PLAY, SPORTS, AND GAMES
The view of Groos partial and a better explanation of play proposed as
rehearsing ancestral activities--The glory of Greek physical training,
its ideals and results--The first spontaneous movements of infancy as
keys to the past--Necessity of developing basal powers before those
that are later and peculiar to the individual--Plays that interest due
to their antiquity--Play with dolls--Play distinguished by age--Play
preferences of children and their reasons--The profound
significance of rhythm--The value of dancing and also its
significance, history, and the desirability of re-introducing
it--Fighting--Boxing--Wrestling--Bushido--Foot-ball--Military
ideals--Showing off--Cold baths--Hill climbing--The playground
movement--The psychology of play--Its relation to work.
Play, sports, and games constitute a more varied, far older, and more
popular field. Here a very different spirit of joy and gladness rules.
Artifacts often enter but can not survive unless based upon pretty
purely hereditary momentum. Thus our first problem is to seek both the
motor tendencies and the psychic motives bequeathed to us from the
past. The view of Groos that play is practise for future adult
activities is very partial, superficial, and perverse. It ignores the
past where lie the keys to all play activities. True play never
practises what is phyletically new; and this, industrial life often
calls for. It exercises many atavistic and rudimentary functions, a
number of which will abort before maturity, but which live themselves
out in play like the tadpole's tail, that must be both developed and
used as a stimulus to the growth of legs which will otherwise never
mature. In place of this mistaken and misleading view, I regard play
as the motor habits and spirit of the past of the race, persisting in
the present, as rudimentary functions sometimes of and always akin to
rudimentary organs. The best index and guide to the stated activities
of adults in past ages is found in the instinctive, untaught, and
non-imitative plays of children which are the most spontaneous and
exact expressions of their motor needs. The young grow up into the
same forms of motor activity, as did generations that have long
preceded them, only to a limited extent; and if the form of every
human occupation were to change to-day, play would be unaffected save
in some of its superficial imitative forms. It would develop the motor
capacities, impulses, and fundamental forms of our past heritage, and
the transformation of these into later acquired adult forms is
progressively later. In play every mood and movement is instinct with
heredity. Thus we rehearse the activities of our ancestors, back we
know not how far, and repeat their life work in summative and
adumbrated ways. It is reminiscent albeit unconsciously, of our line
of descent; and each is the key to the other. The psycho-motive
impulses that prompt it are the forms in which our forebears have
transmitted to us their habitual activities. Thus stage by stage we
reënact their lives. Once in the phylon many of these activities were
elaborated in the life and death struggle for existence. Now the
elements and combinations oldest in the muscle history of the race are
rerepresented earliest in the individual, and those later follow in
order. This is why the heart of youth goes out into play as into
nothing else, as if in it man remembered a lost paradise. This is why,
unlike gymnastics, play has as much soul as body, and also why it so
makes for unity of body and soul that the proverb "Man is whole only
when he plays" suggests that the purest plays are those that enlist
both alike. To address the body predominantly strengthens unduly the
fleshy elements, and to overemphasize the soul causes weakness and
automatisms. Thus understood, play is the ideal type of exercise for
the young, most favorable for growth, and most self-regulating in both
kind and amount. For its forms the pulse of adolescent enthusiasm
beats highest. It is unconstrained and free to follow any outer or
inner impulse. The zest of it vents and satisfies the strong passion
of youth for intense erethic and perhaps orgiastic states, gives an
exaltation of self-feeling so craved that with no vicarious outlet it
often impels to drink, and best of all realizes the watchword of the
Turners, _frisch, frei, fröhlich, fromm_ [Fresh, free, jovial,
pious.].
Ancient Greece, the history and literature of which owe their
perennial charm for all later ages to the fact that they represent the
eternal adolescence of the world, best illustrates what this
enthusiasm means for youth. Jäger and Guildersleeve, and yet better
Grasberger, would have us believe that the Panhellenic and especially
the Olympic games combined many of the best features of a modern prize
exhibition, a camp-meeting, fair, Derby day, a Wagner festival, a
meeting of the British Association, a country cattle show,
intercollegiate games, and medieval tournament; that they were the
"acme of festive life" and drew all who loved gold and glory, and that
night and death never seemed so black as by contrast with their
splendor. The deeds of the young athletes were ascribed to the
inspiration of the gods, whose abodes they lit up with glory; and in
doing them honor these discordant states found a bond of unity. The
victor was crowned with a simple spray of laurel; cities vied with
each other for the honor of having given him birth, their walls were
taken down for his entry and immediately rebuilt; sculptors, for whom
the five ancient games were schools of posture, competed in the
representation of his form; poets gave him a pedigree reaching back to
the gods, and Pindar, who sang that only he is great who is great with
his hands and feet, raised his victory to symbolize the eternal
prevalence of good over evil. The best body implied the best mind; and
even Plato, to whom tradition gives not only one of the fairest souls,
but a body remarkable for both strength and beauty, and for whom
weakness was perilously near to wickedness, and ugliness to sin,
argues that education must be so conducted that the body can be safely
entrusted to the care of the soul and suggests, what later became a
slogan of a more degenerate gladiatorial athleticism, that to be well
and strong is to be a philosopher--_valare est philosophari_. The
Greeks could hardly conceive bodily apart from psychic education, and
physical was for the sake of mental training. A sane, whole mind could
hardly reside in an unsound body upon the integrity of which it was
dependent. Knowledge for its own sake, from this standpoint, is a
dangerous superstition, for what frees the mind is disastrous if it
does not give self-control; better ignorance than knowledge that does
not develop a motor side. Body culture is ultimately only for the sake
of the mind and soul, for body is only its other ego. Not only is all
muscle culture at the same time brain-building, but a book-worm with
soft hands, tender feet, and tough rump from much sitting, or an
anemic girl prodigy, "in the morning hectic, in the evening electric,"
is a monster. Play at its best is only a school of ethics. It gives
not only strength but courage and confidence, tends to simplify life
and habits, gives energy, decision, and promptness to the will, brings
consolation and peace of mind in evil days, is a resource in trouble
and brings out individuality.
How the ideals of physical preformed those of moral and mental
training in the land and day of Socrates is seen in the identification
of knowledge and virtue, "_Kennen und Können_." [To know and to have
the power to do] Only an extreme and one-sided intellectualism
separates them and assumes that it is easy to know and hard to do.
From the ethical standpoint, philosophy, and indeed all knowledge, is
the art of being and doing good, conduct is the only real subject of
knowledge, and there is no science but morals. He is the best man,
says Xenophon, who is always studying how to improve, and he is the
happiest who feels that he is improving. Life is a skill, an art like
a handicraft, and true knowledge a form of will. Good moral and
physical development are more than analogous; and where intelligence
is separated from action the former becomes mystic, abstract, and
desiccated, and the latter formal routine. Thus mere conscience and
psychological integrity and righteousness are allied and mutually
inspiring.
Not only play, which is the purest expression of motor heredity, but
work and all exercise owe most of whatever pleasure they bring to the
past. The first influence of all right exercise for those in health is
feeling of well-being and exhilaration. This is one chief source of
the strange enthusiasm felt for many special forms of activity, and
the feeling is so strong that it animates many forms of it that are
hygienically unfit. To act vigorously from a full store of energy
gives a reflex of pleasure that is sometimes a passion and may fairly
intoxicate. Animals must move or cease growing and die. While to be
weak is to be miserable, to feel strong is a joy and glory. It gives a
sense of superiority, dignity, endurance, courage, confidence,
enterprise, power, personal validity, virility, and virtue in the
etymological sense of that noble word. To be active, agile, strong, is
especially the glory of young men. Our nature and history have so
disposed our frame that thus all physiological and psychic processes
are stimulated, products of decomposition are washed out by
oxygenation and elimination, the best reaction of all the ganglionic
and sympathetic activities is accused, and vegetative processes are
normalized. Activity may exalt the spirit almost to the point of
ecstasy, and the physical pleasure of it diffuse, irradiate, and
mitigate the sexual stress just at the age when its premature
localization is most deleterious. Just enough at the proper time and
rate contributes to permanent elasticity of mood and disposition,
gives moral self-control, rouses a love of freedom with all that that
great word means, and favors all higher human aspirations.
