Le. _Bloody Iambics are not fit for a Feast._

_Cr._ O brave! I am sure the Muses are amongst us, Verses flow so from

us, when we don't think of 'em.

_Si rotatiles trochaeos mavelis, en, accipe:

Vilis apparatus heic est, animus est lautissimus._

If you had rather have whirling Trochees, lo, here they are for you:

Here is but mean Provision, but I have a liberal Mind.

Although Iambics in old Time were made for Contentions and Quarrels,

they were afterwards made to serve any Subject whatsoever. O Melons!

Here you have Melons that grew in my own Garden. These are creeping

Lettuces of a very milky Juice, like their Name. What Man in his Wits

would not prefer these Delicacies before Brawn, Lampreys, and Moor-Hens?

_Cr._ If a Man may be allow'd to speak Truth at a Poetic Banquet, those

you call Lettuces are Beets.

_Hi._ God forbid.

_Cr._ It is as I tell you. See the Shape of 'em, and besides where is

the milky Juice? Where are their soft Prickles?

_Hi._ Truly you make me doubt. Soho, call the Wench. _Margaret_, you

Hag, what did you mean to give us Beets instead of Lettuces?

_Ma._ I did it on Purpose.

_Hi._ What do you say, you Witch?

_Ma._ I had a Mind to try among so many Poets if any could know a

Lettuce from a Beet. For I know you don't tell me truly who 'twas that

discover'd 'em to be Beets.

_Guests._ _Crato_.

_Ma._ I thought it was no Poet who did it.

_Hi._ If ever you serve me so again, I'll call you _Blitea_ instead of

_Margarita_.

_Gu._ Ha, ha, ha.

_Ma._ Your calling me will neither make me fatter nor leaner. He calls

me by twenty Names in a Day's Time: When he has a Mind to wheedle me,

then I'm call'd _Galatea, Euterpe, Calliope, Callirhoe, Melissa, Venus,

Minerva_, and what not? When he's out of Humour at any Thing, then

presently I'm _Tisiphone_, _Megaera_, _Alecto_, _Medusa_, _Baucis_, and

whatsoever comes into his Head in his mad Mood.

_Hi._ Get you gone with your Beets, _Blitea_.

_Ma._ I wonder what you call'd me for.

_Hi._ That you may go whence you came.

_Ma._ 'Tis an old Saying and a true, 'tis an easier Matter to raise the

Devil, than 'tis to lay him.

_Gu._ Ha, ha, ha: Very well said. As the Matter is, _Hilary_, you stand

in Need of some magic Verse to lay her with.

_Hi._ I have got one ready.

[Greek: Pheugete, kantharides lukos agrios umme diôkei.]

Be gone ye Beetles, for the cruel Wolf pursues you.

_Ma._ What says _Æsop?_

_Cr._ Have a Care, _Hilary_, she'll hit you a Slap on the Face: This is

your laying her with your _Greek_ Verse. A notable Conjurer indeed!

_Hi._ _Crato_, What do you think of this Jade? I could have laid ten

great Devils with such a Verse as this.

_Ma._ I don't care a Straw for your _Greek_ Verses.

_Hi._ Well then, I must make use of a magical Spell, or, if that won't

do, _Mercury's_ Mace.

_Cr._ My _Margaret_, you know we Poets are a Sort of Enthusiasts, I

won't say Mad-Men; prithee let me intreat you to let alone this

Contention 'till another Time, and treat us with good Humour at this

Supper for my Sake.

_Ma._ What does he trouble me with his Verses for? Often when I am to go

to Market he has never a Penny of Money to give me, and yet he's a

humming of Verses.

_Cr._ Poets are such Sort of Men. But however, prithee do as I say.

_Ma._ Indeed I will do it for your Sake, because I know you are an

honest Gentleman, that never beat your Brain about such Fooleries. I

wonder how you came to fall into such Company.

_Cr._ How come you to think so?

_Ma._ Because you have a full Nose, sparkling Eyes, and a plump Body.

Now do but see how he leers and sneers at me.

_Cr._ But prithee, Sweet-Heart, keep your Temper for my Sake.

_Ma._ Well, I will go, and 'tis for your Sake and no Body's else.

_Hi._ Is she gone?

_Ma._ Not so far but she can hear you.

