CHAPTER VI.

"I do not know

One of my sex; no woman's face remember

Save, from my glass, mine own."

In the afternoon Phillis, who was "writing up" her diary after the

manner of the ancient Aztec, received a visitor. For the first time in

her life the girl found herself face to face with--a lady. Men she

knew--chiefly men of advanced age; they came to dine with Abraham

Dyson. Women-servants she knew, for she had a French maid--imported

too young to be mischievous; and there had been a cook at Highgate,

with two or three maids. Not one of these virgins possessed the art of

reading, or they would never have been engaged by Mr. Dyson. Nor was

she encouraged by her guardian to talk with them. Also she knew that

in the fulness of time she was to be somehow transferred from the

exclusive society of men to that in which the leading part would be

taken by ladies--women brought up delicately like herself, but not

all, unhappily, on the same sound fundamental principle of oral

teaching.

Among the loose odds and ends which remained in Mr. Dyson's

portfolios, and where lay all that Joseph Jagenal could ever find to

help in completing his great system of education, was the following

scrap:--

"Women brought up with women are hindered in their perfect

development. Let the girls be separated from the society of their sex,

and be educated mostly among men. In this way the receptivity of the

feminine mind may be turned to best account in the acquirement of

robust masculine ideas. Every girl may become a mother; let her

therefore sit among men and listen."

Perhaps this deprivation of the society of her own sex was a greater

loss to Phillis than her ignorance of reading. Consider what it

entailed. She grew up without the most rudimentary notions of the

great art of flirtation; she had never even heard of looking out for

an establishment; she had no idea of considering every young man as a

possible husband; she had, indeed, no glimmerings, not the faintest

streak of dawning twilight in the matter of love; while as for

angling, hooking a big fish and landing him, she was no better than a

heathen Hottentot. This was the most important loss, but there were

others; she knew how to dress, partly by instinct, partly by looking

at pictures; but she knew nothing about Making-up. Nature, which gave

her the figure of Hebe, made this loss insignificant to her, though it

is perhaps the opinion of Mr. Worth that there is no figure so good

but Art can improve it. But not to _know_ about Making-up is, for

a woman, to lose a large part of useful sympathy for other women.

Again, she knew nothing of the way in which girls pour little

confidences, all about trifles, into each other's ears; she had not

cultivated that intelligence which girls can only learn from each

other, and which enables them to communicate volumes with a

half-lifted eyelid; she had a man's way of saying out what she

thought, and even, so far as her dogmatic training permitted, of

thinking for herself. She did not understand the mystery with which

women enwrap themselves, partly working on the imagination of youth,

and partly through their love of secluded talk--a remnant of barbaric

times, and a proof of the subjection of the sex, the _frou-frou_

of life was lost to her. And being without mystery, with the art of

flirtation, with nothing to hide and no object to gain, Phillis was

entirely free from the great vice into which women of the weaker

nature are apt to fall--she was perfectly and wholly truthful.

And now she was about to make acquaintance for the first time with a

lady--one of her own sex and of her own station.

I suppose Phillis must have preserved the characteristic instincts of

her womanhood, despite her extraordinary training, because the first

thing she observed was that her visitor was dressed in a style quite

beyond her power of conception and imperfect taste. So she generalised

from an individual case, and jumped at the notion that here was a very

superior woman indeed.

The superiority was in the "young person" at Melton and Mowbray's, who

designed the dress; but that Phillis did not know.

A more remarkable point with Mrs. Cassilis, Phillis's visitor, than

her dress was her face. It was so regular as to be faultless. It might

have been modelled, and so have served for a statue. It was also as

cold as a face of marble. Men have prayed--men who have fallen into

feminine traps--to be delivered from every species of woman except the

cold woman; even King Solomon, who had great opportunities, including

long life, of studying the sex, mentions her not; and yet I think that

she is the worst of all. Lord, give us tender-hearted wives! When we

carve our ideal woman in marble, we do not generally choose the wise

Minerva nor the chaste Diana, but Venus, soft-eyed, lissom,

tender--and generally true.

Mrs. Cassilis called. As she entered the room she saw a tall and

beautiful girl, with eyes of a deep brown, who rose to greet her with

a little timidity. She was taken by surprise. She expected to find a

rough and rather vulgar young woman, of no style and unformed manners.

She saw before her a girl whose attitude spoke unmistakably of

delicacy and culture. Whatever else Miss Fleming might be, she was

clearly a lady. That was immediately apparent, and Mrs. Cassilis was

not likely to make a mistake on a point of such vital importance. A

young lady of graceful figure, most attractive face, and, which was

all the more astonishing, considering her education, perfectly

dressed. Phillis, in fact, was attired in the same simple morning

costume in which she had taken her early morning walk. On the table

before her were her sketch-book and her pencils.

