CHAPTER X

Mary Burton had not long been back from Europe when sealed windows and

boarded entrances began to give a sepulchral blankness to the houses of

the rich. Society was leaving town, and for Mary Burton to remain when

her set had gone would have been like reigning in an empty court, for

already she had entered upon her dominion and her triumph was secure.

New York society had at first received the over-seas report of her great

charm and loveliness with such sceptical indulgence as New York accords

to any excellence alien to the purlieus of her own boroughs.

Now New York had seen her, claimed her as its own--and capitulated.

Judged by every ordinary standard, Mary Burton should have been a very

happy young woman, sitting crowned and in state, while before her Life

passed in review. This afternoon, however, certain reflections brought

the harassment of unrest to her eyes and a droop of wistfulness to the

curve of her lips.

Self-analysis, that rude guest who comes sometimes, as unbidden and

unwelcome as a constable, to set all one's favorite vanities out of

doors and evict one's self-complacency, had intruded upon her thoughts.

Though she had the amelioration of a pier glass which gave her a view of

all her beauty, from the coronal of burnished hair to the satin points

of small slippers, she did not seem quite happy. Mary was discovering

that nature had endowed her with a brain which refused to accept longer

its heretofore placid function of augmenting her physical allurements

with its cleverness and its power of charm. Now it was in insurrection.

Vassal no longer to the sense-thrilling appeal of eyes and lips and

color and delicate curves, it was turning its batteries inward and

preying upon itself.

Self-accusation had come to dispossess self-adulation.

Perhaps the silent voices of the mountains were in part responsible.

Haverly Lodge lay in acres not only smooth, but elaborately beautified,

yet the margins of the estate met and merged with nature's ragged

fringe. Metaled roads ran out in lumber trails where the Adirondacks

reared turrets of granite and primal forests. In summer, ease-loving

guests took their pleasure here, but when winter held the hills, wild

deer came down and gingerly picked their way close to the sundials and

marble basins of the sunken gardens. Foxes, too, stole on cushioned feet

across the terraces at the end of the pergola.

The master of Haverly Lodge was the great little man who chewed always

at an unlighted cigar and built industries as a child rears houses of

blocks. This Adirondack "camp" was one of H.A. Harrison's favorite

playthings. Here alone the nervous restlessness that drove him gave

place to something like peace. Among the guests now gathered there was

Mary Burton. Hamilton Burton was absent, as he was always absent from

the purely social side of the world into whose center he had forced his

way. For such diversions he had neither time nor taste, but like a

general who, under the dim light of his tent lantern, sticks pins into

a war map, it pleased him to have his sister take her triumphant place

among the court idlers whom he scorned.

Now she sat in her room overlooking the terraces and gardens at the side

of the mansion. Just outside her window was a small gallery over whose

wide coping clambered a profusion of flowering vines. Through half-drawn

curtains as she lay in a long reclining chair she could see the purple

veil of the young summer draped along the distance where rosy fires

burned in the wake of day--or she could turn her eyes inward and have

the other picture which the mirror offered. Her slender hands lay

inertly quiet in her lap, holding an envelope.

Suddenly she turned her head and spoke to the only other occupant of the

room--her maid.

"Julie," she said, almost sharply, "you may go. Come back in half an

hour."

"But, mademoiselle," exclaimed the little French woman who had put by

dreams of a small millinery shop in Paris to come with her mistress to

America, "dinner is not far off, and you are not yet dressed."

Mary Burton did not answer. Her thoughts were elsewhere and after a

moment's hesitation Julie went out and closed the door quietly behind

her. The pearls lying near the mirror caught the light and echoed it in

their soft shimmer.

"Hamilton Burton's collar," she murmured.

Then she slowly drew from the envelope in her lap a letter.

Its writer subscribed himself with many adoring superlatives, "Thy

Carlos," but that was an abbreviated signature. In Andalusia, where his

estates lay, his prerogative was to sign himself Juan Carlos Matisto y

Carolla, Duke de Metuan.

She read the letter and let it fall from her listless fingers. Her eyes

went again to the portrait in the glass. Very slowly she rose and

studied herself standing. The lacy softness of her negligée fell away

from her slenderly rounded throat. The creamy whiteness of arms and

shoulders and bosom was touched with the rosiness of blossom petals.

"I suppose," she said with a short laugh, "I suppose--as men's ideas of

women go--I'm worth possessing." Then she turned impatiently to the

window and stood with one arm high above her head, resting on the white

woodwork of its frame. While her eyes went off to the sunset, they

became hungry for something she did not have, she who had so much.