In all these modes of developing our efferent powers, we conceive that
the race comes very close to the individual youth, and that ancestral
momenta animate motor neurons and muscles and preside over most of the
combinations. Some of the elements speak with a still small voice
raucous with age. The first spontaneous movements of infancy are
hieroglyphs, to most of which we have as yet no good key. Many
elements are so impacted and felted together that we can not analyze
them. Many are extinct and many perhaps made but once and only hint
things we can not apprehend. Later the rehearsals are fuller, and
their significance more intelligible, and in boyhood and youth the
correspondences are plain to all who have eyes to see. Pleasure is
always exactly proportional to the directness and force of the current
of heredity, and in play we feel most fully and intensely ancestral
joys. The pain of toil died with our forebears; its vestiges in our
play give pure delight. Its variety prompts to diversity that enlarges
our life. Primitive men and animals played, and that too has left its
traces in us. Some urge that work was evolved or degenerated from
play; but the play field broadens with succeeding generations youth is
prolonged, for play is always and everywhere the best synonym of
youth. All are young at play and only in play, and the best possible
characterization of old age is the absence of the soul and body of
play. Only senile and overspecialized tissues of brain, heart, and
muscles know it not.
Gulick[1] has urged that what makes certain exercises more interesting
than others is to be found in the phylon. The power to throw with
accuracy and speed was once pivotal for survival, and non-throwers
were eliminated. Those who could throw unusually well best overcame
enemies, killed game, and sheltered family. The nervous and muscular
systems are organized with certain definite tendencies and have back
of them a racial setting. So running and dodging with speed and
endurance, and hitting with a club, were also basal to hunting and
fighting. Now that the need of these is leas urgent for utilitarian
purposes, they are still necessary for perfecting the organism. This
makes, for instance, baseball racially familiar, because it represents
activities that were once and for a long time necessary for survival.
We inherit tendencies of muscular coördination that have been of great
racial utility. The best athletic sports and games a composed of these
racially old elements, so that phylogenetic muscular history is of
great importance. Why is it, this writer asks, that a city man so
loves to sit all day and fish! It is because this interest dates back
to time immemorial. We are the sons of fishermen, and early life was
by the water's side, and this is our food supply. This explains why
certain exercises are more interesting than others. It is because they
touch and revive the deep basic emotions of the race. Thus we see that
play is not doing things to be useful later, but it is rehearsing
racial history. Plays and games change only in their external form,
but the underlying neuro-muscular activities, and also the psychic
content of them, are the same. Just as psychic states must be lived
out up through the grades, so the physical activities most be played
off, each in its own time.
The best exercise for the young should thus be more directed to
develop the basal powers old to the race than those peculiar to the
individual, and it should enforce those psycho-neural and muscular
forms which race habit has banded down rather than insist upon those
arbitrarily designed to develop our ideas of symmetry regardless of
heredity. The best guide to the former is _interest_, zest, and
spontaneity. Hereditary moment, really determine, too, the order in
which nerve centers come into function. The oldest, racial parts come
first, and those which are higher and represent volition come in much
later.[2] As Hughlings Jackson has well shown, speech uses most of the
same organs as does eating, but those concerned with the former are
controlled from a higher level of nerve-cells. By right mastication,
deglutition, etc., we are thus developing speech organs. Thus not only
the kind but the time of forms and degrees of exercise is best
prescribed by heredity. All growth is more or less rhythmic. There are
seasons of rapid increment followed by rest and then perhaps succeeded
by a period of augmentation, and this may occur several times.
Roberts's fifth parliamentary report shows that systematic gymnastics,
which, if applied at the right age, produce such immediate and often
surprising development of lung capacity, utterly fail with boys of
twelve, because this nascent period has not yet come. Donaldson showed
that if the eyelid of a young kitten be forced open prematurely at
birth and stimulated with light, medullation was premature and
imperfect; so, too, if proper exercise is deferred too long, we know
that little result is achieved. The sequence in which the maturation
of levels, nerve areas, and bundles of fibers develop may be, as
Flechsig thinks, causal; or, according to Cajal, energy, originally
employed in growth by cell division, later passes to fiber extension
and the development of latent cells; or as in young children, the
nascent period of finger movements may stimulate that of the thumb
which comes later, and the independent movement of the two eyes, their
subsequent coördination, and so on to perhaps a third and yet higher
level. Thus exercise ought to develop nature's first intention and
fulfil the law of nascent periods, or else not only no good but great
harm may be done. Hence every determination of these periods is of
great practical as well as scientific importance. The following are
the chief attempts yet made to fix them, which show the significance
of adolescence.
The doll curve reaches its point of highest intensity between eight
and nine,[3] and it is nearly ended at fifteen, although it may
persist. Children can give no better reason why they stop playing with
dolls than because other things are liked better, or they are too old,
ashamed, love real babies, etc. The Roman girl, when ripe for
marriage, hung up her childhood doll as a votive offering to Venus.
Mrs. Carlyle, who was compelled to stop, made sumptuous dresses and a
four-post bed, and made her doll die upon a funeral pyre like Dido,
after speaking her last farewell and stabbing herself with a penknife
by way of Tyrian sword. At thirteen or fourteen it is more distinctly
realized that dolls are not real, because they have no inner life or
feeling, yet many continue to play with them with great pleasure, in
secret, till well on in the teens or twenties. Occasionally single
women or married women with no children, and in rare cases even those
who have children, play dolls all their lives. Gales's[4] student
concluded that the girls who played with dolls up to or into pubescent
years were usually those who had the fewest number, that they played
with them in the most realistic manner, kept them because actually
most fond of them, and were likely to be more scientific, steady, and
less sentimental than those who dropped them early. But the instinct
that "dollifies" new or most unfit things is gone, as also the subtle
points of contact between doll play and idolatry. Before puberty dolls
are more likely to be adults; after puberty they are almost always
children or babies. There is no longer a struggle between doubt and
reality in the doll cosmos, no more abandon to the doll illusion; but
where it lingers it is a more atavistic rudiment, and just as at the
height of the fever dolls are only in small part representatives of
future children, the saying that the first child is the last doll is
probably false. Nor are doll and child comparable to first and second
dentition, and it is doubtful if children who play with dolls as
children with too great abandonment are those who make the best
mothers later, or if it has any value as a preliminary practise of
motherhood. The number of motor activities that are both inspired and
unified by this form of play and that can always be given wholesome
direction is almost incredible, and has been too long neglected both
by psychologists and teachers. Few purer types of the rehearsal by the
individual of the history of the race can probably be found even
though we can not yet analyze the many elements involved and assign to
each its phyletic correlate.
In an interesting paper Dr. Gulick[5] divides play into three childish
periods, separated by the ages three and seven, and attempts to
characterize the plays of early adolescence from twelve to seventeen and
of later adolescence from seventeen to twenty-three. Of the first two
periods he says, children before seven rarely play games spontaneously,
but often do so under the stimulus of older persons. From seven to
twelve, games are almost exclusively individualistic and competitive,
but in early adolescence "two elements predominate--first, the plays are
predominantly team games, in which the individual is more or less
sacrificed for the whole, in which there is obedience to a captain, in
which there is coöperation among a number for a given end, in which play
has a program and an end. The second characteristic of the period is
with reference to its plays, and there seems to be all of savage
out-of-door life--hunting, fishing, stealing, swimming, rowing, sailing,
fighting, hero-worship, adventure, love of animals, etc. This
characteristic obtains more with boys than with girls." "The plays of
adolescence are socialistic, demanding the heathen virtues of courage,
endurance, self-control, bravery, loyalty, enthusiasm."
Croswell[6] found that among 2,000 children familiar with 700 kinds of
amusements, those involving physical exercises predominated over all
others, and that "at every age after the eighth year they were
represented as almost two to one and in the sixteenth year rose among
boys as four to one." The age of the greatest number of different
amusements is from ten to eleven, nearly fifteen being mentioned, but
for the next eight or nine years there is a steady decline of number,
and progressive specialisation occurs. The games of chase, which are
suggestive on the recapitulation theory, rise from eleven per cent in
boys of six to nineteen per cent at nine, but soon after decline, and
at sixteen have fallen to less than four per cent. Toys and original
make-believe games decline still earlier, while ball rises steadily
and rapidly to eighteen, and card and table games rise very steadily
from ten to fifteen in girls, but the increment is much less in boys.
"A third or more of all the amusements of boys just entering their
teens are games of contest--games in which the end is in one way or
another to gain an advantage one's fellows, in which the interest is n
the struggle between peers." "As children approach the teens, a
tendency arises that is well expressed by one of the girls who no
longer makes playthings but things that are useful." Parents and
society must, therefore, provide the most favorable conditions for the
kind of amusement fitting at each age. As the child grows older,
society plays a larger rôle in all the child's amusements, and from
the thirteenth year "amusements take on a decidedly coöperative and
competitive character, and efforts are ore and more confined to the
accomplishments of some definite aim. The course for this period will
concentrate the effort upon fewer lines," and more time will be
devoted to each. The desire for mastery is now at its height. The
instinct is to maintain one's self independently and ask no odds. At
fourteen, especially, the impulse is, in manual training, to make
something and perhaps to coöperate.
