III--THE MINSTREL

Salim Awad, poet, was the son of Tanous--that orator. Having now lost at

love, he lay disconsolate on his pallet in the tenement overlooking the

soap factory. He would not answer any voice; nor would he heed the

gentle tap and call of old Khalil Khayyat, the tutor of his muse; nor

would he yield his sorrow to the music of Nageeb Fiani, called the

greatest player in all the world. For three hours Fiani, in the wail and

sigh of his violin, had expressed the woe of love through the key-hole;

but Salim Awad was not moved. No; the poet continued in desolation

through the darkness of that night, and through the slow, grimy,

unfeeling hours of day. He dwelt upon Haleema, Khouri's daughter--she (as

he thought) of the tresses of night, the beautiful one. Salim was in

despair because this Haleema had chosen to wed Jimmie Brady, the

truckman. She loved strength more than the uplifted spirit; and this

maidens may do, as Salim knew, without reproach or injury.

When the dusk of the second day was gathered in his room, Salim looked

up, eased by the tender obscurity. In the cobble-stoned street below the

clatter of traffic had subsided; there were the shuffle and patter of

feet of the low-born of his people, the murmur of voices, soft laughter,

the plaintive cries of children--the dolorous medley of a summer night.

Beyond the fire-escape, far past the roof of the soap factory, lifted

high above the restless Western world, was the starlit sky; and Salim

Awad, searching its uttermost depths, remembered the words of Antar,

crying in his heart: "_I pass the night regarding the stars of night in

my distraction. Ask the night of me, and it will tell thee that I am the

ally of sorrow and of anguish. I live desolate; there is no one like me.

I am the friend of grief and of desire._"

* * * * *

The band was playing in Battery Park; the weird music of it, harsh,

incomprehensible, an alien love-song--

"Hello, mah baby,

Hello, mah honey,

Hello, mah rag-time girl!"

drifted in at the open window with a breeze from the sea. But by this

unmeaning tumult the soul of Salim Awad, being far removed, was not

troubled; he remembered, again, the words of Antar, addressed to his

beloved, repeating: "_In thy forehead is my guide to truth; and in the

night of thy tresses I wander astray. Thy bosom is created as an

enchantment. O may God protect it ever in that perfection! Will fortune

ever, O daughter of Malik, ever bless me with thy embrace? That would

cure my heart of the sorrows of love._"

* * * * *

And again the music of the band in Battery Park drifted up the murmuring

street,

"_Just_ one girl,

Only _just_ one girl!

There are others, I know, but they're _not_ my pearl.

_Just_ one girl,

Only just one girl!

I'd be happy forever with _just_ one girl!"

and came in at the open window with the idle breeze; and Salim heard

nothing of the noise, but was grateful for the cool fingers of the wind

softly lifting the hair from his damp brow.

It must be told--and herein is a mystery--that this same Salim, who had

lost at love, now from the darkness of his tenement room contemplating

the familiar stars, wise, remote, set in the uttermost heights of heaven

beyond the soap factory, was by the magic of this great passion inspired

to extol the graces of his beloved Haleema, Khouri's daughter, star of

the world, and to celebrate his own despair, the love-woe of Salim, the

noble-born, the poet, the lover, the brokenhearted. Without meditation,

as he has said, without brooding or design, as should occur, but rather,

taking from the starlit infinitude beyond the soap factory, seizing from

the mist of his vision and from the blood of agony dripping from his

lacerated heart, he fashioned a love-song so exquisite and frail, so shy

of contact with unfeeling souls, that he trembled in the presence of

this beauty, for the moment forgetting his desolation, and conceived

himself an instrument made of men, wrought of mortal hands, unworthy,

which the fingers of angels had touched in alleviation of the sorrows of

love.

Thereupon Salim Awad arose, and he made haste to Khalil Khayyat to tell

him of this thing....