_Mus._ She is in the Kitchen, now, muttering something to herself I

can't tell what.

_Cr._ I'll assure you your Maid is not dumb.

_Hi._ They say a good Maid Servant ought especially to have three

Qualifications; to be honest, ugly, and high-spirited, which the Vulgar

call evil. An honest Servant won't waste, an ugly one Sweet-Hearts won't

woo, and one that is high-spirited will defend her Master's Right; for

sometimes there is Occasion for Hands as well as a Tongue. This Maid of

mine has two of these Qualifications, she's as ugly as she's surly; as

to her Honesty I can't tell what to say to that.

_Cr._ We have heard her Tongue, we were afraid of her Hands upon your

Account.

_Hi._ Take some of these Pompions: We have done with the Lettuces. For I

know if I should bid her bring any Lettuces, she would bring Thistles.

Here are Melons too, if any Body likes them better. Here are new Figs

too just gather'd, as you may see by the Milk in the Stalks. It is

customary to drink Water after Figs, lest they clog the Stomach. Here is

very cool clear Spring Water that runs out of this Fountain, that is

good to mix with Wine.

_Cr._ But I can't tell whether I had best to mix Water with my Wine, or

Wine with Water; this Wine seems to me so likely to have been drawn out

of the Muses Fountain.

_Hi._ Such Wine as this is good for Poets to sharpen their Wits. You

dull Fellows love heavy Liquors.

_Cr._ I wish I was that happy _Crassus_.

_Hi._ I had rather be _Codrus_ or _Ennius_. And seeing I happen to have

the Company of so many learned Guests at my Table, I won't let 'em go

away without learning something of 'em. There is a Place in the Prologue

of _Eunuchus_ that puzzles many. For most Copies have it thus:

_Sic existimet, sciat,

Responsum, non dictum esse, quid laesit prior,

Qui bene vertendo, et ects describendo male, &c.

Let him so esteem or know, that it is an Answer, not a common Saying;

because he first did the Injury, who by well translating and ill

describing them, &c._

In these Words I want a witty Sense, and such as is worthy of _Terence_.

For he did not therefore do the Wrong first, because he translated the

_Greek_ Comedies badly, but because he had found Fault with _Terence's._

Eu. According to the old Proverb, _He that sings worst let him begin

first._ When I was at _London_ in _Thomas Linacre's_ House, who is a Man

tho' well skill'd in all Manner of Philosophy, yet he is very ready in

all Criticisms in Grammar, he shew'd me a Book of great Antiquity which

had it thus:

_Sic existimet, stiat,

Responsum, non dictum esse, quale sit prius

Qui bene vertendo, et eas describendo male,

Ex Graecis bonis Latinas fecit non bonas:

Idem Menandri Phasma nunc nuper dedit._

The Sentence is so to be ordered, that _quale sit_ may shew that an

Example of that which is spoken before is to be subjoin'd. He threatened

that he would again find Fault with something in his Comedies who had

found Fault with him, and he here denies that it ought to seem a

Reproach but an Answer. He that provokes begins the Quarrel; he that

being provok'd, replies, only makes his Defence or Answer. He promises

to give an Example thereof, _quale sit_, being the same with [Greek:

oion] in _Greek_, and _quod genus, veluti_, or _videlicet_, or _puta_ in

Latin. Then afterwards he brings a reproof, wherein the Adverb _prius_

hath Relation to another Adverb, as it were a contrary one, which

follows, _viz. nuper_ even as the Pronoun _qui_ answers to the Word

_idem_. For he altogether explodes the old Comedies of _Lavinius_,

because they were now lost out of the Memory of Men. In those which he

had lately published, he sets down the certain Places. I think that this

is the proper Reading, and the true Sense of the Comedian: If the chief

and ordinary Poets dissent not from it.

_Gu._ We are all entirely of your Opinion.

_Eu._ But I again desire to be inform'd by you of one small and very

easy Thing, how this Verse is to be scann'd.

_Ex Græcis bonis Latinas fecit non bonas._

Scan it upon your Fingers.

_Hi._ I think that according to the Custom of the Antients _s_ is to be

cut off, so that there be an _Anapaestus_ in the second Place.

_Eu._ I should agree to it, but that the Ablative Case ends in _is_, and

is long by Nature. Therefore though the Consonant should be taken away,

yet nevertheless a long Vowel remains.