In a few days, unless she forbade it, the duke would arrive, this note

from his New York hotel announced. There had been also a brief

communication from Hamilton, which she had angrily torn into small bits.

The duke had called on him, said her brother, and craved permission to

pay his addresses to Mary. Hamilton Burton had granted the boon with the

manner of a king contemplating a noble alliance in his family. Mary

Burton did not care for the manner.

It complicated matters, she admitted, that she herself had not precisely

discouraged the duke over there in Cairo and in Nice. He had fitted

rather comfortably into the artificial life she had been living, which

she had not then begun to question with analysis. As she looked back she

could not recall that she had definitely discouraged any of those titled

suitors. Now that her brain had turned on her, forcing her to take stock

of her life, many shapes and colors changed, as the light of day alters

the aspect of gas and bares its deceit. The idea of meeting Carlos de

Metuan brought a shiver of personal distaste.

"I never knew but one real man," she told herself bitterly. "I don't

even know that he was a real man. I wonder if he is still alive." Once

more she was in fancy a little girl, shyly twisting the toe of a rough

shoe in the dust of the mountain roadside. Once more she saw a pair of

eyes that won the heart with their honesty and seemed willing to have

other eyes look through them into a soul concealing nothing. Though

Jefferson Edwardes had been her first flatterer, he had flattered

without ulterior motive. She was a ragged child and he a rich young man

who might have to die. Suddenly she felt that the little girl who was

once herself had been more admirable in every way than this polished

woman who had succeeded her: the woman who was everything that little

girl had yearned to be and who stood self-revealed as brilliant and hard

as one of her own purely decorative diamonds.

A small clock chimed, and, with a somewhat weary step, Mary Burton

crossed the room and rang for her maid.

At dinner and later when the moon had risen and the guests danced on the

smooth mosaic floor of an outdoor pavilion cunningly fashioned in the

semblance of a Greek theater, her eyes were pools of laughter and her

repartee was like wine sparkle--for at least she had learned to act with

the empty bravery of her world.

In the constant attendance of men who chattered compliments she felt a

haunting sense of pursuit and a secret impulse for flight, so that at

the first opportunity she slipped away for the relief of solitude.

There were many vine-embowered retreats about the place where those who

did not wish to dance might talk softly in the blue shadows of Grecian

urns with star-shine and moon-mist for their tête-à-têtes. In such a

place sat Mary Burton, alone--looking about her for a means of more

secure escape. Her imagination kept disturbing her with the figure of a

small girl whose home was a soon-to-be-abandoned farm. A yearning

possessed her for the one thing which she could not command, the sort of

romance that sweeps one away like a torrent. That little girl had

yearned for the gifts of the world, for experience, wealth and

adulation, because she fancied that out of these things came romance and

its prize of happiness. The woman had them all--except the end of them

all for which she had wanted them. They were dulled and tarnished by

satiety and she still craved the coming of a lover whose forceful wooing

should frighten and dominate her. Never in her life had she known any

man upon whom she could not, with her trained self-reliance, set her own

metes and bounds. Surely somewhere in the world there must be the sort

of love-making that wrenches a woman out of her perfect self-composure

and bears her away on its flood tide of power and passion. Perhaps she

had been schooled and "finished" until humanity and its wonderful

reality had, for her, ceased to exist. Suddenly she felt an upflaming of

resentment against the generosity of her Napoleonic brother. In exchange

for life's golden chance of romance she had been given a wonderful

veneer of hard brilliancy--and she hated it! After a few moments of

rebellious introspection she shook her head and rose from her seat,

slipping behind the tall marble urn that rose from the end of the bench

into the enveloping shadows. She was seeking a refuge where she might

hide and hear the music softened by the distance and she kept walking,

lured on by the wildness of the surrounding hills which just now better

suited her mood than the clipped hedges.

She found a place at last from which, as one apart, she could look up at

the stars and down at the dancers.

There was a larger crowd dancing now than there had been. Evidently new

guests had arrived since dinner. She was beginning to feel the solace of

her escape from other human beings when she became conscious of a

white-clad figure approaching her, and gave a low exclamation of

annoyance. Yet something in the manner of the man's movement indicated

that he was, like herself, finding greater pleasure in solitude than in

the dance. It was only when he was almost upon her that she stood out

visible in the depth of the shadow. He halted then and bowed his

apology.

"I beg your pardon," said a voice which struck a vaguely familiar chord

of memory. "I didn't mean to intrude. I was just hunting for a spot

where I could watch things without having to talk to anyone."

Mary Burton laughed.

"You don't have to talk to me," she assured him, "because, as it

happens, that's why I'm here myself."

