A PICNIC AND A RIDE
“Aren’t you going to Los Pedroches?” Remedios asked Quentin one day. The
two sisters and the old woman were sewing in the drawing-room.
“What’s doing there?” he asked.
“The Candelaria Picnic,” answered Rafaela.
“Are you going?”
“Yes, I believe so. We are going with our cousins.”
Quentin fell silent for a moment.
“Aren’t you going?” Remedios asked again.
“I? No. I don’t know any one.”
“Don’t you know us?” she asked.
“Yes; but I’d bother you....”
“Why?” asked Rafaela pleasantly.
“And if I did not bother you, I should be certain to annoy your cousins;
perhaps they wouldn’t like me to bow to you.”
Rafaela became silent; implying, though perhaps unwittingly, that what
Quentin had said might be true. So, somewhat embarrassed, he said:
“What do they do there?”
“Not much nowadays,” answered the old woman. “There are a few dances and
supper parties ... but the best thing about it used to be the return
home: it was the custom for every lad to bring a lass back to town on
his horse’s croup.”
“Has that custom died out?” asked Quentin.
“Yes.”
“Why don’t they still follow it?”
“On account of the fights they had coming back,” answered the old woman.
“Boys, and men too, took to scaring the horses, and some of the riders
fell off and began to fight furiously with both fists and guns.”
“You seem to know all about it,” said Rafaela to the old woman. “Have
you ever been in Los Pedroches?”
“Yes; with a sweetheart of mine who carried me behind him on his horse.”
“My! What a rascal!... What a rascal!” exclaimed Rafaela.
“When we reached Malmuerta,” the old servant continued, “they frightened
our horse, so my sweetheart, who had a short fowling-piece on his
saddle, made as if to shoot it, and the people couldn’t get away fast
enough....”
* * * * *
Quentin decided to go to the picnic.
“I’m going to Los Pedroches, mother,” he said to Fuensanta.
“That’s good, my son,” she replied, “go out and have a good time.”
“To tell you the truth, I haven’t any money.”
“I’ll give you what you need; and I’ll find you some riding clothes,
too.”
Quentin hired a big horse with a cowboy saddle; then, following his
mother’s instructions, he put on a short jacket covered with ribbons and
braid, fringed leggings, a tasseled shawl across the saddle bow, and a
broad-brimmed hat.
He mounted at the door of his house. He was a good horseman, and as he
jumped into the saddle, he made his horse rear. He brought him down at
once, waved to his mother who was on the balcony, and rode off at a
smart pace.
He went out through the Puerta de Osario to the Campo de la Merced,
under the Arco de la Malmuerta and turned his horse’s head toward the
Carrera de la Fuensantilla. There he noticed the unusual exodus of
people making their way in groups toward Los Pedroches.
It was a splendid February afternoon. The sun poured down like a golden
rain upon the green countryside, and smiled in the fields of new wheat
which were dotted with red flowers and yellow buds. Here and there a
dark hut or a stack of straw surmounted by a cross arose in the broad
expanse of cultivated lands.
Quentin rode swiftly along the highway, which was bordered at intervals
by large, grey century-plants, from among whose pulpous branches rose
flocks of chirping birds.
He reached the picnic-grounds: a meadow near the Los Pedroches ravine.
The people were scattered over the meadow in groups. The bright and
showy dresses of the girls shone in the sun afar off against the green
background of the field. As Quentin drew near the fiesta-grounds, some
groups were eating supper, and others were playing the guitar and
dancing.
In some places, where the dancers were doubtless experts, curious
onlookers crowded about them. An old man with side-whiskers was playing
the guitar with great skill, and a dancer in a narrow-waisted suit was
pursuing his graceful partner with his arms held high in the air; and
one could hear the clacking of castanets, and the encouraging applause
of the onlookers.
It was a peaceful happiness, dignified and serene. Girls in showy
dresses, Manilla shawls, and with flowers in their hair, were strolling
about, accompanied by sour-visaged dueñas and proud youths.
A little apart from the centre of the picnic, the more wealthy families
were lunching peacefully; while little boys and girls were screeching as
they swung in the swings hung from the trees.
There were vendors of oranges and apples and walnuts and chestnuts; and
taffy women with their little booths of sweets and brandy.
Quentin went around the grounds looking all about him, searching for his
cousins; and at last, in a little unpopulated grove, he caught sight of
them among a group of several boys and girls.
Remedios recognized Quentin when he was still some distance away, and
waving her hand at him, she rose to meet him. Quentin rode up to her.
“Where are you going?” the girl inquired.
“For a little ride.”
“Do you want a cake?”
“If you will give....”
“Come on.”