This same Khalil Khayyat, lover of children, that poet and mighty

editor, the tutor of the young muse of this Salim--this patient gardener

of the souls of men, wherein he sowed seeds of the flowers of the

spirit--this same Khalil, poet, whose delight was in the tender bloom of

sorrow and despair--this old Khayyat, friend of Salim, the youth, the

noble-born, sat alone in the little back room of Nageeb Fiani, the

pastry-cook and greatest player in all the world. And his narghile was

glowing; the coal was live and red, showing as yet no gray ash, and the

water bubbled by fits and starts, and the alien room, tawdry in its

imitation of the Eastern splendor, dirty, flaring and sputtering with

gas, was clouded with the sweet-smelling smoke. To the coffee, perfume

rising with the steam from the delicate vessel, nor to the rattle of

dice and boisterous shouts from the outer room, was this Khalil

attending; for he had the evening dejection to nurse. He leaned over the

green baize table, one long, lean brown hand lying upon _Kawkab

Elhorriah_ of that day, as if in affectionate pity, and his lean brown

face was lifted in a rapture of anguish to the grimy ceiling; for the

dream of the writing had failed, as all visions of beauty must fail in

the reality of them, and there had been no divine spark in the labor of

the day to set the world aflame against Abdul-Hamid, Sultan,

slaughterer.

To him, then, at this moment of inevitable reaction, the love-lorn

Salim, entering in haste.

"Once more, Salim," said Khalil Khayyat, sadly, "I have failed."

Salim softly closed the door.

"I am yet young, Salim," the editor added, with an absent smile, in

which was no bitterness at all, but the sweetness of long suffering. "I

am yet young," he repeated, "for in the beginning of my labor I hope."

Salim turned the key.

"I am but a child," Khalil Khayyat declared, his voice, now lifted,

betraying despair. "I dream in letters of fire: I write in shadows. In

my heart is a flame: from the point of my pen flows darkness. I proclaim

a revolution: I hear loud laughter and the noise of dice. Salim," he

cried, "I am but a little child: when night falls upon the labor of my

day I remember the morning!"

"Khalil!"

Khalil Khayyat was thrilled by the quality of this invocation.

"Khalil of the exalted mission, friend, poet, teacher of the aspiring,"

Salim Awad whispered, leaning close to the ear of Khalil Khayyat, "a

great thing has come to pass."

Khayyat commanded his ecstatic perturbation.

"Hist!" Salim ejaculated. "Is there not one listening at the door?"

"There is no one, Salim; it is the feet of Nageeb the coffee-boy,

passing to the table of Abosamara, the merchant."

Salim hearkened.

"There is no one, Salim."

"There is a breathing at the key-hole, Khalil," Salim protested. "This

great thing must not be known."

"There is no one, Salim," said Khalil Khayyat. "I have heard Abosamara

call these seven times. Being rich, he is brutal to such as serve. The

sound is of the feet of the little Intelligent One. He bears coffee to

the impatient merchant. His feet are soft, by my training; they pass

like a whisper.... Salim, what is this great thing?"

"Nay, but, Khalil, I hesitate: the thing must not be heard."

"Even so," said Khalil Khayyat, contemptuously, being still a poet; "the

people are of the muck of the world; they are common, they are not of

our blood and learning. How shall they understand that which they hear?"

"Khalil," Salim Awad answered, reassured, "I have known a great moment!"

"A great moment?" said Khalil Khayyat, being both old and wise. "Then it

is because of agony. There has issued from this great pain," said he,

edging, in his artistic excitement, toward the victim of the muse, "a

divine poem of love?"

Salim Awad sighed.

"Is it not so, Salim?"

Salim Awad flung himself upon the green baize table; and so great was

his despair that the coffee-cup of Khalil Khayyat jumped in its saucer.

"I have suffered: I have lost at love," he answered. "I have been

wounded; I bleed copiously. I lie alone in a desert. My passion is

hunger and thirst and a gaping wound. From fever and the night I cry

out. Whence is my healing and satisfaction? Nay, but, Khalil, devoted

friend," he groaned, looking up, "I have known the ultimate sorrow.

Haleema!" cried he, rising, hands clasped and uplifted, eyes looking far

beyond the alien, cobwebbed, blackened ceiling of the little back room

of Nageeb Fiani, the pastry-cook and greatest player in all the world.

"Haleema!" he cried, as it may meanly be translated. "Haleema--my sleep

and waking, night and day of my desiring soul, my thought and

heart-throb! Haleema--gone forever from me, the poet, the unworthy, fled

to the arms of the strong, the knowing, the manager of horses, the one

powerful and controlling! Haleema--beautiful one, fashioned of God, star

of the night of the sons of men, glory of the universe, appealing, of

the soft arms, of the bosom of sleep! Haleema--of the finger-tips of

healing, of the warm touch of solace, of the bed of rest! Haleema,

beautiful one, beloved, lost to me!... Haleema!... Haleema!..."

