CHAPTER IX.

[Illustration]

It was market day at Libourne. We were aware of that from a very early

hour of the morning, as the complaining utterances of every class of

rickety waggon and ungreased wheel were wafted in at the windows of our

hotel, blended with the solid, carpet-like whacking of donkeys’ backs,

and the screams of their drivers, all ladies of advanced age and

leathern lung power. Monsieur and Madame A. called for us at nine, and

before setting forth on the legitimate expedition allotted to the day,

we drove round the market square.

[Illustration: MARKET PLACE, LIBOURNE.]

A helpless depression comes over us at the thought of attempting to

describe a foreign market-place. It has been so often done, and from

such an exhaustive number of points of view, that there seems nothing in

the least original left to be said. I do not suppose that any account of

journeyings in France is really perfect without a semi-humorous

description of an old woman under a great blue or a great red umbrella.

It should be dashed with a pathetic brilliancy, and there should, as a

rule, be something smouldering and suggestive of ancient coquetry about

the eyes of the old woman. We both felt this, and my cousin ran about

feverishly, snapping off Kodak plates in the most extravagant way, but

failing to find quite the old lady we wanted.

Another disappointment was the peasant straw hat upon which she had set

her heart, such a hat as I had bought in Brittany--conical,

broad-brimmed, many-coloured. We shouldered round the sunny, noisy

square, finding everything imaginable for sale except straw hats;

finally we left the open-air merchants, and in a bonnet shop, whose only

claim to romance was its position in the arcades that--like the ‘Rows’

at Chester--surrounded the square, she bought for twenty sous a hat that

might easily have been worn in Bond Street.

We were to be shown St. Emilion this delicious mid-June day,--by the

calendar it was about the

[Illustration: MY COUSIN RAN ABOUT FEVERISHLY, SNAPPING OFF KODAK PLATES

IN THE MOST EXTRAVAGANT WAY.]

8th or 9th of October, but it was evident that there was a mistake

somewhere,--and the drive to that small but remarkable town was one of

most brilliant and fragrant pleasantness. We were mounting up out of the

levels about Libourne, rising higher and higher into the bright morning,

till we could see some of the silver coils of the Dordogne beginning to

reveal themselves, and red-roofed villages broke through the vines on

the slopes below us, giving unexpected suggestions of Arcadia.

Presently above the coachman’s hat a yellow crocketed spire thrust

itself into the blue of the sky; there came crowding after it towers and

roofs, and finally a tall crumbling wall, standing quite alone outside

old fortifications, with nothing but the Gothic window-openings left to

show that it had once been part of a great church. We drove in through a

towered gateway, and over the cobble-stones dear to the writers of

mediæval romance and the makers of carriage springs, and, squeezing our

way along a street narrow enough to allow us to shake hands

simultaneously with the occupants of the houses on both sides, we pulled

up at the opening of a street too steep for a carriage. Down this we

went on foot, reminded a good deal of Clovelly, and yet glad that it was

not Clovelly, but a walled town in the heart of the vineyard country,

with a saint and a shrine, and a history as gorgeous as an illuminated

missal. Level ground was granted at last to our aching knees, a little

plateau where was a shading chestnut tree, a railing, and behind these

the unassuming front of an inn,--the Hôtel Dussaut, if our memories are

correct,--with its doors opening straight in upon a room where a

cleanly-laid table glimmered in the cool obscurity.

As we stood under the chestnut tree a sound as of the beating of eggs

rose to us presently from a flagged yard about fifteen feet below our

plateau, and, looking over the edge, we had an excellent bird’s-eye view

of two young ladies engaged respectively in beating a yellow compound

with a fork, and in shaking some other yellow compound in a frying-pan

over a charcoal fire. One of them wore _pince-nez_, both had early

Florentine shocks of hair, and a general appearance

[Illustration: THE ÆSTHETIC DAUGHTER OF THE HOTEL.]

of such æsthetic culture that we refused at first to believe that they

were preparing our _déjeuner_; and when later we seated ourselves at the

table within the French window, and received from the hands of the

wearer of the _pince-nez_ the delicious omelette that had been cooked in

the open air, we felt embarrassed by a sense of the favour conferred.

