journal of

Photography” for 1887.

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When it is remembered that hyposulphite of soda is so “searching” that

it has been known to penetrate through the ordinary so-called

“porcelain” dishes and crystallize on the outside, one may judge how

important it is to keep a separate dish for each operation.

[Sidenote: Light cover.]

A light wooden board with a handle is most convenient for putting over

the developing dish, in the earlier stages of developing, especially

when using ortho-chromatic plates, but the student must be careful to

keep it on a shelf by itself.[Sidenote: Sable brush.] Another requisite

is a broad brush of fine sable hair, say three inches broad, this had

better be kept perfectly dry and clean in a box of its own.

[Sidenote: Chemical solutions.]

The chemical solutions should be kept in bottles with glass stoppers,

each bottle should have an enamelled label,[Sidenote: Plate washer.] so

that it can be readily seen in the dark room, and cannot be destroyed by

acids. A zinc washing trough which holds two dozen plates must be

procured. [Sidenote: Drainage rack. Travelling lamp.] A simple wooden

drainage rack is also necessary. We have tried several travelling lamps,

and have so far found no satisfactory one. There are several in the

market, and the photographer must choose his own. [Sidenote: Measures.]

Two measuring-glasses at least must be procured, and it is a good plan

to use Hicks' opaque glass measures, as they can be so easily read in

the dark room. It is as well to have one minim glass to hold sixty

minims, and a large measure to take the full quantity of developer

required for one plate. [Sidenote: Scales.] A pair of ordinary scales

with weights (apothecaries'), costing a few shillings, will complete the

list of apparatus required.[Sidenote: Printing frames.] A few simple

printing frames will be wanted, one of which should be a size larger

than the plate used. [Sidenote: Slabs of glass.]A square slab of glass,

the size of the plate, and another a few inches larger each way, will be

found the best for trimming prints upon. A razor or very sharp knife

will be found the best tool for this purpose.

Our student should get all these things of good quality, and set his

face against the syrens who whisper in his ear that he ought to get

this, and ought to have that; he does not want anything more than we

have told him, a greater number of things will only embarrass him. We

are perfectly well aware that the most elaborate fittings have been put

up by “amateurs” and “professionals,” and we are equally aware that

these have as yet not led to the production of a single picture.

Naturalistic Photography for Students of the Art. · 第 3 / 17 章