"God!" Khalil Khayyat ejaculated; "but this is indeed great poetry!"

Salim Awad collapsed.

"And from this," asked Khalil Khayyat, cruel servant of art, being

hopeful concerning the issue, "there has come a great poem? There

_must_," he muttered, "have come a love-song, a heart's cry in comfort

of such as have lost at love."

Salim Awad looked up from the table.

"A cry of patient anguish," said Khalil Khayyat.

"Khalil," said Salim Awad, solemnly, "the strings of my soul have been

touched by the hand of the Spirit."

"By the Spirit?"

"The fingers of Infinite Woe."

To this Khalil Khayyat made no reply, nor moved one muscle--save that his

hand trembled a little, and his eyes, which had been steadfastly

averted, suddenly searched the soul of Salim Awad. It was very still in

the little back room. There was the sputtering of the gas, the tread of

soft feet passing in haste to the kitchen, the clamor from the outer

room, where common folk were gathered for their pleasure, but no sound,

not so much as the drawing of breath, in the little room where these

poets sat, and continued in this silence, until presently Khalil Khayyat

drew very close to Salim Awad.

"Salim," he whispered, "reveal this poem."

"It cannot be uttered," said Salim Awad.

Khalil Khayyat was by this amazed. "Is it then so great?" he asked.

"Then, Salim," said he, "let it be as a jewel held in common by us of

all the world."

"I am tempted!"

"I plead, Salim--I, Khalil Khayyat, the poet, the philosopher--I plead!"

"I may not share this great poem, Khalil," said Salim Awad, commanding

himself, "save with such as have suffered as I have suffered."

"Then," answered Khalil Khayyat, triumphantly, "the half is mine!"

"Is yours, Khalil?"

"The very half, Salim, is the inheritance of my woe!"

"Khalil," answered Salim Awad, rising, "attend!" He smiled, in the way

of youth upon the aged, and put an affectionate hand on the old man's

shoulder. "My song," said he, passionately, "may not be uttered; for in

all the world--since of these accidents God first made grief--there has

been no love-sorrow like my despair!"

Then, indeed, Khalil Khayyat knew that this same Salim Awad was a worthy

poet. And he was content; for he had known a young man to take of the

woe from his own heart and fashion a love-song too sublime for

revelation to the unfeeling world--which was surely poetry sufficient to

the day. He asked no more concerning the song, but took counsel with

Salim Awad upon his journey to Newfoundland, whither the young poet was

going, there in trade and travel to ease the sorrows of love. And he

told him many things about money and a pack, and how that, though

engaged in trade, a man might still journey with poetry; the one being

of place and time and necessity, and the other of the free and infinite

soul. Concerning the words spoken that night in farewell by these poets,

not so much as one word is known, though many men have greatly desired

to know, believing the moment to have been propitious for high speaking;

but not a word is to be written, not so much as a sigh to be described,

for the door was closed, and, as it strangely chanced, there was no ear

at the key-hole. But Nageeb Fiani, the greatest player in all the world,

entering upon the departure of Salim Awad, was addressed by Khalil

Khayyat.

"Nageeb," said this great poet, "I have seen a minstrel go forth upon

his wandering."

"Upon what journey does the singer go, Khalil?"

"To the north, Nageeb."

"What song, Khalil, does the man sing by the way?"

"The song is in his heart," said Khalil Khayyat.

Abosamara, the merchant, being only rich, had intruded from his own

province. "Come!" cried he, in the way of the rich who are only rich.

"Come!" cried he, "how shall a man sing with his heart?"

Khalil Khayyat was indignant.

"Come!" Abosamara demanded, "how shall this folly be accomplished?"

"How shall the deaf understand these things?" answered Khalil Khayyat.

And this became a saying....

Hapless Harbor, of the Newfoundland French shore, gray, dispirited,

chilled to its ribs of rock--circumscribed by black sea and impenetrable

walls of mist. There was a raw wind swaggering out of the northeast upon

it: a mean, cold, wet wind--swaggering down the complaining sea through

the fog. It had the grounds in a frothy turmoil, the shore rocks

smothered in broken water, the spruce of the heads shivering, the world

of bleak hill and wooded valley all clammy to the touch; and--chiefest

triumph of its heartlessness--it had the little children of the place

driven into the kitchens to restore their blue noses and warm their

cracked hands. Hapless Harbor, then, in a nor'east blow, and a dirty

day--uncivil weather; an ugly sea, a high wind, fog as thick as cheese,

and, to top off with, a scowling glass. Still early spring--snow in the

gullies, dripping in rivulets to the harbor water; ice at sea, driving

with the variable, evil-spirited winds; perilous sailing and a wretched

voyage of it upon that coast. A mean season, a dirty day--a time to be in

harbor. A time most foul in feeling and intention, an hour to lie snug

in the lee of some great rock.

