The dedication is not known. It originally consisted of a nave, north

and south transepts, and chancel, and lies about west by north and east

by south. (Fig. 127.) There remain now only the lower portion of the

north transept, lower portions of the chancel, and a small fragment of

the east wall of the south transept. It is built of the grey stone of

the locality in rude courses of moderate-sized stones. On the north side

of the nave, and at the west end, is a modern wall about 3 feet high,

but as this is on the foundation of the original north wall, it is

probable that it marks the extent westward of the old nave. Assuming

this, the nave was 21 feet 6 inches by 10 feet inside. The walls were

probably 2 feet 3 inches thick. The position of the doorway is not

evident, but probably was in the west end. Traces of the south wall

remain. The north transept is 12 feet north and south by 8 feet 6 inches

east and west inside. The north wall is 2 feet 3 inches thick, and the

east and west walls 2 feet thick. The north end is 9 feet high, and

retains the window, which is square-headed (Fig. 128), 1 foot 9 inches

high, and 1 foot 3 inches

[Illustration: FIG. 128.--Church at Culbinsbrough. East and North

Elevations.]

wide outside. It is slightly splayed inwards. The sill is 5 feet above

the present ground, but the original level of the floor has not been

ascertained.

The height of the eaves and of the original apex of gable cannot be

ascertained, but it is probable that the eaves of the whole church were

not more than about 7 feet high, and the ridges of roofs about 12 feet

high.

The chancel is 6 feet east and west and 10 feet north and south inside.

The walls 2 feet 7 inches to 3 feet thick. About 5 feet 6 inches in

height of the east gable remains. The sill of the east window appears to

have been 4 feet 7 inches above the ground outside--about the same level

as the window in the north transept. The width and height of the east

window cannot be ascertained as the gable is gone. Probably there were

no arches at the cross. The proportion on which it was formed is not

evident; but these proportions may be observed in it. The interior of

the chancel is in the proportion of the vesica piscis. The length of the

north transept is twice that of the chancel, and half that of the nave.

The interior has been used as a burial-place since the disuse of the

church, and two altar tombs remain in the nave. One is without

inscription, but the other is of a Dutch captain who died in 1636. The

inscription is in Dutch. This is the only cross church in Orkney or

Shetland of which any remains exist, and on that account is of

importance. In this churchyard was found, about 1850, a very interesting

tombstone, which has been presented to the Museum of the Society of

Antiquaries of Scotland by the Rev. Dr. Hamilton of Bressay. This stone

stood erect. It is 4 feet high, 1 foot 4½ inches wide at top, and 11

inches wide at bottom, and 1¾ inch thick. Both faces are ornamented with

carving in low relief. On one face the upper portion contains a square

of interlaced work, within which is a circle containing an interlaced

cross. Below are two dogs, head to head, with their mouths open, and

tails curled over their backs. Below them are two bishops, face to face,

with low mitres, and holding pastoral staves. They resemble the bishops

of the Norse chessmen. On the other face, in the upper part, is a circle

of interlaced work. In the spandrils above it are two nondescript

animals, with their mouths open, apparently eating a man--one the feet,

the other the head. Below the circle are two bishops as on the other

face, between them a man on horseback. Below there is a nondescript

four-legged animal with its tail over its back--possibly a lion or dog.

Other small spaces are filled with interlaced work. On the two edges is

an inscription in Ogham characters, which has been the source of much

discussion; but the stone is somewhat chipped, and the decipherers have

not had a good chance. Amongst many translations is this--on one edge,

“The cross of Natdods daughter here;” on the other edge, “Benres of the

sons of the Druid here.” Probably this stone is of the ninth or

beginning of the tenth century.

GENERAL CHARACTERISTICS.

There is no cross church in Orkney, and only one in Shetland.

In Ireland there is no circular, octagon, or cross church, except, of

course, the cathedrals and some monastic churches.

There is no aisle in Orkney or Shetland.

There are no plinths or basements to any of these churches.

The doors are chiefly in the west ends. Both square and round heads

occur. Several have no rebates. (See Birsay.) St. Ola, Deerness, and

perhaps Uya have no chancels, but all the rest have decided chancels.

There is no instance of a chancel door. Orphir, Egilsey, The Ness,

Culbinsbrough, Norwick, Kirkaby, and Colvidale have or had chancel

arches equal in width to the chancels. In England this fashion rarely

occurs; where it does it is late. It is constructively weak.

