“The Priory, Friday Morning.
“Oh, my dear aunties, don't be terrified, but Glory has had a kind of
a wee big triumph! Nothing very awful, you know, but on Monday night,
before a rather larger company than usual, she sang and recited and
play-acted a little, and as a result all the earth--the London earth--is
talking about her, and nobody is taking any notice of the rest of
the world. Every post is bringing me flowers with ribbons and cards
attached, or illustrated weeklies with my picture and my life in little,
and I find it's wonderful what a lot of things you may learn about
yourself if you'll only read the papers. My room at this moment is
like a florist's window at nine o'clock on Saturday morning, and I have
reason to suspect that mine host and teacher, Carl Koenig, F. E. C. O.,
exhibits them to admiring neighbours when I am out. The voice of that
dear old turtle has ever since Monday been heard in the land, and
besides telling me about Poland day and night from all the subterranean
passages of the house, he has taken to waiting on me like a nigger,
and ordering soups and jellies for me as if I had suddenly become an
invalid. Of course, I am an able-bodied woman just the same as ever, but
my nerves have been on the rack all the week, and I feel exactly as I
did long ago at Peel when I was a little naughty minx and got up into
the tower of the old church and began pulling at the bell rope, you
remember. Oh, dear! oh, dear! My frantic terror at the noise of the
big bells and the vibration of the shaky old walls! Once I had begun
I couldn't leave off for my life, but went on tugging and tugging and
quaking and quaking until--have you forgotten it?--all the people came
running helter-skelter under the impression that the town was afire. And
then, behold, it was only little me, trembling like a leaf and crying
like a ninny! I remember I was scolded and smacked and dismissed into
outer darkness (it was the chip vault, I think), for that first outbreak
of fame, and now, lest you should want to mete out the same punishment
to me again--
“Aunt Anna, I'm knitting the sweetest little shawl for you, dear--blue
and white, to suit your complexion--being engaged in the evening only,
and most of the day sole mistress of my own will and pleasure. How
charming of me, isn't it? But I'm afraid it isn't, because you'll see
through me like a colander, for I want to tell you something which I
have kept back too long, and when I think of it I grow old and wrinkled
like a Christmas apple. So you must be a pair of absolute old angels,
aunties, and break the news to grandfather.
“You know I told you, Aunt Rachel, to say something for me at nine
o'clock on the Queen's birthday. And you remember that Mr. Drake used
to think pearls and diamonds of Glory, and predict wonderful things for
her. Then you don't forget that Mr. Drake had a friend named Lord Robert
Ure, commonly called Lord Bob. Well, you see, by Mr. Drake's advice, and
Lord Bobbie's influence and agency, and I don't know what, I have
made one more change--it's to be the last, dears, the very last--in my
Wandering-Jew existence, and now I am no longer a society entertainer,
because I am a music-hall art----”
Glory had written so far when she dropped the pen and rose from the
table, wiping her eyes.
“My poor child, you can't tell them, it's impossible; they would never
forgive you!”
Then a carriage stopped before the house, the garden bell was rung, and
the maid came into the room with a lady's card. It was inscribed “Miss
Polly Love,” with many splashes and flourishes.
“Ask her up,” said Glory. And then Polly came rustling up the stairs in
a silver-gray silk dress and a noticeable hat, and with a pug-dog tucked
under her arm. She looked older and less beautiful. The pink and ivory
of her cheeks was coated with powder, and her light gray eyes were
pencilled. There was the same blemished appearance as before, and the
crack in the vase was now plainly visible.
Glory had met the girl only once since they parted after the hospital,
but Polly kissed her effusively. Then she sat down and began to cry.
“Perhaps you wouldn't think it, my dear, but I'm the most miserable girl
in London. Haven't you heard about it? I thought everybody knew. Robert
is going to be married. Yes, indeed, to-morrow morning to that American
heiress, and I hadn't an idea of it until Monday afternoon. That was
the day of your luncheon, dear, and I felt sure something was going to
happen, because I broke my looking-glass dressing to go out. Robert took
me home, and he began to play the piano, and I could see he was going
to say something. 'Do you know, little woman, I'm to be married on
Saturday?' I wonder I didn't drop, but I didn't, and he went on playing.
But it was no use trying, and I burst out and ran into my room. After a
minute I heard him coming in, but he didn't lift me up as he used to do.
Only talked to me over my back, telling me to control myself, and what
he was going to do for me, and so on. He used to say a few tears made me
nicer looking, but it was no good crying--and then he went away.”
