The Bath. Jean Leon Gerome, 1824-1903

The bright Turkish interior, which Gerome has chosen for his scene, gives

it a colorful setting. The walls are covered with rich blue-green tiles.

The brilliant garment thrown over the seat at the right, and the towel

hanging above it give the complementary colors. Against this vivid ground

are played the cool flesh tones of the seated woman and the sleek, dusky

skin of the negro attendant. Further color and exotic interest are given

by the gaudy bangles and kerchief of the slave.

Gerome is usually classed with Bouguereau among the semi-classicists of

the XIX century in France. In his work, we find the strong interest in

contours, in reposeful composition, and in smooth finish for which the

academy stood, while his subjects take us to the romantic Orient and

spread before us the pageantry of history.—Gift of Mrs. Frederick B. Wells

in memory of her father, Frank H. Peavey.

[The Storming of Tel-el-Kebir. Alphonse de Neuville, 1836-1883]

Handbook of the Minneapolis Institute of Arts With 143 Illustrations · 第 138 / 171 题