XXX

Tira, from the forenoon of Tenney's accident, entered on uneventful

days. He lowered over his helplessness; he was angry with it. But the

anger was not against her, and she could bear it. For the first time she

saw his activities fettered, and the mother in her answered. She

ventured no outspoken sympathy, but he was dependent on her and in that,

much as it chafed him, she found solace. He was chained to his chair,

his wounded foot on a rest, and he had no diversions. Tira sometimes

wondered what he was thinking when he sat looking out at the road,

smooth with the grinding of sleds and slipping of sleighs. Once she

brought the Bible and laid it before him on a stand. If its exposition

was so precious to him at evening meeting, there would be comfort in it

now. But he glanced at her in what looked like a quick suspicion--did it

mean he thought she meant to taunt him with the unreality of his

faith?--and, after it had lain there a forenoon untouched, he said to

her uneasily:

"You put that away."

She took it back to its place on the parlor stand under Grandsir

Tenney's hatchet-faced photograph, wondering in her heart why it was not

what she had heard them read of God: "A very present help in time of

trouble." If you knew it was so, Tira reasoned, you never had to fret

yourself any more. And if that place was waiting for you--the good place

they talked about--even a long lifetime was not too much to face before

you got to it. After she had laid the book down and turned away from it

to cross the ordered stillness of the room, she stopped, with a sudden

hungry impulse, and opened it at random. "Let not your heart be

troubled," she read, and closed it again, quickly lest the next words

qualify so rich a message. It might say further on that you were not to

be troubled if you fulfilled the law and gospel, and that, she knew, was

only fair. But in her dearth she wanted no sacerdotal bargaining. She

needed the heavens to rain down plenty while she held out her hands to

take. When she entered the kitchen again Tenney, glancing round at her,

saw the change in her look. She was flushed, her mouth was tremulous,

and her eyes humid. He wondered, out of his ready suspicion, whether she

had seen anyone going by.

"What's the matter?" he asked sharply.

"Nothin's the matter," she answered. But her hands were trembling. She

was like Mary when she had seen her Lord.

"Who's gone by?" he persisted. "I didn't hear no bells."

"No," said Tira. "I don't believe anybody's gone by, except the

choppers. It's a proper nice day for them."

The child woke and cried from the bedroom and she brought him out in the

pink sweetness of his sleep, got the little tub and began to give him

his bath by the fire. As she bent over him and dried his smooth soft

flesh, the passion of motherhood rose in her and she forgot he was "not

right," and sang a low, formless song. When he was bathed she stood him

naked on her knee, and it was then she found Tenney including them both

in the livid look she knew. And she saw what he saw. The child's hair

was more like shining copper every day, his small nose had the tiniest

curve. By whatever trick of nature, which is implacable, he was not like

her, he was not like Tenney. He was a message from her bitter, ignorant

past. Her strong shoulders began to shake and her hands that steadied

the child shook, too, so that he gave a little whimper at finding

himself insecure.

"Isr'el," she broke out, "before God!"

"Well," said he, in the snarl she had heard from him at those times when

his devil quite got the better of him, "what? What you got to tell?"

"It ain't so," she said, her voice broken by her chattering lips.

"Before God, it ain't so."

"So ye know what I mean," he jeered, and even at the moment she had

compassion for him, reading his unhappy mind and knowing he hurt himself

unspeakably. "Ye know, or ye wouldn't say 'tain't so."

Words of his own sprang up in her memory like witnesses against him,

half phrases embodying his suspicion of her, wild accusations when, like

a drunken man, he had let himself go. But this he did not remember. She

knew that. Shut up in his cell of impeccable righteousness, he believed

he had dealt justly with her and no more. She would not taunt him with

his words. She had a compassion for him that reached into his future of

possible remorse. Tira saw, and had seen for a long time, a catastrophe,

a "wind-up" before them both. Sometimes it looked like a wall that

brought them up short, sometimes a height they were both destined to

fall from and a gulf ready to receive them, and she meant, if she could,

to save him from the recognition of the wall as something he had built

or the gulf as something he had dug. As she sat looking at him now,

wide-eyed, imploring, and the child trod her knee impatiently, a man

went past the window to the barn. It was Jerry, gone to fodder the

cattle, and Jerry brought Raven to her mind who, if he was obeying her

by absence, was none the less protecting her. The trouble of her face

vanished and she drew a quick breath Tenney was quick to note.

"Who's that?" he asked her sharply, turning in his chair to command the

other window.

"Jerry," she said. Her heart stilled, and she began to dress the child,

with her mother's deftness. "He comes a little early to fodder, 'fore he

does his own."

"I dunno," said Tenney, irritably because he had to wear out his spleen,

"why you can't fodder the cows when anybody's laid up. There's women

that do it all the time if their folks are called away."

