CHAPTER XXXVII.

The Pursuit.—The Attempted Murder.—A Providential Interference.—The

Papers.

For some moments after the departure of his visitors, Sir Frederick

Hartleton remained in deep thought, then he commenced a diligent search

among some memoranda that he took from an iron chest imbedded in the

wall, and, selecting one paper, perused it attentively more than once.

“Surely,” he suddenly exclaimed, “this is the clue at last. Well do I

remember the awful night at Learmont, when the storm spread confusion

and dismay among the peasantry, and Britton’s ill-omened house was in

flames, while the dreadful cries that even now seem to ring in my ears,

so forcibly does memory recall them, issued from the burning mass. Let

me see. The time. Yes, that is sufficiently near,—between fourteen and

fifteen-years since. Learmont in London, and Britton, the smith, living

near him? In a style of coarse extravagance and debauchery befitting

his coarse nature. Who supplied the funds?—Why the rich ambitious

money-loving Squire Learmont, to be sure! And wherefore?—Aye, that’s

the question. For one of two reasons, I’ll swear. Either as a reward

for present services, or to purchase silence for the past. Humph!

Learmont is by no means scrupulous. He would murder the smith. Ay

surely would he. There is something then in progress which makes

Britton’s life valuable to the squire. And this man, Gray, too. Who is

he? Was he the man who rushed with such frantic gestures from the fire

with the child in his arms? And is that child, this girl—this Ada, as

they call her?—Surely the whole fits well together. But still there is

no proof—all is circumstantial as yet, and involved in mere conjecture.

Squire Learmont may maintain Britton if he please, and who shall

question him?”

Sir Frederick now again remained in silent thought for a long time,

then he said in an assured voice,—

“I must trust this affair to no one. It is too intricate for any

ordinary scouts to trace. I must see to it myself. The smith, I am

aware, holds his drunken orgies at the Chequers. Thither I will myself

go, and watch him. Squire Learmont, the time will come when the crimes

that I suspect you of may be made apparent; but cunning devil that you

are, I must be cautious or I shall alarm you, and defeat myself.”

The magistrate now rose, and disrobing himself of his upper clothings,

took from a cloth-press in his room the apparel in which he afterwards

appeared at the Chequers, where the little scene occurred between him

and the smith, Britton, of which the reader is already cognisant.

We will now, therefore, fellow the proceedings of Sir Frederick

Hartleton after he left the Chequers. His object was to procure poor

Maud, and get from her as much information as he thought he might, by

comparing with what he himself knew, rely upon.

He walked very quickly down the street; but the object of his search

was nowhere to be seen, and he felt convinced that she must have gone

in the opposite direction, although he felt almost sure likewise that

he had noticed a figure somewhat resembling hers in the way he was

proceeding. While he was standing in a state of doubt, the smith reeled

past him, and, Sir Frederick stepping into the shadow of a doorway,

escaped recognition from the drunken and infuriated man.

He then resolved to follow him, to see whither he went, as Mad Maud he

could easily discover by his police agents on the morrow.

Dogging, therefore, the unequal footsteps of Britton, the disguised

magistrate followed him closely and safely.

The smith paused at the corner of the street, and asked a drowsy

watchman if he had seen a beggar woman pass. He was at once answered in

the affirmative, and in the same breath asked for something to drink,

which Britton, being at the same time more savage than hospitable,

refused with the addition of a curse.

Sir Frederick now congratulated himself upon following the smith; for

he doubted not that, should he encounter poor Maud, he would inflict

upon her some fatal injury, unless he, Sir Frederick, was at hand to

protect the poor creature.

Britton blundered on, cursing and muttering to himself, but in so low a

tone that, although the magistrate came as close to him as he could

with safety, he could not shape any intelligible phrases from what was

thus uttered.

Britton walked on in the direction of the Houses of Parliament and

Westminster Hall, still very closely followed, and almost every

passenger he met he asked if a beggar woman had been seen. Some

answered one thing and some another, until a lad affirmed that an old

beggar woman passed him near to Millbank, and then sat down on a

door-step nearly facing the river.

