Winter, Six-fold Screen, by Yeitoku, 1543-1590

Under the patronage of Hideyoshi and his ennobled generals, the sober

refinement of Ashikaga art gave way to gorgeous decoration, resplendent

with gold and brilliant colors, that shows the influence of the mature

Ming style of China. The leading artist of this period in Japan was

Yeitoku (1543-1590), who with his numerous pupils painted sumptuous

decorations for the palaces of the wealthy nobles. By Yeitoku are the two

large screens illustrated above. This artist created perhaps the greatest

purely decorative style of painting that the world has ever known.

After the death of Hideyoshi in 1602, Iyeyasu founded the Tokugawa

Shogunate (1603-1867). During the long “Tokugawa peace” various schools of

art developed. Koetsu (d. 1637) and his great followers, Sotatsu (middle

XVIII century) and Korin (d. 1716), established the so-called Korin

school, seeking to combine the rich coloring of pre-Ashikaga days with the

bold treatment of the Zen school. Kano Tanyu and his followers attempted

to return to the purity of the Ashikaga masters, but met with only partial

success. Patronage was largely in the hands of a prosperous middle class

who demanded something more easily understood than the aristocratic art of

the earlier periods. To meet this demand a more democratic school arose,

and many gifted artists through their paintings of popular festivals and

other familiar scenes prepared the way for the Ukiyo-e, or school of

common life. Under the inspiration of this popular school, the art of

printing in colors from wood blocks was brought to a high state of

perfection. Little original work of any importance has been produced in

Japan since the Restoration in 1868.

[Tiger, Attributed to Sesshu, 1420-1506. After a Design by Yen-Hiu,

1082-1135. Gift of Charles L. Freer]

Tiger, Attributed to Sesshu, 1420-1506. After a Design by Yen-Hiu,

1082-1135. Gift of Charles L. Freer

[Covered Box, Cloisonne Enamel. Japanese, XIX Century. Decorated in the

Old Korean Style.]

Covered Box, Cloisonne Enamel. Japanese, XIX Century. Decorated in the

Old Korean Style.

Handbook of the Minneapolis Institute of Arts With 143 Illustrations · 第 40 / 171 题