SARAH'S FUTURE IS ARRANGED
Two days later Sarah's father was buried, laid quietly away in a pretty
little churchyard two miles outside the town, beside the young wife who
had died nine years before.
The funeral was a very unostentatious affair; only one cab followed the
coffin, and contained Sarah and Mrs. Stubbs, the old nurse, and Jane,
the untidy little maid, who, after the manner of her sort, wept and
sobbed and choked, until Mrs. Stubbs would right willingly have given
her a good shaking.
Sarah was very subdued and quiet, and Mrs. Stubbs cried a little, and
would have cried more had she not been so taken up with keeping an eye
on "that stupid ninny Jane."
And then they went back to the little hot, stuffy house, and had a cup
of tea, after which the vicar of the parish called and had a long talk
with Mrs. Stubbs about Sarah's future.
"I can't say we was good friends with him, pore thing," Mrs. Stubbs
explained; "but when death comes between, little differences should be
forgotten. And Stubbs and me will forget all our differences now; it's
Stubbs' wish as well as mine. I believe in sticking to your own flesh
and blood, for if your own won't, whose can you expect to do it? So
Sarah and me is the best of friends, and she is going back with me to
share and share alike with my own children."
"Oh, you are going to take Sarah," said the vicar, who had felt a great
interest in the dreamy artist whom they had just left to his last long
rest in the quiet country churchyard; "that is very good of you, very
good of you. I have been wondering what would become of the poor little
woman."
"Why, what should become of her?" Mrs. Stubbs said indignantly. "Her
mother was Stubbs' own sister."
"Yes," said the vicar, smiling; "but it is not every lady who would at
all encourage the idea of bringing up a child because her mother
happened to be her husband's sister."
"You're right there, Mr. Moore; you are right," Mrs. Stubbs cried; "but
some women 'ave 'earts of stone instead of flesh and blood. I'm not one
of that sort."
"And about the furniture, and so on," the vicar broke in, having heard
Mrs. Stubbs's remarks about her own good qualities several times
already.
Mrs. Stubbs looked round the room in good-natured contempt. "There's
nothing to speak of," she answered--and she was right enough--"but what
there is 'll have to go to paying for the doctor and the undertaker. If
there's a few pounds left over, Stubbs says put it into the savings bank
and let the child 'ave it when she grows up. She'll want to buy a ring
or something to remember her father by."
"And you are going to take the sole charge and expense of her?" the
vicar exclaimed.
"Oh, yes. We've seven of our own, and when you've so many, one more or
less makes very little difference. But I wanted to ask you something
else, Mr. Moore, and I'll ask it before it slips my memory. You know Mr.
Gray--'e's gone now, pore thing, and I don't wish to say aught against
him--brought Sarah up in a very strange way; indeed, as I said at the
time to the nurse, it's quite 'eathenish; and, it you'll believe me,
sir, she didn't even know how many aunts and uncles she 'ad, nor what
our very names were. But he 'as taught her some things, and playing the
fiddle is one."
"Yes, Sarah plays the violin remarkably well for her age," said the
vicar promptly.
"Yes, so the old nurse says," returned Mrs. Stubbs, with an air of
melancholy. "But I don't altogether 'old with it myself; it seems to me
such an outlandish thing for a little girl to play on. I wish it had
been the piano or the 'arp! There's so much more style about them."
"The violin is the most fashionable instrument a lady can learn just
now, Mrs. Stubbs," put in the clergyman hastily, wishing to secure Sarah
the free use of her beloved violin, if it were possible.
"Dear me. You don't say so. What, are young ladies about 'ere learning
it?" Mrs. Stubbs asked, with interest.
"Yes. I was dining at Lord Allington's last week, and in the evening
one of his daughters played a violin solo; but she doesn't play nearly
as well as Sarah," he replied.
"Then Sarah shall keep her violin and play to her 'eart's content," Mrs.
Stubbs cried enthusiastically. "That was what I wanted to ask you--if
you thought I should encourage or discourage the child in keeping it up.
But, as you say so plainly encourage, I will; and Sarah shall 'ave good
lessons as soon as she's fairly settled down at 'ome."
[Illustration: "Then Sarah shall keep her violin and play to her 'eart's
content."]
"That will be the greatest delight to Sarah, for the child loves her
violin," said the vicar heartily; "and that is not all, Mrs.
Stubbs--but, if she goes on as she has begun, there will always be a
useful, or at least a remunerative, accomplishment at her fingers'
ends."
"Oh, as to that," returned Mrs. Stubbs, with a lordly indifference to
money such as told her visitor that she was well blessed with worldly
goods, "Stubbs 'll provide for the child along with his own, and maybe
her other uncles and aunts 'll do something for her, too. I will say
that for _his_ family, as a family they're not mean. I will say that
for 'em."
So Sarah's future was arranged. She was to go home with Mrs. Stubbs,
who lived at South Kensington, and be one with her children. She was to
have the best violin lessons to be had for love or money; and Mrs.
Stubbs, in the warmth of her kindly but vulgar heart, even went so far
as to suggest that if Sarah was a very good, industrious girl, and got
on well with her practising, her uncle might very likely be induced to
buy her a new violin for her next birthday, instead of the dingy old
thing she was playing on now.
Poor, well-meaning Mrs. Stubbs! She little knew that the whole of
Sarah's grateful soul rose in loathing at the suggestion. She dropped
her bow upon the nearest chair, and hugged her precious violin as
closely to her breast as if it had been a thing of life, and that life
was threatened.
"Oh, Auntie!" she burst out; "a new violin!"
"Yes, child; I think it's very likely," returned Mrs. Stubbs, delighted
to see the effect of her suggestion upon her pale little niece, and
quite mistaking the meaning of her emotion. "Your uncle is very fond of
making nice presents. He gave May a new piano last Christmas."
"But," gasped Sarah, "my violin is a real Amati! It belonged to my
grandfather."
"And if it did, what then?" ejaculated Mrs. Stubbs, in no way impressed
by the information. "All the more reason why you should 'ave a new one.
The wonder to me is you play half as well as you do on an old thing like
that."
"It's--it's worth five hundred pounds!" Sarah cried, her face in a
flame.
[Illustration: "It's--it's worth five hundred pounds!"]
Mrs. Stubbs fairly gasped in her surprise. "Sarah," she said, "what are
you saying? Little girls ought not to tell stories; it's wicked. Do
you know where you'll go to? Sarah, I'm shocked and surprised at you!"
"Auntie, dear," said Sarah, "it's true--all true. It is, indeed! Ask
the doctor, ask the vicar--ask _any_ one who knows about violins, and
they'll tell you! It's a real Amati; it's worth five hundred
pounds--perhaps more. I'm not telling stories, Auntie, but Father was
offered that much for it, only he wouldn't take it because he said it
was all he had to give me, and that it would be worth more to me some
day."
Never had Mrs. Stubbs heard Sarah say so much at one time before; but
her earnest face and manner carried conviction with them, and she saw
that the child knew what she was talking about, and was speaking only
what she believed to be the truth.
"You really mean it, Sarah?" she asked, putting out a hand to touch the
wonderful instrument.
"Oh, yes, Auntie, it's _absolutely_ true," returned Sarah, using the
longest adjective she could think of the better to impress her aunt.
"Then," exclaimed the good lady, with radiant triumph, "you'd better
'old your tongue about it, Sarah, and not say a word about it--or you'll
be 'aving the Probate people down on you, robbing the fatherless and the
orphan."