"Why, I could," said Tira, with a clear glance at him, "only he won't

let me."

"What's he got to do with it," said Tenney, in surprise. "Won't let ye?

Jerry Slate won't let ye? Jerry ain't one to meddle nor make. I guess if

you told him 'twas your place to do it an' you'd ruther stan' up to it,

he'd have no more to say."

The blood came again to her face. She had almost, she felt, spoken

Raven's name, and a swift intuition told her she must bury even the

thought of it.

"There ain't," she said, "two nicer folks in this township than

Charlotte an' Jerry, nor two that's readier to turn a hand."

Tenney was silent, and Jerry did the chores and went home. Sometimes he

came to the house to ask how Tenney was getting on, but to-day he had to

get back to his own work.

This was perhaps a week after Tenney's accident, when he was getting

impatient over inaction, and next day the doctor came and pronounced the

wound healing well. If Tenney had a crutch, he might try it carefully,

and Tenney remembered Grandsir had used a crutch when he broke his hip

at eighty-two, and healed miraculously though tradition pronounced him

done for. It had come to the house among a load of outlawed relics, too

identified with the meager family life to be thrown away, and Tira found

it "up attic" and brought it down to him. She waited, in a sympathetic

interest, to see him try it, and when he did and swung across the

kitchen with an angry capability, she caught her breath, in a new fear

of him. The crutch looked less a prop to his insufficiency than like a

weapon. He could reach her with it. He could reach the child. And then

she began to see how his helplessness had built up in her a false

security. He was on the way to strength again, and the security was

gone.

The first use he made of the crutch was to swing to the door and tell

Jerry he need not come again. Tira was glad to hear him add:

"Much obleeged. I'll do the same for you."

Afterward she went to the barn with him and fed and watered while he

supplemented her and winced when he hurt himself, making strange sounds

under his breath that might have been oaths from a less religious man.

And Tira was the more patient because the doctor had told her the foot

would always trouble him.

It was two days after he had begun to use his crutches, that Tira, after

doing the noon chores in the barn and house, sat by the front window in

her afternoon dress, a tidy housewife. The baby was having his nap and

Tenney, at the other window, his crutch against the chair beside him,

was opening the weekly paper that morning come. Tira looked up from her

mending to glance about her sitting-room, and, for an instant, she felt

to the full the pride of a clean hearth, a shining floor, the sun lying

in pale wintry kindliness across the yellow paint and braided rugs. If

she had led a gypsy life, it was not because her starved heart yearned

the less tumultuously for order and the seemliness of walls. For the

moment, she felt safe. The child was not in evidence, innocently calling

the eye to his mysterious golden beauty. Tenney had been less irascible

all the forenoon because he had acquired a fortunate control over his

foot, and (she thought it shyly, yet believingly) the Lord Jesus Christ

was with them. Disregarded or not, in these moments of wild disordered

living, He was there.

She heard sleigh-bells, and looked out. Tenney glanced up over his

glasses, an unwonted look, curiously like benevolence. She liked that

look. It always gave her a thrill of faith that sometime, by a miracle,

it might linger for more than the one instant of a changed visual focus.

She caught it now, with that responsive hope of its continuance, and

knew, for the first time, what it recalled to her: the old minister

beyond Mountain Brook looked over his glasses in precisely that way,

kindly, gentle, and forgiving. But mingled with the remembrance, came

the nearing of the bells and the shock to her heart in the man they

heralded: Eugene Martin, driving fast, and staring at the house. The

horse was moving with a fine jaunty action when Martin pulled him up,

held him a quieting minute, and got out. He paused an instant, his hand

on the robe, as if uncertain how long he should stay, seemed to decide

against covering the horse and ran up the path. He must have seen Tira

and Tenney, each at a window, but his eyes were on the woman only. Half

way along the path, he took off his hat and waved it at her in

exaggerated salute, as if bidding her rejoice that he had come. In the

same instant he seemed, for the first time, to see Tenney. His eyes

rested on him with a surprise excellently feigned. He replaced his hat,

turned about like a man blankly disconcerted and went back down the

path, with the decisive tread of one who cannot take himself off too

soon. He stepped into the sleigh and, drawing the robe about him, drove

off, the horse answering buoyantly. Tira sat, the stillest thing out of

a wood where stalking danger lurks, her eyes on her sewing. Tenney was

staring at her; she knew it, and could not raise her lids. Often she

failed to meet his glance because she so shrank, not from his conviction

of her guilt, but the fear of seeing what she must remember in blank

night watches, to shudder over. For things were different at night,

things you could bear quite well by day. Now he spoke, with a restrained

certainty she trembled at. He had drawn his conclusions; nothing she

could possibly say would alter them.

"Comin' in, wa'n't he?" the assured voice asked her. "See me, didn't he,

an' give it up?"

