OUR BOOKING-OFFICE.

[Illustration: "The strange sea-creatures which made their

appearance."]

Two gentlemen of artistic and literary attainments, having studied the

romances of VICTOR HUGO for the sake of being inspired by that Grand

Old Master's style, determined to essay a "thriller" of most tragic

type. These two single authors, Messrs. WYATT and ROSS, being rolled

into one, wanted, like the Pickwickian Fat Boy, "to make our flesh

creep." In their one-volume Hugoesque romance, _The Earth Girl_,

bound in pale grass-green, with blood-red title, they have most

unequivocally succeeded. The heroine, The Earth Girl, who, at

the last, is sent back whence she came, and so ends by being the

"Earth-to-Earth" Girl, is named _Terra_; she commences by being _Terra

Incognita_, she is never _Terra Firma_, but her existence, in its

consequences to all who come within her influence, is quite a reign of

_Terra_. The authors are to be congratulated on not having yielded

to a great temptation by styling their story _The Earth Girl;

or, Terra-ra-ra-Boom!_ The scene is laid chiefly in the Island of

Breke--but to give too many details would spoil the intending-reader's

pleasure. So, as _Hamlet_ observes, "Breke, Breke my heart, for I must

hold my tongue!" The Earth Girl first sees the light, such as it is,

in a cavern, and is brought up on raw eggs fresh from the sea-bird's

nest, uncooked herbs, and raw fish. No tea, coffee, milk, or liquors

of any description, were within reach of this unhappy family of three,

consisting of Pa, Ma, and the Infant Phenomenon. How they slaked their

thirst is not clearly stated, unless a sort of aquarium, in which some

amiable sharks reposed, was a fresh-water tank. This wild girl

was elegantly brought up, as far as their somewhat straitened

circumstances would permit, for she learned songs and ballads, French,

English, and the Norman _patois_ of the Channel Islands. In these

peculiar troglodytian surroundings she had never learned the use of

parasol or umbrella, and was entirely ignorant of harp, piano, and

the "use of the globes." Coming up out of the caves and breathing once

more the upper air, we naturally find ourselves in higher society, and

are introduced to a handsome old Peer, _Lord Netherdale_, who has two

sons, the half-brothers _Royallet_, one of whom gaily addresses his

respected parent as "The Paladin of Paters," and is not at once locked

up in Colney Hatch. The old Peer is as eccentric as he is handsome,

and he takes up his residence on the Island of Breke, where "the

fruit, the vegetables, the strange sea-creatures" (odd fish?), "which

made their appearance on his table," (this sounds as if the strange

sea-creatures walked in unasked. Queer place this Breke for a

Breke-fast party!) "pleased him." He was easily pleased. Then "he

began to think the island cider preferable to Pommery. In short, the

eccentric Peer fell in love with Breke." Well! he must have been an

eccentric Peer to prefer Channel Island cider, even from the best

orchards, to the '84, '80, and '74--the last still existing in some

exceptionally favoured spots--from the vinevards of Pommery. This

eccentric nobleman on seeing the Island of Breke, observed the absence

of a landing-stage, and jocosely remarked to himself, "They're in want

of a _pier; I_ will fix myself there." And so he did. But of all that

happened to him there and elsewhere, and to the Earth-to-Earth Girl,

and to the two sons, is it not to be read by the purchaser in the book

itself, which, the Baron is pleased to add, will well repay perusal,

and will hold the reader's attention to the very last line. At least,

this was its effect on the not always easily pleased.

Punch, or the London Charivari, Vol. 104, April 22, 1893 · 第 3 / 21 题