Quentin dismounted, walked up to the group, gave his hand to Rafaela,
and greeted the others with a bow. Undoubtedly Rafaela had informed her
friends who the horseman was, for Quentin noticed that several of the
girls looked at him curiously.
He took the cake that Remedios gave him, and a glass of wine.
“Won’t you sit down?” Rafaela asked him.
“Thank you, no. I’m going for a ride along the mountain.”
As he drew near Rafaela, Quentin noticed the look of hatred that one of
the young men present cast at him.
“He’s a rival,” he thought.
From that instant, the two boys were consumed with hatred for each
other. The young man was tall, blond, with a certain rusticity about him
in spite of his elegant clothes. Quentin heard them call him Juan de
Dios. The youth spoke in a rather uncultured manner, converting his
_s’s_ into _z’s_, his _r’s_ into _l’s_, and vice versa. He gazed fixedly
at Rafaela, and from time to time said to her:
“Why don’t you drink a little something?”
Rafaela thanked him with a smile. Among the girls were Rafaela’s two
cousins; the elder, María de los Angeles, had a nose like a parrot,
green pop-eyes, and a salient under lip; Transito, the younger, was
better looking, but her expression, which was half haughty and half
indifferent, did not captivate one’s sympathies. Like her sister, she
had green eyes, and thin lips with a strange curve to them that gave her
a cruel expression.
Transito questioned Quentin in a bantering and sarcastic tone; he
replied to her pleasantly, with feigned modesty, and in purposely broken
Spanish. Presently he announced his intention of going.
“What, are you going?” asked Rafaela.
“Yes.”
“Are you afraid of us?” said Transito.
“Afraid of being enchanted,” replied Quentin gallantly, as he bowed and
went in search of his horse.
“Wait! Take me on the croup,” Remedios shouted.
“No, no; you’ll fall,” said Rafaela.
“No, I won’t,” replied the child.
“The horse is gentle,” Quentin put in.
“Very well then; you may take her for a while.”
Quentin mounted rapidly, and Remedios climbed upon the step of the
carriage that stood near. Quentin rode up to her and stuck out his left
foot for her to use as a support. The little girl stepped upon it, and
seizing Quentin about the waist, leaped to the horse’s croup and threw
her arms about the rider.
“See how well I do it,” said she to her sister, who was fearfully
watching these manœuvres.
“I see well enough.”
“Where shall we go?” Quentin asked the girl.
“Right through the picnic-grounds.”
They rode among the groups; the arrogance of the rider and the grace of
Remedios with her red flower in her hair, attracted the attention of the
crowd.
“There’s a pair for you!” said some as they watched them ride by; and
she smiled with her shining eyes.
Following Remedios’ orders, Quentin rode back and forth among the places
which she pointed out to him.
“Now let’s go to the mountain.”
Quentin rode up hill for half an hour.
The afternoon was drawing to a close; the shadows of the trees were
lengthening on the grass; white clouds, solid as blocks of marble, with
their under sides ablaze, floated slowly over the mountain; the air
smelt of rosemary and thyme. Cordova appeared upon the plain enveloped
in a cloud of golden dust; beyond her undulated low hills of vivid
green, stretching in echelon one behind the other, until they were lost
in the distance in a golden haze of vibrating light. Over the roofs of
the city rose church towers, slate-covered cupolas, black, sharp-pointed
cypresses. From between the walls of a garden, with a very tall and
twisted trunk, a gigantic palm tree raised its head--like a spider stuck
to the sky....
Quentin turned back with the idea of leaving Remedios with her sister.
“Well, well!” Rafaela exclaimed. “You certainly can’t complain. We’ve
been waiting for you to go home with us. Come, get down.”
“No; he’s going to take me home--aren’t you, Quentin?”
“Whatever you wish.”
“Well, let’s be going.”
“We’re off!”
“Look out for jokers,” warned Rafaela’s cousin Transito.
They took the road cityward, riding among the groups who were returning
from the fiesta.
They could see Cordova in the twilight with the last rays of the sun
quivering upon its towers. In some houses the windows were commencing to
light up; in the dark blue sky, the stars were beginning to appear.
Neither Quentin nor the girl spoke; they rode along in silence, swaying
with the motion of the horse. They reached the Carrera de la
Fuensantilla, and from there followed Las Ollerías. At the first gate
they came to, El Colodro, Quentin thought he saw a group that might have
stationed itself there with the intention of frightening the horses of
the passers-by; so he went on through the Arco de la Malmuerta to the
Campo de la Merced.
Here there was a group of little boys and young men, one of whom had a
whip.
“Be careful, child; hold on to me tightly,” said Quentin.
She squeezed the rider’s waist with her arms.
“Are you ready?”
“Yes.”