_Hi._ You say right.

_Cr._ If any unlearned Person or Stranger should come in, he would

certainly think we were bringing up again among ourselves the

Countrymens Play of holding up our Fingers (_dimicatione digitorum_,

_i.e._ the Play of Love).

_Le._ As far as I see, we scan it upon our Fingers to no Purpose. Do you

help us out if you can.

_Eu._ To see how small a Matter sometimes puzzles Men, though they be

good Scholars! The Preposition _ex_ belongs to the End of the foregoing

Verse.

_Qui bene vertendo, et eas describendo male, ex

Graecis bonis Latinas fecit non bonas._

Thus there is no Scruple.

_Le._ It is so, by the Muses. Since we have begun to scan upon our

Fingers, I desire that somebody would put this Verse out of _Andria_

into its Feet.

Sine invidia laudem invenias, et amicos pares.

For I have often tri'd and could do no good on't.

_Le. Sine in_ is an Iambic, _vidia_ an Anapæstus, _Laudem in_ is a

Spondee, _venias_ an Anapæstus, _et ami_ another Anapæstus.

_Ca._ You have five Feet already, and there are three Syllables yet

behind, the first of which is long; so that thou canst neither make it

an _Iambic_ nor a _Tribrach._

_Le._ Indeed you say true. We are aground; who shall help us off?

_Eu._ No Body can do it better than he that brought us into it. Well,

_Carinus_, if thou canst say any Thing to the Matter, don't conceal it

from your poor sincere Friends.

_Ca._ If my Memory does not fail me, I think I have read something of

this Nature in _Priscian_, who says, that among the Latin Comedians _v_

Consonant is cut off as well as the Vowel, as oftentimes in this Word

_enimvero;_ so that the part _enime_ makes an Anapæstus.

_Le._ Then scan it for us.

_Ca._ I'll do it. _Sine inidi_ is a proseleusmatic Foot, unless you had

rather have it cut off _i_ by Syneresis, as when _Virgil_ puts _aureo_

at the End of an heroick Verse for _auro._ But if you please let there

be a Tribrach in the first Place, _a lau_ is a Spondee, _d'inveni_ a

Dactyl, _as et a_ a Dactyl, _micos_ a Spondee, _pares_ an Iambic.

_Sb. Carinus_ hath indeed got us out of these Briars. But in the same

Scene there is a Place, which I can't tell whether any Body has taken

Notice of or not.

_Hi._ Prithee, let us have it.

_Sb._ There _Simo_ speaks after this Manner.

Sine ut eveniat, quod volo,

In Pamphilo ut nihil sit morae, restat Chremes.

_Suppose it happen, as I desire, that there be no delay in_ Pamphilus;

Chremes _remains._

What is it that troubles you in these Words?

_Sb. Sine_ being a Term of Threatning, there is nothing follows in this

Place that makes for a Threatning. Therefore it is my Opinion that the

Poet wrote it,

_Sin eveniat, quod volo;_

that _Sin_ may answer to the _Si_ that went before.

_Si propter amorem uxorem nolit ducere._

For the old Man propounds two Parts differing from one another: _Si, &c.

If_ Pamphilus _for the Love of_ Glycerie _refuseth to marry, I shall

have some Cause to chide him; but if he shall not refuse, then it

remains that I must intreat_ Chremes. Moreover the Interruption of

_Sosia_, and _Simo_'s Anger against _Davus_ made too long a

Transposition of the Words.

_Hi._ _Mouse_, reach me that Book.

_Cr._ Do you commit your Book to a Mouse?

_Hi._ More safely than my Wine. Let me never stir, if _Sbrulius_ has not

spoken the Truth.

_Ca._ Give me the Book, I'll shew you another doubtful Place. This Verse

is not found in the Prologue of _Eunuchus_:

_Habeo alia multa, quæ nunc condonabuntur._

_I have many other Things, which shall now be delivered._

Although the _Latin_ Comedians especially take great Liberty to

themselves in this Kind of Verse, yet I don't remember that they any

where conclude a Trimetre with a Spondee, unless it be read

_Condonabitur_ impersonally, or _Condonabimus_, changing the Number of

the Person.