McGhee[7] collected the play preferences of 15,718 children, and found
a very steady decline in running plays among girls from nine to
eighteen, but a far more rapid rise in plays of chance from eleven to
fifteen, and a very rapid rise from sixteen to eighteen. From eleven
onward with the most marked fall before fourteen, there was a distinct
decline in imitative games for girls and a slower one for boys. Games
involving rivalry increased rapidly among boys from eleven to sixteen
and still more rapidly among girls, their percentage of preference
even exceeding that of boys at eighteen, when it reached nearly
seventy per cent. With adolescence, specialization upon a few plays
was markedly increased in the teens among boys, whereas with girls in
general there were a large number of plays which were popular with
none preëminent. Even at this age the principle of organization in
games so strong with boys is very slight with girls. Puberty showed
the greatest increase of interest among pubescent girls for croquet,
and among boys for swimming, although baseball and football, the most
favored for boys, rose rapidly. Although the author does not state it,
it would seem from his data that plays peculiar to the different
seasons were most marked among boys, in part, at least, because their
activities are more out of doors.
Ferrero and others have shown that the more intense activities of
primitive people tend to be rhythmic and with strongly automatic
features. No form of activity is more universal than the dance, which
is not only intense but may express chiefly in terms of fundamental
movements, stripped of their accessory finish and detail, every
important act, vocation, sentiment, or event in the life of man in
language so universal and symbolic that music and poetry themselves
seem to have arisen out of it. Before it became specialized much labor
was cast in rhythmic form and often accompanied by time-marking and
even tone to secure the stimulus of concert on both economic and
social principles. In the dark background of history there is now much
evidence that at some point, play, art, and work were not divorced.
They all may have sprung from rhythmic movement which is so
deep-seated in biology because it secures most joy of life with least
expense. By it Eros of old ordered chaos, and by its judicious use the
human soul is cadenced to great efforts toward high ideals. The many
work-songs to secure concerted action in lifting, pulling, stepping,
the use of flail, lever, saw, ax, hammer, hoe, loom, etc., show that
areas and thesis represent flexion and extension, that accent
originated in the acme of muscular stress, as well as how rhythm eases
work and also makes it social. Most of the old work-canticles are
lost, and machines have made work more serial, while rhythms are
obscured or imposed from without so as to limit the freedom they used
to express. Now all basal, central, or strength movements tend to be
oscillatory, automatically repetitive, or rhythmic like savage music,
as if the waves of the primeval sea whence we came still beat in them,
just as all fine peripheral and late movements tend to be serial,
special, vastly complex, end diversified. It is thus natural that
during the period of greatest strength increment in muscular
development, the rhythmic function of nearly all fundamental movements
should be strongly accentuated. At the dawn of this age boys love
marching; and, as our returns show, there is a very remarkable rise in
the passion for beating time, jigging, double shuffling, rhythmic
clapping, etc. The more prominent the factor of repetition the more
automatic and the less strenuous is the hard and new effort of
constant psychic adjustment and attention. College yells, cheers,
rowing, marching, processions, bicycling, running, tug-of-war,
calisthenics and class gymnastics with counting, and especially with
music, horseback riding, etc., are rhythmic; tennis, baseball and
football, basketball, golf, polo, etc., are less rhythmic, but are
concerted and intense. These latter emphasise the conflict factor,
best brought out in fencing, boxing, and wrestling, and lay more
stress on the psychic elements of attention and skill. The effect of
musical accompaniment, which the Swedish system wrongly rejects, is to
make the exercises more fundamental and automatic, and to
proportionately diminish the conscious effort and relieve the
neuro-muscular mechanism involved in fine movements.
Adolescence is the golden period of nascency for rhythm. Before this
change many children have a very imperfect sense of it, and even those
who march, sing, play, or read poetry with correct and overemphasised
time marking, experience a great broadening of the horizon of
consciousness, and a marked, and, for mental power and scope,
all-conditioning increase in the carrying power of attention and the
sentence-sense. The soul now feels the beauty of cadences, good
ascension, and the symmetry of well-developed periods--and all, as I
am convinced, because this is the springtime of the strength movements
which are predominantly rhythmic. Not only does music start in time
marking, the drum being the oldest instrument, but quantity long took
precedence of sense and form of content, both melody and words coming
later. Even rhythmic tapping or beating of the foot (whence the poetic
feet of prosody and meter thus later imposed monotonous prose to make
poetry) exhilarates, makes glad the soul and inspires it to attack,
gives compulsion and a sense of unity. The psychology of rhythm shows
its basal value in cadencing the soul. We can not conceive what war,
love, and religion would be without it. The old adage that "the parent
of prose is poetry, the parent of poetry is music, the parent of music
is rhythm, and the parent of rhythm is God" seems borne out not only
in history, but by the nature of thought and attention that does not
move in a continuum, but flies and perches alternately, or on
stepping-stones and as if influenced by the tempo of the leg swinging
as a compound pendulum.
Dancing is one of the best expressions of pure play and of the motor
needs of youth. Perhaps it is the most liberal of all forms of motor
education. Schopenhauer thought it the apex of physiological
irritability and that it made animal life most vividly conscious of
its existence and most exultant in exhibiting it. In very ancient
times China ritualised it in the spring and made it a large part of
the education of boys after the age of thirteen. Neale thinks it was
originally circular or orbicular worship, which he deems oldest. In
Japan, in the priestly Salic College of ancient Rome, in Egypt, in the
Greek Apollo cult, it was a form of worship. St. Basil advised it; St.
Gregory introduced it into religious services. The early Christian
bishops, called præsuls, led the sacred dance around the altar; and
only in 692, and again in 1617, was it forbidden in church. Neale and
others have shown how the choral processionals with all the added
charm of vestment and intonation have had far more to do in
Christianizing many low tribes, who could not understand the language
of the church, than has preaching. Savages are nearly all great
dancers, imitating every animal they know, dancing out their own
legends, with ritual sometimes so exacting that error means death. The
character of people is often learned from their dances, and Molière
says the destiny of nations depends on them. The gayest dancers are
often among the most downtrodden and unhappy people. Some mysteries
can be revealed only in them, as holy passion-plays. If we consider
the history of secular dances, we find that some of them, when first
invented or in vogue, evoked the greatest enthusiasm. One writer says
that the polka so delighted France and England that statesmen forgot
politics. The spirit of the old Polish aristocracy still lives in the
polonaise. The gipsy dances have inspired a new school of music. The
Greek drama grew out of the evolution of the tragic chorus. National
dances like the hornpipe and reel of Scotland, the _Reihen_, of
Germany, the _rondes_ of France, the Spanish tarantella and
_chaconne_, the strathspey from the Spey Valley, the Irish jig, etc.,
express racial traits. Instead of the former vast repertory, the
stately pavone, the graceful and dignified saraband, the wild
_salterrelle_, the bourrée with song and strong rhythm, the light and
skippy bolero, the courtly bayedere, the dramatic plugge, gavotte, and
other peasant dances in costume, the fast and furious fandango, weapon
and military dances; in place of the pristine power to express love,
mourning, justice, penalty, fear, anger, consolation, divine service,
symbolic and philosophical conceptions, and every industry or
characteristic act of life in pantomime and gesture, we have in the
dance of the modern ballroom only a degenerate relict, with at best
but a very insignificant culture value, and too often stained with bad
associations. This is most unfortunate for youth, and for their sake a
work of rescue and revival is greatly needed; for it is perhaps, not
excepting even music, the completest language of the emotions and can
be made one of the best schools of sentiment and even will,
inculcating good states of mind and exorcising bad ones as few other
agencies have power to do. Right dancing can cadence the very soul,
give nervous poise and control, bring harmony between basal and finer
muscles, and also between feeling and intellect, body and mind. It can
serve both as an awakener and a test of intelligence, predispose the
heart against vice, and turn the springs of character toward virtue.
That its present decadent forms, for those too devitalized to dance
aright, can be demoralizing, we know in this day too well, although
even questionable dances may sometimes work off vicious propensities
in ways more harmless than those in which they would otherwise find
vent. Its utilization for and influence on the insane would be another
interesting chapter.
Very interesting scientifically and suggestive practically is another
correspondence which I believe to be new, between the mode of
spontaneous activity in youth and that of labor in the early history
of the race. One of the most marked distinctions between savage and
civilized races is in the longer rhythm of work and relaxation. The
former are idle and lazy for days, weeks, and perhaps months, and then
put forth intense and prolonged effort in dance, hunt, warfare,
migration, or construction, sometimes dispensing with sleep and
manifesting remarkable endurance. As civilization and specialization
advance, hours become regular. The cultured man is less desultory in
all his habits, from eating and sleeping to performing social and
religious duties, although he may put forth no more aggregate energy
in a year than the savage. Women are schooled to regular work long
before men, and the difficulty of imposing civilization upon low races
is compared by Bücher[8] to that of training a eat to work when
harnessed to a dog-cart. It is not dread of fatigue but of the
monotony of method makes them hate labor. The effort of savages is
more intense and their periods of rest more prolonged and inert.
