CHAPTER X

THE COUNTRY HOMESTEAD AND COUNTRY SEAT

Throughout the romanized parts of the empire--in other words, wherever

Romans settled, in Italy, Spain, Gaul, Britain, and also wherever the

richer natives imitated the Roman fashions--the house in any city or

considerable town was built as nearly as possible after the type

described.

In the country the poor naturally had their much simpler cottages and

cabins of a room or two, commonly thatched or shingled, knowing

nothing of hall and court and all these arrangements of art and

luxury. In the case of the more well-to-do country people of

Italy--the larger farmers, wine-growers, olive-growers, and the

like--the homestead was of a kind which made for simplicity and

comfort. It was in such homes that one would find the most wholesome

life and the soundest moral fibre of the time.

Normally the homestead would be a large, and often a rambling,

building of one storey, except where a tower served as a store-room

for the mellowing wine or a loft for the mellowing fruit. When we read

in Horace about the liberal stack of wood to be kept in readiness near

the hearth, and about the wine-jar drinking in the smoke in the

store-room we must think of his country homestead on the Sabine Hills,

not of a house in Rome, for at Rome there was no blazing hearth to sit

round and no smoky tower-loft for the ripening of the Caecuban.

You enter an open court or yard, round the sides of which may run the

stalls of the horses and oxen of the farm, the tool-rooms, the lofts

of hay and corn, the quarters of the labourers--herdsmen, ploughmen,

vine-dressers--and the great farm-kitchen. It is in this kitchen that

you will find the bright hearth in winter-time, where all the members

of the homestead gather round the fire. It is here that they then all

eat, and in it the women of the establishment perform their work,

spinning and weaving and mending. Off from the court will be situated

the wine-press, or the olive-press, the-granaries, the fruit mellowing

on mats, and the various rooms or bins where wine is fermented and

stored, or where the olive-oil is treated and stocked. Commonly a more

retired court will contain the private rooms of the owner, and

somewhere in the homestead will be found the fowl-yard, with its hens,

ducks, geese, and guinea-fowl, the sties, and the preserves for

various toothsome animals, including perhaps dormice and snails.

[Illustration: FIG. 45.--PLAN OF HOMESTEAD AT BOSCOREALE.]

Frequently a Roman of the city affected a country house of this

character, to which he would flee during the tyrannous reign of the

Dogstar or the Lion---in other words, during that hot season of the

year which requires no description for those who have been so

ill-advised as to sojourn in Rome in July, August, and early

September. Many of his town slaves he would take with him, and what

was a holiday for him was also a holiday for them. His rural homestead

would possess great charm for the quieter type of man who had no real

love for the pomps and shows the rattle and tumult, of the city. The

vision of wholesome country-produce--of fresh milk and eggs and

vegetables, and of tender poultry--is one which still attracts our

city-folk. But the vision, then as now, was often subject to

disillusion. Complaints are many that you had to feed the homestead in

place of it feeding you, and when Martial has given a pleasant picture

of a family reaching the gate of Rome with a coachful of the typical

produce of the country, he ends by suddenly letting you know that they

are not coming in from their country house but are going out to it.

The complaint of the English seaside town that there will be no fish

"till the train comes in from London," is thus a sufficiently old one.

Yet the same Martial supplies another picture, painted with such zest

of frank enjoyment that we are at once convinced of its truth. Some

portions of it perhaps admit of translation in the following terms:--

Our friend Fundanus' Baian seat,

My Bassus, is no pleasance neat,

Where myrtles trim in idle lines,

Clipped box, and planes unwed to vines

Rob of right use the acres wide:

'Tis farm-life true and countrified.

In every corner grain is stacked,

Old wines in fragrant jars are packed:

About the farmyard gabbling gander

And spangled peacock freely wander:

With pheasant and flamingo prowl

Partridge and speckled guinea-fowl:

Pigeon and waxen turtle-dove

Rustle their wings in cotes above.

