HEVER CASTLE, PENSHURST, AND TONBRIDGE

Here is a circular journey of the apparently modest total of

thirty-three miles. If, however, we consider that a portion of it is

hilly, and that the whole abounds with places to be seen, why, then,

this is by no means a short route. Any portion of this irregularly

shaped circle is within easy access of a railway station—Westerham,

Edenbridge, Hever, Penshurst, Tonbridge of course—Hildenborough,

Sevenoaks, and Brasted—all having stations of their own. It matters

little from which point you begin the round. Let us, however, say

Westerham, to which access is obtained on the railway by the branch

line from Dunton Green. Westerham is a terminus, a large village or

small town lying beneath the shadow of the immemorial hills, along

whose steep sides, marked by a line of occasional ancient yews, goes

the old Pilgrims’ Way between Winchester and Canterbury. The great

historic figure connected with Westerham is General Wolfe, the victor

of Quebec. There is a cenotaph to him in the parish church, and another

in Squerryes Park, just outside the village. The vicarage, too, was his

birthplace.

[Illustration: Map—WESTERHAM to TONBRIDGE]

Westerham has nothing in common with modernity. It seems to have had

a great era of building in the time of Queen Anne and of the early

Georges, and to have exhausted itself in the effort; which is equal

to saying that Westerham is delightfully old-world, with great red

brick mansions and old gardens, and elbow-room everywhere. Here is

the picturesque beginning of the river Darenth, crossing the road

on its way down to Darenth and Dartford, to turn many mills, and to

finally lose itself in the defiled waters of the lower Thames. The road

descends from Westerham to Edenbridge, passing on the way the fork of

the road where a guide-post directs by a short route to Chiddingstone,

Hever, and Penshurst, _viâ_ Fair Elms. We will not turn here, but

continue straight on to Crockham Hill, past the wild beauty of

Crockham Hill Common, coming to the modern hamlet and church, set amid

wide-spreading hop gardens. Two miles onward from this point we pass

Edenbridge Station, and in another half-mile Edenbridge “Town” Station,

and finally, in nearly another mile, come to Edenbridge itself, by no

means a place of that metropolitan character the traveller would expect

to find after all this heralding of railways.

Edenbridge is old-world and pretty, as surely it should be with such a

name. It savours of Arcadian delights; and, indeed, when you have left

Edenbridge Station behind you are come to a village that has little

commerce with the outer world. True, folks hereabouts call Edenbridge

“the town”; but there are towns and towns, and this is no centre of

activity. The station is half a mile away, the railway conveniently out

of sight of the village street, and life here flows as gently, and with

as even a current, as that of the little river Eden, that gives the

place its idyllic name.

Edenbridge—as surely is fitting—is set round about with apple-orchards,

which render it as fragrant in spring as its neighbouring hop gardens

do in the late summer months. The first thing, however, that attracts

the Londoner’s attention is the quaintness of the one village street,

with its tile-hung cottages and the sign of that comfortable old

hostelry, the “Crown” Hotel, spanning the width of the road. Edenbridge

also contains within its bounds quite a notable clock, of which the

inhabitants are justly proud. No stranger can explore the recesses of

the old church on the hillside without being presently buttonholed by

a villager, who will take him round to where this timepiece shows its

black face on the sturdy tower, and will point out to him the singular

fact that all the V’s among the gilded numerals are turned the wrong

way. But this is not all. The clock—like the heroine of the modern

novel—has a “past.” It was made in 1738, and was the clock of St.

George’s, Southwark, until 1808, when, on the old church being pulled

down, it was sold to the vicar and churchwardens of Edenbridge. It

should be a testimony to the health-giving properties of the Kentish

air when it is said that since it came down from London it has never

known a day’s illness, save only those slight ailments incidental to

old age, that can be rectified by the application of a little oil.

When the cyclist has taken his survey of Edenbridge, his next place of

pilgrimage should be Hever.

Though only three miles from Edenbridge, and but twenty-seven from

Victoria, Hever is not so well known to the excursionist as it should

be, when one considers how eminently beautiful and historical is its

castle. Here, then, is the way to it. Coming to the bridge across the

river Eden, we cross, and look out for a turning on the left hand by a

boarded cottage. This leads across a railway and then along a pretty

winding lane, bringing one easefully to the spot in two miles. The

little Eden wanders erratically through the level lands, and all is

quiet and rustic.

[Illustration: _The Gatehouse, Hever Castle._]

Look out for Hever, lest you miss it, for beside its grey old church,

with the shingled spire, there is little else. Just a farm, a cottage

or so, and an inn—the “Henry the Eighth,” formerly the “Bull and

Butcher,” or, as legends would have it, the “Boleyn Butchered.” For

this was the Kentish home of the beautiful and unfortunate Anne. They

still tell you how Henry, ardent lover, used to come riding through the

lanes to see his “dearest pet,” the fair chatelaine of Hever Castle,

down yonder, amid the oozy water-meadows, and how, bogged in those

miry ways, the rustics would pull the Defender of the Faith out of the

sloughs. Here, too, in Hever Church may still be seen the altar-tomb

and the magnificent brass of Sir Thomas Boleyn, my Lord of Wiltshire

and Ormonde, Knight of the Most Noble Order of the Garter, the

ennobled and decorated father of that charmer. Another exquisite brass

is that in the chancel to Margaret Cheyne, 1419.

[Illustration: HEVER CASTLE.]

Downhill from Hever Church, surrounded still by its ancient moat, is

the unspoiled castle, a small but perfect example of the fortified

manor-house of the fourteenth, fifteenth, and sixteenth centuries.