She began to cry again, and the dog in her lap began to howl.
“O God! I don't know what I've done to be so unfortunate. I've not been
flash at all, and I never went to _cafés_ at night, or to Sally's or
Kate's, as so many girls do, and he can't say I ever took notice of
anybody else. When I love anybody I think of him last thing at night and
first thing in the morning, and now to be left alone--I'm sure I shall
never live through it!”
Glory tried to comfort the poor broken creature. It was her duty to
live. There was her child--had she never even seen it since she parted
with it to Mrs. Jupe? It must be such a darling by this time, creeping
about and talking a little, wherever it was. She ought to have the child
to live with her, it would be such company.
Polly kissed the pug to stop its whining, and said: “I don't want
company. Life isn't the same thing to me now. He thinks because he is
marrying that woman--What better is she than me, I would like to know?
She's only snapping at him for what he is, and he is only taking her
for what she's got, and I've a great mind to go to All Saints' and shame
them. You wouldn't? Well, it's hard to hide one's feelings, but it would
serve them right if--if I did it.”
Polly had risen with a wild look, and was pressing the pug so hard that
it was howling again.
“Did what?” said Glory.
“Nothing--that is to say----”
“You mustn't dream of going to the church. The police----”
“Oh, it isn't the police I'm afraid of,” said Polly, tossing her head.
“What then?”
“Never mind, my dear,” said Polly.
On the way downstairs she reproached herself for not seeing what was
coming. “But girls like us never do, now do we?”
Glory coloured up to her hair, but made no protest. At the gate Polly
wiped her eyes and drew down her veil, and said: “I'm sorry to say it
to your face, my dear, but it's all been that Mr. Drake's doings, and
a girl ought to know he'd do as much himself, and worse. But you're
a great woman now, and in everybody's mouth, so you needn't care.
Only----”
Glory's face was scarlet and her under lip was bleeding. Yet she kissed
the poor shallow thing at parting, because she was down, and did not
understand, and lived in another world entirely. But going back to where
her letter lay unfinished she thought: “Impossible! If this girl, living
in an atmosphere so different, thinks that----” Then she sat at the
table and forced herself to tell all.
She had got through the red riot of her confession and was writing: “I
don't know what he would think of it, but do you know I thought I saw
his face on Wednesday night. It was in the dark, and I was in a cab
driving away from the stage door. But so changed! oh, so changed! It
must have been a dream, and it was the same as if his ghost had passed
me.”
Then she became aware of voices in dispute downstairs. First a man's
voice, then the voices of two men--one of them Koenig's, the other with
a haunting ring in it. She got up from the table and went to the door of
her room, going on tip-toe, yet hardly knowing why. Koenig was saying:
“No, sair, de lady does not lif here.” Then a deep, strong chest-voice
answered, “Mr. Koenig, surely you remember me?” and Glory's heart seemed
to beat like a watch. “No-o, sair. Are you--Oh, yes; what am I thinking
of?--But de lady----”
“Mr. Koenig,” Glory called, cried, gasped over the stair-rail, “ask the
gentleman to come up, please.”
She hardly knew what happened next, only that Koenig seemed to be
muttering confused explanations below, and that she was back in her
sitting-room giving a glance into the looking-glass and doing something
with her hair. Then there was a step on the stairs, on the landing, at
the threshold, and she fell back a few paces from the door, that she
might see him as he came in. He knocked. Her heart was beating so
violently that she had to keep her hand over it. “Who's there?”
“It is I.”
“Who's I?”
Then she saw him coming down on her, and the very sunlight seemed to
wave like the shadows on a ship. He was paler and thinner, his great
eyes looked weary though they smiled, his hand felt bony though firm,
and his head was closely cropped.
She looked at him for a moment without speaking and with a sensation of
fulness at her heart that was almost choking her.
“Is it you? I didn't know it was you--I was just thinking----” She was
talking at random, and was out of breath as if she had been running.
“Glory, I have frightened you!”
“Frightened? Oh, no! Why should you think so? Perhaps I am crying, but
then I'm always doing that nowadays. And, besides, you are so----”
“Yes, I am altered,” he said in the pause that followed.
“And I?”