_Ma._ Oh, this is like Poets Manners indeed! As soon as ever they are

set down to Dinner they are at Play, holding up their Fingers, and

poring upon their Books. It were better to reserve your Plays and your

Scholarship for the second Course.

_Cr. Margaret_ gives us no bad Counsel, we'll humour her; when we have

fill'd our Bellies, we'll go to our Play again; now we'll play with our

Fingers in the Dish.

_Hi._ Take Notice of Poetick Luxury. You have three Sorts of Eggs,

boil'd, roasted, and fry'd; they are all very new, laid within these two

Days.

_Par._ I can't abide to eat Butter; if they are fry'd with Oil, I shall

like 'em very well.

_Hi._ Boy, go ask _Margaret_ what they are fry'd in.

_Mo._ She says they are fry'd in neither.

_Hi._ What! neither in Butter nor Oil. In what then?

_Mo._ She says they are fry'd in Lye.

_Cr._ She has given you an Answer like your Question. What a great

Difficulty 'tis to distinguish Butter from Oil.

_Ca._ Especially for those that can so easily know a Lettuce from a

Beet.

_Hi._ Well, you have had the Ovation, the Triumph will follow in Time.

Soho, Boy, look about you, do you perceive nothing to be wanting?

_Mo._ Yes, a great many Things.

_Hi._ These Eggs lack Sauce to allay their Heat.

_Mo._ What Sauce would you have?

_Hi._ Bid her send us some Juice of the Tendrels of a Vine pounded.

_Mo._ I'll tell her, Sir.

_Hi._ What, do you come back empty-handed?

_Mo._ She says, Juice is not used to be squeez'd out of Vine Tendrels.

_Le._ A fine Maid Servant, indeed!

_Sb._ Well, we'll season our Eggs with pleasant Stories. I found a Place

in the Epodes of _Horace_, not corrupted as to the Writing, but wrong

interpreted, and not only by _Mancinellus_, and other later Writers; but

by _Porphyry_ himself. The Place is in the Poem, where he sings a

Recantation to the Witch _Canidia_.

_tuusque venter pactumeius, et tuo

cruore rubros obstetrix pannos lavit,

utcunque fortis exilis puerpera._

For they all take _exilis_ to be a Noun in this Place, when it is a

Verb. I'll write down _Porphyry_'s Words, if we can believe 'em to be

his: She is _exilis_, says he, under that Form, as though she were

become deform'd by Travel; by Slenderness of Body, he means a natural

Leanness. A shameful Mistake, if so great a Man did not perceive that

the Law of the Metre did contradict this Sense. Nor does the fourth

Place admit of a Spondee: but the Poet makes a Jest of it; that she did

indeed bear a Child, though she was not long weak, nor kept her Bed long

after her Delivery; but presently jumpt out of Bed, as some lusty

lying-in Women used to do.

_Hi._ We thank you _Sbrulius_, for giving us such fine Sauce to our

Eggs.

_Le._ There is another Thing in the first Book of _Odes_ that is not

much unlike this. The _Ode_ begins thus: _Tu ne quæ sieris._ Now the

common Reading is thus, _Neu Babylonios Tentaris numeros, ut melius

quicquid erit pati_. The antient Interpreters pass this Place over, as

if there were no Difficulty in it. Only _Mancinettus_ thinking the

Sentence imperfect, bids us add _possis_.

_Sb._ Have you any Thing more that is certain about this Matter?

_Le._ I don't know whether I have or no; but in my Opinion, _Horace_

seems here to have made Use of the _Greek_ Idiom; and this he does more

than any other of the Poets. For it is a very common Thing with the

_Greeks_, to join an infinitive Mood with the Word [Greek: hôs] and

[Greek: hôste]. And so _Horace_ uses _ut pati_, for _ut patiaris_:

Although what _Mancinellus_ guesses, is not altogether absurd.

_Hi._ I like what you say very well. Run, _Mouse_, and bring what is to

come, if there be any Thing.

_Cr._ What new dainty Dish is this?

_Hi._ This is a Cucumber sliced; this is the Broth of the Pulp of a

Gourd boil'd, it is good to make the Belly loose.

_Sb._ Truly a medical feast.

_Hi._ Take it in good Part. There's a Fowl to come out of our Hen-Coop.

_Sb._ We will change thy Name, and call thee _Apicius_, instead of

_Hilary_.