Tira forced herself to look at him, and the anguished depths of her eyes

were moving to him only because they seemed to mourn over his having

found her out.

"No, Isr'el," she said quietly. "He wa'n't comin' in. He drew up because

he see you, an' he knew 'twould be wormwood to both of us to have him do

just what he done."

Tenney laughed, a little bitter note. Tira could not remember ever

having heard him laugh with an unstinted mirth. At first, when he came

courting her, he was too worn with the years of work that had brought

him to her, and after that too wild with the misery of revolt. She was

sorry for that, with an increasing sorrow. Tira could bear no

unhappiness but her own.

"Wormwood!" he repeated, as if the word struck him curiously. "D'he

think 'twas goin' to be wormwood for a woman to find a man comin' all

fixed up like courtin' time, to steal a minute's talk? You make me

laugh."

He did laugh, and the laugh, though it might have frightened her, made

her the more sorry. She had the sense of keeping her hand on him, of

holding him back from some rushing course that would be his own

destruction.

"Yes," she answered steadily. "'Twould be nothin' but wormwood for me,

an' well he knows it. He don't--love me, Isr'el."

She hesitated before the word, and with it the thought of Raven came to

her, as she saw him, unvaryingly kind and standing for quiet, steadfast

things. "He hates me."

"Hates ye," he repeated curiously. "What's he hate ye for?"

"Because," said Tira, bound to keep quietly on in this new way of reason

with him, "I left him. An' I left him 'fore he got tired o' me. He

never'd overlook that."

"You left him, did ye?" he repeated. "Then that proves you was with him,

or ye couldn't ha' left him."

"Why, Isr'el," said she, her clear gaze on his turbid answering one, "I

told you. I told you long 'fore you married me. First time you ever

mentioned it, I told you, so's to have things fair an' square. I told

you, Isr'el."

He said nothing, but she knew the answer at the back of his mind, and it

seemed to her wise now to provoke it, to dare the accusation and meet

it, not as she always had, by silence, but a passionate testimony.

"You said," she continued, "it shouldn't make no difference, what I'd

done 'fore you married me. You said we couldn't help the past, but we

could what's comin' to us. An' I thought you was an angel, Isr'el, with

your religion an' all. Not many men would ha' said that. I didn't know

one. An' we were married an' you--changed."

"Yes," he said. His hands were shaking as they did at the beginning of

his rages, but Tira, embarked on a course she had long been coming to,

was the more calm. "Yes, I changed, didn't I? An' when d' I change? When

that"--he paused and seemed to choke down the word he would have given

the child--"when that creatur' in there turned into the livin' pictur'

of the man that drew up here this day. Can you deny he's the image of

him?"

"No," said Tira, looking at him squarely. "He is the image of him."

"What do folks think about it?" he asked her. "What do you s'pose the

neighbors think? What'll it be when it grows worse an' worse? What'll

the school children say when he's old enough to go to school? They'll

see it, too, the little devils. The livin' image, they'll say, o' 'Gene

Martin."

Tira laid her work on the table in front of her. The moment of

restraining him had failed her, but another moment had come. This she

had seen approaching for many months and had pushed away from her.

"Isr'el," she said, "I guess you won't have that to worry over. There's

no danger of his goin' to school. He--ain't right."

He stared at her a long moment, puzzling instances accumulating in his

mind, evidences that the child was not like other children he had seen.

Then he began to laugh, a laugh full of wildness and despair.

"O my Lord!" he cried. "My Lord God! if I wanted any evidence I hadn't

got, You've give it to me now. You've laid Your hand on her. You've laid

Your hand on both of 'em. He can't ride by here an' see a red-headed

bastard playin' round the yard an' laugh to himself when he says,

'That's mine.' You've laid Your hand on 'em."

Tira rose from her chair and went to him. She slipped to the floor, put

her head on his unwelcoming shoulder and her arms about his neck.

"Isr'el," said she, "you hear to me. If you can't for the sake o' me,

you hear to me for the sake o' him,--sleepin' there, the pitifullest

little creatur' God ever made. How's he goin' to meet things, as he is?

'Twould be hard enough with a father 'n' mother that set by him as they

did their lives, but you half-crazed about him--what'll he do, Isr'el?

What'll the poor little creatur' do?"

Tenney sat rigid under her touch, and she went on, pouring out the

mother sorrow that was the more overwhelming because it had been locked

in her so long.

"Isr'el, I could tell you every minute o' my life sence you married me.

If 'twas wrote down, you could read it, an' 'twould be Bible truth. An'

if God has laid His hand on that poor baby--Isr'el, you take that back.

It's like cursin' your own flesh an' blood."

"I do curse him," he muttered. "I curse him for that--not bein' my flesh

an' blood." With the renewed accusation, his anger against her seemed to

mount like a wave and sweep him with it, and he shook himself free of

her. "Jezebel!" he cried. "Let go o' me."