Mrs. Cassilis was dressed, for her part, in robes which it had taken

the highest talent of Regent Street to produce. Her age was about

thirty. Her cold face shone for a moment with the wintery light of a

forced smile, but her eyes did not soften, as she took Phillis's hand.

Phillis's pulse beat a little faster, in spite of her courage.

Art face to face with Nature. The girl just as she left her nunnery,

ignorant of mankind, before the perfect woman of the world. They

looked curiously in each other's eyes. Now the first lesson taught by

the world is the way to dissemble. Mrs. Cassilis said to herself,

"Here is a splendid girl. She is not what I expected to see. This is a

girl to cultivate and bring out--a girl to do one credit." But she

said aloud--

"Miss Fleming? I am sure it is. You are _exactly_ the sort of a girl I

expected."

Then she sat down and looked at her comfortably.

"I am the wife of your late guardian's nephew--Mr. Gabriel Cassilis.

You have never met him yet; but I hope you will very soon make his

acquaintance."

"Thank you," said Phillis simply.

"We used to think, until Mr. Dyson died and his preposterous will was

read, that his eccentric behaviour was partly your fault. But when we

found that he had left you nothing, of course we felt that we had done

you an involuntary wrong. And the will was made when you were a mere

child, and could have no voice or wish in the matter."

"I had plenty of money," said Phillis; "why should poor Mr. Dyson want

to leave me any more?"

Quite untaught. As if any one could have too much money!

"Forty thousand pounds a year! and all going to Female education. Not

respectable Female education. If it had been left to Girton College,

or even to finding bread-and-butter, with the Catechism and

Contentment, for charity girls in poke bonnets, it would have been

less dreadful. But to bring up young ladies as you were brought up, my

poor Miss Fleming----"

"Am I not respectable?" asked Phillis, as humbly as a West Indian

nigger before emancipation asking if he was not a man and a brother.

"My dear child, I hear you cannot even read and write."

"That is quite true."

"But everybody learns to read and write. All the Sunday school

children even know how to read and write."

"Perhaps that is a misfortune for the Sunday school children," Phillis

calmly observed; "it would very likely be better for the Sunday school

children were they taught more useful things." Here Phillis was

plagiarising--using Mr. Dyson's own words.

"At least every one in society knows them. Miss Fleming, I am ten

years older than you, and, if you will only trust me, I will give you

such advice and assistance as I can."

"You are very kind," said Phillis, with a little distrust, of which

she was ashamed. "I know that I must be very ignorant, because I have

already seen so much, that I never suspected before. If you will only

tell me of my deficiencies I will try to repair them. And I can learn

reading and writing any time, you know, if it is at all necessary."

"Then let us consider. My poor girl, I fear you have to learn the very

rudiments of society. Of course you are quite ignorant of things that

people talk about. Books are out of the question. Music and concerts;

art and pictures; china--perhaps Mr. Dyson collected?"

"No."

"A pity. China would be a great help; the opera and theatres; balls

and dancing; the rink----"

"What is the rink?" asked Phillis.

"The latest addition to the arts of flirtation and killing time.

Perhaps you can fall back upon Church matters. Are you a Ritualist?"

"What is that?"

"My dear girl"--Mrs. Cassilis looked unutterable horror as a thought

struck her--"did you actually never go to church?"

"No. Mr. Dyson used to read prayers every day. Why should people go to

church when they pray?"

"Why? why? Because people in society all go; because you must set an

example to the lower orders. Dear me! It is very shocking! and girls

are all expected to take such an interest in religion. But the first

thing is to learn reading."

She had been carrying a little box in her hands all this time, which

she now placed on the table and opened. It contained small wooden

squares, with gaudy pictures pasted on them.

"This is a Pictorial Alphabet: an introduction to all education. Let

me show you how to use it. What is this?"

She held up one square.

"It is a very bad picture, abominably coloured, of a hatchet or a

kitchen chopper."

"An axe, my dear--A, x, e. The initial letter A is below in its two

forms. And this?"

"That is worse. I suppose it is meant for a cow. What a cow!"

"Bull, my dear--B, u, l, l, bull. The initial B is below."

"And is this," asked Phillis, with great contempt, "the way to learn

reading? A kitchen chopper stands for A, and a cow with her legs out

of drawing stands for B. Unless I can draw my cows for myself, Mrs.

Cassilis, I shall not try to learn reading."