Enhallow has a chancel arch with projecting jambs of about the English

proportion.

Birsay, Wyre, Linton, perhaps Uya, and probably Noss have or had very

narrow chancel arches.

In our early churches the chancels were small in comparison with the

naves, and in cathedrals the ritual choir was under the cross or west of

it.

They elongated the choirs in the thirteenth century, and soon placed the

ritual choir east of the cross.

Orphir and Egilsey had windows with circular heads. Birsay, Wyre,

Enhallow, and Culbinsbrough had at least some windows with flat heads.

The Ness has all flat. No instance remains of a double light, or of a

transom, or of a triangular head, which is not unfrequent in Ireland.

At Egilsey, Enhallow, and the Ness are no grooves for glass or rebates,

or external chamfers. At Orphir and Birsay are grooves and chamfers.

(See account of Egilsey.) Of the six churches which retain the east

ends--St. Ola, Orphir, Deerness, Wyre, Egilsey, and the Ness--four have

no east window, except that in the latter there is a small opening high

up in the east gable. In the early Irish churches it is very unusual not

to have an east window. Probably no apse was without an east window.

As far as can be made out at present, there was no step to the chancel

and no platform for the altar, except the inserted step and altar at

Birsay. In some the chancel windows are singularly low, as at Wyre and

Egilsey. No piscina remains, and only one sedile, but several ambries.

There are only four cases where we can judge of the pitch of the roofs.

The Ness had a roof including about 85 degrees, Egilsey about 88

degrees, Enhallow the same, and Wyre about 95 degrees. Probably all had

rude stepped coping on the gables.

MONUMENTS.

The grave stones found in connection with these churches are of four

kinds.

1. Keel-shaped slabs placed horizontally on graves, as at Sandwick in

Unst, sketched by Mr. Irvine.

2. Upright stones nearly rectangular, with crosses engraved on them, as

at Sandwick, etched by Mr. Irvine, and at Norwick and some other places.

This class includes the elaborate monument from Culbinsbrough.

3. The same shaped stones, without any ornamentation, found at many of

the old burial-grounds.

4. Upright stones cut into the form of crosses, as at Uya.

Mr. Irvine has sent the following information:--“I believe from the

earliest times in Scotland the foot-stone of the grave was the chief

stone, and not as now the head-stone, and that the east face of the

foot-stone was the principal face to be attended to, from the idea that

the dead rose at the resurrection to an upright position facing east.

Compare the stone with the ancient incised markings from St. Peter’s

Church, Orkney, now in the Edinburgh Museum, with the one I have etched

from Sandwick, Unst, and I believe it will be seen that the keel stone

existed to both. Therefore, I believe that the interment belonging to

many of the standing stones will be found on the west side and not on

the east.” The coffins were often formed of six or more slabs of stone.

PROPORTIONS.

The designs for churches in the ages of architecture were not made at

random. Doubtless there existed certain rules of proportion; but

doubtless they varied with times, places, and persons.

Various attempts have been made in modern times to discover these rules,

and in some instances with apparent success. It unfortunately happens

that we have not often an intact ground plan, and if the original plan

was simple, the additions render it complex. In many cases these

additions were made without any regard to the proportion of the

original. It appears probable that these proportions were geometric

rather than arithmetical--that is to say, made by simple operations of

the compasses and rulers, rather than by any proportions of numbers. The

small churches of the North are valuable from not having been altered by

additions.

Though in the foregoing notes the proportions on which the churches were

built may not have been ascertained in all cases, yet in some the

coincidences are too remarkable to be chance. Although, no doubt, a

system of proportions was extended to the elevations and certain

details, yet as to most of these in the churches here enumerated we are

in ignorance, because most of the superstructure is gone. It appears

that there were, in fact, only two figures on which the proportions were

founded--a circle, a square, and an equilateral triangle. For most

purposes of proportion the circle and square are identical. The vesica

piscis is two equilateral triangles on opposite sides of a common base,

and hence equal in proportion to the half of one such triangle.

There is, however, one proportion in which a square is not equivalent to

a circle--the diagonal of the square the proportion of which to the side

is nearly as 10 to 7. The height or length of an equilateral triangle is

to half its base nearly as 7 to 4.