Darwin thinks all vital function bred to go in periods, as vertebrates
are descended from tidal ascidian.[9] There is indeed much that
suggests some other irregular rhythm more or less independent of day
and night, and perhaps sexual in its nature, but not lunar, and for
males. This mode of life not only preceded the industrial and
commercial period of which regularity is a prime condition, but it
lasted indefinitely longer than the latter has yet existed; during
this early time great exertion, sometimes to the point of utter
exhaustion and collapse, alternated with seasons of almost vegetative
existence. We see abundant traces of this psychosis in the muscle
habits of adolescents, and, I think, in student and particularly in
college life, which can enforce regularity only to a limited extent.
This is not reversion, but partly expression of the nature and perhaps
the needs of this stage of immaturity, and partly the same instinct of
revolt against uniformity imposed from without, which rob life of
variety and extinguish the spirit of adventure and untrammeled
freedom, and make the savage hard to break to the harness of
civilization. The hunger for fatigue, too, can become a veritable
passion and is quite distinct from either the impulse for activity for
its own sake or the desire of achievement. To shout and put forth the
utmost possible strength in crude ways is erethic intoxication at a
stage when every tissue can become erectile and seems, like the crying
of infants, to have a legitimate function in causing tension and
flushing, enlarging the caliber of blood vessels, and forcing the
blood perhaps even to the point of extravasation to irrigate newly
growing fibers, cells, and organs which atrophy if not thus fed. When
maturity is complete this need abates. If this be correct, the
phenomenon of second breath, so characteristic of adolescence, and one
factor in the inebriate's propensity, is ontogenetic expression of a
rhythm trait of a long racial period. Youth needs overexertion to
compensate for underexertion, to undersleep in order to offset
oversleep at times. This seems to be nature's provision to expand in
all directions its possibilities of the body and soul in this plastic
period when, without this occasional excess, powers would atrophy or
suffer arrest for want of use, or larger possibilities world not be
realized without this regimen peculiar to nascent periods. This is
treated more fully elsewhere.
Perhaps next to dancing in phyletic motivation come personal
conflicts, such as wrestling, fighting, boxing, dueling, and in some
sense, hunting. The animal world is full of struggle for survival, and
primitive warfare is a wager of battle, of personal combat of foes
contesting eye to eye and hand to hand, where victory of one is the
defeat and perhaps death of the other, and where life is often staked
against life. In its more brutal forms we see one of the most
degrading of all the aspects of human nature. Burk[10] has shown how
the most bestial of these instincts survive and crop out irresistibly
in boyhood, where fights are often engaged in with desperate abandon.
Noses are bitten, ears torn, sensitive places kicked, hair pulled,
arms twisted, the head stamped on and pounded on stones, fingers
twisted, and hoodlums sometimes deliberately try to strangle, gouge
out an eye, pull off an ear, pull out the tongue, break teeth, nose,
or bones, or dislocate jaws or other joints, wring the neck, bite off
a lip, and torture in utterly nameless ways. In unrestrained anger,
man becomes a demon in love with the blood of his victim. The face is
distorted, and there are yells, oaths, animal snorts and grunts,
cries, and then exultant laughter at pain, and each is bruised, dirty,
disheveled and panting with exhaustion. For coarser natures, the
spectacle of such conflicts has an intense attraction, while some
morbid souls are scarred by a distinct phobia for everything
suggestive of even lower degrees of opposition. These instincts, more
or less developed in boyhood, are repressed in normal cases before
strength and skill are sufficiently developed to inflict serious
bodily injury, while without the reductives that orthogenetic growth
brings they become criminal. Repulsive as are these grosser and animal
manifestations of anger, its impulsion can not and should not be
eliminated, but its expression transformed and directed toward evils
that need all its antagonism. To be angry aright is a good part of
moral education, and non-resistance under all provocations is unmanly,
craven, and cowardly.[11] An able-bodied young man, who can not fight
physically, can hardly have a high and true sense of honor, and is
generally a milksop, a lady-boy, or sneak. He lacks virility, his
masculinity does not ring true, his honesty can not be sound to the
core. Hence, instead of eradicating this instinct, one of the great
problems of physical and moral pedagogy is rightly to temper and
direct it.
Sparta sedulously cultivated it in boys; and in the great English
schools, where for generations it has been more or less tacitly
recognized, it is regulated by custom, and their literature and
traditions abound in illustrations of its man-making and often
transforming influence in ways well appreciated by Hughes and Arnold.
It makes against degeneration, the essential feature of which is
weakening of will and loss of honor. Real virtue requires enemies, and
women and effeminate and old men want placid, comfortable peace, while
a real man rejoices in noble strife which sanctifies all great causes,
casts out fear, and is the chief school of courage. Bad as is
overpugnacity, a scrapping boy is better than one who funks a fight,
and I have no patience with the sentimentality that would here "pour
out the child with the bath," but would have every healthy boy taught
boxing at adolescence if not before. The prize-ring is degrading and
brutal, but in lieu of better illustrations of the spirit of personal
contest I would interest a certain class of boys in it and try to
devise modes of pedagogic utilization of the immense store of interest
it generates. Like dancing it should be rescued from its evil
associations, and its educational force put to do moral work, even
though it be by way of individual prescriptions for specific defects
of character. At its best, it is indeed a manly art, a superb school
for quickness of eye and hand, decision, force of will, and
self-control. The moment this is lost stinging punishment follows.
Hence it is the surest of all cures for excessive irascibility and has
been found to have a most beneficent effect upon a peevish or unmanly
disposition. It has no mean theoretic side, of rules, kinds of blow
and counters, arts of drawing out and tiring an opponent, hindering
but not injuring him, defensive and offensive tactics, etc., and it
addresses chiefly the fundamental muscles in both training and
conflict. I do not underestimate the many and great difficulties of
proper purgation, but I know from both personal practise and
observation that they are not unconquerable.
This form of personal conflict is better than dueling even in its
comparatively harmless German student form, although this has been
warmly defended by Jacob Grimm, Bismarck, and Treitschke, while
Paulsen, Professor of Philosophy and Pedagogy, and Schrempf, of
Theology, have pronounced it but a slight evil, and several Americans
have thought it better than hazing, which it makes impossible. The
dark side of dueling is seen in the hypertrophied sense of honor which
under the code of the corps becomes an intricate and fantastic thing,
prompting, according to Ziegler,[12] a club of sixteen students to
fight over two hundred duels in four weeks in Jena early in this
century. It is prone to degenerate to an artificial etiquette
demanding satisfaction for slight and unintended offenses. Although
this professor who had his own face scarred on the _mensur_, pleaded
for a student court of honor, with power to brand acts as infamous and
even to expel students, on the ground that honor had grown more
inward, the traditions in favor of dueling were too strong. The duel
had a religious romantic origin as revealing God's judgment, and means
that the victim of an insult is ready to stake body, or even life, and
this is still its ideal side. Anachronism as it now is and
degenerating readily to sport or spectacle, overpunishing what is
often mere awkwardness or ignorance, it still impresses a certain
sense of responsibility for conduct and gives some physical training,
slight and specialized though it be. The code is conventional, drawn
directly from old French military life, and is not true to the line
that separates real honor from dishonor, deliberate insult that wounds
normal self-respect from injury fancied by oversensitiveness or
feigned by arrogance; so that in its present form it is not the best
safeguard of the sacred shrine of personality against invasion of ifs
rights. If, as is claimed, it is some diversion from or fortification
against corrosive sensuality, it has generally allied itself with
excessive beer-drinking. Fencing, while an art susceptible of high
development and valuable for both pose and poise, and requiring great
quickness of eye, arm, and wrist, is unilateral and robbed of the vest
of inflicting real pain on an antagonist.
Bushido,[13] which means military-knightly ways, designates the
Japanese conception of honor in behavior and in fighting. The youth is
inspired by the ideal of Tom Brown "to leave behind him the name of a
fellow who never bullied a little boy or turned his back on a big
one." It expresses the race ideal of justice, patriotism, and the duty
of living aright and dying nobly. It means also sympathy, pity, and
love, for only the bravest can be the tenderest, and those most in
love are most daring, and it includes politeness and the art of
poetry. Honor is a sense of personal dignity and worth, so the _bushi_
is truthful without an oath. At the tender age of five the _samurai_
is given a real sword, and this gives self-respect and responsibility.
At fifteen, two sharp and artistic ones, long and short, are given
him, which must be his companions for life. They were made by a smith
whose shop is a sanctuary and who begins his work with prayer. They
have the finest hilts and scabbards, and are besung as invested with a
charm or spell, and symbolic of loyalty and self-control, for they
must never be drawn lightly. He is taught fencing, archery,
horsemanship, tactics, the spear, ethics and literature, anatomy, for
offence and defense; he must be indifferent to money, hold his life
cheap beside honor, and die if it is gone. This chivalry is called the
soul of Japan, and if it fades life is vulgarised. It is a code of
ethics and physical training.