_Hi._ Well, laugh now as much as you will, it may be you'll highly

commend this Supper to Morrow.

_Sb._ Why so?

_Hi._ When you find that your Dinner has been well season'd.

_Sb._ What, with a good Stomach?

_Hi._ Yes, indeed.

_Cr._ _Hilary_, do you know what Task I would have you take upon you?

_Hi._ I shall know when you have told me.

_Cr._ The Choir sings some Hymns, that are indeed learned ones; but are

corrupted in many Places by unlearned Persons. I desire that you would

mend 'em; and to give you an Example, we sing thus:

_Hostis Herodes impie,

Christum venire quid times?_

_Thou wicked Enemy_ Herod, _why dost thou dread the Coming

of Christ?_

The mis-placing of one Word spoils the Verse two Ways. For the Word

_hostis_, making a Trochee, has no Place in an _Iambick Verse_, and

_Hero_ being a _Spondee_ won't stand in the second Place. Nor is there

any doubt but the Verse at first was thus written,

_Herodes hostis impie._

For the Epithete _impie_ better agrees with _Hostis_ than with _Herod_.

Besides _Herodes_ being a _Greek_ Word [Greek: ê or ae] is turned into

[Greek: e] in the vocative; as [Greek: Sôkrataes, ô Sokrates]; and so

[Greek: Agamemnôn [Transcribers Note: this word appears in Greek with

the ô represented by the character omega.]] in the nominative Case is

turned into _[Greek: o]_. So again we sing the Hymn,

_Jesu corona virginum,

Quem mater ilia concepit,

Quæ sola virgo parturit.

O Jesus the Crown of Virgins,

Whom she the Mother conceiv'd,

Which was the only Person of a Virgin that brought forth._

There is no Doubt but the Word should be pronounc'd _concipit._ For the

Change of the Tense sets off a Word. And it is ridiculous for us to

find Fault with _concipit_ when _parlurit_ follows.

_Hi._ Truly I have been puzzled at a great many such Things; nor will it

be amiss, if hereafter we bestow a little Time upon this Matter. For

methinks _Ambrose_ has not a little Grace in this Kind of Verse, for he

does commonly end a Verse of four Feet with a Word of three Syllables,

and commonly places a _cæsura_ in the End of a Word. It is so common

with him that it cannot seem to have been by Chance. If you would have

an Example, _Deus Creator_. Here is a _Penthemimeris_, it follows,

_omnium; Polique rector_, then follows, _vestiens; diem decoro_, and

then _lumine; noctem soporis_, then follows _gratia_.

_Hi._ But here's a good fat Hen that has laid me Eggs, and hatch'd me

Chickens for ten Years together.

_Cr._ It is Pity that she should have been kill'd.

_Ca._ If it were fit to intermingle any Thing of graver Studies, I have

something to propose.

_Hi._ Yes, if it be not too crabbed.

_Ca._ That it is not. I lately began to read _Seneca's_ Epistles, and

stumbled, as they say, at the very Threshold. The Place is in the first

Epistle; _And if_, says he, _thou wilt but observe it, great Part of our

Life passes away while we are doing what is ill; the greatest Part,

while we are doing nothing, and the whole of it while we are doing that

which is to no Purpose_. In this Sentence, he seems to affect I can't

tell what Sort of Witticism, which I do not well understand.

_Le._ I'll guess, if you will.

_Ca._ Do so.

_Le._ No Man offends continually. But, nevertheless, a great Part of

one's Life is lost in Excess, Lust, Ambition, and other Vices; but a

much greater Part is lost in doing of nothing. Moreover they are said to

do nothing, not who live in Idleness, but they who are busied about

frivolous Things which conduce nothing at all to our Happiness: And

thence comes the Proverb, _It is better to be idle, than to be doing,

but to no Purpose_. But the whole Life is spent in doing another Thing.

He is said, _aliud agere_, who does not mind what he is about. So that

the whole of Life is lost: Because when we are vitiously employ'd we are

doing what we should not do; when we are employ'd about frivolous

Matters we do that we should not do; and when we study Philosophy, in

that we do it negligently and carelesly, we do something to no Purpose.

If this Interpretation don't please you, let this Sentence of _Seneca_

be set down among those Things of this Author that _Aulus Gellius_

condemns in this Writer as frivolously witty.