Our hostesses must, we fear, have been taken at a slight disadvantage by

us; we felt rather than saw some want of completeness in their attire

during the first stages of _déjeuner_,--a bareness as to neck, a

skimpiness as to skirt; but as the meal progressed, so did the

toilettes. By the time that we had finished our dish of smelts, with

their wonderful wood-sorrel sauce, the wearer of the _pince-nez_ was

glowing in a scarlet smocked silk jersey; and when the roast chicken was

placed on the table, her sister had endued a flowing skirt, and wreathed

her throat with some ten or twelve yards of amber beads. We could not

swear that the _pince-nez_ themselves had been changed, but certainly it

was only when dessert was arrived at that we noticed for the first time

that they were gold-rimmed, and were attached by a slim gold chain to a

brooch of barbaric splendour.

It was a dessert greatly to be remembered that we had at the Hôtel

Dussaut: the monster pears and grapes, the rich velvety wine of the

district, and finally, the _spécialité_ of the town, ordered expressly

for us by Monsieur A., the macaroons made at the convent according to an

ancient recipe known to the nuns. Certainly the ecclesiastical macaroon

transcends the secular variety; these come in warm and palpitating,

still cleaving to the white square of paper on which they had been

baked, looking like lumps of yellow foam at the foot of a waterfall,

melting in the mouth as foam itself might melt, and suggesting the idea

that the conventual life has its alleviations.

A small _salon_ opened out of the little verandah room in which our

lunch was served, a sitting-room replete with photograph frames, crochet

antimacassars, oil paintings, and green velvet furniture, and blocked in

one corner by the altogether astonishing circumstances of a bed, whose

sumptuous draperies suggested the proscenium of a puppet show. The

window looked down into a precipitous street at the back of the hotel,

and, craning out, the pointed arch of an old gateway was visible at the

top of the hill between the crooked lines of houses, the Porte de la

Cadène, so a little old-fashioned guide-book to St. Emilion informed us.

There was a long explanation of the name, from which we gathered that it

had something to say to the bar that once fastened the gate, but what

exactly it was not given to our poor intelligence to discover. Whenever

the guide-book felt that it was becoming unbefittingly lucid, it threw

in a few words of patois, or early French in inverted commas, and went

full speed ahead again, secure from pursuit. The photographs that

thronged the room, like Ruskin’s pine trees elsewhere referred to, ‘on

barren heights and inaccessible ledges, in quiet multitudes,’ proved a

more attractive study than the guide-book, and we travelled slowly round

the collection till we came upon a cabinet-sized head of a young lady

with disordered hair, _pince-nez_, a swan-like length of throat, and an

evening dress of which only a single row of Valenciennes trimming showed

above the lower edge of the photograph. We sat down before it with a

gasp, as we recognised in this ethereal being one of our late cooks, and

at the same instant Madame A. made the discovery of a dwarf easel on the

floor at the foot of the bed, on which a still larger portrait of a

lady, in the dress of a Russian princess, with an inscription to the

effect that she was Madame Dussaut herself, owner of the hotel, and

mother of the two peeresses who had served for us our admirable

_déjeuner_. We retired after this, and said that it would be better to

go away and see the town before we found out that these people were

closely related to the Bourbons, which seemed the next thing to expect.

The streets had the noonday heat and silence about them when we emerged

from beneath the chestnut tree, and went downhill to where a lofty

yellow cliff towered sheer in the hollow of the town, carrying on its

crest the crocketed spire that we had seen lifting its long throat above

its retainers like a serene highness, as we drove through the vineyards

to St. Emilion. Low down on the cliff, below the reach of the swinging

arms of a huge old fig tree that had rooted itself on the verge of the

yellow rock, were carvings like the façade of a church, and finally a

door disclosed itself, through which we plunged after our guides, much

as we had plunged into the private cellar of the Rothschilds. We were in

the famous monolith church, hewn and dug in the living cliff by monks,

headed by the industrious St. Emilion, in the eighth century, and going

down a few steps to the level of the floor, we looked about us in the

extremely moderate light that came through sloping shafts in the

thickness of the cliffs sixty feet above. The fig tree roots had

burrowed through the cliff, and hung in loops and knots from the roof,

intersecting the cold and dusty streaks of light, and the flicker of a

sun-lit green spray at the mouth of one of the shafts gave the solitary

touch of colour to the sombre vault. It was a bare, immense place, with

two rows of square pillars of solid rock supporting the arched roof,

black with age, empty of everything save a stone altar or two, and a few

tombs, dead silent, and abounding in dark hiding-places for rats and

bats. ‘All this makes you experience I know not what sentiment of

religious terror,’ exclaims the guide-book at this juncture, in discreet

rhapsody, having cantered through a page of architectural French, that

had almost resulted in a case of ‘Bellows to mend’ for the owner of that

admirable dictionary.