Football is a magnificent game if played on honor. An English tennis
champion was lately playing a rubber game with the American champion.
They were even and near the end when the American made a bad fluke
which would have lost this country its championship. The English
player, scorning to win on an accident, intentionally made a similar
mistake that the best man might win. The chief evil of modern American
football which now threatens its suppression in some colleges is the
lust to win at any price, and results in tricks and secret practise.
These sneaky methods impair the sentiment of honor which is the best
and most potent of all the moral safeguards of youth, so that a young
man can not be a true gentleman on the gridiron. This ethical
degeneration is far worse than all the braises, sprains, broken bones
and even deaths it causes.
Wrestling is a form of personal encounter which in antiquity reached a
high development, and which, although now more known and practised as
athletics of the body than of the soul, has certain special
disciplinary capacities in its various forms. It represents the most
primitive type of the struggle of unarmed and unprotected man with
man. Purged of its barbarities, and in its Greco-Roman form and
properly subject to rules, it cultivates more kinds of movements than
any other form--for limbs, trunk, neck, hand, foot, and all in the
upright and in every prone position. It, too, has its manual of
feints, holds, tricks, and specialties, and calls out wariness,
quickness, strength, and shiftiness. Victory need involve no cruelty
or even pain to the vanquished. The very closeness of body to body,
emphasizing flexor rather than extensor arm muscles, imparts to it a
peculiar tone, gives it a vast variety of possible activities,
developing many alternatives at every stage, and tempts to many
undiscovered forms of permanent mayhem. Its struggle is usually longer
and less interrupted by pauses than pugilism, and its situations and
conclusions often develop slowly, so that all in all, its character
among contests is unique. As a school of posture for art, its
varieties are extremely manifold and by no means developed, for it
contains every kind of emphasis of every part and calls out every
muscle group and attitude of the human body; hence its training is
most generic and least specialized, and victories have been won by
very many kinds of excellence.
Perhaps nothing is more opposed to the idea of a gentleman than the
_sæva animi tempestas_ [Fierce tempest of the soul] of anger. A testy,
quarrelsome, mucky humor is antisocial, and an outburst of rage is
repulsive. Even non-resistance, turning the other cheek, has its
victories and may be a method of moral combat. A strong temper well
controlled and kept in leash makes a kinetic character; but in view of
bullying, unfair play, cruel injustice to the weak and defenseless, of
outrageous wrong that the law can not reach, patience and forbearance
may cease to be virtues, and summary redress may have a distinct
advantage to the ethical nature of man and to social order, and the
strenuous soul must fight or grow stagnant or flabby. If too
repressed, righteous indignation may turn to sourness and sulks, and
the disposition be spoiled. Hence the relief and exhilaration of an
outbreak that often clears the psychic atmosphere like a thunderstorm,
and gives the "peace that passeth understanding" so often dilated on
by our correspondents. Rather than the abject fear of making enemies
whatever the provocation, I would praise those whose best title of
honor is the kind of enemies they make. Better even an occasional nose
dented by a fist, a broken bone, a rapier-scarred face, or even
sometimes the sacrifice of the life of one of our best academic youth
than stagnation, general cynicism and censoriousness, bodily and
psychic cowardice, and moral corruption, if this indeed be, as it
sometimes is, its real alternative.
So closely are love and war connected that not only is individual
pugnacity greatly increased at the period of sexual maturity, when
animals acquire or develop horns, fangs, claws, spurs, and weapons of
offense and defense, but a new spirit of organization arises which
makes teams possible or more permanent. Football, baseball, cricket,
etc., and even boating can become schools of mental and moral
training. First, the rules of the game are often intricate, and to
master and observe them effectively is no mean training for the mind
controlling the body. These are steadily being revised and improved,
and the reasons for each detail of construction and conduct of the
game require experience and insight into human nature. Then the
subordination of each member to the whole and to a leader cultivates
the social and coöperative instincts, while the honor of the school,
college, or city, which each team represents, is confided to each and
all. Group loyalty in Anglo-Saxon games, which shows such a marked
increment in coördination and self-subordination at the dawn of
puberty as to constitute a distinct change in the character of sports
at this age, can be so utilized as to develop a spirit of service and
devotion not only to town, country, and race, but to God and the
church. Self must be merged and a sportsmanlike spirit cultivated that
prefers defeat to tricks and secret practise, and a clean game to the
applause of rooters and fans, intent only on victory, however won. The
long, hard fight against professionalism that brings in husky muckers,
who by every rule of true courtesy and chivalry belong outside
academic circles, scrapping and underhand advantages, is a sad comment
on the character and spirit of these games, and eliminates the best of
their educational advantages. The necessity of intervention, which has
imposed such great burdens on faculties and brought so much friction
with the frenzy of scholastic sentiment in the hot stage of seasonal
enthusiasms, when fanned to a white heat by the excessive interest of
friends and patrons and the injurious exploitation of the press, bears
sad testimony to the strength and persistence of warlike instincts
from our heredity. But even thus the good far predominates. The
elective system has destroyed the class games, and our institutions
have no units like the English colleges to be pitted against each
other, and so colleges grow, an ever smaller percentage of students
obtain the benefit of practise on the teams, while electioneering
methods often place second-best men in place of the best. But both
students and teachers are slowly learning wisdom in the dear school of
experience. On the whole, there is less license in "breaking training"
and in celebrating victories, and even at their worst, good probably
predominates, while the progress of recent years bids us hope.
Finally, military ideals and methods of psycho-physical education are
helpful regulations of the appetite for combat, and on the whole more
wholesome and robust than those which are merely esthetic. Marching in
step gives proper and uniform movement of legs, arms, and carriage of
body; the manual of arms, with evolution and involution of figures in
the ranks, gives each a corporate feeling of membership, and involves
care of personal appearance and accouterments, while the uniform
levels social distinction in dress. For the French and Italian and
especially the German and Russian adolescent of the lower classes, the
two or three years of compulsory military service is often compared to
an academic course, and the army is called, not without some
justification, the poor man's university. It gives severe drill,
strict discipline, good and regular hours, plain but wholesome fare
and out-of-door exercise, exposure, travel, habits of neatness, many
useful knacks and devices, tournaments and mimic or play battles;
these, apart from its other functions, make this system a great
promoter of national health and intelligence. Naval schools for
midshipmen, who serve before the mast, schools on board ship that
visit a wide curriculum of ports each year, cavalry schools, where
each boy is given a horse to care for, study and train, artillery
courses and even an army drill-master in an academy, or uniform, and a
few exterior features of soldierly life, all give a distinct character
to the spirit of any institution. The very fancy of being in any sense
a soldier opens up a new range of interests too seldom utilized; and
tactics, army life and service, military history, battles, patriotism,
the flag, and duties to country, should always erect a new standard of
honor. Youth should embrace every opportunity that offers in this
line, and instruction should greatly increase the intellectual
opportunities created by every interest in warfare. It would be easy
to create pregnant courses on how soldiers down the course of history
have lived, thought, felt, fought, and died, how great battles were
won and what causes triumphed in them, and to generalize many of the
best things taught in detail in the best schools of war in different
grades and lands.
A subtle but potent intersexual influence is among the strongest
factors of all adolescent sport. Male birds and beasts show off their
charms of beauty and accomplishment in many a liturgy of love antics
in the presence of the female. This instinct seems somehow continuous
with the growth of ornaments in the mating season. Song, tumbling,
balking, mock fights, etc., are forms of animal courtship. The boy who
turns cartwheels past the home of the girl of his fancy, is brilliant,
brave, witty, erect, strong in her presence, and elsewhere dull and
commonplace enough, illustrates the same principle. The true cake-walk
as seen in the South is perhaps the purest expression of this impulse
to courtship antics seen in man, but its irradiations are many and
pervasive. The presence of the fair sex gives tonicity to youth's
muscles and tension to his arteries to a degree of which he is rarely
conscious. Defeat in all contests is more humiliating and victory more
glorious thereby. Each sex is constantly passing the examination of
the other, and each judges the other by standards different from its
own. Alas for the young people who are not different with the other
sex from what they are with their own!--and some are transformed into
different beings. Achievement proclaims ability to support, defend,
bring credit and even fame to the object of future choice, and no good
point is lost. Physical force and skill, and above all, victory and
glory, make a hero and invest him with a romantic glamour, which, even
though concealed by conventionality or etiquette, is profoundly felt
and makes the winner more or less irresistible. The applause of men
and of mates is sweet and even intoxicating, but that of ladies is
ravishing. By universal acclaim the fair belong to the brave, strong,
and victorious. This stimulus is wholesome and refining. As is shown
later, a bashful youth often selects a maiden onlooker and is
sometimes quite unconsciously dominated in his every movement by a
sense of her presence, stranger and apparently unnoticed though she
be, although in the intellectual work of coeducation girls are most
influenced thus. In athletics this motive makes for refinement and
good form. The ideal knight, however fierce and terrible, must not be
brutal, but show capacity for fine feeling, tenderness, magnanimity,
and forbearance. Evolutionists tell us that woman has domesticated and
educated savage man and taught him all his virtues by exercising her
royal prerogative of selecting in her mate just those qualities that
pleased her for transmission to future generations and eliminating
others distasteful to her. If so, she is still engaged in this work as
much as ever, and in his dull, slow way man feels that her presence
enforces her standards, abhorrent though it would be to him to
compromise in one iota his masculinity. Most plays and games in which
both sexes participate have some of the advantages with some of the
disadvantages of coeducation. Where both are partners rather than
antagonists, there is less eviration. A gallant man would do his best
to help, but his worst not to beat a lady. Thus, in general, the
latter performs her best in her true rule of sympathetic spectator
rather than as fellow player, and is now an important factor in the
physical education of adolescents.