“You are altered too.” He was looking at her with an earnest and
passionate gaze. It was she--herself--Glory--not merely a vision or a
dream. Again he recognised the glorious eyes with their brilliant lashes
and the flashing spot in one of them that had so often set his heart
beating. She looked back at him and thought, “How ill he must have
been!” and then a lump came into her throat and she began to laugh that
she might not have to cry, and broke out into broad Manx lest he should
hear the tremor in her voice:
“But you're coming too, aren't ye? And you've left that theer--Aw, it's
glad ter'ble I am, as our people say, and it's longin' mortal you'd be
for all, boy.”
Another trill of nervous laughter, and then a burst of earnest English:
“But tell me, you've come for good--you are not going back to----”
“No, I am not going back to the Brotherhood, Glory.” How friendly his
low voice sounded!
“And you?”
“Well, I've left the hospital, you see.”
“Yes, I see,” he said. His weary eyes were wandering about the room, and
for the first time she felt ashamed of its luxuries and its flowers.
“But how did you find me?”
“I went to the hospital first----”
“So you hadn't forgotten me? Do you know I thought you had quite--But
tell me at once, where did you go then?”
He was silent for a moment, and she said, “Well?”
“Then I went to Mr. Drake's chambers.”
“I don't know why everybody should think that Mr. Drake----”
His great eyes were fixed on her face and his mouth was quivering, and,
to prevent him from speaking, she put on a look of forced gaiety and
said, “But how did you light on me at last?”
“I meant to find you, Glory, if I tramped all London over and
everybody denied you to me”--the lump in her throat was hurting her
dreadfully--“but I chanced to see the name over the music hall.”
She saw it coming, and broke into laughter. “The music hall! Only think!
You looking at music halls!”
“I was there on Monday night.”
“You? Monday? Then perhaps it was not my fancy that I saw you by the
stage do--.” Her nerves were getting more and more excited, and to calm
them she crossed her arms above her head. “So they gave you my address
at the stage door, did they?”
“No, I wrote for it to Peel.”
“Peel?” She caught her breath, and her arms came down. “Then perhaps
you told them where----” “I told them nothing, Glory.” She looked at him
through her eyelashes, her head held down.
“Not that it matters, you know.”
“I've just been writing to them, and they'll soon--But, oh, I've so much
to say, and I can't say it here. Couldn't we go somewhere? Into the park
or on to the heath, or farther--much farther--the room is so small, and
I feel as if I've been suffocating for want of air.”
“I've something to say too, and if----”
“Then let it be to-morrow morning, and we'll start early, and you'll
bring me back in time for the theatre. Say Paddington Station, at
eleven--will that do?”
“Yes.”
She saw him to the gate, and when he was going she wanted him to kiss
her hand, so she pretended to do the high handshake, but he only held it
for a moment and looked steadily into her eyes. The sunshine was pouring
into the garden, and she was bareheaded. Her hair was coiled up, and she
was wearing a light morning blouse. He thought she had never looked so
beautiful. On getting into the omnibus at the end of the street he took
a letter out of his vest pocket, and, being alone, he first carried it
to his lips, then reopened and read it:
“See her at once, dear John, and keep in touch with her, and I shall be
happy and relieved. As for your father, that old Chaise is going crazy
and is sending Lord Storm crazy too. He has actually discovered that the
dust the witch walks on who has cast the evil eye on you lies in
front of Glenfaba gate, and he has been sweeping it up o' nights and
scattering it in front of Knockaloe! What simplicity! There are only two
women here. Does the silly old gawk mean Rachel? or is it, perhaps, Aunt
Anna?”
And while the omnibus joggled down the street, and the pale young
clergyman with the great weary eyes was poring over his letter, Glory
was sitting at her table and writing with flying fingers and a look of
enthusiastic ecstasy:
“I've had three bites at this cherry. But who do you think has just
been here? John!--John Storm! But then you know that he is back, and it
wasn't merely my fancy that I saw him by the stage door. It seems as if
people have been denying me to him, and he has been waiting for me and
watching over me.” (Blot.) “His voice is so low, but I suppose that
comes to people who are much alone, and he is so thin and so pale, and
his eyes are so large, and they have that deep look that cuts into the
heart. He knew he was changed, and I think he was ashamed” (blot), “but
of course I didn't let whit that I was taking notice, and I'm so happy
for his sake, poor fellow! that he has escaped from his cage in that
Salvation zoo that I know I shall make them split their sides in the
theatre to-night.” (Blot, blot.) “How tiresome! This ink must have
got water in it somehow, and then my handwriting is such a
hop-skip-and-a-jump anyway. But hoots!
“Why shouldn't I love Johnny,
“And why shouldn't Johnny love me?
“Glory.”