The punt of Salim Awad, double-reefed in unwilling deference to the

weather, had rounded Greedy Head soon after dawn, blown like a brown

leaf, Salim being bound in from Catch-as-Catch-Can with the favoring

wind. It was the third year of his wandering in quest of that ease of

the sorrows of love; and as he came into quiet water from the toss and

spray of the open, rather than a hymn in praise of the Almighty who had

delivered him from the grasping reach of the sea, from its cold fingers,

its green, dark, swaying grave--rather than this weakness--rather than

this Newfoundland habit of worship, he muttered, as Antar, that great

lover and warrior, had long ago cried from his soul: "_Under thy veil is

the rosebud of my life, and thine eyes are guarded with a multitude of

arrows; round thy tent is a lion-warrior, the sword's edge, and the

spear's point_"--which had nothing to do, indeed, with a nor'east gale

and the flying, biting, salty spray of a northern sea. But this Salim

had come in, having put out from Catch-as-Catch-Can when gray light

first broke upon the black, tumultuous world, being anxious to make

Hapless Harbor as soon as might be, as he had promised a child in the

fall of the year.

This Salim, poet, maker of the song that could not be uttered, tied up

at the stage-head of Sam Swuth, who knew the sail of that small craft,

and had lumbered down the hill to meet him.

"Pup of a day," says Sam Swuth.

By this vulgarity Salim was appalled.

"Eh?" says Sam Swuth.

Salim's pack, stowed amidships, was neatly and efficiently bound with

tarpaulin, the infinite mystery of which he had mastered; but his punt,

from stem to stern, swam deeply with water gathered on the way from

Catch-as-Catch-Can.

"Pup of a day," says Sam Swuth.

"Oh my, no!" cried Salim Awad, shocked by this inharmony with his mood.

"Ver' bad weather."

"Pup of a day," Sam Swuth insisted.

"Ver' bad day," said Salim Awad. "Ver' beeg wind for thee punt."

The pack was hoisted from the boat.

"An the glass don't lie," Sam Swuth promised, "they's a sight dirtier

comin'."

Salim lifted the pack to his back. "Ver' beeg sea," said he. "Ver' bad

blow."

"Ghost Rock breakin'?"

"Ver' bad in thee Parlor of thee Devil," Salim answered. "Ver' long,

black hands thee sea have. Ver' white finger-nail," he laughed. "Eh?

Ver' hong-ree hands. They reach for thee punt. But I am have escape," he

added, with a proud little grin. "I am have escape. I--Salim! Ver' good

sailor. Thee sea have not cotch _me_, you bet!"

"Ye'll be lyin' the night in Hapless?"

"Oh my, no! Ver' poor business. I am mus' go to thee Chain Teekle."

Salim Awad went the round of mean white houses, exerting himself in

trade, according to the cure prescribed for the mortal malady of which

he suffered; but as he passed from door to door, light-hearted, dreaming

of Haleema, she of the tresses of night, wherein the souls of men

wandered astray, he still kept sharp lookout for Jamie Tuft, the young

son of Skipper Jim, whom he had come through the wind to serve. Salim

was shy--shy as a child; more shy than ever when bent upon some gentle

deed; and Jamie was shy, shy as lads are shy; thus no meeting chanced

until, when in the afternoon the wind had freshened, these two blundered

together in the lee of Bishop's Rock, where Jamie was hiding his

humiliation, grief, and small body, but devoutly hoping, all the while,

to be discovered and relieved. It was dry in that place, and sheltered

from the wind; but between the Tickle heads, whence the harbor opened to

the sea, the gale was to be observed at work upon the run.

Salim stopped dead. Jamie grinned painfully and kicked at the road.

"Hello!" cried Salim.

"'Lo, Joe!" growled Jamie.

Salim sighed. He wondered concerning the amount Jamie had managed to

gather. Would it be sufficient to ease his conscience through the

transaction? The sum was fixed. Jamie must have the money or go wanting.

Salim feared to ask the question.