All these proportions are somewhat flexible, inasmuch as they may

include the side walls and exclude the end walls, or the reverse; or

they may include both, or they may exclude both; or they may be applied

in one way to the nave, and in another to the chancel, and in another

to the tower. But the proportion must not be deemed as ascertained

unless the figure really fits within 2 or 3 inches.

DATES.

As to the dates of these buildings we have but little to guide us. Only

fragments of the buildings are left, and those of the plainest

description.

Scotch architecture has some mystifying peculiarities. Dates have been

suggested from architectural and historical evidence for Orphir, Birsay,

and Egilsey. Orphir, 1090-1160; Birsay, 1100; Egilsey, 1000. Wyre has

been assigned to the twelfth or thirteenth, the Ness to the fourteenth,

and St. Ola to the sixteenth century.

It may be fairly observed that there must have been churches erected in

the fourteenth and fifteenth centuries. Where are the remains of them?

Possibly some of the ruins described are of those centuries.

It does not appear impossible that from evidence yet to be collected, a

nearer approximation to the dates of these buildings may be got.

* * * * *

As a supplement to the foregoing drawings and descriptions of the ruined

churches of Orkney and Shetland by Sir Henry Dryden, we add an account,

also kindly supplied by Sir Henry, of the chapel at Lybster, in

Caithness, which has a strong affinity to the churches of the Orkneys,

and drawings and description of the chapel on the island of Inch

Kenneth, lying on the south-west of Mull.

CHAPEL AT LYBSTER, PARISH OF REAY, CAITHNESS.

This is not the Lybster on the east coast.

This chapel (Fig. 129) was stated, in 1726, to be dedicated to St.

Peter. It is described and illustrated by Muir in his _Ecclesiastical

Sketch of Caithness and Orkney_, 1861. He states that it was dedicated

to St. Mary.[135]

It consists of nave and chancel, both unroofed. (Fig. 130.) Muir, in his

plan, places the chancel to the north of the nave, but it is in the

usual position.

The nave is 17 feet 10 inches east and west, by 10 feet 11 inches north

and south inside. The north wall of the nave is 3 degrees south of true

west and north of true east, supposing the variation to be 24 degrees

west of north. The walls of the west end and the east end of the nave

are 4 feet 2 inches thick; the north and south walls of the nave are 3

feet 11 inches thick. The walls are of the whinstone of the district, in

irregular courses, from 3 to 10 inches deep, and “spawled”--that is,

made into courses by smaller stones. The north wall of the nave is 8

feet high above the present ground level, and is apparently about its

original height. The south wall is partly broken. The west wall is 11

feet 8

[Illustration: FIG. 129.--Chapel at Lybster. View from South-West.]

[Illustration: FIG. 130.--Chapel at Lybster. Plan, South Elevation and

Section.]

inches, and the east wall 15 feet 2 inches above the present ground. The

latter gable was about 1 foot 6 inches higher than at present, and the

west gable, of course, level with it. I did not ascertain the original

level of the floor, but it must have been at least a foot below the

present ground, so that the total height of the gables was about 16 feet

2 inches.

[Illustration: FIG. 131.--Chapel at Lybster. West End, Doorway, and

Chancel Entrance.]

In the west end (Fig. 131) is an entrance 2 feet 3 inches wide at bottom

and 1 foot 9 inches at top. The head is horizontal; the jambs are

parallel, and there is no sign of hinges for a door. The jambs are now 3

feet 11 inches high. The soffit of the head is flush between the outside

and the inside. Another entrance has been made in the south wall near

the west end, but the wall is broken here, and the form of the head is

uncertain. There is now no trace of a window, but one may have existed

in the place of this doorway.

The entrance to the chancel is 2 feet 9 inches wide at the bottom and 2

feet 1 inch at the head, which is flat, like the west entrance. The

chancel is 11 feet 3 inches east and west, by 10 feet 9 inches north and

south inside. The walls are 2 feet 4½ inches on the north and south and

2 feet 7 inches on the east. The walls are about 1 foot lower than the

north wall of the nave. This chancel has been rebuilt, probably on the

old foundation, and is used as a family burying-place.

There is no trace of an entrance or a window, but I think the wall has

been rebuilt since the disuse of the chapel, so that the original

chancel may have had a window. There is no stoup or ambry.

Planned 1871.

CHAPEL, EFFIGY, AND CROSS ON INCH KENNETH, MULL, ARGYLESHIRE.

Inch Kenneth is about half a mile across at the mouth of Loch na Keal,

on the west side of Mull.