The greater part of the present building was erected in the later

years of Henry the Sixth, and was added to in Elizabeth’s time. The

Boleyns first became connected with it about 1460, when Sir Geoffrey

Boleyn, mercer and Lord Mayor of London, purchased the ruined place

and commenced to build anew; but before he could complete this

reconstruction he was gathered to his fathers, and it remained for his

son Sir Thomas—father of the ill-fated Anne—to complete the work Sir

Geoffrey had begun.

It is a private residence, and the interior is very charily shown to

strangers—on Wednesdays only. The exterior and the moat, however, are

always readily accessible, and are very well worth seeing. The lichened

castle walls, with their time-stained masonry and vivid patches of red

brick, are extraordinarily picturesque, and the windows, occurring at

irregular intervals, with the clustered chimneys and mantling ivy, give

the place a romantic quaintness all its own. To complete the picture,

apple-orchards face two sides of the moat.

The lanes wind greatly, but are merely undulating, on the route to

Chiddingstone, two and a half miles distant. Chiddingstone is generally

found to be a dream of beauty by enthusiastic visitors; and the

visitor to this lovely hamlet cannot help being enthusiastic.

No less beautiful than Hever, but with a beauty of quite a different

character, it stands in a hollow at the gates of Chiddingstone Park,

whose magnificent elms and chestnuts overhang in summer a row of old

timbered houses, sketched many hundreds of times on paper or canvas

by enthusiastic artists. The quaint house next the park gates, in the

accompanying sketch, is the ideally placed “Castle Inn,” that might,

both as regards its situation and its cosy, old-fashioned interior,

have inspired a Washington Irving to transports of eloquence. Everyone

who has been to the Royal Academy any year knows Chiddingstone,

although he may never have visited it; for artists are continually

painting this loveliest of Kentish villages, as it is called, and its

embowering trees and quaint timbered houses. Behind these houses, in

a field, is the “chiding stone,” a large boulder of red sandstone,

outcropped from the underlying geological formation, and said to have

been a Druidical seat of judgment or place of exhortation.

The roads grow lonely and degenerate (this expression purely from

the cyclist’s point of view), into wooded lanes and tracts between

Chiddingstone and Penshurst. If, however, you have that which many

cyclists have not—that is to say, a real love of natural woodland

and copse, where the hazels grow and the bracken and undergrowth are

dense—then the walk of two miles by footpaths through the coppices

will be not the least enjoyable part of this trip. This brings one to

the scattered and very beautiful old village of Penshurst surrounding

the ancient baronial home of the Sidneys, Penshurst Place. On three

days in the week—Tuesdays, Thursdays, and Fridays—the house is shown

at an admission fee of one shilling. It is said that these fees amount

in the year to over £300, which gives the annual number of visitors

at more than six thousand. The Barons’ Hall is the chief point of

interest, and is the oldest part of the historic building, dating back

to the fourteenth century.

[Illustration: CHIDDINGSTONE.]

Most famous of all the warlike and polite Sidneys who owned Penshurst

was Sir Philip Sidney, who fell at the siege of Zutphen, and is the

hero of that chivalric action, the giving up, when wounded to death,

the cup of water for which he thirsted, so that a wounded soldier might

quench his thirst. “He has more need of it than I,” said this chivalric

soul.

[Illustration: SUNSET ON THE EDEN.]

Among the historic pictures here is the remarkable portrait of Algernon

Sidney, executed in 1683 on Tower Hill. He met death in characteristic

Sidney fashion:—

“Are you ready, sir?” asked the headsman, when he had laid his head on

the block; “will you rise again?”

“Not till the general resurrection. Strike on;” and his head was

severed from his body.

In the background of the portrait you see the Tower of London and the

headsman’s block and axe.

[Illustration: A CREST OF THE SIDNEYS.]

But to complete the round; on good roads, again from Penshurst to

Pounds Bridge, through secluded country, and thence to Speldhurst. At

Pounds Bridge there is a quite astonishingly quaint and old-world inn,

gabled and timbered, and with a sixteenth-century device and monogram

on it. From Speldhurst we go through more forest country, and then

turn left for Southborough, where we are within hail of Tonbridge and

Tunbridge Wells and the great settlements of modern country residences

created by the healthy air and fine scenery. Coming down Quarry Hill

into the town, the tourist finds Tonbridge more interesting than “the

Wells,” because it is quainter and not so fashionable. There are some

impressive remains of Tonbridge Castle yet to be seen in the grounds

of a park near the end of the High Street, and in that street is the

old “Chequers,” a house that no artist nor any amateur photographer can

resist.

Crossing the Medway, there now comes a long five and a half miles to

Sevenoaks, with only one village; a very little village with the very

long name of Hildenborough. Thence it is a climb up the very steep

River Hill to Knole Park, bordering the right hand of the road into

Sevenoaks. Park and house, the property of Lord Sackville, are open

to the public; the park always, the house on Thursday and Saturday

afternoons, from 2 to 5 o’clock; on Fridays and Bank Holidays 10 to 5.

Single visitors, 2s.; parties of four, 6s.; of seven, 10s. There are

Reynolds and Gainsborough pictures among the great art collections, and

there are as many rooms in the house as there are days in the year; but

only seventeen of them are shown.

[Illustration: SHOEING FORGE, PENSHURST.]

From the town to Sevenoaks there is a very long and steep run down to

the station and to Riverhead. The station is convenient for a return

to town, but if it is desired to complete the circle, there are the

interesting villages of Sundridge and Brasted to see, on the excellent

road to Westerham, with the long array of the North Downs continually

in sight.

Cycle Rides Round London · 第 21 / 28 题