How pervasive this femininity is, which is slowly transforming our
schools, is strikingly seen in the church. Gulick holds that the
reason why only some seven per cent of the young men of the country
are in the churches, while most members and workers are women, is that
the qualities demanded are the feminine ones of love, rest, prayer,
trust, desire for fortitude to endure, a sense of atonement--traits
not involving ideals that most stir young men. The church has not yet
learned to appeal to the more virile qualities. Fielding Hall[14] asks
why Christ and Buddha alone of great religious teachers were rejected
by their own race and accepted elsewhere. He answers that these mild
beliefs of peace, nonresistance, and submission, rejected by virile
warrior races, Jews and ancient Hindus, were adopted where women were
free and led in these matters. Confucianism, Mohammedanism, etc., are
virile, and so indigenous, and in such forms of faith and worship
women have small place. This again suggests how the sex that rules the
heart controls men.
Too much can hardly be said in favor of cold baths and swimming at
this age. Marro[15] quotes Father Kneipp, and almost rivals his
hydrotherapeutic enthusiasm. Cold bathing sends the blood inward
partly by the cold which contracts the capillaries of the skin and
tissue immediately underlying it, and partly by the pressure of the
water over all the dermal surface, quickens the activity of kidneys,
lungs, and digestive apparatus, and the reactive glow is the best
possible tonic for dermal circulation. It is the best of all
gymnastics for the nonstriated or involuntary muscles and for the
heart and blood vessels. This and the removal of the products of
excretion preserve all the important dermal functions which are so
easily and so often impaired in modern life, lessen the liability to
skin diseases, promote freshness of complexion; and the moral effects
of plunging into cold and supporting the body in deep water is not
inconsiderable in strengthening a spirit of hardihood and reducing
overtenderness to sensory discomforts. The exercise of swimming is
unique in that nearly all the movements and combinations are such as
are rarely used otherwise, and are perhaps in a sense ancestral and
liberal rather than directly preparatory for future avocations. Its
stimulus for heart and lungs is, by general consent of all writers
upon the subject, most wholesome and beneficial. Nothing so directly
or quickly reduces to the lowest point the plethora of the sex organs.
The very absence of clothes and running on the beach is exhilarating
and gives a sense of freedom. Where practicable it is well to dispense
with bathing suits, even the scantiest. The warm bath tub is
enfeebling and degenerative, despite the cold spray later, while the
free swim in cold water is most invigorating.
Happily, city officials, teachers, and sanitarians are now slowly
realizing the great improvement in health and temper that comes from
bathing and are establishing beach and surf, spray, floating and
plunge summer baths and swimming pools; often providing instruction
even in swimming in clothes, undressing in the water, treading water,
and rescue work, free as well as fee days, bathing suits, and, in
London, places for nude bathing after dark; establishing time and
distance standards with certificates and even prizes; annexing
toboggan slides, swings, etc., realizing that in both the preference
of youth and in healthful and moral effects, probably nothing outranks
this form of exercise. Such is its strange fascination that, according
to one comprehensive census, the passion to get to the water outranks
all other causes of truancy, and plays an important part in the
motivation of runaways. In the immense public establishment near San
Francisco, provided by private munificence, there are accommodations
for all kinds of bathing in hot and cold and in various degrees of
fresh and salt water, in closed spaces and in the open sea, for small
children and adults, with many appliances and instructors, all in one
great covered arena with seats in an amphitheater for two thousand
spectators, and many adjuncts and accessories. So elsewhere the
presence of visitors is now often invited and provided for. Sometimes
wash-houses and public laundries are annexed. Open hours and longer
evenings and seasons are being prolonged.
Prominent among the favorite games of early puberty and the years just
before are those that involve passive motion and falling, like
swinging in its many forms, including the May-pole and single rope
varieties. Mr. Lee reports that children wait late in the evening and
in cold weather for a turn at a park swing. Psychologically allied to
these are wheeling and skating. Places for the latter are now often
provided by the fire department, which in many cities floods hundreds
of empty lots. Ponds are cleared of snow and horse-plowed, perhaps by
the park commission, which often provides lights and perhaps ices the
walks and streets for coasting, erects shelters, and devises space
economy for as many diamonds, bleachers, etc., as possible. Games of
hitting, striking, and throwing balls and other objects, hockey,
tennis, all the courts of which are usually crowded, golf and croquet,
and sometimes fives, cricket, bowling, quoits, curling, etc., have
great "thumogenic" or emotional power.
Leg exercise has perhaps a higher value than that of any other part.
Man is by definition an upright being, but only after a long
apprenticeship.[16] Thus the hand was freed from the necessity of
locomotion and made the servant of the mind. Locomotion overcomes the
tendency to sedentary habits in modern schools and life, and helps the
mind to helpful action, so that a peripatetic philosophy is more
normal than that of the easy chair and the study lamp. Hill-climbing
is unexcelled as a stimulus at once of heart, lungs, and blood. If
Hippocrates is right, inspiration is possible only on a mountain-top.
Walking, running, dancing, skating, coasting are also alterative and
regulative of sex, and there is a deep and close though not yet fully
explained reciprocity between the two. Arm work is relatively too
prominent a feature in gymnasia. Those who lead excessively sedentary
lives are prone to be turbulent and extreme in both passion and
opinion, as witness the oft-adduced revolutionary disposition of
cobblers.
The play problem is now fairly open and is vast in its relation to
many other things. Roof playgrounds, recreation piers, schoolyards and
even school-buildings, open before and after school hours; excursions
and outings of many kinds and with many purposes, which seem to
distinctly augment growth; occupation during the long vacation when,
beginning with spring, most juvenile crime is committed; theatricals,
which according to some police testimony lessen the number of juvenile
delinquents; boys' clubs with more or less self-government of the
George Junior Republic and other types, treated in another chapter;
nature-study; the distinctly different needs and propensities of both
good and evil in different nationalities; the advantages of playground
fences and exclusion, their disciplinary worth, and their value as
resting places; the liability that "the boy without a playground will
become the father without a job"; the relation of play and its slow
transition to manual and industrial education at the savage age when a
boy abhors all regular occupation; the necessity of exciting interest,
not by what is done for boys, but by what they do; the adjustment of
play to sex; the determination of the proper average age of maximal
zest in and good from sandbox, ring-toss, bean-bag, shuffle-board, peg
top, charity, funeral play, prisoner's base, hill-dill; the value and
right use of apparatus, and of rabbits, pigeons, bees, and a small
menagerie in the playground; tan-bark, clay, the proper alternation of
excessive freedom, that often turns boys stale through the summer,
with regulated activities; the disciplined "work of play" and
sedentary games; the value of the washboard rubbing and of the hand
and knee exercise of scrubbing, which a late writer would restore for
all girls with clever and Greek-named play apparatus; as well as
digging, shoveling, tamping, pick-chopping, and hod-carrying exercises
in the form of games for boys; the relations of women's clubs,
parents' clubs, citizens' leagues and unions, etc., to all this
work--such are the practical problems.
The playground movement encounters its chief obstacles in the most
crowded and slum districts, where its greatest value and success was
expected for boys in the early teens, who without supervision are
prone to commit abuses upon property and upon younger children,[17]
and are so disorderly as to make the place a nuisance, and who resent
the "fathering" of the police, without, at least, the minimum control
of a system of permits and exclusions. If hoodlums play at all, they
become infatuated with baseball and football, especially punting; they
do not take kindly to the soft large ball of the Hall House or the
Civic League, and prefer at first scrub games with individual
self-exhibition to organized teams. Lee sees the "arboreal instincts
of our progenitors" in the very strong propensity of boys from ten to
fourteen to climb in any form; to use traveling rings, generally
occupied constantly to their fullest extent; to jump from steps and
catch a swinging trapeze; to go up a ladder and slide down poles; to
use horizontal and parallel bars. The city boy has plenty of daring at
this age, but does not know what he can do and needs more supervision
than the country youth. The young tough is commonly present, and
though admired and copied by younger boys, it is, perhaps, as often
for his heroic as for his bad traits.