The farm-wife's apron draws a rout

Of greedy porkers round about;

And eagerly the tender lamb

Waits the filled udder of its dam.

With plenteous logs the hearth is bright.

The household Gods glow in the light,

And baby slaves are sprawling round.

No town-bred idlers here are found:

No cellarer grows pale with sloth,

No trainer wastes his oil, but both

Go forth afield and subtly plan

To snare the greedy ortolan.

Meanwhile the garden rings with mirth,

While townfolk dig the yielding earth:

No need for the page-master's voice;

The saucy long-haired boys rejoice

To do the manager's commands.

At morn 'tis not with empty hands

The country pays its call, but some

Bring honey in its native comb,

Or cones of cheese; some think as good

A sleepy dormouse from the wood;

And honest tenants' big girls bring

Baskets with "mother's offering."

The visit to the country in the season of the "mad star" and the

scirocco was as necessary to the ancient Roman as is his

_villeggiatura_ to the modern. But there were other seasons when he

fled from town. If to the heat of summer he sought the hills, in the

colder he might seek the south of Italy, and in spring or autumn the

seaside at various points the mouth of the Tiber to southward of

Salerno, might run away from inconvenient business or ceremonies, or

through a mere desire to get rest or sleep or change. He might wish,

as Cicero and Pliny did, to get away from the "games" and to study and

write in quiet. He might fancy that his health called for baths in the

hot springs on the Bay of Naples, or for sea-bathing somewhere on the

Latian or Campanian coasts. To put it briefly, he was very much like

our worried, bilious, or exhausted selves. His life of ceremony was a

hard one, and often he ate and drank too much. But whereas nowadays we

can make free choice of any agreeable spot, since every such spot

possesses its "Grand Hotel" or "Hotel Superbe," where we can always

find the crowd and discomfort which we pretend to be escaping, the

Roman idea was different. It corresponded more to that of our English

nobles, who, in Elizabethan or Queen Anne days or later, built

themselves country seats, one, two, or more, indulging in

architectural fancies and surrounding all with spacious gardens,

ponds, and rockeries. The Roman man of wealth created no hotels. He

dotted his country seats about in places where the air was warm for

winter and spring, or cool for summer and autumn, by the seashore, on

the lower hills, or high on the mountain side. You would find them on

the Italian lakes or elsewhere toward the north. In greater numbers

would you find them on the hills near Rome, at the modern Tivoli or

Palestrina, on the Alban heights near what are now Frascati, Albano,

or Genzano, along the shore at Antium, Terracina, Baiae, Naples,

Herculaneum, Pompeii, Castellamare, and Sorrento.

Perhaps it is not too much to say that more than a hundred and twenty

miles of this coast were practically a chain of country houses. The

shore of the Bay of Naples has been compared to a collar of pearls

strung round the blue. Wherever there was a wide and varied landscape

or seascape, there arose a Roman country house. We are too prone to

assume that the ancients felt but little love or even appreciation of

scenery, and to fancy that the feeling came as a revelation to a

Rousseau, a Wordsworth, or a nineteenth-century painter. That Roman

literature does not gush about the matter has been absurdly taken for

proof that the Roman writer did not copiously enjoy the glories

presented to his eyes. But, though Roman literature does not gush, it

often exhibits the same feelings towards scenery which at least a

Thomson or a Cowper exhibits. Perhaps it was so accustomed to scenic

beauties that it took for granted much that an English or German

writer cannot. At any rate we are sure that the Roman chose for his

country seat a site commanding the widest and most beautiful outlook,

and that he even built towers upon his house to command the view the

better. In this respect he was like the mediaeval monks, when they

chose the sites of monasteries at San Martino or Amalfi, and his love

of a belvedere was probably quite as great as theirs.

The country seat differed widely from the town house. We must forget

the plan which has been given above, with its hall and court lighted

from within, and made private from the passing crowds in the street.