The group of young people came toward Quentin, one of them brandishing
the whip. Before they had time to frighten his horse, Quentin drove in
his spurs and slackened his reins. The animal gave a jump, knocked down
several of the jokers, and broke into a gallop, spreading consternation
among the youngsters. When they had passed the Campo de la Merced,
Quentin reined in his horse and began to walk again.
“How did you like that, little girl?” asked Quentin.
“Fine! Fine!” exclaimed Remedios, brimming over with delight. “They
wanted to shoot us.”
“And they fell down.”
The girl laughed delightedly. Quentin guided his horse to the Puerta del
Osario, and once through it, threaded his way along lonely alleyways.
The horse went at a walk, his iron shoes resounding loudly on the
pavement.
“Would you like me to treat you?” asked Quentin.
“Yes.”
They were passing a tavern called El Postiguillo; so Quentin stopped his
horse, clapped his hands loudly twice, and the innkeeper appeared in the
doorway.
“What does the little girl want?” said the man.
“Whatever you have,” answered Remedios.
“A few cakes, and two small glasses of Montilla?”
“Would you like that?” asked Quentin.
“Very much.”
They ate the cakes, drank the wine and went on their way. Just as they
reached the Calle del Sol, a carriage stopped at the door, from which
Rafaela, her cousins, and the blond young man descended. The latter, who
helped the girls down, called to Remedios: “I’ll be with you in a
moment!” But the girl pretended not to hear him, and called Juan.
Quentin took the child by the waist and lifted her into the arms of the
gardener; then he bowed, and turned his horse up the street.
When he reached his house, he found that his family had not yet returned
from the picnic. He saw Palomares in the street and joined him; gave his
horse to a boy to take to the livery stable, and, in the company of the
clerk, entered a café. He told him how he had passed the afternoon, and
then began to speak casually of his grandfather’s family.
“It looks as if they were about ruined, eh?”
“Yes; completely.”
“Still they must have _some_ cash haven’t they?”
“Oof! The old man was very rich; more through his wife than himself. He
is a fine man but very extravagant. When the rebel leader Gomez took
possession of Cordova the old Marquis, who was then a Carlist, took him
in and gave him thousands of dollars. He has always spent his money
lavishly.”
“What about the son?”
“The son is nothing like his father. He is a disagreeable profligate.”
“And the son’s wife?”
“La Aceitunera? She’s a sinner of the first water.”
“Pretty, eh?”
“Rather! A fine lass with unbounded wit. When she left her husband, she
went to live with Periquito Gálvez; but now they say she is trotting
about with a lieutenant. Just pull Juan the gardener’s tongue a bit, and
he’ll tell you some curious things.”
“Didn’t the family ever have any relative clever enough to save it from
ruin?”
“Yes; the Marquis has a brother called El Pollo Real; but he is a
selfish sort who doesn’t want to mix in anything for fear they will ask
him for money. Have you never seen him?”
“No.”
“Well, El Pollo Real has been a Tenorio. Now he is a half paralytic.
They say that he is devoting himself to writing the history of his love
affairs, and has hired a painter to paint pictures of all his
mistresses. He’s been at it for years. The first artist he had was a
friend of mine from Seville, and he used to tell me that El Pollo Real
would give him a miniature or a photograph for him to enlarge, and then
he would explain what the subjects looked like: whether blondes or
brunettes, tall or short, marchionesses or gipsies.”
“Do you know Rafaela?”
“Do I know her! Rather! Poor little girl!”
“Why ‘poor little girl’?” exclaimed Quentin, feeling cold from head to
foot.
“The girl has had hard luck.”
“Why, what happened to her?”
“Oh, affairs of a wealthy family, which are always miserable. After she
was thirteen or fourteen years old, Rafaela was engaged to the son of a
Cordovese count. It seemed as if the two children loved each other, and
they made a fine couple. They were always seen together; going for
walks, and in the theatre; when it began to be rumoured that the
Marquis’ family was on its way to ruin. Then her sweetheart went away to
Madrid. Month after month went by, and the lad did not return; finally
some one brought the news that he had married a young millionairess in
Madrid. Rafaela was ill for several months, and since that time she has
never been as well or as gay as she used to be.”
Quentin listened to this story profoundly mortified. He no longer cared
to ask questions; he arose, left the café, and took leave of Palomares.
He was unable to sleep that night.
“Why this anger and mortification?” he asked himself. “What difference
does it make whether Rafaela has had a sweetheart or not? Aren’t you
going to work out your problem, Quentin? Aren’t you going to follow out
your plan in life? Aren’t you a good Bœotian? Aren’t you a swine in the
herd of Epicurus?”
In spite of Quentin’s efforts to convince himself that he ought not to
be irritated, it was impossible to do so. Merely to think that a man,
probably a young whipper-snapper, had scorned Rafaela, offended him in
the most mortifying manner.