With a shout of triumph Britton rushed onwards; but Sir Frederick kept

as close as prudence would dictate, until they cleared Abingdon-street,

and came upon the then dark and straggling purlieus of Millbank.

There were but few lights in this quarter, and the inhabitants were not

very favourably known to the magistrate as the most moral race in

London.

Britton now proceeded more cautiously, and kept peering about him to

endeavour, as it appeared to Sir Frederick, as well to discover Maud as

to note if any one was near. By gliding along close to some black

palings the magistrate entirely escaped observation, and Britton seemed

satisfied that he was alone.

Close to the river was a low wall of not more than four feet high, and

the night was so dark that it could scarcely be distinguished from the

dark stream that rolled by on the further side of it. Directly over the

wall was a kind of parapet of about three feet in width, which was

about level with the decks of the small river craft that came to

disengage gravel, wood, logs, &c., at the wharfs, and was very

convenient for them. Immediately, however, below this parapet, and, in

fact, partly washing under it, was the black muddy tide of the river.

Dark as was the water, the wall was still darker, and Sir Frederick

Hartleton could plainly see the upper part of the bulky form of the

smith in slight relief against the water, as he walked slowly along

close to the wall.

Once or twice he looked back; but his pursuer was on the other side of

the way, and quite well backed by the black paling which, when he

stooped a very little, was above his head.

This was the state of things, when suddenly a wild plaintive voice

broke the stillness of the night air; and, with a mockery of gaiety,

that had in it the very soul of pathos, sang or rather chaunted the

words of a song of joy, hope, and mirth, which was then popular in the

metropolis, and was the composition of one of the most distinguished

wits of the day.

There was a wild abandonment of manner about the singer, that would

have commanded the attention of Sir Frederick at any time; but now that

he saw the smith suddenly pause, he paused likewise, and the strains

with all their melancholy pathos came full upon his ear.

To the Bride! To the Bride!

“To the Bride! To the Bride,

I sing,

And away to the winds the strain

I fling.

There’s a tear in her gentle eye,

I trow—

She weeps, and her heart is sad,

I vow;

Her hand like a leaflet shakes

I see,—

That hand which never more

Is free.

She leaves her happy home

Of light,

Where her happiest days were past

So bright:

She has trusted all to one,

The bride.

Shall her young heart’s joy e’er know

A tide—

Shall her bliss flow on for aye

Or not?

When distant far, shall ever

The spot,

Where she lived and loved so long,

Be forgot?

To the Bride! To the Bride,

I sing,

And away to the winds my strain

I fling!”

The voice ceased. A solemn stillness reigned for a few brief seconds,

and then Sir Frederick saw the shadowy form of the smith glide

forwards—the gruff voice of the savage drunkard came to his ears as he

stooped and exclaimed,—

“So Maud—we have met again. D—n you, we are alone now!”

A half-stifled scream followed that speech, and the magistrate bounded

across the road. He paused, however, when he was within a few paces of

Britton, for he heard the poor mad creature speak, and the thought

crossed his mind that her cry had proceeded from sudden surprise, and

not from any injury inflicted by the smith, and knowing his power to

save her he thought that if Britton wished to procure any information

from Mad Maud previous to offering her any violence, he might as well

hear it, as in all probability it would be important and correct.

Acting on this supposition, he crouched down close by the wall for some

few seconds—then suddenly recollecting the parapet on the other side,

and the facilities it afforded as sufficiently close to aid poor Maud

in case of the most sudden emergency, he crept softly twenty yards or

more away, and then clambered over the wall in a moment, on to the

parapet. To draw himself along this noiselessly until he actually faced

Britton, was the work but of another minute, and laying flat down was

quite secure from observation, while he was ready for action, and must

hear the slightest murmured word that passed.

Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion · 第 13 / 94 章