_Hi._ Indeed I like it very well. But in the mean Time, let us fall

manfully upon the Hen. I would not have you mistaken, I have no more

Provision for you. It agrees with what went before. _That is the basest

Loss that comes by Negligence_, and he shews it by this Sentence

consisting of three Parts. But methinks I see a Fault a little after:

_We foresee not Death, a great Part of it is past already._ It is my

Opinion it ought to be read; _We foresee Death._ For we foresee those

Things which are a great Way off from us, when Death for the most Part

is gone by us.

_Le._ If Philosophers do sometimes give themselves Leave to go aside

into the Meadows of the Muses, perhaps it will not be amiss for us, if

we, to gratify our Fancy, take a Turn into their Territories.

_Hi._ Why not?

_Le._ As I was lately reading over again _Aristotle_'s Book that he

entitles [Greek: Peri tôn elenchôn], the Argument of which is for the

most Part common both to Rhetoricians and Philosophers, I happen'd to

fall upon some egregious Mistakes of the Interpreters. And there is no

Doubt but that they that are unskill'd in the _Greek_ have often miss'd

it in many Places. For _Aristotle_ proposes a Sort of such Kind of

Ambiguity as arises from a Word of a contrary Signification. [Greek: ho

ti manthanousin oi epistamenoi ta gar apostomatizomena manthanousin oi

grammatikoi to gar manthanein omônymon, to te xunienai chrômenon tê

epistêmê, kai to lambanein tên epistêmên.] And they turn it thus.

_Because intelligent Persons learn; for Grammarians are only

tongue-learn'd; for to learn is an equivocal Word, proper both to him

that exerciseth and to him that receiveth Knowledge._

_Hi._ Methinks you speak _Hebrew_, and not _English_.

_Le._ Have any of you heard any equivocal Word?

_Hi._ No.

_Le._ What then can be more foolish than to desire to turn that which

cannot possibly be turn'd. For although the _Greek_ Word [Greek:

manthanein], signifies as much as [Greek: mathein] and [Greek:

mathêteuein], so among the _Latins_, _discere_, to learn, signifies as

much as _doctrinam accipere_, or _doctrinam tradere._ But whether this

be true or no I can't tell. I rather think [Greek: manthanein], is of

doubtful Signification with the _Greeks_, as _cognoscere_ is among the

_Latins._ For he that informs, and the Judge that learns, both of them

know the Cause. And so I think among the _Greeks_ the Master is said

[Greek: manthanein] whilst he hears his Scholars, as also the Scholars

who learn of him. But how gracefully hath he turn'd that [Greek: ta gar

apostomatizomena manthanousin oi grammatikoi], _nam secundum os

grammatici discunt: For the Grammarians are tongue-learn'd_; since it

ought to be translated, _Nam grammatici, quæ dictitant, docent:

Grammarians teach what they dictate_. Here the Interpreters ought to

have given another Expression, which might not express the same Words,

but the same Kind of Thing. Tho' I am apt to suspect here is some Error

in the _Greek_ Copy, and that it ought to be written [Greek: homônumon

tô te xunienai kai tô lambanein]. And a little after he subjoins another

Example of Ambiguity, which arises not from the Diversity of the

Signification of the same Word, but from a different Connection, [Greek:

to boulesthai labein me tous polemious], _velleme accipere pugnantes. To

be willing that I should receive the fighting Men_: For so he translates

it, instead of _velle me capere hostes, to be willing that I take the

Enemies;_ and if one should read [Greek: boulesthe], it is more

perspicuous. _Vultis ut ego capiam hostes? Will ye that I take the

Enemies?_ For the Pronoun may both go before and follow the Verb

_capere_. If it go before it, the Sense will be this, _Will ye that I

take the Enemies?_ If it follows, then this will be the Sense, _Are ye

willing that the Enemies should take me?_ He adds also another Example

of the same Kind, [Greek: ara ho tis ginôskei, touto ginôskei]. i.e. _An

quod quis novit hoc novit._ The Ambiguity lies in [Greek: touto]. If it

should be taken in the accusative Case, the Sense will be this;

_Whatsoever it is that any Body knows, that Thing he knows to be._ But

if in the nominative Case, the Sense will be this, _That Thing which any

Body knows, it knows;_ as though that could not be known that knows not

again by Course. Again he adds another Example. [Greek: apa ho tis hora,

touto hora; hora de ton kiona hôste hora ho kiôn]. _That which any one

sees, does that Thing see; but he sees a Post, does the Post therefore

see?_ The Ambiguity lies again in [Greek: touto], as we shew'd before.