"I isn't got it, Joe," said Jamie.

"Oh my! Too bad!" Salim groaned.

"Not all of un," added Jamie.

Salim took heart; he leaned close, whispering, in suspense: "How much

have you thee got?"

"Two twenty--an' a penny."

"Ver' good!" cried Salim Awad, radiant. "Ver', ver' good! Look!" said

he: "you have wait three year for thee watch. Ver' much you have want

thee watch. 'Ha!' I theenk; 'ver' good boy, this--I mus' geeve thee watch

to heem. No, no!' I theenk; 'ver' bad for thee boy. I mus' not spoil

thee ver' good boy. Make thee mon-ee,' I say; 'catch thee feesh, catch

thee swile, then thee watch have be to you!' Ver' good. What happen?

Second year, I have ask about the mon-ee. Ver' good. 'I have got one

eighteen,' you say. Oh my--no good! The watch have be three dollar. Oh

my! Then I theenk: 'I have geeve the good boy thee watch for one

eighteen. Oh no, I mus' not!' I theenk; 'ver' bad for thee boy, an' mos'

ver' awful bad trade.' Then I say, 'I keep thee watch for one year

more.' Ver' good. Thee third year I am have come. Ver' good. What you

say?' 'I have thee two twenty-one,' you say. Ver', ver' good. Thee price

of thee watch have be three dollar? No! Not this year. Thee price have

_not_ be three dollar."

Jamie looked up in hope.

"Why not?" Salim Awad continued, in delight. "Have thee watch be spoil?

No, thee watch have be ver' good watch. Have thee price go down? No;

thee price have not."

Jamie waited in intense anxiety, while Salim paused to enjoy the

mystery.

"Have I then become to spoil thee boy?" Salim demanded. "No? Ver' good.

How then can thee price of thee watch have be two twenty?"

Jamie could not answer.

"Ver' good!" cried the delighted Salim. "Ver', ver' good! I am have tell

you. Hist!" he whispered.

Jamie cocked his ear.

"Hist!" said Salim Awad again.

They were alone--upon a bleak hill-side, in a wet, driving wind.

"I have be to New York," Salim whispered, in a vast excitement of

secrecy and delight. "I am theenk: 'Thee boy want thee watch. How thee

boy have thee watch? Thee good boy _mus'_ have thee watch. Oh, mygod!

how?' I theenk. I theenk, an' I theenk, an' I theenk. Thee boy mus' pay

fair price for thee watch. Ha! Thee Salim ver' clever. He feex thee

price of thee watch, you bet! Eh! Ver' good. How?"

Jamie was tapped on the breast; he looked into the Syrian's wide,

delighted, mocking brown eyes--but could not fathom the mystery.

"How?" cried Salim. "Eh? How can the price come down?"

Jamie shook his head.

"_I have smuggle thee watch!_" Salim whispered.

"Whew!" Jamie whistled. "That's sinful!"

"Thee watch it have be to you," answered Salim, gently. "Thee sin," he

added, bowing courteously, a hand on his heart, "it have be all my own!"

* * * * *

For a long time after Salim Awad's departure, Jamie Tuft sat in the lee

of Bishop's Rock--until indeed, the dark alien's punt had fluttered out

to sea on the perilous run to Chain Tickle. It began to rain in great

drops; the sullen mood of the day was about to break in some wrathful

outrage upon the coast. Gusts of wind swung in and down upon the boy--a

cold rain, a bitter, rising wind. But Jamie still sat oblivious in the

lee of the rock. It was hard for him, unused to gifts, through all his

days unknown to favorable changes of fortune, to overcome his

astonishment--to enter into the reality of this possession. The like had

never happened before: never before had joy followed all in a flash upon

months of mournful expectation. He sat as still as the passionless rock

lifted behind him. It was a tragedy of delight. Two dirty, cracked,

toil-distorted hands--two young hands, aged and stained and malformed by

labor beyond their measure of strength and years to do--two hands and the

shining treasure within them: to these his world was, for the time,

reduced--the rest, the harsh world of rock and rising sea and harsher

toil and deprivation, was turned to mist; it was like a circle of fog.

Jamie looked up.

"By damn!" he thought, savagely, "'tis--'tis--_mine_!"

The character of the exclamation is to be condoned; this sense of

ownership had come like a vision.

"Why, I _got_ she!" thought Jamie.

Herein was expressed more of agonized dread, more of the terror that

accompanies great possessions, than of delight.