The chapel (Fig. 132) adjoins the burial-ground, which is on the

south-east part of the island, and at 50 or 60 feet above the water.

[Illustration: FIG. 132.--Chapel on Inch Kenneth. View from North-East.]

The ground falls sharply from the north-east to the south-west. The

burial-ground is on the west of the chapel, and on higher ground. There

is an enclosed burial-place adjoining the south side of the chapel for

the Macleans of Brolas.

The chapel (Fig. 133) is a plain parallelogram, 40 feet 9 inches east

and west by 19 feet 8 inches north and south inside. It is deflected 10

[Illustration: FIG. 133.--Chapel on Inch Kenneth. Plan.]

[Illustration: FIG. 134.--Chapel on Inch Kenneth. Section and North

Elevation.]

degrees 30 minutes to the north of true east, assuming the magnetic

meridian to be 21 degrees west of true north.

It is of a light-coloured hard sandstone. It has long been unroofed, and

is mutilated in other parts.

[Illustration: FIG. 135.--Chapel on Inch Kenneth. Details of Doorway.]

The doorway (Fig. 134) is in the north wall, near the west end, on the

side sheltered by the hill; but all the freestone has been taken out,

except two stones of the inner order of the east jamb.

The jambs (Fig. 135) and arch were of two orders. Judging by the remains

of wall it had no hood and no cap. I did not make out whether it had

been a pointed or a half-circular arch, as there is only a small portion

of the masonry fitting the back of the outer order above the west impost

remaining to judge by. Probably pointed.

The sill of the doorway is covered by rubbish, and the whole of the

interior is covered to about 2 feet depth. I had not opportunity for

excavation.

The east end (Fig. 136) remains to 15 feet high, a little above the

eaves. The side walls (Fig. 137) are about 12 feet high, and the west

wall remains to a little way up the gable.

[Illustration: FIG. 136.--Chapel on Inch Kenneth. East End--Exterior and

Interior.]

The facing of the south wall and the south-west angle have disappeared.

The weakness of foundation and the position of the east end on a steep

slope caused, at some period, the east end to lean outwards

[Illustration: FIG. 137.--Chapel on Inch Kenneth. South Elevation.]

considerably; and to obviate further decay, large clasping buttresses

(see Fig. 132) were made at north-east and south-east angles, at some

period much after the building of the chapel, but long ago.

In the east end are two plain lancets (Fig. 138), 4 feet 8 inches high

and 8¾ inches wide, with wide splays to the inside.

There is no groove for glass, and so it probably was fixed in a wooden

frame.

[Illustration: FIG. 138.--Chapel on Inch Kenneth. East Windows.]

On the north is, near the east end, a square-headed light (Figs. 139,

140), 4 feet 8 inches by 1 foot. It has no glass groove. The internal

head is not now arched, but probably was so at first.

On the south, and nearly opposite the last, is a light, 4 feet 8 inches

by 9 inches, with a square head and internal arch. (See Fig. 140.)

Between this and the east wall is a projecting stone with hollow in it,

but no drain. (See Fig. 139.) It is difficult to assign a date to this,

but I think, probably, it is of fourteenth or fifteenth century.

In the centre of the chapel is a flat tombstone, with floriated

decoration. In the burial-ground is a cross of slate, now prostrate. It

appears of very late date, but has traditional form and ornaments.

In the burial-place on the south side of chapel is a floriated tombstone

(Fig. 141), also an effigy in relief (Fig. 142). This is 6 feet 7½

inches long from the top of the cap to the heels. The figure is in

relief of about 4 inches average, flattened on the upper surface, like

many others in that

[Illustration: FIG. 139.--Chapel on Inch Kenneth. North and South

Windows--Interior.]

[Illustration: FIG. 140.--Chapel on Inch Kenneth. South-East and North

Windows--Exterior.]

district, and is in the same stone as the slab, as usual. The slab is 7

feet 2¼ inches by 2 feet 8 inches, of hard freestone. He has no metal

armour except his skull-cap or morion, which has a raised longitudinal

rib and a narrow brim. The head rests on a simple pillow of 3 inches

relief. He wears a quilted dress reaching to the knees, and over that,

apparently a

[Illustration: FIG. 141.]

surcoat. The face has no protection; the hair is long and curly, falling

over the shoulders; he has no beard and no moustache. Below the chin

falls the broad end of a tie (?) of some kind. The right arm, in a

quilted sleeve, is extended by the side, and in the hand is a cannon (?)

ball. Lying over the waist is a circular target, 1 foot in diameter and

2 inches thick, and on this is a shield (presumably to receive the arms

either in sculpture or paint) of 10½ inches width and 1¼ inch

thickness.