But these Sentences may be render'd into _Latin_ well enough; but that

which follows cannot possibly by any Means be render'd, [Greek: Ara ho

sy phês einai, touto sy phês einai; phês de lithon einai sy ara phês

lithos einai]. Which they thus render, _putas quod tu dicis esse, hoc tu

dicis esse: dicis autem lapidem esse, tu ergo lapis dicis esse._ Pray

tell me what Sense can be made of these Words? For the Ambiguity lies

partly in the Idiom of the _Greek_ Phrase, which is in the major and

minor. Although in the major there is another Ambiguity in the two Words

[Greek: o] and [Greek: touto], which if they be taken in the nominative

Case, the Sense will be, _That which thou sayest thou art, that thou

art._ But if in the accusative Case the Sense will be, _Whatsoever thou

sayst is, that thou sayst is;_ and to this Sense he subjoins [Greek:

lithon phês einai], but to the former Sense he subjoins [Greek: sy ara

phês lithos einai]. _Catullus_ once attempted to imitate the Propriety

of the _Greek_ Tongue:

_Phaselus iste, quem videtis, hospites,

Ait fuisse navium celerrimus.

My Guests, that Gally which you see

The most swift of the Navy is, says he._

For so was this Verse in the old Edition. Those who write Commentaries

on these Places being ignorant of this, must of Necessity err many Ways.

Neither indeed can that which immediately follows be perspicuous in the

_Latin_. [Greek: Kai ara eoti sigônta legein; ditton gar esti to sigonta

legein, to te ton legonta sigan, kai to ta legomena.] That they have

render'd thus; _Et putas, est tacentem dicere? Duplex enim est, tacentem

dicere; et hunc dicere tacentem, et quæ dicuntur._ Are not these Words

more obscure than the Books of the _Sibyls_?

_Hi._ I am not satisfy'd with the _Greek_.

_Le._ I'll interpret it as well as I can. _Is it possible for a Man to

speak while he is silent?_ This Interrogation has a two-Fold Sense, the

one of which is false and absurd, and the other may be true; for it

cannot possibly be that he who speaks, should not speak what he does

speak; that is that he should be silent while he is speaking; but it is

possible, that he who speaks may be silent of him who speaks. Although

this Example falls into another Form that he adds a little after. And

again, I admire, that a little after, in that kind of Ambiguity that

arises from more Words conjoin'd, the _Greeks_ have chang'd the Word

_Seculum_ into the Letters, [Greek: epistasthai ta grammata], seeing

that the _Latin_ Copies have it, _scire seculum_. For here arises a

double Sense, either _that the Age itself might know something_, or

_that somebody might know the Age_. But this is an easier Translation of

it into [Greek: aiôna] or [Greek: kosmon], than into [Greek: grammata].

For it is absurd to say that Letters know any Thing; but it is no

absurdity to say, _something is known to our Age_, or _that any one

knows his Age_. And a little after, where he propounds an Ambiguity in

the Accent, the Translator does not stick to put _Virgil's_ Words

instead of _Homer's_, when there was the same Necessity in that Example,

_quicquid dicis esse, hoc est_, _What thou sayst is, it is_. _Aristotle_

out of _Homer_ says, [Greek: ou kataputhetai ombrô], if [Greek: ou]

should be aspirated and circumflected, it sounds in _Latin_ thus; _Cujus

computrescit pluviâ_; _by whose Rain it putrifies_; but if [Greek: ou]

be acuted and exile, it sounds, _Non computrescit pluviâ; it does not

putrify with Rain_; and this indeed is taken out of the _Iliad_ [Greek:

ps]. Another is, [Greek: didomen de oi euchos aresthai]: the Accent

being placed upon the last Syllable but one, signifies, _grant to him_;

but plac'd upon the first Syllable [Greek: didomen], signifies, _we

grant_. But the Poet did not think _Jupiter_ said, _we grant to him_;

but commands the Dream itself to grant him, to whom it is sent to obtain

his Desire. For [Greek: didomen], is used for [Greek: didonai]. For

these two of _Homer_, these two are added out of our Poets; as that out

of the Odes of _Horace_.