Our sentiments were far from religious after a tour of that church,

during which we had seen some hundreds of names, addresses, ages,

birthdays, engagements, and other data inscribed in the soft stone by

tourists. Only those who have seen the coronation chair in Westminster

Abbey gashed with vile initials, could believe the ravages of vulgarity

at St. Emilion. The pillars and tombs were fully garnished with these

hall marks of the barbarian. That was only to be expected, as even the

bones in the tombs had been carried away bit by bit as agreeable

souvenirs, but one would have imagined that the altar might have been

spared. It was here, however, and on the old bas-relief above the altar,

that a gentleman called Merritt had achieved his deadliest triumphs; we

tracked him subsequently through the grotto of St. Emilion and the

monastery cloisters, but this was his highest effort, and probably the

one that he recounts with most pride to his envious acquaintances. May

the milkman and butcher’s boy scribble his name upon the imitation

granite of his suburban door-posts, and may it be wiped out from the

will of his father-in-law!

We went on into a sort of _annexe_ of the church, into which they used

to shoot people through _oubliettes_ when they became superfluous, and

thence we scrambled out into the street again, and across to the grotto

of St. Emilion. Apparently the saint had not been able to find anything

above ground that combined privacy with excruciating discomfort, and

accordingly scratched out this rabbit hole a dozen feet below the rest

of the community, and lived there in damp and darkness for twenty or

thirty years. His furniture was limited. The light of a match showed a

bed cut in the wall, with a bolster of the same sympathetic description,

a stone block for a table, another for a chair, and a holy well in an

alcove. The old woman who had charge of the grotto struck another match,

and held it low in the alcove of the sacred well for us to see the dark

gleam of the water. It was more like a shallow pool than a well, and the

water lay still and perfectly transparent upon its yellow bed. Its

ancient nymph scooped up a tumblerful with the assurance that it was the

best in the world, and when we had satisfactorily tasted it, she lowered

her match and said archly, ‘_Et les épingles. Regardez les épingles,

mesdemoiselles._’

We regarded as desired, and saw lying at the bottom of the pool a small

collection of pins, some old and rusty enough to have fastened up St.

Emilion’s gown on wet days, others new and glittering. These, it was

explained by the old lady with many knowing side-glances at our

companions, were a means of fortune-telling peculiar to the sacred well.

Gentlemen and ladies who visited it were accustomed to drop two pins

into it, and if these fell so as to form a cross, then the thrower would

be married before the year was out; this was asseverated with chapter

and verse, and the testimony of brides and bridegrooms who had returned

there on their honeymoons. I searched silently and secretly in my inner

economy for a

[Illustration: ‘ET LES ÉPINGLES, MESDEMOISELLES.’]

pin; so, I perceived, did my cousin, but apparently without better

success than I. The chief props of a declining costume could not be

sacrificed to superstition, and our fortunes remain undivined to this

day.

There was more, much more, to be seen in St. Emilion, and we saw some of

it. We trust it may yet be given to us to stay for a clear three days at

the hotel of the Russian princess, and to dawdle in a trance of idleness

up and down the little streets, unharassed by time, or letter-writing,

or newspapers. As it was, we went slowly and gradually round the

beautiful ruins of a monastery in the upper part of the town, where the

beeches and ashes grew freely in the nave and side aisles, and spread

what shelter they could over the defenceless shafts and columns. The

remembrance of those still cloisters, with their leafy sunlight

flickering year after year on the worn flags and the gentle invasions of

the grass, is pleasant in the mind--a possession chief among many gains

of that very white day at St. Emilion. The bell-foundry working

leisurely in the blackened shell of what had been another monastery was

an episode in perfect keeping with the general religious calm of the

town; so was the Pilgrim’s-Progress kind of landscape that we viewed

from a corner of the fortifications--a delectable land, lying wide and

rich in the hot afternoon haze. Indeed, had it not been that in a quiet

back street we came upon a group of old women who sat knitting at their

vine-hung doors, and discussed with shrill and personal directness the

intentions of one of the party with regard to her will, we might have

thought it was ‘within in in heaven we were,’ as an Irishman said, with

an intensifying wealth of prepositions, in describing a whisky tent.

In the vine country · 第 9 / 12 章