"Ecod!" he muttered, ecstatically; "she's mine--she's mine!"

The watch was clutched in a capable fist. It was not to be dropped, you

may be sure! Jamie looked up and down the road. There was no highwayman,

no menacing apparition of any sort, but the fear of some ghostly ravager

had been real enough. Presently the boy laughed, arose, moved into the

path, stood close to the verge of the steep, which fell abruptly to the

harbor water.

"I got t' tell mamma," he thought.

On the way to Jamie's pocket went the watch.

"She'll be that glad," the boy thought, gleefully, "that she--she--she'll

jus' fair _cry_!"

There was some difficulty with the pocket.

"Yes, sir," thought Jamie, grinning; "mamma'll jus' cry!"

The watch slipped from Jamie's overcautious hand, struck the rock at his

feet, bounded down the steep, splashed into the harbor water, and

vanished forever....

* * * * *

A bad time at sea: a rising wind, spray on the wing, sheets of cold

rain--and the gray light of day departing. Salim Awad looked back upon

the coast; he saw no waste of restless water between, no weight and

frown of cloud above, but only the great black gates of Hapless Harbor,

beyond which, by the favor of God, he had been privileged to leave a

pearl of delight. With the wind abeam he ran on through the sudsy sea,

muttering, within his heart, as that great Antar long ago had cried:

"_Were I to say thy face is like the full moon of heaven, wherein that

full moon is the eye of the antelope? Were I to say thy shape is like

the branch of the erak tree, oh, thou shamest it in the grace of thy

form! In thy forehead is my guide to truth, and in the night of thy

tresses I wander astray!_"

And presently, having won Chain Tickle, he pulled slowly to Aunt

Amelia's wharf, where he moored the punt, dreaming all the while of

Haleema, Khouri's daughter, star of the world. Before he climbed the

hill to the little cottage, ghostly in the dusk and rain, he turned

again to Hapless Harbor. The fog had been blown away; beyond the heads

of the Tickle--far across the angry run--the lights of Hapless were

shining cheerily.

"Ver' good sailor--me!" thought Salim. "Ver' good hand, you bet!"

A gust of wind swept down the Tickle and went bounding up the hill.

"He not get me!" muttered Salim between bared teeth.

A second gust showered the peddler with water snatched from the harbor.

"Ver' glad to be in," thought Salim, with a shudder, turning now from

the black, tumultuous prospect. "Ver' mos' awful glad to be in!"

[Illustration: THE DARK, SMILING SALIM, WITH HIS MAGIC PACK, WAS

WELCOME]

It was cosey in Aunt Amelia's hospitable kitchen. The dark, smiling

Salim, with his magic pack, was welcome. The wares displayed--no more for

purchase than for the delight of inspection--Salim stowed them away, sat

himself by the fire, gave himself to ease and comfort, to the delight of

a cigarette, and to the pleasure of Aunt Amelia's genial chattering. The

wind beat upon the cottage--went on, wailing, sighing, calling--and in the

lulls the breaking of the sea interrupted the silence. An hour--two

hours, it may be--and there was the tramp of late-comers stumbling up the

hill. A loud knocking, then entered for entertainment three gigantic

dripping figures--men of Catch-as-Catch-Can, bound down to Wreckers' Cove

for a doctor, but now put in for shelter, having abandoned hope of

winning farther through the gale that night. Need o' haste? Ay; but what

could men do? No time t' take a skiff t' Wreckers' Cove in a wind like

this! 'Twould blow your hair off beyond the Tickle heads. Hard enough

crossin' the run from Hapless Harbor. An' was there a cup o' tea an' a

bed for the crew o' them? They'd be under way by dawn if the wind fell.

Ol' Tom Luther had t' have a doctor _somehow_, whatever come of it!

"Hello, Joe!" cried the one.

Salim rose and bowed.

"Heared tell 't Hapless Harbor you was here-abouts."

"Much 'bliged," Salim responded, courteously, bowing again. "Ver' much

'bliged."

"Heared tell you sold a watch t' Jim Tuft's young one?"

"Ver' good watch," said Salim.

"Maybe," was the response.

Salim blew a puff of smoke with light grace toward the white rafters. He

was quite serene; he anticipated, now, a compliment, and was fashioning,

of his inadequate English, a dignified sentence of acknowledgment.

"Anyhow," drawled the man from Catch-as-Catch-Can, "she won't go no

more."