Dr. Sargent and others have well pointed out that athletics afford a
wealth of new and profitable topics for discussion and enthusiasm
which helps against the triviality and mental vacuity into which the
intercourse of students is prone to lapse. It prompts to discussion of
diet and regimen. It gives a new standard of honor. For a member of a
team to break training would bring reprobation and ostracism, for he
is set apart to win fame for his class or college. It supplies a
splendid motive against all errors and vices that weaken or corrupt
the body. It is a wholesome vent for the reckless courage that would
otherwise go to disorder or riotous excess. It supplies new and
advantageous topics for compositions and for terse, vigorous, and
idiomatic theme-writing, is a great aid to discipline, teaches respect
for deeds rather than words or promises, lays instructors under the
necessity of being more interesting, that their work be not jejune or
dull by contrast; again the business side of managing great contests
has been an admirable school for training young men to conduct great
and difficult financial operations, sometimes involving $100,000 or
more, and has thus prepared some for successful careers. It furnishes
now the closest of all links between high school and college, reduces
the number of those physically unfit for college, and should give
education generally a more real and vigorous ideal. Its obvious
dangers are distraction from study and overestimation of the value of
victory, especially in the artificial glamours which the press and the
popular furor give to great games; unsportsmanlike secret tricks and
methods, over-emphasis of combative and too stalwart impulses, and a
disposition to carry things by storm, by rush-line tactics; friction
with faculties, and censure or neglect of instructors who take
unpopular sides on hot questions; action toward license after games,
spasmodic excitement culminating in excessive strain for body and
mind, with alternations of reaction; "beefiness"; overdevelopment of
the physical side of life, and, in some cases, premature features of
senility in later life, undergrowth of the accessory motor parts and
powers, and erethic diathesis that makes steady and continued mental
toil seem monotonous, dull, and boresome.
The propensity to codify sports, to standardize the weight and size of
their implements, and to reduce them to what Spencer calls
regimentation, is a outcrop of uniformitarianism that works against
that individuation which is one of the chief advantages of free play.
This, to be sure, has developed old-fashioned rounders to modern
baseball, and this is well, but it is seen in the elaborate Draconian
laws, diplomacy, judicial and legislative procedures, concerning
"eligibility, transfer, and even sale of players." In some games
international conformity is gravely discussed. Even where there is no
tyranny and oppression, good form is steadily hampering nature and the
free play of personality. Togs and targets, balls and bats, rackets
and oars are graded or numbered, weighed, and measured, and every
emergency is legislated on and judged by an autocratic martinet,
jealous of every prerogative and conscious of his dignity. All this
separates games from the majority and makes for specialism and
professionalism. Not only this, but men are coming to be sized up for
hereditary fitness in each point and for each sport. Runners,
sprinters, and jumpers,[18] we are told, on the basis of many careful
measurements, must be tall, with slender bodies, narrow but deep
chests, longer legs than the average for their height, the lower leg
being especially long, with small calf, ankle, and feet, small arms,
narrow hips, with great power of thoracic inflation, and thighs of
small girth. Every player must be studied by trainers for ever finer
individual adjustments. His dosage of work must be kept well within
the limits of his vitality, and be carefully adjusted to his
recuperative power. His personal nascent periods must be noted, and
initial embarrassment carefully weeded out.
The field of play is as wide as life and its varieties far outnumber
those of industries and occupations in the census. Plays and games
differ in seasons, sex, and age. McGhee[19] has shown on the basis of
some 8,000 children, that running plays are pretty constant for boys
from six to seventeen, but that girls are always far behind boys and
run steadily less from eight to eighteen. In games of choice, boys
showed a slight rise at sixteen and seventeen, and girls a rapid
increase at eleven and a still more rapid one after sixteen. In games
of imitation girls excel and show a marked, as boys do a slight,
pubescent fall. In those games involving rivalry boys at first greatly
excel girls, but are overtaken by the latter in the eighteenth year,
both showing marked pubescent increment. Girls have the largest number
of plays and specialise on a few less than boys, and most of these
plays are of the unorganized kinds. Johnson[20] selected from a far
larger number 440 plays and games and arranged the best of them in a
course by school grades, from the first to the eighth, inclusive, and
also according to their educational value as teaching observation,
reading and spelling, language, arithmetic, geography, history, and
biography, physical training, and specifically as training legs, hand,
arm, back, waist, abdominal muscles, chest, etc. Most of our best
games are very old and, Johnson thinks, have deteriorated. But
children are imitative and not inventive in their games, and easily
learn new ones. Since the Berlin Play Congress in 1894 the sentiment
has grown that these are of national importance and are preferable to
gymnastics both for soul and body. Hence we have play-schools,
teachers, yards, and courses, both for their own value and also to
turn on the play impulse to aid in the drudgery of school work.
Several have thought that a well-rounded, liberal education could be
given by plays and games alone on the principle that there is no
profit where there is no pleasure or true euphoria.
Play is motor poetry. Too early distinction between play and work
should not be taught. Education perhaps should really begin with
directing childish sports aright. Froebel thought it the purest and
most spiritual activity of childhood, the germinal leaves of all later
life. Schooling that lacks recreation favors dulness, for play makes
the mind alert and its joy helps all anabolic activities. Says
Brinton, "the measure of value of work is the amount of play there is
in it, and the measure of value of play is the amount of work there is
in it." Johnson adds that "it is doubtful if a great man ever
accomplished his life work without having reached a play interest in
it." Sully[21] deplores the increase of "agolasts" or "non-laughers"
in our times in merry old England[22] every one played games; and
laughter, their natural accompaniment, abounded. Queen Elizabeth's
maids of honor played tag with hilarity, but the spirit of play with
full abandon seems taking its departure from our overworked, serious,
and tons, age. To requote Stevenson with variation, as _laborari_, [To
labor] so _ludere, et joculari orare sunt_. [To play and to jest are
to pray] Laughter itself, as Kühne long ago showed, is one of the most
precious forms of exercise, relieving the arteries of their
tension.[23]
The antithesis between play and work is generally wrongly conceived,
for the difference is essentially in the degree of strength of the
psycho-physic motivations. The young often do their hardest work in
play. With interest, the most repellent tasks become pure sport, as in
the case Johnson reports of a man who wanted a pile of stone thrown
into a ditch and, by kindling a fire in the ditch and pretending the
stones were buckets of water, the heavy and long-shirked job was done
by tired boys with shouting and enthusiasm. Play, from one aspect of
it, is superfluous energy over and above what is necessary to digest,
breathe, keep the heart and organic processes going; and most children
who can not play, if they have opportunity, can neither study nor work
without overdrawing their resources of vitality. Bible psychology
conceives the fall of man as the necessity of doing things without
zest, and this is not only ever repeated but now greatly emphasized
when youth leaves the sheltered paradise of play to grind in the mills
of modern industrial civilization. The curse is overcome only by those
who come to love their tasks and redeem their toil again to play.
Play, hardly less than work, can be to utter exhaustion; and because
it draws upon older stores and strata of psycho-physic impulsion its
exhaustion may even more completely drain our kinetic resources, if it
is too abandoned or prolonged. Play can do just as hard and painful
tasks as work, for what we love is done with whole and undivided
personality. Work, as too often conceived, is all body and no soul,
and makes for duality and not totality. Its constraint is external,
mechanical, or it works by fear and not love. Not effort but zestless
endeavor is the tragedy of life. Interest and play are one and
inseparable as body and soul. Duty itself is not adequately conceived
and felt if it is not pleasure, and is generally too feeble and fitful
in the young to awaken much energy or duration of action. Play is from
within from congenital hereditary impulsion. It is the best of all
methods of organizing instincts. Its cathartic or purgative function
regulates irritability, which may otherwise be drained or vented in
wrong directions, exactly as Breuer[24] shows psychic traumata may, if
overtense, result in "hysterical convulsions." It is also the best
form of self-expression; and its advantage is variability, following
the impulsion of the idle, perhaps hyperemic, and overnourished
centers most ready to act. It involves play illusion and is the great
agent of unity and totalization of body and soul, while its social
function develops solidarity and unison of action between individuals.
