HOT SPRINGS.
Under this general head will be included all thermal phenomena of the
Park, except the geysers. The term will cover the quiescent springs,
the boiling springs, the mud springs, or "paint pots," and the steam
vents and fumaroles.
The quiescent spring seems to stand at the opposite pole from the
geyser. The conditions are such that the water nowhere reaches a
temperature sensibly above the boiling point. The surface therefore
steams quietly away, unruffled except by the passing breeze.
The great attraction of these springs is in the inimitable coloring of
the water. It is not simply the beautiful green or blue of great
depths of clear water. In no ordinary pool can one find all the colors
of the spectrum, flitting about, as though seen through a revolving
prism. Sometimes there is an iridescent effect similar to that of a
film of oil upon water; but there is no oil here. There are doubtless
many contributing causes that produce these remarkable effects. There
is first a great depth of clear water which always presents a
beautiful appearance. Then there are the mineral deposits on the sides
of the crater, producing indefinite reflection, the effects of which
are multiplied by the refractive power of the water. The mineral
ingredients dissolved or suspended in the water doubtless add to the
effect.
The hot springs on the Gardiner River are wholly different in
character from those in any other part of the Park. The water of these
springs holds carbonate of lime in solution while most of the others
contain silica. To this fact must be attributed the peculiar character
of the formations at Mammoth Hot Springs. Wherever the deposits of
springs are calcareous, the character of the formations is the same,
and generally different from those produced by the deposit of silica.
They rise in terraces one above another, and mold for themselves
overhanging bowls of transcendent beauty in form and color. In the
tints displayed by the water, however, these springs are not unlike
others in the Park.
[Illustration:
_Terry Engr. Co._ _Haynes, Photo., St. Paul._
Cleopatra Terrace.]
The rims about the quiescent springs are often very beautiful, and the
observer is astonished to see how they stand up above the general
surface of the ground so evenly built that the water has hardly a
choice of route in flowing away. Tyndall, however, makes this
puzzling phenomenon clear. He says:
"Imagine the case of a simple thermal siliceous spring, whose waters
trickle down a gentle incline; the water thus exposed evaporates
speedily, and silica is deposited. This deposit gradually elevates the
side over which the water passes, until finally the latter has to take
another course. The same takes place here; the ground is elevated as
before, and the spring has to move forward. Thus it is compelled to
travel round and round, discharging its silica and deepening the shaft
in which it dwells, until finally, in the course of ages, the simple
spring has produced that wonderful apparatus which has so long puzzled
and astonished both the traveler and the philosopher."
The boiling spring is intermediate between the quiescent spring and
the geyser. The circulation is sufficiently free to prevent a great
rise of temperature in the lower depths of the tube, and nothing more
than a surface ebullition, often extremely violent, results. These
springs are generally objects of secondary interest. They are simply
enormous caldrons; any kettle placed over a brisk fire simulates their
action on a small scale.
The mud springs, or Paint Pots, as they are now always called, are
extremely curious phenomena. They are caused by the rising of steam
through considerable depths of earthy material. The water is just
sufficient in quantity to keep the material in a plastic condition,
and the steam operates upon it precisely as it does upon a kettle of
thick mush. Generally there are various mineral ingredients, mostly
oxides of iron, which impart different colors to different parts of
the group. As the steam puffs up here and there from the thick mass,
it forms the mud into a variety of imitative figures, prominent among
which is that of the lily. These figures immediately sink back into
the general mass, only to be formed anew by other puffs of steam. The
material is so fine as to be almost impalpable between the fingers.
Lieutenant Doane, however, justly observes that "mortar might well be
good after being constantly worked for perhaps ten thousand years."
Other phenomena very common throughout the Park are steam vents or
fumaroles in which there is no water or only a very small quantity.
They are not ordinarily of much popular interest, although there are a
few remarkable examples. Among these may be mentioned the Black
Growler in the Norris Geyser Basin, and Steamboat Spring on the east
shore of the Yellowstone Lake.
The hot spring areas of the Park are both numerous and extensive. They
abound throughout the valleys of the Yellowstone, the Madison, and the
Snake Rivers, and the number of individual springs is several
thousand.