Salim looked up bewildered.

"Overboard," the big man explained.

"W'at!" cried Salim.

"Dropped her."

Salim trembled. "He have--drop thee--watch?" he demanded. "No, no!" he

cried. "The boy have not drop thee watch!"

"Twelve fathoms o' water."

"Oh, mygod! Oh, dear me!" groaned Salim Awad. He began to pace the

floor, wringing his hands. They watched him in amazement. "Oh, mygod!

Oh, gracious! He have drop thee watch!" he continued. "Oh, thee poor

broke heart of thee boy! Oh, my! He have work three year for thee watch.

He have want thee watch so ver' much. Oh, thee great grief of thee poor

boy! I am mus' go," said he, with resolution. "I am mus' go to thee

Hapless at thee once. I am mus' cure thee broke heart of thee poor boy.

Oh, mygod! Oh, dear!" They scorned the intention, for the recklessness

of it; they bade him listen to the wind, the rain on the roof, the growl

and thud of the breakers; they called him a loon for his folly. "Oh,

mygod!" he replied; "you have not understand. Thee broke heart of thee

child! Eh? W'at you know? Oh, thee ver' awful pain of thee broke heart.

Eh? I know. I am have thee broke heart. I am have bear thee ver' awful

bad pain."

Aunt Amelia put a hand on Salim's arm.

"I am mus' go," said the Syrian, defiantly.

"Ye'll not!" the woman declared.

"I am mus' go to thee child."

"Ye'll not lose your life, will ye?"

The men of Catch-as-Catch-Can were incapable of a word; they were amazed

beyond speech. 'Twas a new thing in their experience. They had put out

in a gale to fetch the doctor, all as a matter of course; but this risk

to ease mere woe--and that of a child! They were astounded.

"Oh yes!" Salim answered. "For thee child."

"Ye fool!"

Salim looked helplessly about. He was nonplussed. There was no

encouragement anywhere to be descried. Moreover, he was bewildered that

they should not understand!

"For thee child--yes," he repeated.

They did but stare.

"Thee broke heart," he cried, "of thee li'l child!"

No response was elicited.

"Oh, dear me!" groaned the poet. "You _mus'_ see. It is a child!"

A gust was the only answer.

"Oh, mygod!" cried Salim Awad, poet, who had wandered astray in the

tresses of night. "Oh, dear me! Oh, gee!"

Without more persuasion, he prepared himself for this high mission in

salvation of the heart of a child; and being no longer deterred, he put

out upon it--having no fear of the seething water, but a great pity for

the incomprehension of such as knew it best. It was a wild night; the

wind was a vicious wind, the rain a blinding mist, the night thick and

unkind, the sea such in turmoil as no punt could live through save by

grace. Beyond Chain Tickle, Salim Awad entered the thick of that gale,

but was not perturbed; for he remembered, rather than recognized the

menace of the water, the words of that great lover, Antar, warrior and

lover, who, from the sands of isolation, sang to Abla, his beloved:

"_The sun as it sets turns toward her and says, Darkness obscures the

land, do thou arise in my absence. And the brilliant moon calls out to

her, Come forth, for thy face is like me when I am at the full and in

all my glory._"

The hand upon the steering-oar of this punt, cast into an ill-tempered,

cold, dreary, evil-intentioned northern sea, was without agitation, the

hand upon the halyard was perceiving and sure, the eye of intelligence

was detached from romance; but still the heart remembered: "_The

tamarisk-trees complain of her in the morn and in the eve, and say,

Away, thou waning beauty, thou form of the laurel! She turns away

abashed, and throws aside her veil, and the roses are scattered from her

soft, fresh cheeks. Graceful is every limb, slender her waist,

love-beaming are her glances, waving is her form. The lustre of day

sparkles from her forehead, and by the dark shades of her curling

ringlets night itself is driven away._"

The lights of Hapless Harbor dwindled; one by one they went out, a last

message of wariness; but still there shone, bright and promising

continuance, a lamp of Greedy Head, whereon the cottage of Skipper Jim

Tuft, the father of Jamie, was builded.

"I will have come safe," thought Salim, "if thee light of Jamie have

burn on."

It continued to burn.

"It is because of thee broke heart," thought Salim.

