POR LAS ZANCAS.

In all cities there is a street favoured by fashion. This in Mexico is

the Calle de Plateros (street of the silversmiths), so called because

there the workers in precious metals and dealers in bijouterie "most do

congregate."

In this street the _jovenes dorados_ (gilded youth) of modern

Tenochtitlan strolled in tight-fitting patent leather boots,

canary-coloured kid gloves, cane in hand, and quizzing-glass to the eye.

There, too, the senoras and senoritas go shopping bareheaded, with but

the shawl thrown over the crown hood-fashion.

When out only for promenade, none of these linger long in the street of

the silversmiths. They but pass through it on their way to the

_Alameda_, a sort of half-park, half-garden, devoted to the public use,

and tastefully laid out in walks, terraces, and parterres with flowers,

and fountains; grand old evergreen trees overshadowing all. For in that

summery clime shade, not sun, is the desideratum. Here the _jovenes

dorados_ spent part of the afternoons sauntering along the arcaded

walks, or seated around the great fountain watching the play of its

crystal waters. But with an eye to something besides--the senoritas,

who are there, too, flirting the fans with a dexterity which speaks of

much practice--speaks of something more. Not every movement made by

these rustling segments of circles is intended to create currents of air

and cool the heated skin. Many a twist and turn, watched with anxious

eyes, conveys intelligence interesting as words never spoken. In Mexico

many a love tale is told, passion declared, jealous pang caused or

alleviated, by the mute languages of fans and fingers.

Though the Calle de Plateros terminates at the gate of the Alameda, the

same line of street is continued half a mile further on, to the

fashionable drive of the _Pasco Nuevo_, sometimes called Pasco de

Buccareli, from the Viceroy who ruled New Spain when it was laid out.

It is the Rotten Row of Mexico, for it is a ride as well as a drive; and

at a certain hour of the afternoon a stream of carriages, with strings

of horsemen, may be seen tending towards it, the carriages drawn, some

of them by mules, others by the small native horses, and a distinguished

few by large English or American animals, there known as _frisones_. It

is the top thing to have a pair of "_frisones_."

In the carriages, the senoras and senoritas are seen attired in their

richest robes--full evening dress--bare-armed and bareheaded, their

hair, usually black, ablaze with jewels or entwined with flowers fresh

picked--the sweet-scented suchil, the white star-like jasmine, and

crimson grenadine. Alongside ride the cavaliers, in high-peaked,

stump-leather saddles, their steeds capering and prancing; each rider,

to all appearance, requiring the full strength of his arms to control

his mount, while insidiously using his spurs to render the animal

uncontrollable. The more it pitches and plunges the better he is

pleased, provided the occupants of the carriages have their eyes on him.

Every day in the year--except during the week of _Guaresma_ (Lent), when

capricious fashion takes him to the Paseo Viejo, or _Lav Vigas_, on the

opposite side of the city--can this brilliant procession be seen moving

along the Calle de Plateros, and its continuation, the Calle de San

Francisco.

But in this same thoroughfare one may often witness a spectacle less

resplendent, with groups aught but gay. Midway along the street runs a

deep drain or sewer, not as in European cities permanently covered up,

but loosely flagged over, the flags removable at will. This, the

_zanca_, is more of a stagnant sink than a drainage sewer; since from

the city to the outside country there is scarce an inch of fall to carry

off the sewage. As a consequence it accumulates in the zancas till they

are brimming full, and with a stuff indescribable. Every garbage goes

there--all the refuse of household product is shot into them. At

periodical intervals they are cleared out, else the city would soon be

a-flood in its own filth. It is often very near it, the blue black

liquid seen oozing up between the flagstones that bridge over the

zancas, filling the air with a stench intolerable. Every recurring

revolution make the municipal authorities of Mexico careless about their

charge and neglectful of their duties. But when the scouring-out

process is going on, the sights are still more offensive, and the smells

too. Then the flags are lifted and laid on one side--exposing all the

impurity--while the stuff is tossed to the other, there to lie festering

for days, or until dry enough to be more easily removed. For all it

does not stop the circulation of the carriages. The grand dames seated

in them pass on, now and then showing a slight contortion in their

pretty noses. But they would not miss their airing in the Paseo were it

twenty times worse--that they wouldn't. To them, as to many of their

English sisterhood in Hyde Park, the afternoon drive is everything--to

some, as report says, even more than meat or drink; since they deny

themselves these for the keeping of the carriage.

It may be imagined that the scouring-out of the zancas is a job for

which labourers are not readily obtained.

Even the _pelado_ turns up his nose at it, and the poorest proletarian

will only undertake the task when starvation is staring him in the face.