It was too dark for recognition of features, but there was a silvery

quality in the girl's voice which piqued the interest of the newcomer

and caused him to deviate from his avowed purpose of self-withdrawal. It

seemed to him that music sounded across a space of years--music

remembered and longed for.

"The dismissal is unmistakable in its terms," he answered. "Yet, since I

have come a long way, may I not sit here for a moment of rest--provided

I am very silent?"

Mary smiled and then quite unpremeditatedly she found herself

inquiring, "A long way? Where do you come from then?"

"From St. Petersburg," he enlightened in a casual fashion, and after a

moment he added, "to see you!"

"You just said you were seeking a place to be alone and why should you

look for me whom you never saw before and whom you can't see now, for

the dark? You don't even know what I'm like."

"I beg your pardon, Miss Burton.--There, you see I know your name."

The tantalizingly familiar note in his voice puzzled and interested her

with a cumulative force. "I have a very definite idea what you are like.

Not being a poet, I'm afraid I can't put it into words."

"But you haven't seen me!" Her speech became for an instant

mischievously whimsical. "Of course, if you have a burglar's lantern

about you--or a match I suppose you might."

The man drew a small case from his pocket and struck a wax match,

holding it close.

She met his gaze, and he stood motionless until the tiny blaze traveled

down the length of the shaft and burned his fingers. His eyes never left

her face. In those eyes she felt a strange power of magnetism, for they

did not burn as other eyes had burned. They did not shift or waver. When

the match fell he spoke quietly. "You are as beautiful as starlight on

water and I am a true prophet."

In the brief and limited illumination she had recognized him, too, and

she bent impulsively toward him. In his coming just now as though in

answer to her thoughts there seemed something almost occult.

"Then you didn't die? You won your fight with your even chance? Oh, I

am so glad!"

"Thank you," answered Jefferson Edwardes gravely. "That's worth refusing

to die for."

"It's strange, Mr. Edwardes," she spoke almost dreamily. "Perhaps it's

because I've been listening to the voice of the hills, but I have been

sitting here alone--hiding--and while I've been here I've been thinking

of you--wondering where you were."

"For that, too, I thank 'whatever gods there be,'" he assured her. "It

has been a long time since we met and I was afraid you had forgotten. Of

course, I've read of you and I knew that my prophecy was being

fulfilled. Twice I planned to leave St. Petersburg and pursue you to

London or Paris, but each time business matters intervened with their

relentless demands."

"What made you think of me?" An eager sincerity sounded through the

question. She was weary of compliments, but Jefferson Edwardes had a

manner of simple speech which gave worth to his utterances.

"Once upon a time," he began with a low laugh, "there lived a singularly

sickening little prig of a kid, pampered and spoiled to his selfish

marrow. Though I hate to roast a small boy, I am bound to say that this

one was pretty nearly a total loss--and he was I. He threatened to grow

into a more odious man, but Providence intervened in his behalf--with

disguised kindness. Providence threw him out by the scruff of his

arrogant neck to fight for his life or to die--which was what he needed.

He went to your mountains to scrap with microbes--and he had leisure to

discover what a microbe he was himself."

The girl's laugh was a peal of silvery music in the dark. "Were you a

microbe?" she demanded. "All these years I've thought you a fairy

prince." With a sudden gravity she added, "To one small girl, you opened

a gate of dreams, and brought her contentment--" she broke off and the

final words were almost whispered--"so long as they remained dreams."

"And now--" he took her up with grave and earnest interest--"now that

they have become realities, what of them?"

"That comes later," she reminded him. "We aren't through yet with the

little boy who won out with his fighting chance."

"When you knew him your hills had done something for him. They had

humanized him. He went as one goes to exile, full of bitterness. Your

hills were a miracle of wholesomeness. They cleansed and restored him

with the song of their high-riding winds and the whispers of their

pines. They confided to him those things that God only says to man in

His own out-of-doors. Your mountains were good to me. I became something

of a dreamer there, and in those dreams you have always stood as the

personal incarnation of those hills. That is why I have thought of you

unendingly ever since."

Mary Burton's answer was to shake her head and declare wistfully:

"I almost wish you hadn't seen me again. It would have been better if

the illusion could have lasted."

"Since then," he went on, "the little girl has grown up and been

crowned, but I shall prefer to think of her as she was before she knew

she was to wear Cinderella's slipper."

"I wonder," she murmured, "if you can."

For a time they were silent while the dance music reached them softened

by the distance, and then he inquired in a low voice:

"Do you by any miracle of chance remember an injunction I laid upon you

one afternoon by the roadside?"