The dances, feasts, and games of primitive people, wherein they
rehearse hunting and war and act and dance out their legends, bring
individuals and tribes together.[25] Work is menial, cheerless,
grinding, regular, and requires more precision and accuracy and,
because attended with less ease and pleasure and economy of movement,
is more liable to produce erratic habits. Antagonistic as the forms
often are, it may be that, as Carr says, we may sometimes so suffuse
work with the play spirit, and _vice versa_, that the present
distinction between work and play will vanish, the transition will be
less tragic and the activities of youth will be slowly systematised
into a whole that better fits his nature and needs; or, if not this,
we may at least find the true proportion and system between drudgery
and recreation.
The worst product of striving to do things with defective psychic
impulsion is fatigue in its common forms, which slows down the pace,
multiplies errors and inaccuracies, and develops slovenly habits,
ennui, flitting will specters, velleities and caprices, and
neurasthenic symptoms generally. It brings restlessness, and a
tendency to many little heterogeneous, smattering efforts that weaken
the will and leave the mind like a piece of well-used blotting paper,
covered with traces and nothing legible. All beginnings are easy, and
only as we leave the early stages of proficiency behind and press on
in either physical or mental culture and encounter difficulties, do
individual differences and the tendency of weak will, to change and
turn to something else increase. Perhaps the greatest disparity
between men is the power to make a long concentrative, persevering
effort, for _In der Beschränkung zeigt sich der Meister_ [The master
shows himself in limitation]. Now no kind or line of culture is
complete till it issues in motor habits, and makes a well-knit soul
texture that admits concentration series in many directions and that
can bring all its resources to bear at any point. The brain
unorganized by training has, to recur to Richter's well-worn aphorism,
saltpeter, sulfur, and charcoal, or all the ingredients of gunpowder,
but never makes a grain of it because they never get together. Thus
willed action is the language of complete men and the goal of
education. When things are mechanized by right habituation, there is
still further gain; for not only is the mind freed for further and
higher work, but this deepest stratum of motor association is a plexus
that determines not only conduct and character, but even beliefs. The
person who deliberates is lost, if the intellect that doubts and
weighs alternatives is less completely organised than habits. All will
culture is intensive and should safeguard us against the chance
influence of life and the insidious danger of great ideas in small and
feeble minds. Now fatigue, personal and perhaps racial, is just what
arrests in the incomplete and mere memory or noetic stage. It makes
weak bodies that command, and not strong ones that obey. It divorces
knowing and doing, _Kennen_ and _Können_, a separation which the
Greeks could not conceive because for them knowledge ended in skill or
was exemplified in precepts and proverbs that were so clear cut that
the pain of violating them was poignant. Ideas must be long worked
over till life speaks as with the rifle and not with the shotgun, and
still less with the water hose. The purest thought, if true, is only
action repressed to be ripened to more practical form. Not only do
muscles come before mind, will before intelligence, and sound ideas
rest on a motor basis, but all really useless knowledge tends to be
eliminated as error or superstition. The roots of play lie close to
those of creative imagination and idealism.
The opposite extreme is the factitious and superficial motivation of
fear, prizes, examinations, artificial and immediate rewards and
penalties, which can only tattoo the mind and body with conventional
patterns pricked in, but which lead an unreal life in the soul because
they have no depth of soil in nature or heredity. However precious and
coherent in themselves, all subject-matters thus organized are mere
lugs, crimps, and frills. All such culture is spurious, unreal, and
parasitic. It may make a scholastic or sophistic mind, but a worm is
at the root and, with a dim sense of the vanity of all knowledge that
does not become a rule of life, some form of pessimism is sure to
supervene in every serious soul. With age a civilization accumulates
such impedimenta, traditional flotsam and jetsam, and race fatigue
proceeds with equal step with its increasing volume. Immediate
utilities are better, but yet not so much better than acquisitions
that have no other than a school or examination value. If, as Ruskin
says, all true work is praise, all true play is love and prayer.
Instil into a boy's soul learning which he sees and feels not to have
the highest worth and which can not become a part of his active life
and increase it, and his freshness, spontaneity, and the fountains of
play slowly run dry in him, and his youth fades to early desiccation.
The instincts, feelings, intuitions, the work of which is always play,
are superseded by method, grind, and education by instruction which is
only an effort to repair the defects of heredity, for which, at its
best, it is vulgar, pinchbeck substitute. The best play is true
genius, which always comes thus into the world, and has this way of
doing its work, and all the contents of the memory pouches is luggage
to be carried rather than the vital strength that carries burdens.
Grosswell says that children are young because they play, and not
_vice versa_; and he might have added, men grow old because they stop
playing, and not conversely, for play is, at bottom, growth, and at
the top of the intellectual scale it is the eternal type of research
from sheer love of truth. Home, school, church, state, civilization,
are measured in one supreme scale of values, viz., whether and how,
for they aid in bringing youth to its fullest maturity. Even vice,
crime, and decline are often only arrest or backsliding or reversion.
National and racial decline beginning in eliminating one by one the
last and highest styles of development of body and mind, mental
stimulus of excessive dosage lowers general nutrition. A psychologist
that turns his back on mere subtleties and goes to work in a life of
service has here a great opportunity, and should not forget, as Horace
Mann said, "that for all that grows, one former is worth one hundred
reformers."
[Footnote 1: Interest in Relation to Muscular Exercise. American
Physical Education Review, June, 1902, vol. 7, pp. 57-65.]
[Footnote 2: The Influence of Exercise upon Growth by Frederic Burk.
American Physical Education Review, December, 1899, vol. 4, pp.
340-349.]
[Footnote 3: A Study of Dolls, by G. Stanley Hall and A.C. Ellis.
Pedagogical Seminary, December, 1896, vol. 4, pp. 129-175.]
[Footnote 4: Studies in Imagination, by Lilian H. Chalmers.
Pedagogical Seminary, April, 1900, vol. 7, pp. 111-123.]
[Footnote 5: Some Psychical Aspects of Physical Exercise. Popular
Science Monthly, October, 1898, vol. 53, pp. 703-805.]
[Footnote 6: Amusements of Worcester School Children. Pedagogical
Seminary, September, 1899, vol. 6, pp. 314-371.]
[Footnote 7: A Study in the Play Life of Some South Carolina Children.
Pedagogical Seminary, December, 1900, vol. 7, pp. 439-478.]
[Footnote 8: Arbeit und Rythmus. Trubner, Leipzig, 1896.]
[Footnote 9: Descent of Man. D. Appleton and Co., 1872, vol. 1, chap.
vi, p. 204 _et seq_]
[Footnote 10: Teasing and Bullying. Pedagogical Seminary, April, 1897,
vol. 4, pp. 336-371.]
[Footnote 11: See my Study of Anger. American Journal of Psychology,
July, 1899, vol. 10, pp. 516-591.]
[Footnote 12: Der deutsche Student am Ende des 19 Jahrhunderts, 6th
ed., Göschen, Leipzig, 1896. See also H. P. Shelden: History and
Pedagogy of American Student Societies, New York, 1901, p. 31 _et
seq_.]
[Footnote 13: Bushido: The Soul of Japan. An exposition of Japanese
thought, by Inazo Nitobé. New York, 1905, pp. 203 _et seq_.]
[Footnote 14: The Hearts of Men. Macmillan, 1901, chap. xxii.]
[Footnote 15: La Puberté. Schleicher Frères, éditeurs, Paris, 1902.]
[Footnote 16: See A.W. Trettien. Creeping and Walking. American
Journal of Psychology, October, 1900, vol. 12, pp. 1-57.]
[Footnote 17: Constructive and Preventive Philanthropy, by Joseph Lee.
Macmillan, New York, 1902, chaps. x and xi.]
[Footnote 18: C.O. Bernies. Physical Characteristics of the Runner and
Jumper. American Physical Education Review, September, 1900, vol. 5,
pp. 235-245.]
[Footnote 19: A Study in the Play Life of some South Carolina
Children. Pedagogical Seminary, December, 1900, vol. 7, pp. 459-478.]
[Footnote 20: Education by Plays and Games. Pedagogical Seminary,
October, 1894, vol. 3, pp. 97-133.]
[Footnote 21: An Essay on Laughter. Longmans, Green and Co., London,
1902, p. 427 _et seq_.]
[Footnote 22: See Brand's Popular Antiquities of Great Britain, 3
Vols., London, 1883.]
[Footnote 23: Psychology of Tickling, Laughing, and the Comic, by G.
Stanley Hall and Arthur Allin. American Journal of Psychology,
October, 1897, vol. 9, pp. 1-41.]
[Footnote 24: I. Breuer and S. Freud. Studien über Hysterie. F.
Deuticke, Wien, 1895. See especially p. 177 _et seq_.]
[Footnote 25: See a valuable discussion by H. A. Carr. The Survival
Values of Play, Investigations of the Department of Psychology and
Education of the University of Colorado, Arthur Allin, Ph.D., Editor,
November, 1902, vol. 1, pp. 3-47]
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