For it is not only dirty, but deemed degrading. It is, therefore, one

of the travaux-forces which, as a matter of necessity, falls to the lot

of the "gaol-bird." Convicts are the scavengers; criminals sentenced to

long periods of imprisonment, of whom there are often enough in the

_carceles_ of Mexico to clean out all the sewers in the country. Even

by these it is a task looked upon with repugnance, and usually assigned

to them as a punishment for prison derelictions. Not that they so much

regard the dirt or the smells; it is the toil which offends them--the

labour being hard, and often requiring to be done under a hot, broiling

sun.

To see them is a spectacle of a rather curious kind, though repulsive.

Coupled two and two--for the precaution is taken, and not unfrequently

needed--to keep their leg-chains on; up in mud to the middle of their

bodies, and above bespattered with it--such mud too! many of them with

faces that, even when clean, are aught but nice to look at; their eyes

now flashing fierce defiance, now bent down and sullen, they seem either

at enmity or out of sorts with all mankind. Some among them, however,

make light of it, bandy words with the passers-by, jest, laugh, sing,

shout, and swear, which to a sensitive mind but makes the spectacle more

sad.

All this understood, it may well be conceived with what anxiety Florence

Kearney listened to that snatch of dialogue between Santander and the

gaol-governor outside the cell. He did not even then quite comprehend

the nature of what was intended for them. But the sharer of his chain

did, who soon after made it all known to him, he passing the knowledge

on to Cris Rock. So when, on the next morning, the governor again

presented himself at the door of their cell, saying:

"Now, gentlemen, get ready to take a little exercise,"--they knew what

sort of exercise was meant.

He, however, believing them ignorant of it--for he was not aware they

had overheard his out-door speech with Santander, added ironically:

"It's a special favour I'm going to give you--at the request of Senor

Colonel Santander, who, as I've seen, takes a friendly interest in some

of you. For your health's sake, he has asked me to give you a turn upon

the streets, which I trust you will enjoy and get benefit by."

Don Pedro was a born joker, and felt conceit in his powers as a

satirist. In the present instance his irony was shaftless, being

understood.

The dwarf was the only one who deigned rejoinder.

"Ha, ha, ha!" he yelled in his wild unearthly way. "Turn _upon_ the

streets! That's fine for you, Don Pedro. A turn _under_ the streets--

that's what you mean, isn't it?"

He had been long enough in the gaol-governor's charge to know the

latter's name, and was accustomed to address him thus familiarly. The

deformed creature was fearless from his very deformity, which in a way

gave him protection.

"_Vayate Zorillo_," returned the Governor, slightly put out and

evidently a little nettled, "you're too fond of jesting--or trying.

I'll take that out of you, and I mean to give you a lesson in good

manners this very day." Then fixing his eyes upon Rivas, he added:

"Senor Don Ruperto, I should be only too happy to let you off from the

little excursion your prison companions are about to make and save you

the fatigue. But my orders are rigorous. They come from the highest

quarter, and I dare not disobey them."

This was all pure irony, intended but to torment him; at least so the

robber seemed to understand it. For, instead of accepting it in a

friendly sense, he turned savagely on his tormentor, hissing out:

"I know you daren't disobey them, dog that you are! Only such as you

would be governor of a gaol like this: you, who turned coat and

disgraced the sword you wore at Zacatecas. Do your worst, Don Pedro

Arias! I defy you."

"_Cascaras_! how swelling big you talk, Senor Captain Rivas! Ah! well.

I'll let a little of the wind out of you too, before you bid good-bye to

the Acordada. Even the Condesa, grand dame though she is, won't be able

to get you clear of my clutches so easy as you may be thinking. La

Garrota is the lady likeliest to do that."

After thus spitefully delivering himself, he called to some prison

warders in waiting in the court outside, and commanded them to come up

to him.

"Here," he directed, "take these two pairs and hand them over to the

guard at the gate. You know what for, Dominguez?" The half

interrogatory was addressed to a big, hulking fellow, chief of the

turnkeys, who looked all Acordada.

"_Por cierto, Senor Gobernador_," he rejoined with a significant look,

after giving the prison salute to his superior. "I know all about it."

"See, moreover, that they be kept all day at it; that's my orders."

"Sure will I, Senor," was the compliant rejoinder.

After which the man twitted with turning his coat, turned his back upon

the place where he had been so ungraciously received, going off to more

agreeable quarters.

"Now, gentlemen!" said the gaoler, stepping up to the door of the cell,

"_Por las zancas_!"

The Free Lances: A Romance of the Mexican Valley · 第 37 / 128 题