"You can draw, then?"

"I draw a little," said Phillis. "Not so well, of course, as girls

brought up respectably."

"Pardon me, my dear Miss Fleming, if I say that sarcasm is not

considered good style. It fails to attract."

Good style, thought Phillis, means talking so as to attract.

"Do let me draw you," said Phillis. Her temper was not faultless, and

it was rising by degrees, so that she wanted the relief of silence.

"Do let me draw you as you sit there."

She did not wait for permission, but sketched in a few moments a

profile portrait of her visitor, in which somehow the face, perfectly

rendered in its coldness and strength, was without the look which its

owner always thought was there--the look which invites sympathy. The

real unsympathetic nature, caught in a moment by some subtle artist's

touch, was there instead. Mrs. Cassilis looked at it, and an angry

flush crossed her face, which Phillis, wondering why, noted.

"You caricature extremely well. I congratulate you on that power, but

it is a dangerous accomplishment--even more dangerous than the

practice of sarcasm. The girl who indulges in the latter at most fails

to attract; but the caricaturist repels."

"Oh!" said Phillis, innocent of any attempt to caricature, but trying

to assimilate this strange dogmatic teaching.

"We must always remember that the most useful weapons in a girl's

hands are those of submission, faith and reverence. Men hate--they

hate and detest--women who think for themselves. They positively

loathe the woman who dares turn them into ridicule."

She looked as if she could be one of the few who possess that daring.

"Fortunately," she went on, "such women are rare. Even among the

strong-minded crew, the shrieking sisterhood, most of them are obliged

to worship some man or other of their own school."

"I don't understand. Pardon me, Mrs. Cassilis, that I am so stupid. I

say what I think, and you tell me I am sarcastic."

"Girls in society never say what they think. They assent, or at best

ask a question timidly."

"And I make a little pencil sketch of you, and you tell me I am a

caricaturist."

"Girls who can draw must draw in the conventional manner recognised by

society. They do not draw likenesses; they copy flowers, and sometimes

draw angels and crosses. To please men they draw soldiers and horses."

"But why cannot girls draw what they please? And why must they try to

attract?"

Mrs. Cassilis looked at this most innocent of girls with misgiving.

_Could_ she be so ignorant as she seemed, or was she pretending.

"Why? Phillis Fleming, only ask me that question again in six months'

time if you dare."

Phillis shook her head; she was clearly out of her depth.

"Have you any other accomplishments?"

"I am afraid not. I can play a little. Mr. Dyson liked my playing; but

it is all from memory and from ear."

"Will you, if you do not mind, play something to me?"

Victoria Cassilis cared no more for music than the deaf adder which

hath no understanding. By dint of much teaching, however, she had

learned to execute creditably. The playing of Phillis, sweet,

spontaneous, and full of feeling, had no power to touch her heart.

"Ye-yes," she said, "that is the sort of playing which some young men

like: not those young men from Oxford who 'follow' Art, and pretend to

understand good music. You may see them asleep at afternoon recitals.

You must play at small parties only, Phillis. Can you sing?"

"I sing as I play," said Phillis, rising and shutting the piano. "That

is only, I suppose, for small parties." The colour came into her

cheeks, and her brown eyes brightened. She was accustomed to think

that her playing gave pleasure. Then she reproached herself for

ingratitude, and she asked pardon. "I am cross with myself for being

so deficient. Pray forgive me, Mrs. Cassilis. It is very kind of you

to take all this trouble."

"My dear, you are a hundred times better than I expected."

Phillis remembered what she had said ten minutes before, but was

silent.

"A hundred times better. Can you dance, my dear?"

"No. Antoinette tells me how she used to dance with the villagers when

she was a little girl at Yport."

"That can be easily learned. Do you ride?"

At any other time Phillis would have replied in the affirmative. Now

she only asserted a certain power of sticking on, acquired on

pony-back and in a paddock. Mrs. Cassilis sighed.

"After all, a few lessons will give you a becoming seat. Nothing so

useful as clever horsemanship. But how shall we disguise the fact that

you cannot read or write?"

"I shall not try to disguise it," Phillis cried, jealous of Mr.

Dyson's good name.

"Well, my dear, we come now to the most important question of all.

Where do you get your dresses?"

"O Mrs. Cassilis! do not say that my dresses are calculated to repel!"

cried poor Phillis, her spirit quite broken by this time. "Antoinette

and I made this one between us. Sometimes I ordered them at Highgate,

but I like my own best."

Mrs. Cassilis put up a pair of double eye-glasses, because they were

now arrived at a really critical stage of the catechism. There was

something in the simple dress which forced her admiration. It was

quite plain, and, compared with her own, as a daisy is to a dahlia.