Mary Burton looked up and answered with a nod of her head. "Does any

woman ever forget her first compliment?"

"What was it?"

"'Wield leniently the dangerous gift of your witchcraft--the--'" She

abruptly broke off in the quotation and found herself coloring like a

schoolgirl, so Jefferson Edwardes took up the injunction where she had

left it incomplete. "The freakish beauty of your perfect, unmatched

eyes," he prompted.

The girl felt a strange flutter in her breast. Just now she had blushed.

What had happened to the poise of her usual self-command? Some influence

was abroad tonight or some hypnotism in those steady eyes that gave her

a sense of vague apprehension. It was an apprehension though that

thrilled her strangely with a welcome fear--and a promise. Tides were

stirring that were all new tides. It was as though marvels were

possible. She heard him saying again as he had said once before, "You

are as beautiful as starlight on water."

"So was Cleopatra, my friend. So was Helen of Troy. So were ... Circe

and Faustina."

"But they," he laughed, "did not wield kindly the power of their eyes."

Mary Burton winced, then she turned and faced him. Her voice trembled.

"Why did I have to meet you tonight? It isn't fair! They have schooled

my brain into every useless vanity. They have fed my selfishness until

it has strangled my heart. Never until today did I face the truth. All

afternoon I've been sitting alone--hating myself. I am nothing but an

artificial little flirt, and I have not obeyed your injunction." She

paused, then hurried on with the forced manner of one resolved upon full

confession! "Perhaps so far I've hurt only myself--but I've done

that--mortally. Then you come and I learn that you've woven an illusion

about me--and I destroy it."

Jefferson Edwardes smiled in the dark, but spoke gravely.

"You call yourself an artificial little flirt. You haven't flirted with

me. Why?"

"With you I have talked ten minutes." She laughed suddenly as though at

some absurd thought. "Besides, did any woman ever flirt with you? Can

one lie to eyes that see through one?"

"My eyes do see something," he said. "They see that you have never had a

chance to be your real self. You have been surrounded by flatterers and

sycophants, when you needed sincere and truthful friends."

"Truthful friends!" She repeated the words after him incredulously. "I

wonder if such things exist."

"I am one," he announced bluntly. "I am going to give back to you the

message your hills gave me--without flattery and without adjectives."

He came a step nearer and an unaccountable wave of attraction and fear

thrilled her--flooded her heart until her temples burned. She had been

wishing for the coming of a man who would not be clay in her hands. To

Circe all men must have been swine, from the start, save the man who

could pass by. Now, of a sudden, every wile of coquetry became a lost

art to Mary Burton. She felt like an accomplished and intriguing

diplomat, facing an adversary who has no secrets to conceal and no

interest in the evasions of others. He roused a new eagerness because

she knew intuitively that to mere fascination he would surrender no

principle. With the realization came a sense of surprise and exaltation

and timidity, and she spoke slowly with an interval between her words.

"Why--will--you--assume this rôle?"

"Because--" his voice was confident and inspired a responsive

confidence--"there is such a thing as a chemistry of souls. Life is a

laboratory where Destiny experiments with test-tubes and reagents.

Powerful ingredients may be mixed without result because they hold in

common no element of reaction. Other ingredients at the instant of

mingling turn violet or crimson or explode or burst into flame--because

they were meant to mingle to that end. Nature says so. Does the reason

matter?"

She asked another question, rather faintly, because she felt herself

startlingly lifted on a tide against which it was a useless thing to

struggle. Something in her wanted to sing, and something else wanted to

cry.

"I'm afraid chemistry is one of the things they didn't teach me much

about. Probably because it was useful. Can you put it in words of one

syllable?"

"Yes." He was standing close, but he bent nearer and his voice filled

and amplified the brevity of his monosyllables. "In three. I love you."

Mary Burton started back, and a low exclamation broke incoherently from

her lips.

The man caught both her hands and spoke with tense eagerness.

"You say I have met you in the dark for a few minutes. True. I have

looked on your face while one match burned out ... but I have dreamed of

you ever since I shrined you in my heart--back there--long ago by the

roadside. If you are not the woman of my visions, you can be, and I mean

that you shall be. You are a woman trained in the ways of your world. If

you could help it, you would not let a man take your hands in his, like

this, at a first meeting--would you?"

She shook her head, but her hands lay as motionless as though their

nerves were dead. She could feel the throbbing pulses of his fingers and

suddenly he bent forward and pressed his lips to hers, while she stood

amazed and unresisting. "Or kiss your lips--like this--would you? With

women I am timid, because I have never before been a lover. I could not

do what I am doing unless something stronger than myself were acting

through me. It is the chemistry of souls. It is written." He let his

arms fall at his sides.