The legs are in close-fitting hose, or perhaps bare, and the junction of

the boots is not shown. The feet rest against a lion or dog. He has a

waist-belt, from which depends a long, broad, straight sword, of equal

width to the end. The upper part of the scabbard and the guard are

[Illustration: FIG. 142.]

concealed by the target. The left arm holds the target, and is therefore

partly concealed by it. Dependent from the belt at the right hip is the

dirk. On each side of the head is a figure 10¼ inches high, much worn,

in a loose cloak, and in the attitude of prayer. These may represent

children or professional mourners.

It is possible that the shield which is in relief on the target is to

represent a metal or a wooden plate fastened to the target.

It is likely that the cannon ball is a memorial of some incident.

* * * * *

Sir Henry Dryden, in reading over the foregoing description of the

Orkney and Shetland churches after they were arranged in type, has

requested the following note to be inserted:--

_Note by Sir Henry Dryden._

All the plans and sections are much reduced from the originals;

therefore, the _statements_ of the scales are not true, but the scales

given are correct, having been reduced with the plans.

Of the original drawings, some general plans are to the scale of ½ an

inch to 40 feet, and ½ an inch to 10 feet. All the chapels are to the

scale of ⅜ of an inch to 2 feet, doors and windows ⅜ to 6 inches, and

mouldings ⅜ to 3 inches.

The elevations in the originals are tinted with sepia, and have no

masonry indicated. The artist who has prepared these reductions has

indicated the masonry, but has made it much too regular, both in courses

and size of stones.

The drawing here shown is a more accurate representation of the general

style of the masonry.

[Illustration]

The degrees and minutes prefixed to arrows are the readings of a

prismatic compass, with 360 degrees at south, 90 degrees at west, and so

on. All were taken west to east and east to west.

[Illustration]

TRANSITION FROM CELTIC TO NORMAN ARCHITECTURE.

Having in the preceding chapters dealt with the churches in Scotland

which may be regarded as of Celtic descent, we now turn to those in

which the Roman or Norman influence begins to make itself apparent.

A few structures exist in Scotland in which both the Celtic and Norman

influences can be traced, and which are interesting as examples of the

transition from the one style to the other. We have noted in the

foregoing descriptions the gradual introduction in the later Celtic

churches of features characteristic of Norman work, such as round arched

openings and upright jambs, not to mention the pointed and more advanced

details of later examples. But the gradual approach of Norman

architecture, and its encroachment on the Celtic forms, is more

particularly noticeable in some of the early towers in the East of

Scotland. In that part of the country of which the Frith of Tay forms

the centre, and which was then the central region of Pictavia, there

exists a series of early ecclesiastical towers, eight in number. Six of

these towers are situated south of the Tay--three of them being on the

south side of the Ochil Hills, and three on the north side. Those on the

south side are the tower of St. Regulus at St. Andrews and the towers at

Markinch and Dunblane; while the towers on the north side of the Ochils

are at Abernethy, Muthill, and Dunning. The towers on the north side of

the Tay are those at Brechin and Restennet. These places are all known

to have been the sites of Culdee establishments, which were ultimately

absorbed into the Roman system.

The towers of Abernethy and Brechin are round towers, similar in design

to the round towers of Ireland.[136] These two towers contain many

features which indicate their Irish derivation, while one of them--that

at Abernethy--shows the impress of the Norman influence in its details.

The other towers above mentioned (which are described under their

respective heads) are all square in plan; but that of Restennet shows

considerable affinity with Celtic modes of construction. The Church of

St. Regulus probably marks the next step in the Norman advance, while

the remaining towers, although simple in details, are quite distinctly

Norman in their features.

The Round Tower of Brechin is the one which approaches most nearly to

the Celtic or Irish forms. Its masonry is built with large stones, but

they are not laid in regular courses. The doorway is some feet above the

ground, and is ornamented with details quite Irish in character. This

tower will be more fully described under the head of Brechin Cathedral.

ABERNETHY ROUND TOWER, PERTHSHIRE.

The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3 · 第 11 / 27 段