"It is a very nice dress," she said critically. "Whether it is your

figure, or your own taste, or material, I do not know; but you are

dressed _perfectly_, Miss Fleming. No young lady could dress better."

Women meet on the common ground of dress. Phillis blushed with

pleasure. At all events, she and her critic had something on which

they could agree.

"I will come to-morrow morning, and we will examine your wardrobe

together, if you will allow me; and then we will go to Melton &

Mowbray's. And I will write to Mr. Jagenal, asking him to bring you to

dinner in the evening, if you will come."

"I should like it very much," said Phillis. "But you have made me a

little afraid."

"You need not be afraid at all. And it will be a very small party. Two

or three friends of my husband's, and two men who have just come home

and published a book, which is said to be clever. One is a brother of

Lord Isleworth, Mr. Ronald Dunquerque, and the other is a Captain

Ladds. You have only to listen and look interested."

"Then I will come. And it is very kind of you, Mrs. Cassilis,

especially since you do not like me."

That was quite true, but not a customary thing to be said. Phillis

perceived dislike in the tones of her visitor's voice, in her eyes, in

her manner. Did Mrs. Cassilis dislike her for her fresh and

unsophisticated nature, or for her beauty, or for the attractiveness

which breathed from every untaught look and gesture of the girl?

Swedenborg taught that the lower nature cannot love the nobler; that

the highest heavens are open to all who like to go there, but the

atmosphere is found congenial to very few.

"Not like you!" Mrs. Cassilis, hardly conscious of any dislike,

answered after her kind. "My dear, I hope we shall like each other

very much. Do not let fancies get into your pretty head. I shall try

to be your friend, if you will let me."

Again the wintry smile upon the lips, and the lifting of the cold

eyes, which smiled not.

But Phillis was deceived by the warmth of the words. She took her

visitor's hand and kissed it. The act was a homage to the woman of

superior knowledge.

"Oh yes," she murmured, "if you only will."

"I shall call you Phillis. My name is Victoria."

"And you will tell me more about girls in society."

"I will show you girls in society, which is a great deal better for

you," said Mrs. Cassilis.

"I looked at the girls I saw yesterday as we drove through the

streets. Some of them were walking like this." She had been standing

during most of this conversation, and now she began walking across the

room in that ungraceful pose of the body which was more affected last

year than at present. Ladies do occasionally have intervals of lunacy

in the matter of taste, but if you give them time they come round

again. Even crinolines went out at last, after the beauty of a whole

generation had been spoiled by them. "Then there were others, who

walked like this." She laid her head on one side, and affected a

languid air, which I have myself remarked as being prevalent in the

High Street of Islington. Now the way from Highgate to Carnarvon

Square lies through that thoroughfare. "Then there were the boys. I

never dreamed of such a lot of boys. And they were all whistling. This

was the tune."

She threw her head back, and began to whistle the popular song of last

spring. You know what it was. It came between the favourite air from

the _Fille de Madame Angot_ and that other sweet melody, "Tommy, make

room for your Uncle," and was called "Hold the Fort." It refreshed the

souls of Revivalists in Her Majesty's Theatre, and of all the

street-boys in this great Babylon.

Mrs. Cassilis positively shrieked:

"My dear, _dear_ DEAR girl," she cried, "you MUST not whistle!"

"Is it wrong to whistle?"

"Not morally wrong, I suppose. Girls never do anything morally wrong.

But it is far worse, Phillis, far worse; it is unspeakably vulgar."

"Oh," said Phillis, "I am so sorry!"

"And, my dear, one thing more. Do not cultivate the power of mimicry,

which you undoubtedly possess. Men are afraid of young ladies who can

imitate them. For actresses, authors, artists, and common people of

that sort, of course it does not matter. But for us it is different.

And now, Phillis, I must leave you till to-morrow. I have great hopes

of you. You have an excellent figure, a very pretty and attractive

face, winning eyes, and a taste in dress which only wants cultivation.

And that we will begin to-morrow at Melton and Mowbray's."

"Oh yes," said Phillis, clapping her hands, "that will be delightful!

I have never seen a shop yet."

"She has--never--seen--a Shop!" cried Mrs. Cassilis. "Child, it is

hard indeed to realise your Awful condition of mind. That a girl of

nineteen should be able to say that she has never seen a Shop! My

dear, your education has been absolutely unchristian. And poor Mr.

Dyson, I fear, cut off suddenly in his sins, without the chance of

repentance."

The Golden Butterfly · 第 6 / 45 章