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CHÂTEAU DE FONTAINEBLEAU, _June 29, 1861_.

DEAR FRIEND: I received the cigar-case, which is charming even to my

eyes, which have just seen the gifts of the Siamese ambassadors. Our

letters crossed. I am so busy here doing nothing that I have had no time

to write. At last we are all leaving to-night, and I shall be in Paris

when you receive this letter.

We had, on Tuesday, a passably good ceremony, quite like that in the

_Bourgeois Gentilhomme_. It is impossible to conceive of a more singular

spectacle than that of a score of black men, with a strong resemblance

to monkeys, dressed in gold brocade, and wearing white stockings and

patent-leather shoes, with sword at their sides, all flat on their

stomachs, crawling on knees and elbows along the Henri II gallery,

carrying their noses as high as the backs of those who preceded. If you

have ever seen the advertisement on the _Pont Neuf_, “The Dog’s

Good-morning,” you may form some idea of the scene.

The first ambassador had the hardest time. He wore a felt hat

embroidered in gold, which danced on his head at every movement, and,

besides, carried in his hands a bowl of gold filigree, containing two

boxes, in each of which was a letter from their Siamese majesties. The

letters were in silk and gold purses, and the whole thing extremely

rich.

After having delivered the letters, when they tried to turn around,

confusion reigned in the embassy. There were kicks from behind into

faces, swords thrust into the eyes of those on the second row, who in

turn were putting out the eyes of the third row. The spectacle resembled

a troop of cockchafers on a carpet.

The Minister of Foreign Affairs had invented this charming ceremony, and

had required the ambassadors to crawl. The Asiatics are supposed to be

more guileless than they are, and I am confident that they would have

found no fault had they been permitted to walk. The whole effect of the

crawling was lost, however, because the emperor became impatient at

last, rose, made the cockchafers rise, and conversed in English with one

of them. The empress kissed a little monkey which they had brought with

them, and which is said to be the son of one of the ambassadors; he ran

on all-fours like a little rat, and had an intelligent expression.

The temporal king of Siam sent his portrait to the emperor, and that of

his wife, who is hideously ugly. But you would have delighted in the

variety and beauty of the stuffs which they brought. They are of gold

and silver, woven so delicately that they are perfectly transparent, and

resemble the light clouds of a beautiful sunset. They presented the

emperor with trousers, the legs of which are embroidered with small

designs in enamel, gold, and green; and a waistcoat of gold brocade as

soft as a silk handkerchief, the patterns of which, gold worked on gold,

are marvellous. The buttons are of gold filigree, with small diamonds

and emeralds. They have a red gold and a white gold, which when used

together produce an admirable effect.

In short, I have never seen anything more stylish, and at the same time

more elegant. What strikes one as singular in the taste of these savages

is that, while they use only dazzling silks, gold and silver thread,

there is nothing conspicuous in their stuffs. The materials are combined

in marvellous taste, producing a quiet, harmonious effect.

Good-bye, dear friend. I expect to make a visit to London, where I have

business connected with the Exposition. This will be about July 8th or

10th.

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