PREFACE TO THE EDITION OF 1814

The Title-page announces that this is only a portion of a poem; and the

Reader must be here apprised that it belongs to the second part of a

long and laborious Work, which is to consist of three parts.--The Author

will candidly acknowledge that, if the first of these had been completed,

and in such a manner as to satisfy his own mind, he should have preferred

the natural order of publication, and have given that to the world first;

but, as the second division of the Work was designed to refer more to

passing events, and to an existing state of things, than the others were

meant to do, more continuous exertion was naturally bestowed upon it, and

greater progress made here than in the rest of the poem; and as this part

does not depend upon the preceding, to a degree which will materially

injure its own peculiar interest, the Author, complying with the earnest

entreaties of some valued Friends, presents the following pages to the

Public.

It may be proper to state whence the poem, of which _The Excursion_ is

a part, derives its Title of THE RECLUSE.--Several years ago, when the

Author retired to his native mountains, with the hope of being enabled to

construct a literary Work that might live, it was a reasonable thing that

he should take a review of his own mind, and examine how far Nature and

Education had qualified him for such employment. As subsidiary to this

preparation, he undertook to record, in verse, the origin and progress

of his own powers, as far as he was acquainted with them. That Work,[A]

addressed to a dear Friend, most distinguished for his knowledge and

genius, and to whom the Author's Intellect is deeply indebted, has been

long finished; and the result of the investigation which gave rise to it

was a determination to compose a philosophical poem, containing views of

Man, Nature, and Society; and to be entitled, _The Recluse_; as having

for its principal subject the sensations and opinions of a poet living

in retirement.--The preparatory poem[M] is biographical, and conducts

the history of the Author's mind to the point when he was emboldened to

hope that his faculties were sufficiently matured for entering upon the

arduous labour which he had proposed to himself; and the two Works have

the same kind of relation to each other, if he may so express himself,

as the ante-chapel has to the body of a gothic church. Continuing this

allusion, he may be permitted to add, that his minor Pieces, which have

been long before the Public, when they shall be properly arranged,[N]

will be found by the attentive Reader to have such connection with the

main Work as may give them claim to be likened to the little cells,

oratories, and sepulchral recesses, ordinarily included in those edifices.

The Author would not have deemed himself justified in saying, upon this

occasion, so much of performances either unfinished, or unpublished,

if he had not thought that the labour bestowed by him upon what he

has heretofore and now laid before the Public, entitled him to candid

attention for such a statement as he thinks necessary to throw light

upon his endeavours to please and, he would hope, to benefit his

countrymen.--Nothing further need be added, than that the first and

third parts of _The Recluse_ will consist chiefly of meditations in the

Author's own person; and that in the intermediate part (_The Excursion_)

the intervention of characters speaking is employed, and something of a

dramatic form adopted.

It is not the Author's intention formally to announce a system: it was

more animating to him to proceed in a different course; and if he shall

succeed in conveying to the mind clear thoughts, lively images, and

strong feelings, the Reader will have no difficulty in extracting the

system for himself. And in the mean time the following passage, taken

from the conclusion of the first book of _The Recluse_, may be acceptable

as a kind of _Prospectus_ of the design and scope of the whole Poem.

"On Man, on Nature, and on Human Life,

Musing in solitude, I oft perceive

Fair trains of imagery before me rise,

Accompanied by feelings of delight

Pure, or with no unpleasing sadness mixed; 5

And I am conscious of affecting thoughts

And dear remembrances, whose presence soothes

Or elevates the Mind, intent to weigh

The good and evil of our mortal state.

--To these emotions, whencesoe'er they come, 10

Whether from breath of outward circumstance,

Or from the Soul--an impulse to herself--

I would give utterance in numerous verse.

Of Truth, of Grandeur, Beauty, Love, and Hope,

And melancholy Fear subdued by Faith; 15

Of blessed consolations in distress;

Of moral strength, and intellectual Power;

Of joy in widest commonalty spread;

Of the individual Mind that keeps her own

Inviolate retirement, subject there 20

To Conscience only, and the law supreme

Of that Intelligence which governs all--

I sing:--'fit audience let me find though few!'[O]

"So prayed, more gaining than he asked, the Bard--

In holiest mood.[1] Urania,[P] I shall need 25

Thy guidance, or a greater Muse, if such

Descend to earth or dwell in highest heaven!

For I must tread on shadowy ground, must sink

Deep--and, aloft ascending, breathe in worlds

To which the heaven of heavens is but a veil. 30

All strength--all terror, single or in bands,

That ever was put forth in personal form--

Jehovah--with his thunder, and the choir

Of shouting Angels, and the empyreal thrones--

I pass them unalarmed. Not Chaos, not 35

The darkest pit of lowest Erebus,

Nor aught of blinder vacancy, scooped out

By help of dreams--can breed such fear and awe

As fall upon us often when we look

Into our Minds, into the Mind of Man-- 40

My haunt, and the main region of my song.

--Beauty--a living Presence of the earth,

Surpassing the most fair ideal Forms

Which craft of delicate Spirits hath composed

From earth's materials--waits upon my steps; 45

Pitches her tents before me as I move,

An hourly neighbour. Paradise, and groves

Elysian, Fortunate Fields--like those of old

Sought in the Atlantic Main[Q]--why should they be

A history only of departed things, 50

Or a mere fiction of what never was?

For the discerning intellect of Man,

When wedded to this goodly universe

In love and holy passion, shall find these

A simple produce of the common day. 55

--I, long before the blissful hour arrives,

Would chant, in lonely peace, the spousal verse

Of this great consummation:--and, by words

Which speak of nothing more than what we are,

Would I arouse the sensual from their sleep 60

Of Death, and win the vacant and the vain

To noble raptures; while my voice proclaims

How exquisitely the individual Mind

(And the progressive powers perhaps no less

Of the whole species) to the external World 65

Is fitted:--and how exquisitely, too--

Theme this but little heard of among men--

The external World is fitted to the Mind;

And the creation (by no lower name

Can it be called) which they with blended might 70

Accomplish:--this is our high argument.

--Such grateful haunts foregoing, if I oft

Must turn elsewhere--to travel near the tribes

And fellowships of men, and see ill sights

Of madding passions mutually inflamed; 75

Must hear Humanity in fields and groves

Pipe solitary anguish; or must hang

Brooding above the fierce confederate storm

Of sorrow, barricadoed evermore

Within the walls of cities--may these sounds 80

Have their authentic comment; that even these

Hearing, I be not downcast or forlorn!--

Descend, prophetic Spirit![2] that inspir'st

The human Soul of universal earth,

Dreaming on things to come;[R] and dost possess 85

A metropolitan temple in the hearts

Of mighty Poets: upon me bestow

A gift of genuine insight; that my Song

With star-like virtue in its place may shine,

Shedding benignant influence, and secure, 90

Itself, from all malevolent effect

Of those mutations that extend their sway

Throughout the nether sphere!--And if with this

I mix more lowly matter; with the thing

Contemplated, describe the Mind and Man 95

Contemplating; and who, and what he was--

The transitory Being that beheld

This Vision; when and where, and how he lived;--

Be not this labour useless. If such theme

May sort with highest objects, then--dread Power!

Whose gracious favour is the primal source 101

Of all illumination--may my Life

Express the image of a better time,

More wise desires, and simpler manners;--nurse

My Heart in genuine freedom:--all pure thoughts 105

Be with me;--so shall thy unfailing love

Guide, and support, and cheer me to the end!"

The Poetical Works of William Wordsworth — Volume 5 (of 8) · 第 23 / 108 题