The light was not put out: Salim Awad--this child of sand and heat and

poetry--made harbor in the rocky north; and he was delighted with the

achievement. But how? I do not know. 'Twas a marvellous thing--thus to

flaunt through three miles of wind-swept, grasping sea. A gale of wind

was blowing--a gale to compel schooners to reef--ay, and to double reef,

and to hunt shelter like a rabbit pursued: this I have been told, and

for myself know, because I was abroad, Cape Norman way. No

Newfoundlander could have crossed the run from Chain Tickle to Hapless

Harbor at that time; the thing is beyond dispute; 'twas a feat

impossible--with wind and lop and rain and pelting spray to fight. But

this poet, desert born and bred, won through, despite the antagonism of

all alien enemies, cold and wet and vigorous wind: this poet won

through, led by Antar, who said: "_Thy bosom is created as an

enchantment. Oh, may God protect it ever in that perfection_," and by

his great wish to ease the pain of a child, and by his knowledge of wind

and sea, gained by three years of seeking for the relief of the sorrows

of love.

"Ver' good sailor," thought Salim Awad, as he tied up at Sam Swuth's

wharf.

'Twas a proper estimate. "Ver' good," he repeated. "Ver' beeg good."

Then this Salim, who had lost at love, made haste to the cottage of

Skipper Jim Tuft, wherein was the child Jamie, who had lost the watch.

He entered abruptly from the gale--recognizing no ceremony of knocking,

as why should he? There was discovered to him a dismal group: Skipper

Jim, Jamie's mother, Jamie--all in the uttermost depths. "I am come!"

cried he. "I--Salim Awad--I am come from thee sea! I am come from thee

black night--I am come wet from thee rain--I am escape thee hands of thee

sea! I am come--I, Salim Awad, broke of thee heart!" 'Twas a surprising

thing to the inmates of that mean, hopeless place. "I am come," Salim

repeated, posing dramatically--"I, Salim--I am come!" 'Twas no more than

amazement he confronted. "To thee help of thee child," he repeated. "Eh?

To thee cure of thee broke heart." There was no instant response. Salim

drew a new watch from his pocket. "I have come from thee ver' mos' awful

sea with thee new watch. Eh? Ver' good. I am fetch thee cure of thee

broke heart to thee poor child." There was no doubt about the efficacy

of the cure. 'Twas a thing evident and delightful. Salim was wet, cold,

disheartened by the night and weather; but the response restored him.

"Thee watch an' thee li'l' chain, Jamie," said he, with a bow most

polite, "it is to you."

Jamie grabbed the watch.

"Ver' much 'bliged," said Salim.

"Thanks," said Jamie.

And in this cheap and simple way Salim Awad restored the soul of Jamie

Tuft and brought happiness to all that household.

* * * * *

And now, when the news of this feat came to the ears of Khalil Khayyat,

the editor, as all news must come, he sought the little back room of

Nageeb Fiani, the greatest player in all the world, with the letter in

his hand. Presently he got his narghile going, and a cup of perfumed

coffee before him on the round, green baize table; and he was very

happy--what with the narghile and the coffee and the letter from the

north. There was hot weather, the sweat and complaint of the tenements;

there was the intermittent roar and shriek of the Elevated trains

rounding the curve to South Ferry; there was the street murmur and gasp,

the noise of boisterous voices and the click of dice in the outer room;

but by these Khalil Khayyat was not disturbed. Indeed not; there was a

matter of the poetry of reality occupying his attention. He called

Nageeb, the little Intelligent One, who came with soft feet; and he bade

the little one summon to his presence Nageeb Fiani, the artist, the

greatest player in all the world, who came, deferentially, wondering

concerning this important message from the poet.

"Nageeb," said Khalil Khayyat, "there has come a letter from the north."

Nageeb assented.

"It concerns Salim," said Khayyat.

"What has this Salim accomplished," asked Nageeb Fiani, "in alleviation

of the sorrows of love?"

Khayyat would not answer.

"Tell me," Nageeb pleaded.

"This Salim," said Khalil Khayyat, "made a song that could not be

uttered. It is well," said Khalil Khayyat. "You remember?"

Nageeb remembered.

"Then know this," said Khalil Khayyat, abruptly, "the song he could not

utter he sings in gentle deeds. It is a great song; it is too great for

singing--it must be lived. This Salim," he added, "is the greatest poet

that ever lived. He expresses his sublime and perfect compositions in

dear deeds. He is, indeed, a great poet."

Nageeb Fiani thought it great argument for poetry; so, too, Khalil

Khayyat.

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