Tira rose and went back to her chair. But she did not sit down. She

stood there, looking out of the window and wondering. What to do next?

With a man beside himself, what did a woman do? He was talking now,

drumming his fingers on the arm of his chair and looking at her.

"Sometimes," he said, "when it all comes over me, I think I'll shet you

up. I'll leave him asleep in there an' lock you in, up chamber, an' you

can hear him cry but you can't git to him. An' mebbe you can work it out

that way. He'll be the scapegoat goin' into the wilderness, cryin' in

there alone, an' you'll be workin' out your punishment, hearin' him

cry."

Tira stood listening and thinking. This was a new danger. If he shut her

away from the child (and he might do it easily, when his foot would

serve him again) nobody would hear. They were too far away. He was

frightening her. She would frighten him. She walked up to him and stood

looking down on him.

"Isr'el," said she quietly, "don't you git it into your head you could

shet me up."

"Yes," said he, and his tone was as ominous as her own, "I guess I could

shet you up all right."

"Yes," said Tira, "mebbe you could. But if you do, I'll break out. An'

when I've broke out"--she towered over him--"I'll break your neck."

Tenney, looking up and seeing in her eyes the mother rage that sweeps

creation from man to brute, was afraid, and Tira knew it. She looked him

down. Then her gaze broke, not as if she could not have held his

forever, but haughtily, in scorn of what was weaker than herself.

"I've been a true wife to you, Isr'el," she said. "You remember it now,

'fore it's too late. For as God's my witness, if you turn your hand

ag'inst a little child--whether it's your own or whether it ain't--an'

that baby in there is yourn an' no man but you has got part nor lot in

him--if you turn ag'inst him, I turn ag'inst you. An' when I've done

that, you'll find me as crazy as you be, an' I can't say no worse."

She went into the bedroom and he heard her crooning there, defiantly he

thought, even through the low sweetness of her voice. But her passion

had shaken him briefly. For the moment, the inner self in him could not

help believing her. He went back to his newspaper, trying, though the

print was dim before him, to recover his hold on the commonplace of the

day. He, too, would be unmoved; she should see he was not afraid of her

tantrums. But he had not read half a column before an evil chance drew

his eyes to a paragraph in the gossip from the various towns about. This

was under the caption of his own town:

"A certain gentleman appeared last week with a black eye, gained, it is

said, in a scrap with a non-resident interested in keeping the peace in

country towns. It is said both combatants bore themselves gallantly, but

that suit for assault and battery is to be brought by the party

attacked."

Tenney sat staring at the words, and his mind told him what a fool he

was. That meant the encounter at his gate. He had ignored that. He had

been deflected from it simply because he had cut his foot and let

himself be drawn off the track of plain testimony by his own pain and

helplessness. Was Raven in it, too? Was there a shameless assault of all

the men about on Tira's honesty? While he was the dupe of Martin, was

Martin Raven's dupe? Did such a woman bring perpetual ruin in her path?

This he did not ask himself in such words or indeed through any

connected interrogation. It was passion within him, disordered, dim, but

horrible to bear. He got up presently, took her scissors, cut out the

paragraph and laid it on her basket where her eyes must fall upon it.

When he had gone back to his chair, she appeared from the bedroom and

went up to him. He did not look at her, but her voice was sweeter,

gentler than the song had been, with no defiance in it, and, in spite of

him, it moved his sick heart, not to belief in her, or even a momentary

rest on her good intent toward him, but to a misery he could hardly

face. Every nerve in him cried out in revolt against his lot, his aching

love for her, his passion forever unsatisfied because she was not

entirely his, the anguish of the atom tossed about in the welter of

elemental life.

"Isr'el," said she, "there's one thing we forgot when we spoke so to

each other as we did a minute ago."

She waited, and he looked up at her, and the hunger of his eyes was as

moving to her as if, like the child they had fought over, he was himself

a child and "not right."

"We forgot," she said, in a soft shyness at having to remind him who was

a professing Christian of what he knew far better than she, "Who was

with us all the time: the Lord Jesus Christ."

She turned away from him, in a continued timidity at seeming to preach

to him, and seated herself again by the other window. The newspaper

clipping arrested her eye. She took it up, read it over slowly, read it

again and Tenney watched her. Then she crumpled it in her hand and

tossed it on the table. She glanced across at Tenney and spoke gravely,

threading her needle with fingers that did not tremble.

"That's jest like him," she said. "Anybody 't knew him 'd know 'twas

what he'd do. He's hand in glove with Edson that carries on that paper.

They go to horse-trots together. He's willin' to call attention to

himself, black eye an' all, if he can call attention to somebody else,

same time. That's wormwood, too, Isr'el. We're the ones it's meant for,

you an' me."

Old Crow · 第 31 / 50 题