In the country there is no need of such an arrangement. Moreover there

are no formal receptions to necessitate the hall, and there are ample

gardens to make the peristyle superfluous. Here the walls of the house

may break forth into large and open windows, while all around may run

pillared verandahs. Built in any variety of shape, according to the

situation and the fancy, it may contain an immense variety of

sitting-rooms, dining-rooms, bedrooms, facing in every direction to

catch the sun, the shade, the breeze, or the prospect, as the case may

be. Not that magnificence is any more neglected than in the great

English country seats. The pillars and pavements are as rich as means

allow, and works of painting and statuary are perhaps even finer and

more numerous than in town; there is more time to look at them, and

there are better facilities for showing them off. Many of the best

works of ancient sculpture now extant in the museums have come from

such country seats. There were of course vulgar houses in bad taste,

where the owner's notions of magnificence consisted in ostentatious

extravagance and a desire to outdo his neighbour. As now, everything

depended either on the culture of the man or on the amount of his good

sense in leaving such matters to his artistic adviser.

Outside the house lie the gardens and grounds. For the most part these

are laid out in the formal style adopted so often in more modern Italy

and favoured so greatly in England in the early eighteenth century.

Perhaps the Villa d'Este at Tivoli, though of course not ancient, may

convey some approximate idea of the prevailing principle. Along one

side of the Roman house we should find a smooth terrace ornamented

with statues and vases, to be used as a promenade. There are straight

walks and avenues between hedges and trees and shrubs--cyprus, laurel,

box, and other manageable plants--cut to the shape of beasts and birds

and inanimate objects. There are flower-beds--of the rose, the crocus,

the wallflower, the narcissus, the violet, but not, for example, the

tulip--laid out in geometrical patterns. There are trellis-work

arbours and walks covered with leafy vines or other trailing plants.

There are clumps of bay-trees, plane trees, or myrtles, with marble

seats beneath. There is either an avenue or a covered colonnade, where

the ground is made of soft earth or sand, and where the family may

take exercise by being carried in a litter up and down in the open or

under the shade. There are greenhouses and forcing-houses, where

flowers are grown under glass. There are fish-ponds, fountains, and

water-channels, with artificial cascades and a general suggestion of

babbling streams. Out beyond lie the orchards and the vegetable

gardens, where are grown most of the modern fruits, including peaches,

apricots, and almonds, but not yet including either the orange or the

lemon.

The country immediately round the mansion of the wealthy man was

commonly his own estate. A portion of this was frequently woodland,

affording opportunities for hunting deer, wild boar, and other game.

For the boar the weapon was a stout spear, and the general practice of

the sportsman was to wait at a certain spot until the beast was driven

towards it by a ring of beaters. Deer were caught in nets or

transfixed with javelins while running. In more open places the

hunter, accompanied by hounds, rode after a hare. But though far too

much of Italy was taken up by preserves of this unproductive kind, the

large estates were mostly turned to agricultural purposes. Different

owners, different practices; but the possessor of a number of country

seats would in some cases work the land for himself by means of

slaves--often in disgrace and labouring in chains--under the direction

of a manager or bailiff, while in others he would parcel out his land

on various terms among free tenants. It is gratifying to discover that

in bad seasons a generous landlord would sometimes remit a portion of

his dues, and that he recognised various obligations of a grand

seigneur to his district. Among them was the keeping up and

beautifying of the local shrines and contributing to buildings and

works for the public comfort.

Such would be the country seat when established landward. By the

seaside, especially in a much-frequented resort like Baiae, the room

was more limited and the equipment modified. The extensive garden

would be absent, and the height of the building increased by a second

or even a third storey. It was no uncommon thing for such a "villa,"

as it was called, to stand out on a promontory, where it could be

greeted by the sea on either side. In many cases it was actually built

out into the sea on piles or on a basis of concrete, and the occupant

made a special delight of fishing from his window, and of letting the

true sea-water flow into his swimming bath.

Life in the Roman World of Nero and St. Paul · 第 10 / 23 章