Mary Burton pressed her temples with her fingers. Her knees felt weak

and she stood unsteadily on her feet. The man passed a supporting arm

about her waist. Finally, she drew herself up and laughed with a

nervousness that bordered on the hysterical.

"I wonder," she said brokenly; and paused only to repeat again: "I

wonder whether it's the great adventure I've dreamed of--or just

moon-madness? Ought I to be very angry?"

"You will have time to decide," he told her. "What I have said and done

I shall say and do again--often."

"It's strange," she murmured as though talking to herself. "I thought I

understood men. I'm not a schoolgirl any more. Yet I'm as bewildered as

though you were the first man who ever said, 'I love you.'"

"Thank God for that."

She turned and laid a hand on his arm. Her voice came with a musical

vehemence.

"If I do come to love you, I think it will be heaven or hell to me. I'm

not going to be angry until I've thought about it--and thought hard, and

I'm not going to love you unless you make me. Come, let's go back."

As they turned into the path toward the house, she broke irrelevantly

into laughter.

"When you lighted your match--and burned your fingers--what did you

think of my pearls?"

"I didn't see them," he promptly replied. "Were you wearing pearls?"

Confused by the sudden and marvelous consciousness of all life being

changed at a stroke, of doors that had swung wide between all the old

and all the new, Mary Burton walked as in a daze, her fingers toying

with the gems about her neck. But before she had taken many steps the

man laid a hand on her arm and halted her. When she turned he caught her

by her shoulders and his words came tumultuously and with an impassioned

earnestness.

"You must not deny me the chance to say something more," he declared.

"What I have said is either too much or too little. You ask me whether I

saw your pearls. When I first spoke to you--a child with all autumn's

glory blazing at your back, did I have eyes for trees and skies and

landscapes; though they were splendid and profligate in their beauty?

No. I saw you--only you! If you had stood against a drab curtain it

would have been the same. You were a child, too young to stir an adult

heart to love or passion.... What was it then that fixed you from that

moment in my heart?"

She looked back at him and asked faintly, "What was it?"

"That same chemistry of souls," he declared. "That same writing of our

futures in one horoscope; a voice that decreed: 'You shall wait for

her,' though I did not understand its message--until now. And now that I

have seen you, how can I think of pearls?"

To hear words of love spoken in a wild onrush of feeling was no new

experience to Mary Burton, yet it was as though she had never heard them

before. In the past her ears had heard, but now her heart was listening,

and her heart pounded in her breast as it drank in what the man said. He

talked fast, with his eyes on her eyes, and his hands grasping her white

shoulders. His heart, too, rather than his tongue, was speaking.

"You will read in every book," he declared, "that such things as this

are impossible. Give our lives the chance to write their own pages and

you will know that they are true and inevitable. To me you have been a

dream--I have told myself over and over again that it was only a dream,

the whimsical imagination of a man who has lived too much to

himself--who was abnormal. Now I have seen you. Had I seen you every day

since that first day it could mean no more to me. At the first syllable

of your voice--I _knew_. I need no further test."

"But I--?" she faltered.

"You shall take all the time you need. I told you that you had stood in

my mind as the spirit of the hills that gave me back my life. I told you

what I have been telling myself. Now I know better. From that first

instant my life has been molded--for this. Though I did not then know

it, I lived because I _had_ to live. I had to live because it was

written that my life should complete itself by loving you. It was not

your hills that gave me health again--it was yourself. You do not

personify the hills, but the hills personify you. My dream is no longer

a dream, it is a reality. I love you."

"But I have told you," she persisted, "that I am not what you think."

"You are what I know. I love you."

She stood tremblingly before him, and her words came with a whispered

wonderment.

"Things like this don't happen," she said. Then she added, "All the

things you tell me are such things as life laughs at, and yet there is

another side--my side. I have yearned to feel something that had the

power to lift me out of myself and make me gloriously helpless,

something big enough to set my heart beating beyond control--and I never

have felt it--till now. I--I am not the same girl. I don't know

myself.... You have come and I am suddenly different."

"Love's chemistry," he assured her. "The Mary Burton of this moment is

to be the Mary Burton of always, until she becomes Mary Edwardes."

"At all events, I must be alone--to think," she told him. "You can go

and dance, if you like. I've been here two days and I know all the

secret passages. I'm going to slip into my room by a back stairway and

think hard about how angry I am to be with you tomorrow."

"And I," he answered, "shall not dance. I am going to sequester myself

in the woods and pray the gods of fair auspices that you won't be too

angry."

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