_Me tuo longas pereunte noctes,

Lydia, dormis._

For if the Accent be on _me_ being short, and _tu_ be pronounc'd short,

it is one Word _metuo_; that is, _timeo, I am afraid_: Although this

Ambiguity lies not in the Accent only, but also arises from the

Composition.

They have brought another Example out of _Virgil_:

_Heu quia nam tanti cinxerunt aethera nymbi!_

Although here also the Ambiguity lies in the Composition.

_Hi._ _Leonard_, These Things are indeed Niceties, worthy to be known;

but in the mean Time, I'm afraid our Entertainment should seem rather a

Sophistical one, than a Poetical one: At another Time, if you please,

we'll hunt Niceties and Criticisms for a whole Day together.

_Le._ That is as much as to say, we'll hunt for Wood in a Grove, or seek

for Water in the Sea.

_Hi._ Where is my Mouse?

_Mou._ Here he is.

_Hi._ Bid _Margaret_ bring up the Sweet-Meats.

_Mus._ I go, Sir.

_Hi._ What! do you come again empty-handed?

_Mus._ She says, she never thought of any Sweet-Meats, and that you have

sat long enough already.

_Hi._ I am afraid, if we should philosophize any longer, she'll come and

overthrow the Table, as _Xantippe_ did to _Socrates_; therefore it is

better for us to take our Sweet-Meats in the Garden; and there we may

walk and talk freely; and let every one gather what Fruit he likes best

off of the Trees.

_Guests._ We like your Motion very well.

_Hi._ There is a little Spring sweeter than any Wine.

_Ca._ How comes it about, that your Garden is neater than your Hall?

_Hi._ Because I spend most of my Time here. If you like any Thing that

is here, don't spare whatever you find. And now if you think you have

walk'd enough, what if we should sit down together under this Teil Tree,

and rouze up our Muses.

_Pa._ Come on then, let us do so.

_Hi._ The Garden itself will afford us a Theme.

_Pa._ If you lead the Way, we will follow you.

_Hi._ Well, I'll do so. He acts very preposterously, who has a Garden

neatly trimm'd up, and furnish'd with various Delicacies, and at the

same Time, has a Mind adorn'd with no Sciences nor Virtues.

_Le._ We shall believe the Muses themselves are amongst us, if thou

shalt give us the same Sentence in Verse.

_Hi._ That's a great Deal more easy to me to turn Prose into Verse, than

it is to turn Silver into Gold.

_Le._ Let us have it then:

_Hi. Cui renidet hortus undiquaque flosculis,

Animumque nullis expolitum dotibus

Squalere patitur, is facit praepostere.

Whose Garden is all grac'd with Flowers sweet,

His Soul mean While being impolite,

Is far from doing what is meet._

Here's Verses for you, without the _Muses_ or _Apollo_; but it will be

very entertaining, if every one of you will render this Sentence into

several different Kinds of Verse.

_Le._ What shall be his Prize that gets the Victory?

_Hi._ This Basket full, either of Apples, or Plumbs, or Cherries, or

Medlars, or Pears, or of any Thing else he likes better.

_Le._ Who should be the Umpire of the Trial of Skill?

_Hi._ Who shall but _Crato_? And therefore he shall be excused from

versifying, that he may attend the more diligently.

_Cr._ I'm afraid you'll have such a Kind of Judge, as the Cuckoo and

Nightingal once had, when they vy'd one with the other, who should sing

best.

_Hi._ I like him if the rest do.

_Gu._ We like our Umpire. Begin, _Leonard_.

_Le. Cui tot deliciis renidet hortus,

Herbis, fioribus, arborumque foetu,

Et multo et vario, nec excolendum

Curat pectus et artibus probatis,

Et virtutibus, is mihi videtur

Lævo judicio, parumque recto.

Who that his Garden shine doth mind

With Herbs and Flowers, and Fruits of various kind;

And in mean While, his Mind neglected lies

Of Art and Virtue void, he is not wise._

The Colloquies of Erasmus, Volume I. · 第 50 / 61 题